"snascimoc"PSA

suchhatetowardsuchadorableyetdiscomfortingfont??suchlovealso!somethingmust explainsuchemotiontowardthesearbitrarysymbols.pleasekeepinmindthisbelow"Sheeples HistoryofComicSansMS"staywithme,the"SheeplesHistoryofComicSansMS"isabsolute disinformation.thisiswhathappenswhennecromancygoeswrong.

thissnapshotscreengrabslipsnotisfromtheBANCOMICSANS.COMinternetwebsitewhichis theFIRSTRESULTwhenusingGoogle'sGOOGLE.COMsearchengine.youwillnoticethese fascistsincorrectlycitethenameofthetypeface,whichisComicSansMS(MSisforMicrosoft, duh).ComicSansMSISMicrosoft(atleastanappendage).itisawellknownfactthatthe GOOGLE.COMsearchalgorithmreflectsthegoalsandvaluesofthelargercorporation GOOGLEwhichisseeminglyengagedinpsychicwarfarewiththecorporationcalled MICROSOFT.idliketotakeaminutetointroducetwomagickalconceptsthatwillbefruitfulin theproceedingdiscussion. ASABOVE,SOBELOWtheentanglementofthemacrocosmandthemicrocosm,theglobal andthelocal,thesuperstructureandthelivedexperience,GOOGLEANDMICROSOFT

(THEALIENINFINITEANDTHECOMFORTINGMICROSCALE).

microsoftdevelopedthe"snascimocthoughtform"(comicsansMS)in1995togiveacasualfeel totheiroperatingsystemgivingvoicetothefriendlyUIexperimentMICROSOFTBOB

whichseeminglyembracesthecomfortable styleofcomicsthroughexaggeratedchildishnessandspeechbubblesbutthisismerely superficial.beforemovingontosomeprovokingdetailsaboutthe"snasimocvirus"itself, MICROSOFTBOBisworthlookingatasanexampleofafailedgodform.Microsoftreleased MicrosoftBOBin1995,afterhavingpreviouslyusedthecodename

UTOPIA.theproject

wasbasedontheresearchofCliffordNass,aevilgeniusprofessorofcommunication/computer scientistatstanford,whodevelopedtheparadigmdubbedComputersareSocialActorsthey participateintheconstructionofintersubjectivereality,transcendingsubjectobjectrelations. NOTICE:intheaboveimagealllettersareinuppercase(BOB)signalingaacronym.aroundthe timeofit'sdevelopment,DavidLynch'smagickalritualmasqueradingasatelevisiondrama, TwinPeaks,usedtheexactsameBOBglyph,arecursiveacronym:BewareOfBOB. recursioniscentraltoonlytwothingsMAGICKandCOMPUTERSCIENCE(readinboth ways):"Thepowerofrecursionevidentlyliesinthepossibilityofdefininganinfinitesetofobjects byafinitestatement.Inthesamemanner,aninfinitenumberofcomputationscanbedescribed byafiniterecursiveprogram,evenifthisprogramcontainsnoexplicitrepetitions." BOBbewareofbewareofbewareof...etc.thewordsofashepherd.Microsoft'sinfinite magickalregressionintocomfortreflectingGoogle'sinfiniteexpansionof0s,divingintothe cyborgsoftheuncannyvalley.[GOOGLEbelievesitcantranscendrecursiverealityuse GOOGLE.COMtosearchrecursionandobserveagainhowthealgorithmreflectsthegoalsand viewsofGOOGLE]however,theBOBglyph,asitisafinitestatementcanonlycreateaninfinite setofobjectstheusers.whereastheUTOPIAPROJECTwasseekingtoachieve humancomputerinterfacingthroughintersubjectivity,theBOBglyphisarecursive(psychic) wordofpowerthatprovidesthenecessaryflockforthecomplexgodformthatwastobeBOB. TheBOBglyphreferstotheshepherdinginterfacewhereinonescomputerisBOBShiveand youarehisguest.referringbacktothestatementonrecursion,it'struepowerbothincomputer scienceandmagickisfoundinthepossibilityofcreatinginfinitecomputationswithafinite

program.thelanguageandthewrittenwordareexamplesoffinitemagickalrecursive programming[castinspells????spellinwords???]whose"infinitecomputations"are manipulationsofintersubjectiverealitytunnels. BOBisconsideredoneofMicrosoft'smostterriblefailures,TIMEhasthistosay: "ImagineawholeoperatingsystemdesignedaroundClippy,andyougetthecruxofMicrosoft Bob.DesignedtobeaneasierinterfaceforWindows95users,Bobenvisionedyourcomputer ashishousewithyouasaguest.Eversoaccommodating,he'devensupplycartoon sidekickstoguideyouthroughsimpletasks.Thesoftwarewasexpensiveandoverlycutesy,and itfailedtocompetewithApple'sMacintosh,theuserfriendlystandard.AndthoughBobislong gone,heleftoneenduringblightontheWeb:ComicSans,perhapstheworstfontofalltime, wascreatedexclusivelyforBob." thisbringsustothecreationof"snascimoc",thefailureofsuchamassiveproject(Melinda GatesworkedasoneoftheMarketingManagers,andthatprofessorimentionediscrazysmart whydiditfail?????),andthehavocof"snascimoc"unchainedfromthebotchedBOBlegacy. "snascimoc"wascastintoexistencebyMicrosoftdesignerVincentConnarebeginningin october,1994fortheUTOPIAproject.duringbetaversions,Connaresoughttoreplacethe fillertextTimeNewRomanglyphsbeingusedinthespeechbubblesforthehiveofcartoon charactersthatcollectivelymadeupBOB.ConnarewasawareoftheCOMIXconnectionthat wasdrivingtheUTOPIAPROJECTtowardhumancomputerintersubjectivity.Microsoft connectedtheir"windows"withtheCOMIXrealmbytransubstantiatingtheorientingUI breakthroughofpersonalcomputing"windows"withcomicpanelscontainingspeechbubbles andcartoons.TNRisthevoiceofthenovel,thereport.itdoesnottapintothepowerful realitytunnelmanipulationsandinterfacingcapacitymagickallybyCOMIXthrough unconventionalmetanarrative,nonlinearirrationalityandimagetextcutup.withouttheproper voicefortheBOBconstruct,theinterfacingandintersubjectivitywouldfail.likecomputers superherocomicbooksareessentiallyproduct,debris,inseparablefromtheirpresenceas stufftheyareconsumedandthenleftasaconstantreminderof"junkculture"b)thatsuperhero comicbooksarepotentiallytransformative,thattheyengageinamultilayeredsystemof representationandcrossoverthat,intheend,implicateseventhereader.

withthisknowledge,Connarewasallegedlyinspired(byBOB,seekingfullpower?like voldemort?)topicktwoCOMIX(notcomics)fromhisbookshelftochannel"snascimoc"outof Limbo(wherecomicbookcharactersresidewhennotbeingwrittenabout).thesetwobooks, bothpublishedin1986wereTheDarkKnightReturnsandWatchmenpublishedafterthemost importanteventincomicsandtheresultingcreationoftheCOMIXrealmsingularity:DCs1986 CrisisofInfiniteEarths.Crisisselfconsciouslymythologizedtheformofcomicsthemselves andritualisticallycollapsedthemultipleparallelcomicworlds(crossovers,oneoffseries,etc) intooneCOMIXrealmwithconsistencyandcanon.themultiverseintoauniverse.like GOOGLE,denyingtherecursivenatureofconstructedreality.CrisisofInfiniteEarthsiswhen

comicbooksandcharactersbecameselfawaretheconclusionoftheserieshavingeffectson thetrajectoryofcomicsasaculturalforminourworldandallsocialactorsinvolved,asingularity thatimplicatesthesubjectivitiesofboththecomicsandtheirconsumers[ComicsareSocial Actors(beforecomputers!!)]. CrisisofInfiniteEarthsconcludeswithamonologuefromPsychoPirate,consideredmadand imprisonedinArkhamAsylum: I'mtheonlyoneleftwhorememberstheInfiniteEarths.Yousee,Iknowthetruth.Iremember allthathappened,andI'mnotgoingtoforget.Worldslived,worldsdied.Nothingwilleverbethe same.Butthoseweregreatdaysforme...Ihadagoodfriendinthegoodolddays,really.He wastheAntiMonitor.Hewasgoingtogivemeaworldtorule.Nowhe'sgone,too.Butthat's okaywithme.Yousee,Iliketorememberthepastbecausethosewerebettertimesthannow.I mean,I'dratherliveinthepastthantoday,wouldn'tyou?Imean,nothing'severcertainanymore. Nothing'severpredictablelikeitusedtobe.Thesedays...yyoujustneverknowwho'sgoingto die...andwho'sgoingtolive. PsychoPirate,CrisisonInfiniteEarths#12.p.42. PPremainedtheonlyonewhorememberedthepresingularitycomicsmultiverse,hisgriefa representationoftheintersubjectivedespairofthecomicauthors,readersandnowcomics themselves[withthenewfoundselfawarenesscreatedbytheCrisisritual]whomourntheloss oftheplayfultrickymagickofcrossover,metafiction,andmultivocality.PPwascomfortablein thechaoticmagickofcomics.themagickwhichimplicatedeventhereaderinitsmultilayered andirrationalconstructionofrealitythatcannibalizedtheillusionofobjectiverealityinorder neutralizeitspower.PPisconfusedinthelinearsingularity,fromlivinginchaoshisrealityis acausalandintersubjective.PPcantbegintoprocessdeathandlifeintermsofdirectcausation andfinality,thisisanunpredictablerealityforhim.astheonlyselfawareconstructwho witnessedthemagickalphenomenaoftheCOMIXsingularity,PPwasripefortranscendenceinto afrustratedandtrickygodform.afterthismonologuePPtheoreticallydescendsintoLimbo. PsychoPirateisasupervillainfromtheGoldenAgeofcomics,the40sand50s,originally CharlesHalstead,afrustratedLINOTYPERfortheDailyCourier[hisrelationshipwithtypeface isundeniable].PPsfaceplateistheresultofmerging3MedusaMasksintoone,whosepowers heusestobecomeasupervillain.itbecomesincreasinglyapparentthatheisaddictedto absorbingothers'emotions,thoughitcauseshimpain,possiblybroughtbythecombinationofall masksintoone.thisprojectionofemotionbothmirrorstheprocessofauthoringthesubjective experienceofcharacters,aswellastheprocessofpowerfullyprojectingemotionbetween disparaterealities.thecontentofTheDarkKnightReturnsandWatchmenareneitherapartof theCOMIXrealmsingularitythemselves,howeverthesingularityexists.whatexplainsthe emergenceofalternatehistoriesanduniverseswithintheCOMIXrealm?theseareCOMIX writtenbyacitizenofthesingularityPP.theexaggeratedcartoonhandwritingthatConnare invokedisthevoiceofPPfromLimbo,authoringalternateuniversesastheonlyonewho remembersthepossibilityoftheirexistence.theseuniversesexertagravityontheCOMIXrealm, influencinganddisturbingitsillusionoflinearstructureandseparateness.thefirstPCVIRUS

wasin1986thesameyearPPbecameaCOMIXVIRUS. inthelate80s,PPcomesoutofLimboinGrantMorrison'srunonAnimalMan,imprisonedin ArkhamAsylum.heendsupreleasingcharactersdestroyedduringtheCrisisbackintothe world.manyofthesecharacterscometorealizethattheyarejustcharactersinacomicbook. afteraninterventionbyAnimalMan,PPseeminglyhappy,fadesawayintonothingnessdueto thestrainfromreleasingalltheforgottencharacters,removinghimfromrealityandheadinginto Limbo,havingrealizedtheextentofhispowers.PPrealizeshissubjectivitywithinthe COMIXrealmLimbo[thetrueintersubjectivepowerandrealitytunnelinterfacingcreatedbythe Singularity]andcontinuestofindhisplaceasthevoiceandauthorofnoncanonDCcomics mockingthenewgrittyhyperrealCOMIXsingularitywhichsheditsmagickforliterarycredibility andprofit.withintheCOMIXrealm,PPachievedextrememagickalpowerawareofnew subjectivitiesuponwhichtodirecttheMedusaMasksadiscordianvillanousGodformof Limbocreatingemotiveuniversesofsufferingbyronicheroes,letteredbyhisdistinctivevoice... theglyphsavisualrepresentationofhismagickalworkingsfromLimbomademanifestin social/consensusreality.PPstranscendencewasmadepossiblebybecomingrituallyentangled withtheideaoftheDCMultiverseafterbecomingselfaware,andbythenusingtheMedusa Maskstointerfacewiththeintersubjectiverealityrelatedtotheconcept. PsychoPiratedoesnotappearagainuntil1995,intheUnderworldUnleashedcrossoverevent. afteryearsofLimbogodhood,embodiedasacharacteragainPsychoPiratesellshissoultothe demonNeron[amajordemoninHell,LordofLies,Wishweaver]inexchangeformorepower. theprocessresultsinacostumechangeaswell.PPnowwearsablackleatherjacket.hismask morphsintoaneyepatchandthemetalofthemaskhaslargelyreplacedonehalfofhisbrain.the faustianpacthasleftPPmorepowerfulwithintheCOMIXrealm,buthislimbogodhood, selfawarenessandinterfacewithsocial/consensusrealityhasbeenrituallydisembodied, representedbyhiscostumechangeandlossofbrainmatter.heisnowsane,andmakingno allusionoftheeventsofCrisisonInfiniteEarthsandtheexistenceoftheMultiverse. [REMEMBER1995isalsotheyearthatsnascimocisreleasedintoreality].earlyoninthe project,PPsuccessfullyinterfacedwithUTOPIAasitapproachedastateofrecursivepossibility comparabletoLIMBO.PPrecognizedthepowerofthisnewmediumtomoredirectly destabilizethesubjectobjectillusionoflinearconsensusreality.PPofferedtoprovidethe magickalknowledgenecessaryfortheconstructionoftherecursiveandinfinitelypowerfulBOB godformtoMICROSOFT.thisgodformwouldbeactivelyinterfacedacrossanetworkof subjectivitiesandallowfortheextensivemanipulationandrecursionofthenetworks realitytunnels.MICROSOFTwouldinturnallowPPtorelocateintoUTOPIAandinterfacewith thegodform.themissinglinktoMICROSOFTSgodformattempt,asperhiscontractual obligationtoMICROSOFT.thismissingelementwasthefiniterecursivemagicoprogramming constructknowntohumanityforalongtime:ABZDEFGHIJKLMNOPQRSTUVWXYZ.this specificincarnationofglyphs,howeverisinthevoiceandhandofafluidlyinterfacingselfaware intersubjectiveprogramhavingabsorbedthepowerofMedusaMasksstandardizedand decontextualizedbyConnare.thisdecontextualizationfromNeronsCOMIXrelamintothe physicalworldwasmadepossiblebytheverynatureofPPspower.PPcanbeconsideredone

themostpowerfulgodformseverrecordedtheaccidentalresultoftheintersubjective interfacingpowerofcomicsandtheliminalLimborealmitcreates.fromLimboPPremainedan untouchablegodform,inanentirelyhermeticrealm.

thiscyberneticgymnasticskeptusersfromtheuncannyvalley.theshepherd"snascimoc" alwaysprogrammed,alwaysboundandimprisonedinspeechbubbles.

praiseeris