ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6.
Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen.
The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan.
Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.
Original Title
PHOTOGRAPHY AFTER PHOTOGRAPHY :: Memory and Representation in the Digital Age book 1996
ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6.
Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen.
The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan.
Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.
ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6.
Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen.
The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan.
Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.
Photography after Photography
Memory
and
Representation
inthe
Digital AgeAale/Cucher Fond/Chakin Neiaien
Bante Fischer Porkovie/Baltz
Brodsky ait Pogala
Burgin Hershman Selichar
Burson Huber/Pocock shaw
Colin Van Lamswoerde ‘razseh
Enadort Lord an Der Kaap
Export wahner
Photography after Photography
Memory and Representation in the Digital Age
Baited by Hubertus: Amelurnen, Stefan leant, Florian Rateer
in callaboration wit
Alexis Cael and Naclaus G. Schiieidet
A Project of Siomens Kulturprogramm
in collaboration with
Aktionsforum Praternse, Mnchen (Germany)
Kursthalle Krems (Austra)
Statisehe Galerie Enlangen (Germany
Brandenburgische Kunstsmmiungen Cotas (Germany
Muses for Fookumt, Odense (Denmatk)
Fotos Wintethut (Switzerland)
phy, Helsinki (Finland)
Insttte of Contemporary Ae. Philallphia (USN
Adelie Festival (Aastra
Finnish Museurn of Phot
GtB antsoogsophy”
Re Photegsply
Vicor Buin
1h imagen Reces: Pagal Pog
andthe Locate of Cltre
Matha Roser
Ley Manovch
"a Paradoxes of Digital Photagsaphy
Woliging Cay
In Photographie Memory
egies Clayen
Digital (Revolution
Tinothy Drache
Fal Visio
George Legrad
Ionage, Language, nd Bebe
in Sythe
Pete Lumen
At Postistry: Digits Photography
‘ Ehetins Seite
Kasten Laden
Digital Ce Painting
Got ager
Ange and Digital Photography
The Technical tuts
Philippe Quin
Pheto-Vitality
Hebert W, Franke
‘Comments on Digi Photography
Hubert»: Amon
hetosraphy afer Photography
The Teter ofthe Body in Dig
Space
6
%
s
Artists
Anthony Arie Sommy Cucher
Levis Bale [Un Stal)
Nate Baokehin / Lew Mannich
Michael Brabs
ot Burgin Tomes Dre
‘Navey hasan Vie Fer
(Calin Calin [leis Cal)
Keith Cotingham
Michael Endo
Vale Expr (Haber: Anelumcen)
Peter Fend/Gearge Chaikin
Alain Fes
Jochen Ger edema Ma
oo Hall
Laan He
Fel Stephan Huber Philip Pocock
Ines Lamsucere Caer Schorr
George Legrady
Chip tort
Avene Mailer Pie
‘Waren Nedich [Ladger Dental)
Slavica PkovilLews Balle
[Wn Stab)
Barbas Poot Andros Ws]
MirsaRogat Lyme Waren]
(Gaithe Selichar
Jeticy Sh (Ralf Sache}
Holger Tileseh Huerta: Amature)
Al Usha
sll Vn Der Kap (Pal Crt)
Mathias War (Lager Deena)
26
¥e
46
We
96
66
v6
ey
Appendix
Biowrphis
Select Bibography