Professional Documents
Culture Documents
Annotated Bibliography
Baria, Amy Greenwood. “Within the Realm OF Possibility: Magic and Mediation in
Native American and Chicano.” Diss. Louisiana State U, 2000. DAI 61. 12
<http://www.proquest.com>.
This article explores Magical Realism and how Native American women create rediscovery of
their culture by writing fiction which shows Native American ideologies.
Castor, Laura. “Hunting History and Myth in Linda Hogan's Power and William Faulkner's 'The
Examines the empathy of the characters in Solar Storms and other novels. Castor also explores
how history is best developed by those who experience the wilderness for themselves or those
who are actually a part of the culture being discussed.
Johnson, Kelli Lyon. “Writing Deeper Maps: Mapmaking, Local Indigenous Knowledge, and
journals/studies_in_american_indian_literatures/v019/19.4johnson.html>.
Johnson discusses the concepts of maps in Hogan and many other Native American writers’
stories and how they show the oppression of the European culture.
Lincoln, Kenneth. “Native Poetics” MFS Modern Fiction Studies 45.1 (1999): 146-184. Project
_fiction_studies/v045/45.1lincoln.html>.
Kenneth explains how poets are straight forward with their writing. He looks at how the poets are
influenced by their own consciences and not manipulated by history.
2009 <http://muse.jhu.edu.ezproxy.selu.edu/journals/american_indian_quarterly
/v028/28.1miranda.html>.
This article describes how Linda Hogan is an inspiration for creative writing. The author describes
her writing like a beating drum.
Manning, Pascale Mccullough. “A Narrative of Motives: Solicitation and Confession in Linda
Hogan's Power.” Studies in American Indian Literatures 20.2 (2008): 1-21. Project Muse.
literatures/v020/20.2.manning.html>.
Manning explains how the characters in Power cannot connect with the white world and its
version of law because of their worlds being so different.
Rainwater, Catherine. “Intertextual Twins and Their Relations: Linda Hogan's Mean Spirit and
Solar Storms.” MFS Modern Fiction Studies 40. 1 (1999): 93-113. Project Muse. 1 April
2009 <http://muse.jhu.edu.ezproxy.selu.edu/journals/modern_fiction_studies
/v045/45.1rainwater.html>.
Rainwater shows how twins are revered in her novels and how Hogan’s books Solar Storms and
Mean Spirit can be viewed as twins.
Schultermandl, Silvia. “Fighting for the Mother/Land: An Ecofeminist Reading of Linda Hogan's
Solar Storms.” Studies in American Indian Literatures 17.3 (2005): 67-84. Project Muse. 1
_literatures/v017/17.3schultermandl.html>.
Schuletermandl’s main argument is that all three of Hogan’s novels are about women connecting
to the land. She also implies that the women in her stories are able to connect their people to the
rest of the human race.
Udel, Lisa J. “Revising Strategies: The Intersection of Literature and Activism in Contemporary
Native Women’s Writing.” Studies in American Indian Literatures 19.2 (2007): 62-82.
american_indian_literatures/v019/19.2udel.html>.
Udel explains how Winona LaDuke's novel Last Standing Woman, her essay collection All Our
Relations: Native Struggles for Land and Life, the tentative affirmation of Elizabeth Cook-Lynn's
Aurelia: A Crow Creek Trilogy, and the spiritual commitment of Linda Hogan's novels Mean Spirit,
Solar Storms, and Power are women activist writers.
Walter, Roland. “Pan-American (Re)Visions: Magical Realism and Amerindian Cultures in Susan
Power's The Grass Dancer, Gioconda Belli's La Mujer Habitada, Linda Hogan's Power,
and Mario Vargas Llosa's El Hablador.” American Studies International 37.3 (1999): 1-12.
The article details how Linda Hogan’s Novel Power along with other novels can be considered
Magical Realism because the stories are filled with mythology and legend. They are also put into
this category because of the characters in the stories.
Nicole Smith
Hogan's Power.” Studies in American Indian Literatures 20.2 (2008): 1-21. Project Muse.
literatures/v020/20.2.manning.html>.
Linda Hogan’s Power” she focuses on why the white world and Native American world cannot
mix. In the article, the main argument is there can be no connection made “between
anthropologist and Taiga Indian, between lawyer and witness, or between environmentalist and
panther” (2). This article focuses primary on the trail of Ama. The main focus of this article is there
can be no connection between Native Americans and white cultural because they can understand
The article explains the trail in great detail. Manning picks apart the reasons behind why
there could be no true understanding between Ama being honest about her deed should “purify”
and “redeem” herself. However, she is still prosecuted for her misdeeds and no one views her as
liberated by her confession. Ama cannot speak for herself because of her disconnect. A defense
attorney must say an explanation for her. He also separates himself form her by saying “their
world”. Manning points out the trial because it clearly shows the clash of the worlds.
Manning believes that the lack of respect and understanding between the worlds is what
environmentalism” (3).
Nicole Smith
Udel, Lisa J. “Revising Strategies: The Intersection of Literature and Activism in Contemporary
Native Women’s Writing.” Studies in American Indian Literatures 19.2 (2007): 62-82.
american_indian_literatures/v019/19.2udel.html>.
An author usually will have a clear purpose when writing their fiction. This is especially true
when the author tells the story of a people who are usually left silent because of culture
differences and years of abuse. Giving a voice to Native Americans is what Linda Hogan along
with other women Native American writers have written novels that shed light on the sorrows,
joys, hopes, loss, and loves of a people who have been ignored for many years. In Lisa Udel’s
“Revising Strategies: The Interaction of Literature and Activism in Contemporary Native Women’s
Writing” she explores how the novels of contemporary Native American writers shows the correct
The article is divided into several sections that explore how the novels portray Native
American women. The first section is survival. Udel explains, “The questions of Indian survival in
contemporary America runs throughout the work of these three authors” (66). The three authors
discussed are Winona LaDuke, Elizabeth Cook-Lynn, and Linda Hogan. These women show the
environmental and political problems in their novels and how the Native Americans deal with
them.
The women also address responsibility. LaDuke displays in her story the responsibility of
passing on traditions to the children. Cook-Lynn looks to art. However, Hogan is not mentioned in
this section.
The responsibility of these Native Women writers ties into history. Cook- Lynn believes that
“the story must be told in order to retrieve lost history and maintain Native Identity” (73). Winono
LaDuke does this in her novel Last Standing Woman. Udel feels that Hogan “reexamination of
Indian-white history reveals the dichotomies between the different cultures, raising questions
about truth-telling and voice, as well as hegemony and resistance” (72). Udel suggests that
Power shows how western culture tries to take the roots out of the Native American people and
how the connection to natural things can redeem the people like it did with Oshita.
Udel believes the works of these three women should be described as a form of activism
and not one to be analyzed. She concludes with this message to not criticize novels such as
Power in a western light. They are there to show the history, survival, and responsibility of the
people these women come from and hope to represent in a real light.