Professional Documents
Culture Documents
1 3 5 7 9 10 8 6 4 2
First Edition
A few weeks later, Barry Corbet and Jake Breitenbach, two young
climbers from the Pacific Northwest, rested at the same oasis in the
Garnet Canyon cirque. Both were in the prime of youth, able to jog
uphill while wearing a loaded pack. Corbet was solid and angular, yet
gentle and graceful. Breitenbach was all sinewy muscle, topped with a
shock of Dennis the Menace blond hair and a mischievous grin to go
with it. They squatted to collect water from the stream, luxuriating in
the warm smell of lichens, alpine flowers, and pine trees.
A rustling in the bushes nearby startled them. A hairy, bearded
man burst into the clearing, Bigfoot style. Willi Unsoeld.
Unsoeld’s appearance was not entirely a surprise. A few days ear-
lier, Corbet and Breitenbach had navigated Corbet’s battered 1948
Hudson to the Tetons from Dartmouth College in New Hampshire,
where they were both studying. Even before they arrived in Wyoming,
they’d heard descriptions of the exceptionally strong and notoriously
chimerical figure known as Willi Unsoeld.
“Have you seen my missing clients?” Unsoeld asked the young
men, with his customary sense of irony. Unsoeld’s guided charges had
gone off ahead of him down the trail. This gave him an opportunity
to refresh himself at the stream and charm the lads with a few short
tales about life and near-death in the Tetons. Then he sprang from
his rocky perch, released a quick yodel, and, in a series of joyful leaps
toward the valley floor, disappeared.
“The contact was strong,” Corbet recounted, “and the taste of it
lasted. The way Unsoeld looked at me—it was as if I was hypnotized. I
couldn’t look to the left or to the right. I had to look right into his eyes.”
Over an industrious six days, fueled partly by their chance meet-
ing with Unsoeld, Breitenbach and Corbet climbed six of the Tetons’
highest and most difficult peaks. In the evenings, they attended
the nightly campfires beside Jenny Lake, the jewellike centerpiece
of Grand Teton National Park. Unsoeld’s twisting, humorous yarns
about battling the demons of gravity transfi xed them, delivered with
an intensity so robust that he seemed to vibrate. And they devoured
tales from other legendary characters of the Tetons—men with huge
calves and poet beards—who converged on the campfi re seemingly
from nowhere. Like a celebrating band of oversized elves, they in-
voked the deities of the hills in an unscripted ritual of song and
communion— as a way to immunize themselves from the sleepwalk-
ing of mainstream American culture.
Their heads swam with mountain-sized dreams of never-attempted
routes, and with a way of being in the mountains that was ethical and
pure, where they could lose themselves—lose their selves, really—and
no longer cling to their egos or to the earth. They had joined a quest
for meaning, but at the same time they were amused by the ephemeral
nature of such a quest. They were born to wander and to search.
Like acolytes, Corbet and Breitenbach absorbed gentle guidance
from Dick Emerson, the first climbing ranger for Grand Teton Na-
tional Park— or any national park, for that matter. Tall and sensible,
Emerson had climbed more routes and knew more of the crannies
in the park than Breitenbach and Corbet thought humanly possible.
During his early years in the Tetons, Emerson found some of the new
and “difficult” routes so easy— compared to the daunting descriptions
he had heard—that he initially feared he had lost his way.
Corbet and Breitenbach also listened to the quiet wisdom of vet-
eran guide Dick Pownall, who had climbed the Grand Teton more
than one hundred times. Pownall had preceded Willi Unsoeld as
one of the original guides hired onto the fledgling guide service. His
smooth features and self-effacing manner belied an inexplicable, near-
silent command over his clients. He executed climbing moves on verti-
cal rock with similar effortlessness.
The Tetons guides were part of a new tradition that was redefining
the art and science of mountaineering—in America at least. It began
during summers in the 1930s when an oxlike Tetons climber, Paul
Petzoldt, and his skinnier colleague (and eventual competitor) Glenn
Exum climbed in the Alps. They were surprised and a little baffled
to watch the European guides loop a rope around their clients’ waists
and simply haul them up difficult sections of a climb— offering no
instruction in either climbing techniques or rope handling. For the
descent, the guides lowered their clients like deadweights, rather
than teaching them how to rappel on their own. Exum and Petzoldt
wondered what was going on. The European guides, they surmised,
feared losing business if the general public were to catch on and learn
their skills.
Maybe climbers would appreciate mountaineering even more if they
could participate in its challenges, Exum and Petzoldt thought. They
began to envision a thoroughly new approach to guiding high peaks.
After World War II, Exum and Petzoldt established a guide
handshake, he hired them on. In the late 1950s, simply having a strong
desire to do the job was a primary qualification. By that measure, Cor-
bet and Breitenbach were overqualified. When Exum learned of the
peaks they had knocked off within only a few days, he knew that, like
Willi Unsoeld, they would excel as guides.
Strong and sensitive, Jake Breitenbach was a Nordic archetype
with blue eyes that seemed to glow with light drawn from the Wy-
oming sky. Dartmouth classmate Pete Sinclair regarded him as the
most lovable person he knew, and—like many others—was enlivened
by Breitenbach’s cherubic, generous grin and with the endearing way
he brushed the shock of straight blond hair from his eyes. At the same
time, his eyes carried a wistful, far-off look, raising curiosity about
what was going on inside his head. It was as if his personal code of
ethics was doing battle with the competitive, material world. In daily
life, he exhibited what one guide called a “radical innocence.”
Breitenbach felt it was dishonest to take a shortcut or the easy way
out of a situation if it involved compromising one’s standards. He be-
longed in the high hills, where he could challenge himself on his own
terms. “In the mountains,” he explained, “I know what is expected of
me.” If someone ever wondered if a route or a peak could be climbed,
he would quietly wander off—without ceremony—and try it, simply to
enjoy the pure physical creativity of climbing.
Barry Corbet would soon become another legend in the Tetons.
“He reminded me of George Mallory,” one guide said, referring to the
brilliant, driven Brit who was lost high on Everest in 1924. “Barry was
well spoken, considerate, good-looking, a man among men. His sheer
talent on rock made him someone I wanted to climb with.”
“The mountains provided an arena,” Corbet reflected, “where a
social loner like me could express some sense of positive identity. The
mountains represented freedom from the pressures of being adoles-
cent in what I considered to be a very dumb world.” Mountains were
more consistent, and reliable, than humans and their constructs.
Corbet reportedly had the highest IQ, at that time, of any incom-
ing Dartmouth freshman, and he was an astute geology student. He
appreciated geology as the ultimate hard science, while it also reso-
nated on a tactile, personal level. He discerned artistic patterns in rock
the mountains. He’d assure them that, first off, the guides never fell.
With slightly exaggerated sincerity he’d add that, if a guide ever did
fall, his first responsibility would be to reach up to his chest—while in
midair—and rip off his “guide’s badge.”
“Climbing and guiding is a process of discovery,” Barry Corbet
said, “not a deliberate development. It requires a rock-solid platform of
steadiness and a deep, inner reservoir that you discover within your-
self. Clients routinely asked for, and got, the impossible. And they got
it right when it was needed.”
The Grand Teton rises abruptly to a point 7,500 vertical feet above
the broad valley of Jackson Hole. Its summit rocks are blocky and
skewed— distorted by eons of tectonic uplift fighting for command
over the forces of erosion. Adding to the geological drama, the Snake
River meanders close to the base of the mountain, as if threatening
to undermine the whole affair. The proximity of river and moun-
tain makes the scene one of the most photographed natural vistas in
America.
Climbs of the Grand began at the Guides Camp, a tidy but ram-
shackle collection of tent platforms near Jenny Lake (intentionally
situated out of view of tourists and canoeists) that housed the guides
and their assorted, generally offbeat guests. Climbing parties averaged
four to a guide. After midmorning introductions, everyone shouldered
packs and headed up the trail, ascending at a leisurely one thousand
vertical feet per hour. The guides taught the clients how to walk with-
out wearing themselves out, setting a “rest step” pace that relies on
balance and rhythm more than muscles.
The groups paused for lunch in Garnet Canyon, then arrived at
the Lower Saddle around 5 p.m., tired and sore. At this high camp,
climbers could nab a few hours of sleep before their predawn depar-
ture for the summit.
For dinner, everyone packed in a can of soup. Assorted Camp-
bell’s classics, chili con carne, and unlabeled dehydrated mixtures
(along with asparagus tips or corned beef hash, if either was lying
around) were dumped into a single stewpot and swirled together on
Ridge—named for Glenn Exum himself. The guide would free climb
up the ridge’s rocky outcrops, then belay the first client behind him.
“A running fire of stimulating comment must be introduced as the
party nears its psychological limit,” Unsoeld stressed. This included
downplaying the degree of difficulty of the pitches that the clients
peered up at in terror—until they were up and over them, at which
point they were complimented on the exquisite technical moves they
had just pulled off.
The parties usually “topped out” at 11 a.m., hugged, took photos,
then descended a short distance to the edge of a sheer hundred-foot
rappel down the face of a cliff. When rappelling, Unsoeld often let
loose a wailing scream—“EEEAAAAahhhhh!!!!”—adding to the ef-
fect as he zipped down the rope at near free-fall speeds.
Each climb with Unsoeld was embellished with scenic side trips
and zestful showmanship (life begins at 10,000 feet was embla-
zoned on his parka). Once, on the summit of the Grand, Unsoeld
watched a thunderstorm approach. He hurried his party to the steep
rappel point, expedited them down the cliff, and instructed them to
crawl into the overhang beneath it as far as they could. Huddled against
the back wall, the party saw lightning strike as Unsoeld rappelled. He
froze to the rope, swinging in midair in front of the clients— electrified
but uninjured. It was a perfect showcase for Willi Unsoeld.
The climbing parties usually made it back to the shores of Jenny
Lake, muscles aching, before dark. Glenn Exum wanted the clients to
have the time of their lives, and most of them did.
On their days off, the guides tried to scale new, unclimbed routes.
On one of those outings, Unsoeld and his wife, Jolene—a powerful
climber in her own right— drifted off-route in search of unexplored
terrain. They inadvertently climbed a new route on the Grand that
they dubbed “Unsoeld-Unsoeld Direct,” which was also the first as-
cent of the Grand’s North Ridge by a woman.
One night, Willi Unsoeld didn’t return from a solo climb of Mount
Owen, the Tetons’ second highest peak. Glenn Exum knew well that
Unsoeld was not a reliable route finder (he wanted to explore and
appreciate the mountains more than actually reach their summits).
Exum promptly led packhorses up to Surprise Lake to look for him. At
dawn, just as Exum was about to call in Dick Emerson and the park
rangers to stage a formal rescue— or body recovery—Unsoeld came
sauntering down the mountain, playing his harmonica.
At the time, Barry Corbet and Jake Breitenbach had no inkling that
seeds were being planted that would germinate in hopes and dreams,
and converging destinies, on the other side of the world—alongside
Unsoeld and other legends of the Tetons.
In the early 1960s, mountaineering in America and the climb-
ers on its forefront were gaining modest recognition. But it would
take someone with a global vision—a European—to place American
climbers on the international stage.
In the summer of 1939, just such a candidate first appeared on the
scene. Norman Dyhrenfurth, a young Swiss climber and filmmaker,
had motored out to the Tetons with two Harvard students to climb
the Grand. Dyhrenfurth’s solid frame and chiseled, Teutonic features
typecast him as either a mountaineer or a surfing instructor—a cousin
of one of the Beach Boys, perhaps.
Guide service co-owner Paul Petzoldt watched with fascination
from the Grand’s summit as Dyhrenfurth and a student deftly tra-
versed the upper pinnacle of the mountain’s difficult East Ridge.
When they met, lower down on the mountain, Petzoldt immediately
offered Dyhrenfurth a summer guiding job.
Dyhrenfurth, however, was due back in New York City for work
with a small motion picture company. The world’s mountains were
where his heart was, and making movies offered opportunities to re-
turn to them and climb. Restricting himself to the Tetons, a small
range, would be too confining. But Dyhrenfurth clearly saw, through a
European lens, that the Tetons were the nursery for an embryonic clan
of innovative and spirited American mountaineers.