Professional Documents
Culture Documents
Ordinary Time
13 September 2009
Introductory Rites
Hymn at the Procession – 685
Praise, My Soul, the King of Heaven Tune: LAUDA ANIMA
Choir/Cantor alone:
Lord Jesus Christ,
only Son of the Father,
Lord God, Lamb of God,
you take away the
sins of the world:
Choir/Cantor alone:
You are seated at the
right hand of the Father:
Opening Collect
The Priest prays the collect. All respond, Amen.
Liturgy of the Word
Reading I Isaiah 50:5-9a
Concluding Rites
Final Blessing and Dismissal
Musical Remarks
Some of the earliest texts in the Judeo-Christian liturgical tradition used to
sing praise to God were not freely-composed hymns, but rather came directly from
the Old Testament Book of Psalms. Jewish tradition holds that the Psalms were
written mostly by King David, and seventy-three of the Psalms are in his name.
Historically, the Psalms have occupied a significant part of the musical
tradition of Jewish and Christian liturgies. Particularly in the Roman Catholic
tradition, there are specific Psalms given for each Mass and each Office of the
Liturgy of the Hours—the official prayer of the Church.
At Saint Andrew and Saint William churches, we have been incorporating
more and more Psalmody (repertoire of Psalms) into parts of the Mass where we
haven’t always previous sung them. For example, last week and this week, the
Antiphon at Communion is Psalm 42, My Soul is Thirsting for the Lord. While
there are some songs that are paraphrases of texts from the Psalms, there is a great
precedence in the liturgical tradition of the Church to sing directly from the
Psalms.
There are Psalms that were written in praise of God in all different emotions
and dispositions: sorrow, contrition, hope, joy, etc. They all evoke different
imagery suitable for different aspects of the Christian life, which is why it is easy
to incorporate Psalms like no. 42 as a Eucharistic antiphon. Historically, the
Communion Antiphon—which is still prescribed as the proper song at
Communion—would include a verse from Sacred Scripture, from any Book of the
Bible. These are listed in the Missalettes and personal Missals and Prayer Books
such as Magnificat; however, these antiphons are only part of what the
Communion Anitphon involved. In addition to the antiphon (which served as a
refrain) there are also upwards of ten Psalm verses that are alternated with the
antiphon, much like the way we sing the Responsorial Psalm. The important
element of this reflection is that we are gradually incorporating texts that come
directly from Sacred Scripture where they are most obviously suited. -B. G.
Permissions: Glory to God music by Calvin M. Bower. All rights reserved, reprinted with permission of the composer. Psalm 116: I will walk before
the Lord music by Michel Guimont © GIA Publications, Inc. All rights reserved, reprinted with permission, Onelicense.net #A-715895. Gospel
Acclamation music by A. Gregory Murray, O.S.B. © GIA Publications, Inc. All rights reserved, reprinted with permission, Onelicense.net #A-715895.
Sanctus et benedictus, Memorial Acclamation, and Great Amen from Mass for the City. Music by Richard Proulx © GIA Publications, Inc. All rights
reserved, reprinted with permission, Onelicense.net #A-715895. Lamb of God music by Richard Proulx © GIA Publications, Inc. All rights reserved,
reprinted with permission, Onelicense.net #A-715895. Psalm 42: My soul is thirsting music by Joseph Gelineau © GIA Publications, Inc. All rights
reserved, reprinted with permission, Onelicense.net #A-715895. All other selections in the public domain.