The Waltz in E Minor is a waltz for solo piano composed by Frédéric Chopin around 1830 and published after his death. It is influenced by the Viennese waltz rhythm but is neither complicated nor polyphonic. The simple melodies express feelings and oppositions through virtuosic playing, beginning with an impressive arpeggiated introduction that moves from soft to loud, followed by a lively first idea and a dreamy, charmed middle section that gives an opposite feel, closing with a brilliant coda.
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The Waltz in E Minor is a waltz for solo piano by Frédéric Chopin
The Waltz in E Minor is a waltz for solo piano composed by Frédéric Chopin around 1830 and published after his death. It is influenced by the Viennese waltz rhythm but is neither complicated nor polyphonic. The simple melodies express feelings and oppositions through virtuosic playing, beginning with an impressive arpeggiated introduction that moves from soft to loud, followed by a lively first idea and a dreamy, charmed middle section that gives an opposite feel, closing with a brilliant coda.
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The Waltz in E Minor is a waltz for solo piano composed by Frédéric Chopin around 1830 and published after his death. It is influenced by the Viennese waltz rhythm but is neither complicated nor polyphonic. The simple melodies express feelings and oppositions through virtuosic playing, beginning with an impressive arpeggiated introduction that moves from soft to loud, followed by a lively first idea and a dreamy, charmed middle section that gives an opposite feel, closing with a brilliant coda.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOCX, PDF, TXT or read online from Scribd
The Waltz in E Minor is a waltz for solo piano by Frédéric Chopin.
It was composed around
1830 , published in 1868 after Chopin’s death. This piece was influenced from the vigorous dance rhythm of the Viennese waltz. It is neither complicated, nor a polyphonic composition. The simple melodies with virtuosic characteristics express feelings and oppositions that toggle the emotions. It is on an eight-bar phrasing , begins with an impressive introduction of arpeggios which move from soft to loud. After the introduction, the first idea begins with repeated notes, gently accompanied by the bass. Its lively manner and playfulness do seem to have an anxious undercurrent. The second idea in the dreamy, charmed middle section characterized by a dolce legato passage gives the opposite feel. The piece closes with a brilliant, breathtaking coda which gives an impressive finale as most of Chopin’s work.