D

Lvan uonevanL
DnlLy occurs when all Lhe parLs of a work of arL
look llke Lhey belong LogeLher
8lchard Meler !ubllee Church
(Church ulo adre Mlserlcordloso)
1or 1re 1esLe lLaly
eLer MullerMunk NotmooJle 1933
ChromeplaLed 8rass
wen !ohn A cotoet of tbe Attlsts koom 1907
1909 Cll on Canvas
Charles 8ennle MacklnLosh 1be 5cottlsb
Moslcol kevlew 1896 LlLhograph
uomlnance
Cne way Lo achleve unlLy ln a deslgn ls Lo make a slngle
vlsual elemenL play a ma[or parL 1hls elemenL ls sald
Lo have domlnance ln Lhe deslgn
LllsworLh kelly 9otple 2001 1 color
llLhograph
Lllls Wllson llelJ wotkets Cll on MasonlLe
8epeLlLlon
ArLlsLs repeaL vlsual unlLs Lo develop unlLy wlLhln a deslgn
Powever Loo much repeLlLlon can cause monoLony so lL ls
lmporLanL Lo lncorporaLe sllghL varleLy Lo malnLaln vlsual lnLeresL
lrank SLella MoJloot os5olom l 1970 olymer and florescenL palnL
on canvas
Color
Color ls one of Lhe slmplesL ways Lo unlfy a work buL Lo malnLaln vlsual
lnLeresL lL ls lmporLanL Lo use LlnLs Lones and shades
Ldgar uegas MoJome comos 1869 Cll on canvas
newcombe
College ArL
oLLery c
1908
Surface CuallLy
1he surface quallLy of a work of arL can be Lhe domlnanL feaLure LhaL
creaLes unlLy ln Lhe work
aul Cezanne Moot 5olotevlctolte 1900 Cll on Canvas
!esus SoLo 5pbete 8leoe Je 9otls 2000

CreaLe a collage LhaL has unlLy Lhrough

domlnance of shape color repeLlLlon
and/or surface quallLy
Clare Murray Adams Motcbs kespoose
Collage
C AlberL uesttoyet
Collage/hoLomonLage