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Pinnacle Liquid Version 6.x represents an important step forward, bringing with it a new look and a variety of new functions. Pinnacle Liquid 6 is HD-capable, permits multicamera editing, project backup and restoration and much, much more. This document provides an overview of all the innovations.
Manuals and online help page N-3 Software user interface and general improvements page N-4 High definition: Beyond NTSC and PAL page N-5 Logging Tool and Batch Digitize page N-6 Exchanging and importing media files and project data page N-7 Project management page N-8 Editing page N-11 Effects page N-13 Audio postproduction and audio effects page N-14 Networking page N-17 Titler page N-17 Output (DVD, tape, etc.) page N-18 Settings page N-20
Recommendation: Complete any current or important Projects in your existing version before installing the new version. Projects in Version 6 can no longer be opened in Version 5.x (or earlier). See also Project and Version Compatibility on page N-8. Be sure to read the ReadMe file on this version, which describes the latest additions to the manual and to this document (Windows Start menu > Programs > Pinnacle Liquid > Help). Some of the innovations introduced here will already be familiar to Version 5.6x users. We have included them because Liquid Edition users skip Version 5.6x when upgrading to 6.
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w Red borders around the Master Viewer or Source Viewer Inlay indicate the area that is currently active. w In the redesigned Project Browser, you can choose between the Library (effect) tab and the available Racks and Rack Folders. w The effect lines on the clips are wider and easier to click on.
Menu Bar
w Pinnacle Liquid 6 has a Windows-standard menu bar with the usual menu options, including File, Edit, View, etc. The selection sequences in the manuals are based on this menu bar: File > New > Project. Many functions and modules can be accessed in two different ways: Via a shortcut menu (as before) and via a menu bar. w When you select a function from the menu bar, an information line is displayed on the taskbar that briefly describes the particular function.
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Logging Tool, Record to Tape Before output, select Menu bar > Edit > Settings > Site > System or Player Settings > Inputs / Outputs tab > Video outputs > IEEE 1394 to adapt the MPEG output format to the recording device.
HD effects
You can apply realtime effects to HD(V) clips. The effect editors automatically adapt to the format and frame rate. All the other effect editors and special effects (Color Correction, Timewarp) can also be used with HD material.
All TC displays (including Logging Tool, Master Viewer, Source Viewer, etc.) Chapter 5, High Definition, Timecode Systems
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See Chapter 6, Input, Selecting a Media Forma/Codec and Chapter 8, Administration, System Formats and Codecs in Pinnacle Liquid
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w MPEG formats *.mpg, *.mpeg, *.ts and *.vob w Windows media; *.wmv (video) w and audio/video files inside an *.mxf wrapper. Menu bar > File > Import > Media
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Project Management
Project and Version Compatibility
As soon as you upgrade to Version 6, the following applies:
w Projects from Version 5.6x (or earlier) are converted to Version 6. A dialog box is displayed asking whether you want to retain a backup copy of the Project to be opened. The backup copy retains the old version. If in doubt, click Yes. w Projects in Version 6 cannot be opened or edited in Version 5.6x (or earlier).
As a general rule, we advise you to complete Projects in one version; do not upgrade Pinnacle Liquid to the new version until you have finished.
Menu bar > File > Manage Projects > ... See Chapter 8, Administration, Backing Up and Restoring Projects.
Menu bar > File > Import > ... See Chapter 8, Administration, Media Management / Finding and Importing Media Files.
Select multiple clips > Shortcut menu for one of the clips > Properties
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Menu bar > Edit > Settings > User > Project Properties > Mark clips used in current sequence
Media Management
The HD capabilities of Pinnacle Liquid 6 have resulted in several changes to media management. With the possible exception of the codec presets, however, these changes will not affect the daily editing tasks of most users.
Codec Settings
Users now have a great deal of freedom when creating video data. Codecs (such as DV and MPEG2) can be combined with certain file formats (*.avi, *.mxf, etc.). Frame rates can be set for I-frame MPEG, (such as 25 Mbit/s). The presets can be saved individually and retrieved in the Logging Tool. Naturally, native transfer (DV-DIF, DVAVI) continues to be possible.
Menu bar > Edit > Settings > Site > Codec Presets See Chapter 8, Administration, Media Management / System Formats and Codecs in Pinnacle Liquid
Copying Media Files to Other Media, Including Local
Media files that appear on the Media tab in the Project window can be copied to a local medium or another network medium (optionally with clip generation). The destination medium is defined in the Media Management Settings.
Project window, Media tab > Shortcut menu > Copy selected media to capture volume See Chapter 8, Administration, Media Management / Media Tab in the Project Window /Media Files: Functions
Import Path
In addition to the Primary Media Directory (for storing capture data), Pinnacle Liquids Media Management Settings now also manage an import directory to which external files (e.g. files accessible via the network) are copied or moved.
Menu bar > Edit > Settings > Site > Media Management Settings See Chapter 8, Administration, Media Management / Media Management Settings
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File/Reel Names
The reel path and file names assigned by Media Management in Version 6 differ from those assigned in Version 5.6x and earlier.
For example, recognizable in the clip Properties, V tab, information on the name of a media file See Chapter 8, Administration, Media Management / Basics / Naming of Media Files
Format Ranking
This tab in the Media Management Settings is especially important in larger networked installations of Pinnacle Liquid where identical media files (offline/online) are circulated in different file formats.
Menu bar > Edit > Settings > Site > Media Management Settings Chapter 8, Administration, Media Management / Media Management Settings, Format Ranking
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Editing
Matte Tracks and Subtracks
w Subtracks Subtracks are configured as subunits of Timeline Tracks. Subtracks can be displayed or hidden as desired by clicking the plus or minus sign and they help to achieve clarity when setting up complex Timelines. w Matte Tracks Matte tracks are a special type of subtrack with an integral sensitivity to an alpha level in the clip. They eliminate the need for an additional Track Matte effect or key. The key and fill areas of the image are assigned automatically. The resulting matte effects can also be animated. Chapter 9, Edit, Special Functions / Matte Track and Track Matte and, in the same chapter, Basics / Configuring Tracks Timeline header > Shortcut menu for Name area > Add Matte Track/Sub Track
Multicamera Editing
Using the MulticamSync command or in the Logging Tool, up to 16 video clips or video tapes can be synchronized (ganged) and played simultaneously in the Source Viewer. The multicam clip produced by this synchronization can in turn be ganged with video on the Timeline. This allows you to cut synchronously from one video source to another (Cameras 1 to 16) at any time, including directly on the Timeline. The tapes do not necessarily have to have identical timecodes for multicam editing.
Chapter 9, Edit, Special Functions / Multicamera Editing Menu bar > Project > [or Rack shortcut menu >] MultiCamSync; Logging Tool > Multicam Capture; Multicam functions in the Source Viewer; Shortcut menu for a Timeline Multicam Clip.
Chapter 9, Edit, Sequence Editor / Sequence / New Sequence Menu bar > File > New > Sequence or click the usual button; Timeline Properties
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Source Timecode
The Track Headers name area indicates the timecode of a clip at the current Timeline Playline position.
Chapter 9, Edit, Basics / Adjusting All Tracks / View Menu bar > Timeline > [or Timeline header > Shortcut menu for Name area >] View > Source timecode
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Effects
New Effect Editors for CPU/GPU Realtime Effects
w The most important innovation here is the parameter curves. Each parameter (such as Size) can be edited independently of the other parameters using separate Key Frames. The Key Frames are linked either by a Bezier curve or by a line. w You can selectively show or hide parameter curves as well as edit them using a variety of options, including moving and reshaping them directly by means of the mouse. Project Library tab > Realtime Clip FX and Realtime Transition FX > Editors Chapter 11, Realtime FX / Functions and Parameters of the Effect Editors (Non-Classic)
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Chapter 13, Audio, Basics / ASIO Driver Standard Menu bar > Edit > Settings > Site > System or Player Settings > Inputs/Outputs > Audio Outputs > ASIO Output
Audio Editor
The Audio Editor has been entirely reworked, including its Mixer, Output Mapping and Settings components:
Mixer
The central module of the Audio Editor now offers:
w The assignment of Fader Units by means of Audio Playback On/Off (loudspeaker icon in the Track Header). Each Track activated for Audio Playback is assigned a separate fader. Any number of faders (= mixer channels) possible. w Track-specific faders possible for audio levels and panorama/balance (i.e. for all the clips on a Timeline Track). (It is also still possible to adjust clips individually.) w A peak meter for each Fader Unit; faders can be toggled between sliders and knobs. w Mixer configuration can be customized (for example, switchable audio faders before/after SendFX/ InsertFX section. w Each individual Fader (channel) can be routed to a Logical Output Bus. w Multiple Logical Output Busses are possible. w Insert and send effects are possible (see below). w Different fader types are identified by color. Chapter 13, Audio, Audio Editor / The Audio Mixer Audio Mixer ; accessed by clicking Timeline icon or pressing F4.
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w Up to 16 audio effects can be inserted (therefore insert effects) directly into the signal path of each Fader Unit (channel). w Signals from different channels can be fully or partially diverted in the fader and routed to send busses where they are processed with identical effects. SendFX Busses (multiple possible) can be routed to different Logical Output Busses. w Insert effects are VST-compatible effect plugins (see below). w All audio effects can also be applied directly to a Track (drag and drop on a Track name). Chapter 13, Audio, Audio Editor / Working with Insert Effects, Send Effects and Busses Audio Mixer; accessed by clicking Timeline icon or pressing F4. (Insert/Send FX segment on the Settings tab of the Audio Editor.)
Output Mapping and Classic Routing The redesigned Output Mapping serves to assign audio signals to actual system outputs (physical outputs on the connection box, sound card/chip, IEEE 1394/SDI-embedded, and virtual, such as Fuse audio files). All existing outputs in the system can be linked to Logical Output Busses.
To maintain compatibility with older versions, the earlier Audio Routing continues to be available in its previous form as Classic (A1 to A4) Routing but must be activated on a case-to-case basis.
Chapter 13, Audio, Audio Editor / Output Mapping: Assigning Signals Output Mapping tab; in the Audio Editor, accessed by clicking Timeline icon or pressing F4.
Audio Timewarp
Audio clips, which were previously excluded from Timewarp, can now also be accelerated or decelerated in real time while the pitch remains the same. Computation can be optimized for voice or music.
Chapter 12, Special FX, Linear Timewarp and Timewarp Editor Timeline clip (shortcut menu) > Linear Timewarp > Audio Computation
Chapter 14, Audio, Audio Effects / Pinnacle Liquid Plugin Audio Effects (VST) Library tab > Realtime Clip FX > Audio; Audio Mixer with Insert/SendFX segment: right-click > effect list
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w Assignment of surround channels (Left, Right, Center, Left Surround, Right Surround) in the Audio Mixers Surround Panner. w LFE (Low Frequency Subwoofer) adjustable for each individual channel. w Display of room position on the Timeline using special Surround Pan Lines. w Creation of DVDs with AC3 (Dolby Digital) and Matrix Surround Sound is possible. w Export of Matrix Surround (stereo downmix) by means of Export Sequence... Audio Mixer with channels routed to Surround 5.1 Bus; Export > DVD, (S)VCD > Destination tab > Virtual Surround; Export > Sequence > Audio > ... Chapter 13, Audio, Audio Editor / Surround 5.1 Sound; Chapter 17, Output, Exporting Sequences; Export to VCD, SVCD, DVD
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Networking
If Pinnacle Liquid is installed several times within the same network, exciting possibilities are available for cooperation. For example, tapes can be captured on a central storage medium at one station while editing already begins at another station. Pinnacle Liquid has two new functions that support such cooperative Projects:
Intercom
Intercom is a compact tool that allows Liquid editors registered in a joint workgroup to exchange messages.
On the Pinnacle Liquid Taskbar, icon with two heads; double-click to open a dialog box. Chapter 7, Exchange, Networking with Pinnace Liquid/InterCom for editors sharing a common project
Sharing projects
Two or more users can work on the same Project simultaneously. It is recommended that you use the Intercom function described above to coordinate your efforts. Another function, which can be assigned to a key on the keyboard, serves to refresh the Project viewer.
Refresh Project Viewers function (for details, see manual) Chapter 7, Exchange, Networking with Pinnace Liquid / Shared Projects
Titler
The procedure using the F11 and F12 keys no longer exists. Title graphics are now simply saved in the Rack. TitleDeko remains open until you choose to exit the application.
Menu bar > Tools > CG Editor; in TitleDeko: File > Save as new in Liquid (CTRL-E) Chapter 14, Titler, Saving Title Graphics, etc.
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DVD Authoring
w Transparent menu background The background of a DVD menu can be rendered fully transparent with the click of a button. DVD Editors function library, Editor tab (button with checkerboard pattern) w Set return marker with AutoLink Added to the AutoLink options; a return marker to the menu is also set for each link. Menu bar > Tools > DVD > Editor > Options tab Chapter 15, DVD Authoring, DVD Authoring: Reference / Options tab
Menu bar > File > Export > DVD, (S)VCD > Source and Destination tabs Chapter 16, Output, Export to VCD, SVCD, DVD / Source tab
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Burn Mini-DVDs
Provided you have a compatible burner, you can also use Version 6 to burn mini-DVDs (1.46 Gbytes or 2.92 Gbytes with double-sided medium).
Menu bar > File > Export > DVD, (S)VCD > Destination tab Chapter 16, Output, Export to VCD, SVCD, DVD / Destination tab
Record to Tape
w The Used Video Output function in the Record to Tape module has been eliminated. Define the output used for the connected recorder in the Player Settings. Menu bar > Edit > Settings > Site > Player Settings > Connections (Video/Audio Output) w If Timeline Slices still have to be rendered before recording to tape, the process can now be monitored on a progress bar. Chapter 16, Output, Record to Tape
Fuse Sequence
w This function also involves Output Mapping (see Audio Editor). The number of audio files generated depends on the settings in Output Mapping; up to eight files are possible. w Fuse to MPEG2 IPB (Elementary Stream) This is achieved by means of the Post Processing Module in the Fuse Sequence dialog box and the IPB Settings, which are also accessible from this dialog box. Menu bar > File > Fuse Sequence > Create separate audio streams and Post Processing Module (Options) Chapter 16, Output, Fuse Sequence
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Settings
For descriptions of the system- and user-specific software settings, refer to the individual product manual that came with your version of Pinnacle Liquid 6. The following is an overview of the changes and additions in this area:
w The Inputs/Outputs tab has been moved from System Settings to Player Settings. w The Connections tab for the Player Settings now offers drop-down lists of the systems AV outputs, except in the case of the Live player (you control this player by means of the Monitor icon on the taskbar). w The settings for aspect ratio and TV format (NTSC, PAL, etc.) have been eliminated because they have been rendered unnecessary by the multiformat capabilities of Pinnacle Liquid 6.
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