Moment of Innocence

By
C.D. Blomquist

Original Story

2014

FADE IN:
1

INT. PLEASANT BUT SIMPLE APARTMENT - DAY

Dressed in a quilt robe as she stands by the living room
window. ANGEL, unmarried, mid-twenties, has had a lot of
changes over the last twelve months. She is more secure now
but still has worries. Anxious about what lies ahead, she
bites her lip and looks wistfully at the park across the
street.
ANGEL
On the phone
Of course Im worried. Im just
hoping for the best.
Let me know as soon as you can.
If were lucky, Ill see you in a
few hours.
Picks up a framed wedding photo of her parents from the
table by the window.
Yeah, thanks ... after they died I
knew I had to be strong. Heck I was
just a kid myself. Those next ten
years were tough...
Youre right, who could have
guessed just last year how things
would be now...
Flash back to:

INT. DIFFERENT APARTMENT, DREARY BEDROOM - MORNING

Same framed photo of parents wedding is on a old dresser by
a Virgin Mary figure and a small jewelry box.
Angel walks in from the shower, wrapped in a plain cotton
robe. She gets ready for work in front of the dresser.

EXT. LARGE OFFICE BUILDING PARKING LOT - MORNING

Headquarters
Young office
cars. She is
scrambles to

of IPM, Industrial Product Management Corp.

worker GWEN is rushing across lot filled with
alone. She trips, drops her purse then
pick up the spilled items.

2.
4

INT. OFFICE - MORNING

Large open office space with private managers office in
back. Two men talking inside office. Other workers busy at
desks or cubicles.

INT. FILE AREA

Large stacks of papers and files indicate lots of work to
do. ANGEL is busy checking material.
Enter Gwen
GWEN
Sorry Im late. Looks like you did
a lot already!
ANGEL
A little miffed.
Theres plenty more to do.
Gwen puts her coat on the rack, moves to a file cabinet and
puts her purse inside. Starts to say something and pulls
back, hurt that Angel has ignored her.
Both busy in silence for a while moving files, checking
lists. They work in a shared area with two computers.
Gwen finds it difficult to concentrate on work.
GWEN
I gotta find a better route to get
here. Those pro-life protesters had
ninth street blocked again. The
cops made me go all the way over to
Maple and the train was running.
ANGEL
Doesnt look up as she makes a computer entry.
I got caught by the train last week
too. I was only a couple minutes
late and Mr. Lopez gave me his
"dont do that" look.
Faces Gwen
It shouldnt have bothered me, but
since we moved here I cant afford
to screw up. I need the work.
More work in silence. Angel is methodical and efficient. She
hands several files to Gwen and indicates some piles on a

3.

nearby table. Gwen flits between piles seeming to not really

accomplish anything.
6

INT. MANAGERS OFFICE LOOKS OUT ON SAME OFFICE AREA

Salesman GORDY embellishing latest sale.
GORDY
I tell ya Les, things are changin.
I had em from the start this time.
Its gonna to be much better than
last month. You can count on me.
Sits on Managers desk
Not only did I nail the contract,
but I gotta tell ya. You remember
Als assistant, Shirley?
Well, I made her an offer she
couldnt refuse.
Manager LESTER LOPEZ (About twice Gordys age) Gestures him
off the desk
GORDY
Oh, yeah, sure...
Stands
Yeah, that Shirley, she stayed to
lock up after Al left. Yeah, after
I nailed the contract she and me
made a contract of our own, if you
know what I mean..
Looks around through window to see Gwen leaning over a file
drawer.
Looks like Ive got potential
action here too!
LESTER
The action I want from you is
sales. Besides shes been hit on by
every guy in here.
Flips papers on desk.
GORDY
Hey, how about that one?
Nods head toward Angel by the far wall, motions a female
figure in the air.

4.

LESTER
Angel? Shes pretty new, and so far
shes my best researcher. Very
serious though - maybe not your
style.
GORDY
Hey, am I your top sales guy or
not?
LESTER
Waves his hand "so - so"
GORDY
Whats the name of that account you
want to resurrect? You know the one
Chico lost.
LESTER
Templeton Industries
GORDY
Oh yeah... Ill see if I can nail
it and Angel too Motions having sex with a pelvis action.
What-a-ya-think?
LESTER
You need to work on sales figures.
Not the other kind.
7

INT. OUTER OFFICE - LATER

CLOCK INDICATES 4:45
GWEN
You know, I could really use a
drink after a day like this.
ANGEL
Continue working
Uh-huh
GWEN
I mean it. Come with me to Little
Johns - Im buying.

5.

ANGEL
Cant tonight, I have to get right
to my other job.
GWEN
You work too much. Full time here,
part time there. When do you sleep
or have fun?
As they put on coats and head toward the door.
I hope that job pays better than
here!
ANGEL
Sarcastic
Oh yeah, I really clean up on that
job.
8

EXT. APARTMENT BUILDING - DUSK

Angel descends steps and checks purse for keys. She has
changed clothes to a waitress uniform. Goes to her car.

EXT. CITY - LIGHTS ON IN THE BUILDINGS - DUSK

Her older car driving at a distance

10

EXT. COUNTRY ROAD - SKY IS ALMOST DARK

Her car passes

11

EXT. SMALL TOWN INTERSECTION - NIGHT

Its quiet - no traffic

12

EXT. OVERVIEW OF MOTEL/TRUCK STOP AND PARKING LOT - NIGHT

The truck-stop and motel were popular before they changed
the highway. The Motel is the old fashion kind, each room
with an exterior door and window to the parking lot. The
truck-stop/restaurant is adjoining. The once quaint motel
has seen better days.
Her car passes the motel and pulls up behind
restaurant/truck stop. Angel gets her bag and walks toward
back door of restaurant.

6.

13

INT RESTAURANT - NIGHT

Angel calls into the kitchen
ANGEL
Hey Eddie, wheres Janet?
EDDIE
She had to take off. I covered
okay. Glad youre here though were
expecting two buses of tourists any
minute.
ANGEL
Yeah and the President will be
stopping by at midnight.
EDDIE
Again??

14

EXT. LARGE CATHEDRAL - DAY

15

INT. OFFICE OF THE MONSIGNOR - DAY

MONSIGNOR stands by the window, his back to the seated
priest nearby.
MONSIGNOR
Father Dominic you must appreciate
my position. Your past behavior has
not reflected well on your family
or the church. I am giving you an
opportunity to prove that you are
worthy of my trust.
DOMINIC
Nice to know someone does.
MONSIGNOR
Dont be curt with me - Id much
rather your were a problem to
someone else!
Hands the priest a folded paper.
I have some light duty for you manage your time here carefully. I
dont want your reputation
reflecting on me.

7.

16

EXT. CATHEDRAL PARKING LOT

17

EXT. MERCEDES - DAY

Dominic stands by his shiny black Mercedes coupe, lights a
European cigarette with his expensive gold lighter, checks
his Rolex and drives off.

18

EXT. - MOBILE TV VAN OUTSIDE OF FAMILY CLINIC - DAY

BARBARA WENTWORTH
On camera live
... continued protests have
disrupted traffic as police contain
extremists. Five arrests this
morning as the anti-abortion group
has multiplied in size and
activity. Earlier we interviewed
Sylvia Tucker, a local leader.

19

PER-RECORDED TV INTERVIEW
Around Sylvia is in an active group of adults and some
children.
SYLVIA
We are able to focus attention on
our cause by including groups from
the tri-state area. Well be here
every Saturday til hell freezes
over.

20

EXT. BARBARA ON CAMERA LIVE. - DAY

BARBARA
This is Barbara Wentworth, live
downtown.
Be sure to tune in channel 24 for
updates on our five and ten PM news
reports.

8.

21

EXT. OFF CAMERA - PACKING UP - DAY

Barbara off camera to Videographer LUCY as they wrap
equipment.
I really hate this location work
for spot news.
Its hurry up and wait for fifteen
seconds on air.
Hell, when I was in Knoxville I did
investigative reporting. Working
for the Sheriff gave me
credibility.
LUCY
Packing camera in case.
Youre in the big city now. Get
used to it.

22

EXT. IPM OFFICE BUILDING PARKING LOT - HALF EMPTY - LATE

AFTERNOON
Cars pulling out, people exiting building.

23

INT. OFFICE SPACE

Angel is still working by open file drawer. Gwen is putting
on her jacket.
GWEN
Hey! My treat if you stop now. The
place wont fall apart without you.
Take a break - no excuses - no
second job like last week - Just
you and me and no more of THIS
PLACE!
ANGEL
Fakes having her arm twisted
Okay, Okay - you convinced me.

9.

24

INT. BAR/RESTAURANT Gwen and Angel walk past bar and get seated at a booth.
Gordy and Lester are sitting at the bar.
LESTER
Indicating girls in booth.
Looks like our research team is
done for the day too.
Have you laid on your
"irresistible" - I mean
"resistible" charm yet?
GORDY
Not yet, but I can use the
practice.
Takes a swallow of his drink. Walks up to booth.
Well ladies, I see the research
department is still in good hands.
Your documentation on Carlson &
Smith really helped me on the road.
Sorry I couldnt get to thank you
at the office.
Im Gordy, Gordy Wells.
Puts out his hand to ANGEL
ANGEL
Angel Fortunatto
GORDY
How Fortunatto to meet you. And you
are?
Gwen looks at him, rolls her eyes, then to Angel and back, a
little annoyed.
ANGEL
Gwen and I are pleased to meet you
Gordy. How was the Smith file
helpful to you?
Gordy slides into booth next to Angel
GORDY
You have no idea how helpful your
research was? Let me tell ya - the
info on ...

10.

Across the room, Lester at the bar has been watching. He

turns back to the bar as Gordy is gesturing as he talks Angel looks on with interest. Gwen plays with her drink.
25

EXT. BAR - NIGHT

Gwen exits first followed by Angel and Gordy behind engaged
in conversation.
GORDY
Can I give either of you a lift?
GWEN
My car is over there - Angel and I
came together.
Indicates down the street
ANGEL
Mines back at the office lot.
Indicates up the street
GORDY
Indicates his car is close by, aimed up the street
Thats right on my way.
Enthusiastically mimes driving.
Come on Angel, Ill take you for a
ride.
Gwen looks dubious but says nothing.
ANGEL
Hey Gwen, thanks again for getting
me to lighten up. I needed get out
for a change.
Nods toward Gordy
Well be fine. Ill see you Monday.
Angel and Gordy walk together as Gwen crosses to her car.
Gwen gets in and drives off.
The two of them approach his car. Angel goes toward
passenger side making room for Gordy to open her door.
Gordy goes to the driver side, fumbles with the keys, opens
his door, starts to enter and sees Angel, realizes his lack
of manners. Leaves his door ajar and rushes toward her side.
A car approaches on the street, honks at the open door.

11.

Gordy goes back, closes his door returns to her and fumbles
with keys again to unlock the passenger side.
Angel is amused.
26

EXT. - UPSCALE SUBURBAN NEIGHBORHOOD - FOGGY - NIGHT

Shadowy figure, wearing a black hoodie, moves behind bushes,
goes to the back door, jimmies the lock, eases inside home.

27

INT. HALL WAY - NIGHT

FAMILY PHOTOS ON WALL of trip to Italy
SFX - ticking sound of clock
Burglar passes grandfather clock - it is 1:00 AM.
SFX - Clock chimes Burglar jumps.
Burglar passes window silhouetted, enters bedroom.
Riffles through drawers - finds money - takes jewelry and
other things.
Passes out of bedroom into office space. Photos on credenza
of lady with church people, Vatican, vacation shots of
Italy.
A small locked display case filled various beautiful
rosaries, crosses and angels is on the desk.
Burglar picks up case, checks it and puts it in bag.

28

EXT. TWO LANE HIGHWAY - DAY

The "blip, blip, blip" of the yellow lines in the road pass
by. Moving into view is the shadow and then the front of
Dominics sleek black Mercedes coupe. Only the front and
drivers side wheel are seen as the car pulls off the road
and on to a side street.

12.

29

EXT. SMALL TOWN MOTEL AND TRUCK STOP PARKING LOT - DAY
Mid-afternoon, early autumn NICK FOREST (pseudonym of Father Dominic) pulls his Mercedes
up to the motel.
Nick, exits the car, suit coat over his arm. He approaches
the motel room door, unlocks it, steps in.

30

INT. MOTEL ROOM - DAY

Nick takes a briefcase from the closet. Goes to the desk,
turns on the lamp, from the case sets out "confidential"
envelopes, puts his smart phone on the envelopes. Takes
condoms out of the case to the bedside table.
He sets down condoms, gold lighter, and Euro cigarettes,
checks his Rolex, and places it there too. Empties his
pockets and wallet into the drawer. Picks up the remote and
flips on the TV that is near the door.

31

MOTEL TV SCREEN
Very tight TV image of a love scene. Shapes form into
movements of bodies. There are two pixelated figures on the
screen, the dialog is low under music.
MAN ON TV
I want to forget about today, I
just want to know you care.
WOMAN ON TV
Ill help you forget about it all.
Come closer.

32

INT. MOTEL ROOM

Nick now in his underwear he closes the curtains over the
sheers. The room is dark except for the desk lamp and the
TV. He drops his shorts and heads for the shower.

33

EXT. FREEWAY - SAME AFTERNOON

PHYLLIS drives her red Camaro down an exit ramp from the
city on to a minor road.

13.

34

INT. CAMARO - SAME AFTERNOON

Phyllis, thirties - average-looking, wears her new
seductive outfit - hair blows in the open window.

35

EXT. COUNTRY ROAD - SAME AFTERNOON

Light comes through the trees as Phyllis passes by same
roads that Angel used to get to her truck stop job.

36

INT. MOTEL ROOM

Nick exits the bathroom with a towel wrapped on, checks his
watch, reduces TV volume to a lower level and tosses remote
to the side chair. He pulls down the covers on the bed, goes
to the window, looks out through sheer curtain.

37

EXT. MOTEL PARKING LOT - SAME AFTERNOON

Camaro pulls through truck stop toward motel and parks by
the Mercedes.
Phyllis gets out, straightens her little black dress, walks
awkwardly in her new sexy heels to the motel room door, a
light coat over her arm.
Looks questioningly at the room number, is hesitant and
about to knock when the door opens.

38

INT. MOTEL ROOM

As the door opens and she steps in, the light from outside
floods the room. He pushes her back against the door to
close it firmly.

39

MOTEL TV SCREEN IN FULL VIEW.

TV is next to the door, screen shakes as door shuts.
Scene is couple in a bedroom making love.

40

INT. MOTEL ROOM

Phylliss back is against the door. Nick is very close.

14.

NICK
(husky)
You found me right on time.
PHYLLIS
(toying with him)
Your directions were very specific.
Looks around briefly.
Quite a change from the Hyatt.
NICK
Ah, but much more private.
He kisses her deeply.
PHYLLIS
Recovering from the kiss
Oh Nick,
I missed you too.
(Coy, sexy)
MM... how-ya like my dress?
Nick steps back, looks down. We follow his gaze til only his
towel, his bare feet, her skirt and legs show.
NICK
(Husky, familiar)
Very Nice. Looks great on you ...
even better without...
Let me help you ...
Zipper undone, dress drops to the floor. She steps out,
high heels kicked away bouncing off wall to the floor.
She steps closer. His towel drops to the floor.
PHYLLIS
Oh. My!
Even more husky.
Let me help you with THAT!

15.

41

TV SCREEN
Reflected in the TV screen Nick and Phyllis are caressing
each other. She is groping him, he is undoing her bra. TV
SHOW credits roll as the local news promo comes on
the screen. As Nick and Phyllis move away from the TV their
reflection fades away.
The news promo is a backroom news desk, with monitors behind
the set.

42

TV NEWS REPORTER BARBARA WENTWORTH

Although
warm for
continue
expected

43

BARBARA WENTWORTH
the weather is unusually
this time of year, it will
to be windy. More rain is
before the weekend.

INT. MOTEL ROOM - MORE OF ROOM BY TV

Phylliss dress on the floor, high heels by the door. Bra on
the floor by the towel. Nick and Phyllis are not in view.
BARBARA WENTWORTH
Top stories tonight. Continued
arrests of protesters at the local
Family Health clinic.
Anti-abortionists insist on being
heard.
Local break-ins are increasing. A
recent string of burglaries in
suburban areas have citizens taking
extra precautions.
Firearm sales are up in response to
recent crimes.

44

FULL ON TV SCREEN
Following tonight news, a special:
Women and the men who abuse them.
Black panties land on the TV
Coming next all the latest in local
and Nat....

16.

45

INT. MOTEL ROOM - ACROSS THE ROOM BY THE DESK

Voice of Barbara faded. The lamp is in focus and bright, the
room is soft and in shadows. Nick and Phyllis stand together
on the far side of the bed. The sound from the TV is weak.
Phyllis and Nick drown out some of Barbaras voice with
their Passion.
...Rain expected as temperatures
fall... Over the weekend...

46

INT. MOTEL - FROM ACROSS THE BED

Phylliss half closed eyes look up at Nick as his hands
caress her body with feather-light strokes. She shivers. He
lowers his body onto the edge of the bed. He buries his face
as he nips at her breasts. She swoons and goes down on one
knee to meet his lips. He turns her head, pulls her hair
back. He edges her head down his chest toward his lap. She
resists at first. He moves higher on to the bed toying with
her hair to better offer himself to her.
NICK
Aw, now babe, you can do this for
me.
She moves toward his lap. He throws his head back and
shivers.
NICK (contd)
Slow down now. Come on over here.
He pulls her up on to the bed as his hand slips between her
legs. She wipes her mouth as she kneels on the bed, ready
for what comes next. He now stands behind her.
The glow of the TV silhouettes Nick as his body slaps
against Phyllis. The spill of light from the desk lamp
illuminates her face. She gasps, gripping the sheets as he
plunges deeper and pulls her hips into him.
As their bodies collide, she is driven between pleasure and
uncertainty.

47

EXT. MOTEL WITH SUN LOWER IN THE SKY - LATE AFTERNOON

Black smoke pumps out of a semi tractor as the driver guns
the engine and pulls out.

17.

48

INT. MOTEL ROOM TOWARD WINDOW ACROSS BED - LATE AFTERNOON

Heavy curtain has been pulled back and only the sheer is
over the window. She gathers her clothes dresses quickly.
PHYLLIS
Standing near the desk, she glances toward the
and confidential envelopes.
You said you cant tell me about
your work. But why this place? The
Hyatt was so much nicer.

briefcase

He sits up, casually starts a smoke.

NICK
(clears his throat)
I - Uh - the company selected it.
Out of the way to avoid attention.
PHYLLIS
(asks with hopeful confidence)
Well my schedule has me going back
to Omaha tonight. My plane leaves
at seven. Will I see you next
month?
He gets up naked, full of self-assurance. Puts his arm on
her waist.
NICK
Things are kinda loose... hard to
predict...when Ill be around.
You were great babe...next time...
Touches her shoulder. Puts his head close to hers and
whispers something.
PHYLLIS
She blushes
Well... Well see then...
She turns toward door and picks up her coat. He is in shadow
sitting back on the bed as she leaves.
Silhouetted against the window, he picks up his smart phone
from the desk, scrolls to Phyllis image and contact info.
He hits "delete".

18.

49

EXT. MOVIE THEATER AND STREET - NIGHT

People leaving theater. Woman with a boy and girl exit and
stop by the entrance. Mom checks her watch. Looks up and
down the street. Girl teases boy.
MOM
If you two are not going to get
along, Im through taking you out
in public.
GIRL
Henry took my last Milk Duds!
HENRY
There was only one left!
MOM
Quiet now, here comes the taxi.
Taxi #22 pulls up. they get in.

50

INT. TAXI - NIGHT

MOM
487 West Hillside

51

EXT. STREET BY THEATER - NIGHT

Taxi #22 drives on streets

52

INT. TAXI - NIGHT

MOM
Its too late tonight, but I want
you both packed when your Dad gets
home tomorrow night. Hopefully we
can leave right away for Grandmas.
She has the weekend all planned for
us and I want you both on good
behavior - OK?
BOY AND GIRL
Yes, mom.

19.

53

EXT. SUBURBAN HOME - NIGHT

Taxi #22 arrives at suburban home, mom and kids exit. Taxi
pulls away.

54

EXT. AIRPORT - NIGHT - WINDY

Taxi #22 pulls up. Driver FRANKIE helps passengers get
luggage from trunk. As he goes for second bag in trunk wind
knocks the trunk lid down on his hand. He winces.
LADY
Ow!, That must hurt.
FRANKIE
Oh, Im OK. You folks have a good
trip now.
MAN
Come on Honey, were running late.
Hands Frankie trip fee and tip.

55

INT. TAXI - NIGHT

Frankie pulls away and reaches for his phone. Nurses the cut
on his hand. He dials and put phone to his ear.

56

EXT. TAXI - NIGHT

Driving off.

57

INT. DARK BEDROOM - NIGHT

Naked bodies on bed. She sits up playfully gives a tug on
his nipples. He grabs her arm.
EDUARDO
Hey, Dats for me to do to you.
He wrestles her over roughly to her back and parts her legs.
Cell phone on the dresser rings. Eduardo tries to ignore it
as he positions himself. He raises her hips and starts to
enter her.
Third ring, he grabs it in frustration. Still pumping, he
answers.

20.

EDUARDO (contd)
Yeah! ...
OK - OK ... Come by tomorrow. Im
busy now.
Tosses phone on to dresser and leans into her as she smiles
back.
58

EXT. MORNING DIFFERENT SUBURBAN HOME - UP SCALE NEIGHBORHOOD

- DAY
Barbara knocks on front door with LUCY behind with video
camera.
Young woman answers door.
BARBARA
Good Morning, Im Barbara Wentworth
from Channel 24. Mrs. Balistreri is
expecting us.

59

INT. FRONT HALL - DAY

Enter home. Pass hallway with family photos, trip to
Vatican, Grandfather clock. Young woman escorts them into
office.
MRS.BALISTRERI is well dressed matron. Barbara sets up mic
as Lucy gets camera in position.
Nod from Lucy
BARBARA
I understand your home was another
in the recent burglaries...
Pan around room as interview voices under are muted. Camera
settles on empty space where religious case was.
MRS. BALISTRERI (V.O.)
All of the pieces were special to
me. After we sold the jewelry
business I kept only a few items
that I really loved.
C.U. on stack of 4X6 photos.
MRS. BALISTRERI (V.O.) (contd)
My son took pictures of each one
last year for insurance purposes.

21.
Some were quite valuable. Others
were important to me because they
were unique.
Pan across spread out photos. Last one is of an angel pin.
BARBARA
Thank you for your time Mrs.
Balistreri, Making these burglaries
more public may help bring an end
to them.
Lucy puts mic and camera away.
60

EXT. FIRST SUBURBAN HOME - 487 WEST HILLSIDE - DUSK

Minivan in driveway, Dad packing back end.

61

INT. KITCHEN - DUSK

MOM
Henry, finish up now. We need to
get on the road. Just cause Dad
had to work late isnt going to
keep us from leaving.
Dad carries suitcases past Mom toward garage entry door off
hallway.
Seven year old Henry is munching on pizza. Older sister
steals a piece from his plate as she walks by with travel
bag.
HENRY
Mom, Sue just took my last piece of
pizza!
MOM
You can have something else when we
get to Grammas. Its just a couple
hours. Now go check your room windows closed, lights off!
Follow Henry through house to his room. He grabs a computer
game off his table and bumps the mouse of the computer. The
screen flashes on and a monster face pops on the screen with
a noise. Henry exits room leaving lights on. - comes back
and flips off light switch.
Henry exits kitchen to garage past Mom who looks mournfully
at dirty dishes.

22.

MOM (contd)
Come on Sue, were leaving!
Sue with ear buds is texting as she goes out garage door,
Mom turns out the lights as she exits.
Kitchen is quiet
SFX of garage door coming down. Kitchen clock ticks.
Clock shows 8:20. Faucet drips.
62

EXT. SAME SUBURBAN HOME - NIGHT

Minivan is pulling away down street. Quiet night.

63

EXT. BACK OF HOUSE - NIGHT

Bushes near rear of house rustle.
Dark hooded figure tries rear door, slips inside.

64

INT. HOUSE - NIGHT

Silhouette of burglar past kitchen windows. Follow burglar
down same halls as Henry. Goes into girls messy bedroom. picks bra from bed and looks at it. Pick up a laptop and
puts it in bag. Goes to night stand, flips lid on box music plays, quickly closes it.
Parents room - shuffles through drawer, spots envelope,
finds cash, stuffs in bag.
Henrys Room - Silhouette by windows - sees GameBoy stuff by
desk. Takes a couple, puts in bag. Reaches for another and
brushes mouse.
Scary face pops on monitor screen with a loud yell.
Burglar jumps back, knocks over chair and lamp. Bumps over
glass jar filled with coins. It breaks, coins falling,
burglar grabs at it and cuts hand on glass.
With anger, burglar shoves monitor to floor with a crash.
Grabs bag with loot and leaves.

23.

65

INT. IPM OFFICE - DAY

Managers office
GORDY
Hey, Les. I told you Ive got what
it takes.
Shrugs toward Angel in the outer office.
Like I told you - last week Angel. She fell fast and hard. Just
had to pour on the charm.
LESTER
Very good Romeo, but what I want is
new sales not BS about your sex
life.
GORDY
BS - no way! I couldnt believe how
she put out. And yeah Im working
the Templeton pitch too. Ill have
results by next week.
LESTER
Just stick to the real job, not the
blow job.

66

INT. OUTER OFFICE

GWEN
Gesturing toward Gordy in the managers office.
You two sure left me in the dust
the other night. What do you see in
Mr. Snow Job?
ANGEL
Well, you were right about me
needing a change - a diversion.
Gordy is full of himself but it was
fun to go along with his sales
pitch. Maybe giving him attention
will help him close an account.
GWEN
So you go along with his come-on to
boost his ego - he gets what he
wants - what do you get?

24.

ANGEL
You encouraged me to lighten up. I
dont have to be all business.
Givin him a boost might improve
his bottom line.
GWEN
So youll see him again?
ANGEL
Maybe. Not for a while though, my
other exciting job still calls.
67

EXT. PARKING LOT OF RESTAURANT/TRUCK STOP - NIGHT

Sign at gas pumps reads 12:30
Footsteps of trucker getting into his rig.
SFX - air brakes of truck.
Semi pulls away revealing Nick standing by his black
Mercedes. He flicks the ash off his cigarette on the heel of
his shoe.

68

INT. RESTAURANT - NIGHT

Nick enters restaurant. His moves are deliberate, smooth and
sensual. Every touch he makes is textural - his hand glides
lightly over the counter.
In the distance, Angel is chatting with the only other
patron who is leaving.
Nick is watching her as she cleans up dishes. Watches as she
leans down to place items on a lower shelf.
NICK
Quiet night so far?
ANGEL
Turning to face him
Usually slows down about now.
NICK
Ive noticed.

25.

ANGEL
Youve been here before?
NICK
I get by here on occasion.
ANGEL
Cant say as I remember you.
NICK
Maybe you were too busy to notice.
ANGEL
Oh, Id remember you. - What do you
need tonight?
NICK
Same thing I always need - love and
affection.
ANGEL
Blushing
Dont we all.
69

EXT. OF RESTAURANT - NIGHT

Through the window we see them talk.
SFX - Night sounds with train whistle in the distance.

70

EXT. DISTANCE SHOT OF TOWN - NIGHT

Quiet streets with truck stop parking lot empty except for
Mercedes, her car and line cooks car out back. Motel sign
flashes "VACANCY" and gas station time and temperature says
1:40 AM

71

INT. RESTAURANT - NIGHT

ANGEL
I hope I didnt bore you.
Im not this open with a everyone.
Angel brushes back her hair and tugs on her uniform as if to
straighten it. Nicks hand glides over the counter as he
gets up. Under his coffee cup is a fifty dollar bill.

26.
NICK
Believe me, youre not boring.
Thanks for letting me listen.
Ill see ya round.
Nick exits - she picks up his cup and slips the bill into
her pocket. Wipes her hands smoothing her uniform.
72

INT. IPM OFFICE

People entering office from parking lot. Angel is among
them. Goes to a coat rack, hangs up her coat, drops her
glove (seems distracted), looks around and mentally clears
her head.
GWEN
cheerfully
Hey!, Morning!
ANGEL
um.. hi.
Gwen looks concerned but quietly goes to work. They begin
looking over the days needs. Angel alternates between
determined concentration and lost in thought.

73

EXT. IPM OFFICE BUILDING - LATE MORNING

Traffic in street, people walking.

74

INT. OFFICE AREA WITH MANY WORKERS.

GWEN
Time for a break. I can only take
so much of this before my eyes
start to cross. You OK?
ANGEL
Um - yeah, just seem to be in a
fog. I didnt get much sleep.
GWEN
So has Gordy been after you?
ANGEL
Oh- Gordy - no. He may be an OK
salesman, but hes not for me. No,
it was last night. A fellow came
into the diner -

27.

It was after midnight, the place

was dead. He stayed for over an
hour.
I cant get him off my mind. He was
so easy to talk with. And hes good
looking to boot!
I think I must have laid out my
whole life. Even told him about my
parents car accident and living
with my aunt.
It was amazing how everything
poured out of me. I dont remember
seeing him before but he says he
comes there often - must be on my
off nights.
75

EXT. STREET - BAD CITY NEIGHBORHOOD - NIGHT

Frankie walks in distance.
His feet on pavement, stepping off curb.
"Dont walk" sign flashing. He goes into street. Car turns
corner and hits horn, braking hard. He backs up to curb,
looks again at street checking traffic and continues against
the light.

76

INT. APARTMENT - NIGHT

Hand with a band aid holding pistol. Opens magazine and
loads bullets.
Eduardo checking gun and playfully aiming at imagined
targets around room.
Door opens and Frankie enters.
Eduardo points gun at him.
FRANKIE
What the hell! You crazy?
EDUARDO
Hey man - Im just playin wit chu!
FRANKIE
Is it loaded?

28.

EDUARDO
Whad you think? I got a piece - it
aint gonna do no good empty!
FRANKIE
Curious, and easing up
Let me see it.
Eduardo lays it on the table and eases back into the sofa.
Frankie picks it up and examines it.
Suddenly he takes a stance and aims it at Edwardo.
Eduardo just looks at him and puts his feet up on the table.
EDUARDO
The safety is on.
Now what is it you got for me?
77

EXT. OF THE APARTMENT - NIGHT

From across the street through the window the two of them
walk around and interact.
SFX - traffic and sirens.

78

INT. APARTMENT - NIGHT

Frankie and Eduardo drinking beers and talking.
EDUARDO
Our deal is pretty sweet, but I got
something bigger.
I tell ya - Its perfect. My
cousin says the guy always makes
his deposit after ten. Its the
whole weeks take. We just wait til
he closes and goes to his car.
Quick and easy. Ill stop him, you
come up behind and take the bag.
You go with the money. I back off
and hes left standin! Too Easy!
Frankie is hesitant.

29.

FRANKIE
This is a lot different, Im not...
EDUARDO
Dont forget what I told ya. You
dont want no trouble do ya?
...Just one more thing - this is
for you.
Pushes the gun lying on the table toward Frankie.
FRANKIE
What do I need this for?
EDUARDO
Insurance.
Edwardo reaches behind his back and pulls out a second gun.
EDUARDO (contd)
This is mine. If he turns away I
want you to insure that he dont
run.
79

INT. ANGELS APARTMENT BEDROOM - SUNDAY MORNING

Worn furniture, room is sparse, harsh sunlight in window.
Angel stands by dresser. Shes wearing a light coat
unfastened over a simple dress for church. She removes
earrings placing them in small jewelry box on dresser next
to Virgin Mary figure and the framed parents wedding photo.
She looks at herself in mirror. Has a simple cross on her
neck.
Forlorn sigh.
Turns from mirror and undresses to underwear.

80

INT. KITCHEN - MORNING

Angel enters wearing jeans and is just buttoning sweater.
SFX - Music on radio.
Frankie is at the stove wearing no shirt. Hand is scratched.
Hes just breaking eggs into skillet.
ANGEL
Walking up to his side.
(MORE)

30.

ANGEL (contd)
Put a couple in for me will ya?
FRANKIE
Surprised to see her.
I didnt see you come in. Sure, you
get the last two.
Angel puts bread in toaster.
ANGEL
I was worried about you. You
werent here when I left for
church.
Frankie considers answering but remains silent.
When
know
job,
when

ANGEL (contd)
you dont come home I never
what to think. With my second
I hardly see you anyway. And
youre not here I get scared.

Frankie puts eggs on two plates and brings them to the

table.
FRANKIE
Dont be such a worrier. I was with
Eduardo - we were drinking, so I
stayed with him.
ANGEL
Eduardo! Frankie, hes no good for
you! You promised me youd stay
away from him.
FRANKIE
Apologetically but with anger.
I didnt promise anything - Quit
trying to run my life!
ANGEL
Prison friends are not what you
need.
Angel reaches across the table to sooth him, touches the cut
on his hand.
Frankie tears his arm away knocking a plate with eggs to the
floor.

31.
ANGEL (contd)
Frankie!
FRANKIE
Damn!
He gets up, goes to the stove, grabs a worn towel from the
handle. Angel goes down to the floor and is picking up
broken pieces of plate. Frankie kneels down on the floor by
her to mop up the mess.
FRANKIE (contd)
Im sorry... youve been so good to
me. - Youre right. - After five
years in the joint only you would
put up with me.
He wipes the floor and tosses food and towel into the
garbage. Wipes his hands and leaves the room.
Frankie returns
FRANKIE (contd)
Hey, I got something for you. Since
youre my guardian angel, I got
this for you. Sorry about...
As he says he is sorry, Frankie offers her a small object
wrapped in tissue. Angel wipes her hands and unwraps a
beautiful angel pin from the tissue.
ANGEL
Whered ...
She starts to ask where he got it, decides not to probe.
Admires the pin.
ANGEL
Thanks Frankie. Its beautiful.
FRANKIE
Its OK, I just wanted to give you
something after being so good to me
the last couple months.
ANGEL
Its alright, you needed a place to
stay. You can stay as long as you
need to.
FRANKIE
For all youve done for me Sis Nods toward the pin.

32.

Thanks
Angel admires the pin, puts her hand on his shoulder as a
gesture of thanks.
As he leaves, Angel looks the pin over carefully, looks
toward the doorway, and gently sets the tissue and angel pin
on the table.
81

INT. IPM OFFICE - DAY - MORNING

Gwen is working. Angel arrives
GWEN
Again this week, sales is asking
for more stats. Now on Wilson
Industries, Delano Pharma and
Carlson...
ANGEL
Seems sometimes that research is
more like spy-search. If we dig any
deeper were gonna know who wears
briefs and who wears boxers.
GWEN
And who goes commando.
laughs
Things any more exciting at the
truck stop?
ANGEL
looks shy, hesitant
Ever since the Highway got moved
its mostly dead at night. This
whole month has been slow. Its
more like a ghost-town.
pauses in her work - thoughtful
Did have a few more visits from
Nick, my Mr. Mysterious - hes very
seductive. I cant keep my eyes off
him. Hes kinda hypnotic.
GWEN
Sounds like hes coming back for a
reason - and Im sure its not for
the coffee.

33.

ANGEL
He makes me feel special. Hes got
me wanting him, but Im not sure he
feels the same.
GWEN
Be careful girl. I know how easy it
can be to fall for a guy - I dont
want you hurt.
ANGEL
Probably too late for that. He
knows how to push my buttons.
sigh
GWEN
Yeah specially when buttons and
zippers come undone.
82

EXT. SEEDY PART OF TOWN - NIGHT

Mercedes pulls to curb near bars and strip club.
Nick exits car. Takes his time. Lights cigarette and locks
car with remote. Walks down sidewalk. He is approached by a
hooker, they flirt. He walks on, she turns toward an
approaching car. Nick crosses street, flicks off ash on a
lamp post, goes toward a strip club. Nods to the bouncer who
nods back knowingly.

83

INT. STRIP-CLUB
Various action, with some patrons leaving. Barkeep is
cleaning up, turning out lights at bar. Stops and makes up a
drink for Nick without being asked. Continues cleaning up.
Remaining patrons leave. Nick takes a sip, checks his watch.
ZENA enters. Puts her hand on his leg.
ZENA
Hey Baby! Im ready when you are.
to barkeep
Good night Pete - See ya tomorrow.
PETE
Its already tomorrow.

34.

84

EXT. MERCEDES - NIGHT

Pulls away from club

85

INT. CAR - NIGHT

ZENA
Can we stop for a burger? Im
starving.
NICK
Sure, If thats what you want.
ZENA
You know what I want they say together
"Love and Affection"
and laugh
She pulls out a joint, takes a deep hit. Passes it to him.
You can get hungry too.
NICK
He looks at her in lust. Slips his hand between her legs.
Im always hungry.

86

EXT. CAR - NIGHT

Pulls up to all night cafe

87

INT. BOOTH IN CAFE

Sitting across from each other. Food is on plates. She has a
big bite in her mouth. They are both high.
ZENA
... nice to hear from you again...
thought maybe youd left town.
NICK
Carefully examines his sandwich before taking another bite.
Shakes his head.
You know, Im just never sure when
Ill be around. But Im here now,
so we can make the best of it right?

35.

looks at her in anticipation

"love...
ZENA
"and INFECTION!"
she laughs
She stands, drains her soda, goes toward restroom - weaving
as she walks - waitress crosses her path and is very
friendly to Nick.
WAITRESS
attractive, with a come-on attitude
How ya doin Sugar, will that be
all?
NICK
checking out her name tag
Melody - Thanks... for tonight
thatll be fine.
But theres always tomorrow
Puts a fifty in her hand and closes her hand with his.
88

INT. MERCEDES DRIVING ON STREET - NIGHT

Hand reaches across to rest in his lap - caresses him.
ZENA
She turns in the seat, picks up the back of her blouse.
Hey, undo me will ya Baby?
Nick reaches over with one hand and deftly flicks open her
bra.

89

EXT. CAR - NIGHT

Speeds down road.

90

EXT. BY MOTEL/TRUCK STOP- NIGHT

Mercedes pulls up abruptly crooked in parking spot. Nick and
Zena get out, stumble toward motel.

36.
91

INT. DINER - NIGHT

Angel is putting on her coat, her new angel pin on the
collar. She looks tired. Sticks her head in kitchen
ANGEL
Goodnight Eddie.
EDDIE
Take it easy Honey - see ya next
week... get some rest - hope that
stomach flu clears up soon.

92

EXT. DINER - NIGHT

Follow Angel to car. Shes moving slowly. As she pulls away,
she almost misses seeing his Mercedes. Puzzled look on her
face. - checks mirror. Sees it - does a quick circle around
in lot.
Pulls up so her lights are on his car. She gets out, walks
toward Mercedes. Looks in and sees a bra tossed on to the
back seat.
ANGEL
(to herself)
I should have figured. That
bastard.
Her car pulls away quickly. Quiet parking lot.

93

INT. APARTMENT KITCHEN - NIGHT

Frankie is smoking at the table, listening to sports on the
radio. Anxiously he is looking over the pistol in his lap.
SFX - Front door unlocking.
He hears Angel coming and shoves the gun under his jacket on
the next chair.
ANGEL
She comes in removing her coat.
Another late night? Did you eat?
Frankie shakes his head - no.
ANGEL (contd)
I brought home some rolls from the
restaurant. Let me fix you
something.

37.

Angel goes to counter.

ANGEL (contd)
Clear off the table for me will ya?
Frankie picks up newspaper and ashtray. With other hand
balances two cups on plates and moves toward sink.
Angel goes to move chair with jacket - gun slips on to floor
with a thud.
Frankie turns with fear in his eyes.
Angel picks up the jacket and the gun in disbelief and
disappointment.
With tears in her eyes ANGEL (contd)
Oh Frankie - How could you!
FRANKIE
(stammers)
Its not mine ... Eduardo...
ANGEL
Eduardo!! I told you to stay away
from him! What crazy thing has he
cooked up?
You have to stay clean!
Get rid of it! Just get rid of it.
Angel runs from room.
94

INT. IPM OFFICE - NOON

Angel and Gwen are in filing area.
ANGEL
Thanks for helping me out of my
mood. I do need to lighten up. OK
if I take you to lunch?
GWEN
Are you up for an adventure?
Theres a new place over on
Hampstead. Supposed to be great
Thai food.

38.

ANGEL
Thai is a little too spicy, Ive
had heartburn lately.
GWEN
That Chinese place on Nelson is
bland but pretty good. Lets go
there. Ill drive.
95

INT. CAR ON THE WAY - DAY

GWEN
So has Gordy called you again?
ANGEL
He called and he makes come-on
moves, but hes just a big kid not really someone I could fall
for. Besides with him on the road
and my night job we cant really
get together anyway. Heck, I hardly
see my own brother and we live
together.
GWEN
Yeah, with him driving cab now.
Hows that working out?
ANGEL
At least its something. After
prison he really had a hard time
getting any job.
GWEN
That really sucks. He shoulda
never served time anyhow.
ANGEL
He was in the wrong place, hanging
out with the wrong people. Crossing
the state line with that stolen car
was really stupid.
Drive on in silence.
ANGEL (contd)
(Emotional)
Frankie was such a shy, sweet kid.
Now hes restless and hard to talk
to. I never know what hes
thinking. Im afraid hes headed
for trouble again.

39.

Pulling up to restaurant.
GWEN
If you think it would help, I could
talk to him - maybe hed open up to
me.
Getting out of car.
ANGEL
Maybe. But how do we arrange that?
96

EXT. ANGELS APARTMENT BUILDING - DUSK

Almost dark - light on in Franks bedroom.

97

INT. APARTMENT - FRANKS BEDROOM -DUSK

Frankie is drying off from a shower. Starts dressing. Takes
shoes and socks into kitchen to finish.

98

INT. KITCHEN - DUSK

- on small TV sitting on counter is 5PM news-desk scene
finishing wrap-up.

99

INT. TV NEWS SET

WEATHER GUY
Still mild through the weekend,
chance of showers on Sunday. Cooler
next week.
SPORTS GUY
Congratulations Barbara. Your
in-depth probe on the Pro-Life
movement is getting a lot of
attention.
BARBARA
Thanks Bob. Were very excited. We
are going to expand our coverage as
long as confrontations continue.
To camera
Have a pleasant evening from all of
us at Channel 24...

40.

100

INT. KITCHEN - NIGHT

Angel enters as Frankie is tying his last shoe.
ANGEL
Glad I caught you before you left.
Awkwardly tries to hug him, he fends it off slightly.
He reaches for his jacket.
She puts up her hand to stop him and get his attention.
I have a favor to ask you.
He listens up.
You remember Gwen from work? She
has this reunion thing to go to and
she hasnt got a date. The guy that
was going to be her escort had to
go out of town - its tomorrow
night and she really doesnt want
to go alone.
FRANKIE
I dont know Sis - why me?
ANGEL
She just asked if you could and I
knew you werent working - give her
a call and shell tell you the
details.
FRANKIE
Ill think about it - I gotta go
now.
ANGEL
Heres her number.
hands him a piece of paper
Call her tonight - OK?
FRANKIE
As he leaves
Sure - sure

41.

101

INT. CAB #22 - NIGHT

Frankie to couple in cab
FRANKIE
Thats $21.50
exchange money
Enjoy the show.
couple exits by movie theater

102

EXT. STREET - NIGHT

Taxi drives off.

103

INT. CAB - NIGHT

Parks in a different location, Frankie is smoking a
cigarette impatiently - checks his watch, looks around,
shifts in his seat - more of the same. Lastly, pulls out his
phone. Takes a last puff and tosses the cigarette out the
window. Checks scrap of paper and dials.
FRANKIE
Gwen, Frank Fortunato here Angels brother. Yeah, fine, fine
-- listen -- well -- what the hell,
why not.
---- OK, about 6:30? How dressy is
this thing? OK. I can do that.
Yeah, see ya then.
(pause)
Youre welcome.
Looks relieved - about to light another as cab radio
dispatcher sends in a call. Pulls away.

104

EXT. GWENS APARTMENT BUILDING - LATE AFTERNOON

Gwen leaves her apartment and goes to her car. Drives away.

42.

105

INT. CAR - LATER - NOT DARK YET BUT HEADLIGHTS ON.

Pulls up by Angels apartment building.
Takes out her phone and texts "im out front"
She looks around, checks her appearance in mirror.
Door opens, Frankie stoops and looks in.
FRANKIE
Hi...
GWEN
HI ... Hey, come in... Hey, you
clean up good.
FRANKIE
with a smile
Yer lookin good yerself.
as they drive off
Whats this reunion thing anyhow?
GWEN
Well ... I got a confession, thats
a story I told Angel so I could see
you.
FRANKIE
a little pissed
What!, You that desperate for a
date?
GWEN
No - No, its just I wanted to talk
with you about Angel and I didnt
know how else to arrange it.
FRANKIE
What about her?
GWEN
Im concerned for her. Shes been
seeing a couple of guys and seems
kinda mixed up. Does she talk to
you much?
FRANKIE
settles into the seat
(MORE)

43.

FRANKIE (contd)
Angels always been able to take
care of herself as far as I know.
Is that really what this is all
about?
106

EXT. CAR - NIGHT

Driving along

107

INT. CAR - NIGHT

GWEN
She really does worry about you.
FRANKIE
Im being careful. Im not planning
to end up back in the joint.
GWEN
Hey, since I have you kidnapped at least let me buy you dinner OK?
FRANKIE
You are desperate for a date!
they both laugh

108

EXT. STREET IN CHINATOWN - NIGHT

Her car pulls up to curb. Lots of people, couples and
families on street.
As they walk GWEN
So since your folks died, Angel has
been feeling responsible for both
of you?
FRANKIE
Yeah, our Moms sister took us in
for a while but "Uncle" Max wasnt
happy to have us. He treated us
like servants. Hed tell Angel she
was stupid and worthless. I really
hated him.

44.

GWEN
That sounds terrible
FRANKIE
Angel kept trying to protect me.
Max got pissed on night and threw
all our stuff out on the front
steps. She got a place on her own
as a soon as she could and took me
with her.
they walk into restaurant
109

INT. BOOTH IN RESTAURANT

They are mid-eating - Thai food with chopsticks, finger food
and tea.
FRANKIE
I was seventeen when I got involved
with the guys that were stealing
and stripping cars. It seemed so
easy at the time. Wed figured wed
been fucked-with so stealing was
just payback. Unfortunately Id
turned eighteen when we got caught
so I had to do time as an adult.
GWEN
Thats rough. So getting a job now
has been tough?
FRANKIE
Yeah, but the cabs not so bad. And
I have time to do other things.
GWEN
(interested)
What kind of other things?
FRANKIE
pulls back - said too much
Things... like dating desperate
friends of my sister!
they laugh again
GWEN
Frank - thanks for understanding I do feel better knowing how you
and Angel look out for each other.

45.

Hey, I got an idea. Whada say we

go out to the truck stop and pay
her a visit?
FRANKIE
An spoil a great date like this? Sure - lets go!
110

EXT. CAR ON THE STREET - NIGHT

They get into car and drive off.

111

EXT. IPM OFFICE BUILDING EXTERIOR - DAY

Parking lot is full.

112

INT - OFFICE
Gwen and Angel working.
ANGEL
So you didnt think Frankie was
preoccupied at all?
GWEN
He was even OK after I explained
that it was a set-up to supposedly
find out about you.
ANGEL
Well, as sneaky as we were I still
worry about him and why hes moody
at home.
GWEN
Maybe youre just imagining it. You
have to expect some reaction from
being in jail. He seemed fine to
me. I could even see dating him for
real.
ANGEL
It might keep him out of trouble
when hes not driving cab.
They continue working quietly.

46.

113

EXT. COUNTRY ROAD - NIGHT

Mercedes passes.

114

INT. MERCEDES - NIGHT

Nick is smoking. His every move is smooth and deliberate.
Sensuousness in the way he smokes and drives. He flicks off
the ash into the ashtray. Clock on the dash shows 1:50.

115

EXT. RESTAURANT PARKING LOT - NIGHT

Mercedes pulls in - motor hum is evident - sounds like a cat
purr. Headlights are on the restaurant for a moment and then
go dark.
Overview of lot shows only a couple cars including Angels
car and his Mercedes.
Angel exits back door and goes to his car.
Only the parking lights come on. Slowly the Mercedes crosses
the gravel lot up to the motel.
The lights go out.
Engine off.

116

SCENE CROSS FADES TO DAYLIGHT - SAME ANGLE

Angel leaves motel at dawn and goes to her car.

117

EXT. IPM OFFICE PARKING LOT - MORNING

Angel pulls in to full lot. Looking for a space.

118

INT. CAR -DAY

Checks her watch. Looks in mirror. Collects her things.
Tosses uniform into backseat.

119

INT. OFFICE
Angel hangs up her coat. Lester walks up.

47.

LESTER
Ms. Fortunato, may I see you?
ANGEL
Checks her hair and clothes to feel if she looks
presentable.
Sure, Mr. Lopez. Ill be right
there.
Angel goes to filing area, put purse in file drawer. Looks
toward Gwen with a questioning look on her face. Gwen
quickly comes by her.
GWEN
He asked for you first thing about
thirty minutes ago.
120

INT. LESTERS OFFICE

Angel enters.
ANGEL
Sorry I was late. I had car
trouble.
LESTER
Angel, have a seat. Im not so
concerned with that, although if it
continues, I could be.
Lester takes up a file from his desk, then sits on the edge
above her.
The company has certain other
concerns about our employees even
extending into how they conduct
themselves outside the office.
ANGEL
I dont think its any of the
companys business. This is only
the second time Ive done it.
LESTER
Done what?
ANGEL
Stayed at the Mot...
What are you talking about?

48.

LESTER
Our other Divisions want to make
sure of an even playing field for
all sales reps. Since you have
shown some "contact" with Gordy
Wells outside the office, corporate
wants assurance that he doesnt get
"special treatment".
ANGEL
indignant
Special like what?
LESTER
You know, confidential research
information that only he gets.
ANGEL
I see.
LESTER
Has Gordy gotten "Special
treatment"?
ANGEL
NO! He has not! Whatever else the
company may suspect, I am an adult
and I can do as I like.
LESTER
I assure you our only interest is
in company affairs, not private
ones.
ANGEL
Are we done?
LESTER
Well,...yes.
Angel rises to door.
Oh, Angel.
She turns.
Lester smirking
Dont be late again - even if it
was only "your second time".

49.

121

INT. FILING AREA

GWEN
What was that all about?
ANGEL
Well at first I thought they were
spying on my every move. but its
just about not giving Gordy a hand
up on the other divisions in sales.
GWEN
Thats all?
ANGEL
Theres more. Lets talk at lunch.

122

EXT. RESTAURANT WITH A WINDOW ON THE STREET - LUNCH TIME

Angel and Gwen inside at a table.
SFX - traffic and cars passing on the street.

123

INT. RESTAURANT - DAY

GWEN
No wonder you jumped to
conclusions. Do you think Mr. Lopez
knows what you meant?
ANGEL
Lester Lopez is too caught up in
company policy to think about
anything else.
GWEN
Well, tell me more about Nick.
ANGEL
You mean other than I cant resist
him. I know Im not his only lover,
but Hell, I cant stop thinking
about him? Staying all night again
was wonderful.
Shakes her head - changes subject
Unfortunately it will be the last
Ill see of him for a while. He
does some kind of confidential
Government contract work. He cant
talk much about it. They keep the
(MORE)

50.
ANGEL (contd)
motel room for him as a remote
office, but hes been called away
for the next two months.
Ill miss him but he has made me
feel like no one else ever has.
124

EXT. RESTAURANT - DAY

They talk more in the window.

125

EXT. CEMETERY - LATE AFTERNOON

Through the trees the funeral service is ending. Several
expensive cars are parked behind one hearse. A small group
is gathered graveside. From behind the priest we see the
mourners.
FR. DOMINIC
... ashes to ashes, dust to dust.
Fr. Dominic closes his prayer book and steps toward the
widow (ANN MCGOVERN). She and her sister(RITA GRIMES) are
seated. Everyone else is standing.
Viewed from across the coffin, Dominic steps up to the widow
to speak to her, holding her hand in his.
The widow and her sister are late-forties and quite
attractive. The sisters neckline is rather revealing for a
funeral and she is looking intently at Dominic as he
consoles the widow. He nods to Rita and then steps away to
shake hands with other mourners.
Rita follows him with her eyes as she and Ann walk to the
car behind the hearse. ROBERT (the chauffeur) is waiting by
the car. As the two sisters talk the remaining mourners are
dispersing. Dominic is still with a small group by the grave
site.
RITA(TO HER SISTER)
Wait with Robert, Ill be back in a
minute.
Widow Ann enters back seat as Rita looks toward the
remaining cars. Dominic and the last few are approaching
their cars.
Rita walks toward Dominic. As he approaches she takes his
hand.

51.

RITA
Holding his hand in both of hers and pulling them close to
her.
Father Dominic, I wanted to
personally thank you again for your
kind words. I want you to know how
much our family has appreciated
your support in the past and today.
My sister asked me to let you know
that you are welcome to come back
to the house.
DOMINIC
Taking in her come-on attitude
Thank you so much, Mrs. Gaines...
RITA
Please, remember, call me Rita.
Dominic glances toward MONSIGNOR, who is standing near by.
DOMINIC
Rita - thank you for the kind
offer. Id love to be of service to
you and your sister...
however Ill have to make it
another time.
RITA
Im sad that you cant come now.
But I hope well see you again
soon.
Releases his hand slowly. He follows her with his eyes as
she turns to go in the limo .
Rita enters the limo. She gives him a flirting look as her
skirt rides up.
Dominic smiles to himself as the limo pulls away. A hand is
laid on his shoulder.
MONSIGNOR
Mrs. Gaines seems rather taken by
you Dominic. But neither I nor your
family approve of your counseling
technique.
(MORE)

52.

MONSIGNOR (contd)
Remember they placed you at St.
Augustine to keep you out of
trouble.
These special assignments are meant
to keep you too busy to wander. You
dont want to disappoint your
family again do you?
DOMINIC
No, Monsignor, of course not.
MONSIGNOR
I do have another project for you.
Lately the clinic protests have
been getting more bad press. If you
were to make an appearance, you
could help by being a calming
influence at the next rally.
DOMINIC
Of course, whatever you want.
Dominic turns and gets into his Mercedes.
126

INT. APARTMENT - NIGHT

Frankie sits in kitchen, smoking. Checks clock (9:30). Goes
to bedroom barefoot, undershirt and jeans. Puts on shoes,
shirt. Opens drawer, takes out pistol - seems unsure - does
double take then resolves to go ahead. Gun goes in back on
his pants under his shirt. Grabs his jacket and goes to the
door.

127

EXT. APARTMENT BUILDING - NIGHT

Frankie waiting on the corner, smoking. Car pulls up.
Frankie looks puzzled but moves toward it. Door opens and
girl gets out - blows a kiss inside - car leaves.
Frankie is nervous.
Car pulls up quickly, hits tires on curb. Window comes down.
EDUARDO
Wach you waitin for! Git in!
Frankie tosses cigarette

53.

128

INT. CAR - NIGHT

EDUARDO
Eduardo is very relaxed, appears high.
This is gonna be sweet. Heard it
was a really good week. The take
gonna be big! (Laughs)
Frankie has pistol on his lap, checking it. Looks out window
as they drive.

129

EXT. STREET - NIGHT

Car in traffic on side streets. Turns corner by dark
building.

130

INT. CAR - NIGHT

EDUARDO
OK, jest like I said. Theres his
car. Lets do it!
They park in shadows. Eduardo is showing nerves now.
Fidgets. Sniffs several times. Eyes are watery.
EDUARDO (contd)
Let go!
Exits car, wipes his nose, tries shaking off his nerves.

131

EXT. BACK OF BUSINESS - NIGHT

They position on each side of the backdoor in the dark.
Shop owner comes out, looks around cautiously, turns to lock
door. Eduardo steps up to him, puts gun to his face.
EDUARDO
Put chur face to da door!
Knocks his head forward
Close yer eyes!
Nods to Frankie
FRANKIE
Goes to take briefcase, pulls it which jerks storekeeper
around.
(MORE)

54.

FRANKIE (contd)
Its chained to his arm!
The man and Frankies eyes meet.
Eduardo hits storekeeper with gun, knocking him down to his
knees.
EDUARDO
Wheres the fuckin key!
Hits the man again.
Gimme me the key!
Man is out cold.
Looks in his pockets.
Eduardo waves gun menacingly.
Frankie tries pockets - pulls out key-ring but nothing fits.
FRANKIE
This is shit - lets go.
EDUARDO
No Way! Lemme see dem keys!
Fusses with them- nothing works - tosses keys.
Stomps on mans arm and pulls on case jerking man around.
Frankie stops him.
FRANKIE
Its no good, Lets get out of
here!
Eduardo stops - thinks - steps on chain instead of arm and
pulls with all his might on briefcase. Nothing. Resets
himself and really heaves against it. The case comes apart papers spill out and a bag with it.
Eduardo grabs the bag and clutches Frankies arm.
EDUARDO
Looks right at Frankie and aims gun toward man.
Did he see yer face?
FRANKIE
NO! - NO!, it was too dark! Leave
him!

55.

Eduardo is calm again, has confidence. Pulls hammer on

pistol. Aims at man on the ground.
EDUARDO
You sure?
FRANKIE
Dont be stupid!
EDUARDO
Aims gun at Frankie - Anger in his eyes
Spits out the words
Never call me STUPID!
Kicks man on pavement, turns and goes to the car. Frankie
looks at the mess and quickly follows.
132

EXT. FAMILY CLINIC - DAY

Aerial of Family Clinic with protesters confined to front of
building. Police cars have rear of building cordoned off.
Mobile TV van approaches.

133

EXT. TV MOBILE VAN - DAY

Barbara and LUCY exit the van. Lucy unpacks camera, and mic.
BARBARA
(to Lucy)
With these increased protests, if
we can get deeper coverage, this
story could be attractive to
national.
LUCY
Ever since you left the Sheriff
department youve been looking for
a special story.
BARBARA
We just need to gather enough meat
to make em hungry.
LUCY
holding camera
For a longer piece well need some
intro material to segue into the
protests. Then well need
(MORE)

56.

LUCY (contd)
additional crowd shots for fillers
and cut-always. But I really need
more action - so far its mostly
holding signs or just standing
there. Maybe today things will pick
up.
BARBARA
I hope so. Lets see what develops
with few interviews.
134

EXT. BY CROWD - DAY

Approaching a group with signs.
BARBARA
How long have you been involved in
the movement?
SPEAKER ONE
When I heard about babies being
murdered, I knew I had to do
something.
BARBARA
I understand your anger. How about
the other services provided by this
clinic. Prenatal advice, teen
pregnancy prevention, STD
information and treatment?
SPEAKER ONE
That dont count if they are still
murderers!
Barbara to priest
BARBARA
How about you Father, why are you
here?
FR. DOMINIC
wearing sunglasses
The people here need guidance and
support. Since the crowds are so
large, I felt a calming influence
is needed. We dont want trouble.

57.

BARBARA
Yes, the police dont want trouble
either and abortion is still legal.
SPEAKER ONE
Thats why Im here - Were gonna
change that!
SPEAKER TWO
Speaker two is a man with a large photo sign of a "partial
birth abortion" moves forward and advances on a police tape
barrier.
The unborn deserve to live!
He tosses the sign down and pulls a bag from under his
jacket. He heaves it toward the building. A bag of "blood"
breaks against the window of the waiting room.
Police move forward and roughly take the man away.
BARBARA
Did you get all that?
LUCY
Yes! Well maybe well make that
special yet.
135

INT. TV STATION NEWS ROOM HALLWAY BY NEWS SET

Preparations before going on the air. Barbara is checking
notes in hall. Lucy approaches.
LUCY
Hey, I wanted to catch you. I made
arrangements for that opening
material we need. That priest we
interviewed is going to do a homily
about abortion next Sunday. He
OK-ed it if we make it anonymous
and keep the camera low key and no
mobile van outside. Just us.
BARBARA
Great job Lucy. That might be the
touch we need to wrap around this
story.
Barbara walks on to the set ready for her spot.

58.

136

INT. ANGEL/FRANKIES APARTMENT

TV is in apartment kitchen. Frankie walks past, sits at the
table, starts to put on his shoes. Notices 5PM newscast in
progress.
Frankie is watching TV

137

TV SCREEN
BARBARA
on location at hospital
Results of a robbery gone wrong.
Sixty-two year merchant Gregory
Morgan was severely beaten and is
in critical condition at St.
Marys.

138

INT. ANGEL/FRANKIES APARTMENT

FRANKIE
Damn!!
Gets up shoe in hand and slams off the TV with the shoe.

139

INT IPM OFFICE - MORNING

Gwen is chewing gum, brightly moving files and pushing cart
- very chipper.
Enter Angel, Takes off her coat, Angel pin is on the lapel.
Hangs up coat. She looks tired.
GWEN
Traffic slow you down again?
ANGEL
hesitantly
Yeah ... No ... I just couldnt get
going - been really tired lately.
GWEN
Well Honey, you look like shit. Why
dont you go wash your face before
you start.

59.

ANGEL
No, Ill be OK. Just need more
sleep.
Busy filing in silence. Angel seems very distracted.
Bending down to open lower file cabinet, feels faint and
sick to her stomach.
GWEN
You OK?
Angel starts to stand, drops files and runs toward ladies
room.
140

INT. LADIES ROOM

Gwen enters with a worried look. Goes to Angel who is
standing over sink with running water. Hands on the counter.
Gwen looks on - eyes meet.
Angel looks away and into sink
ANGEL
Ive been trying to keep it secret.
Im pregnant.
GWEN
Not that rat Gordy!
ANGEL
Gordy - Ha! Nah, Gordy never
touched me - Its Nick and he
doesnt know - Since he left, the
company closed up the office at the
motel and I have no way to contact
him.

141

EXT. LITTLE JOHNS - DUSK

After work crowd coming and going.

142

INT. LITTLE JOHNS BAR

Gwen and Angel walk in.
GWEN
to the bartender
(MORE)

60.
GWEN (contd)
Hey Sally - How about two bloody
Marys - one virgin?
SALLY
At least I know the virgin is not
for you.
Gwen and Angel sit at the bar.
GWEN (TO ANGEL)
My treat, they serve great Italian
beef or whatever you want.
They get the drinks and move to a table near the window TV set is visible above the bar.
GWEN
Hower you feeling?
ANGEL
I get really hungry, but then I
feel sick if I eat too much.
GWEN
Yeah, the same thing happened to
me.
ANGEL
I didnt know you had any kids?
GWEN
Well, no I dont --- But I got
pregnant when I was eighteen. I
thought wed make it, but about two
months later he was seeing someone
else and I knew it was over so I
terminated --- What a lousy word!
-- I got rid of the baby, kid,
child - whatever.
Takes a drink
Sally comes over with the food. Gwen and Angel eat in
silence. Sally goes back to the bar. TV over bar is tuned to
the 5:00 news - current story is on Anti-abortion protests.
Tape from earlier is of Barbara interviewing Chief of
Police.
BARBARA
There have been several vocal
outbreaks and one action that went
beyond the limits of public safety.

61.

video shows the man throwing the "blood" and the blood
splashed window and wall.
ANGEL
I was there when that hit the
window! I was in the waiting room.
GWEN
Oh, my God! For an abortion?
ANGEL
No, no. I went for a prenatal exam.
GWEN
What happened? What did you do?
ANGEL
I ran out. It really shocked me.
143

ON TV ABOVE THE BAR

TV NEWS GUY.
There are voices of calm and sanity
amid the supporters of the protest.
Barbara on screen with Fr. Dominic in interview (his name
and parish on in a super below his picture) Father Dominic
Gregor of St. Augustine.
FR. DOMINIC
wearing sunglasses
The people here need guidance and
support. Since the crowds are so
large, I felt a calming influence
is needed. We dont want trouble.

144

INT. BY THE TABLE

ANGEL
She is aghast - chokes on sandwich.

145

ON TV
FR. DOMINIC
Even as we demand the sanctity of
life for the unborn, calm must
prevail. This is the substance of
my sermon on Sunday.

62.

146

INT. BY THE TABLE

GWEN
checking on Angel
What is it? You OK?
Angel has tears in her eyes. Nods her head, then shakes her
head - gets up quickly and runs to the bathroom.

147

EXT. CHURCH - LIGHT RAIN - LATE MORNING

Cars are pulling away.

148

INT. BACK ROOM OF CHURCH

Barbara and Lucy are exiting the priests dressing area.
BARBARA
Thanks for the follow up Father. As
you asked, we can use your homily
anonymously for the special. Ill
get back to you on the details.

149

INT. INTERIOR OF THE CHURCH, DARK

Dominic walks with them toward the front of the church. Only
the light from the windows and the dark rainy sky illuminate
the aisle. A few remaining parishioners are leaving as well.
Dominic nods to them talks briefly to the last couple and
turns back to the dressing area.
As Barbara and Lucy near the doorway to the vestibule,
Barbara nearly bumps into Angel as she enters.

150

CLOSE-UP ON ANGEL PIN ON ANGELS COAT.

151

INT. VESTIBULE OF CHURCH

Barbara and Lucy are in the entryway as the last of the
parishioners file past.
BARBARA
You go ahead Ill catch you later.
Lucy exits as the last couple leave. Barbara goes quietly to
the far end of the vestibule near the other entrance to the
main church.

63.

152

INT. CHURCH AISLE

Dominic has removed his shawl and placed it over his arm.
The church appears to be empty. He walks toward the front.
Angel comes out of the dark corner and follows at a
distance. Barbara watches from hiding.

153

INT. BACK ROOM

Dominic puts his shawl in the closet and is removing his
vestments. Angel enters.
ANGEL
Well, imagine my surprise to find
that my "Government Agent" didnt
leave on some secret mission and
really wasnt what he seemed at
all.
DOMINIC/NICK
Startled at her voice but quickly takes on his controlling
and soothing style.
Secrets and surprises go hand in
hand ... I wanted my life with you
to be secret. I never intended to
let the two mix. You must believe
me. I still wanted you, I had to
leave before I got too involved.
How did you find me?
ANGEL
TV interviews should be avoided.
DOMINIC
eyes downcast
Of course.
He switches off room light leaving only window light He
continues to undress.

154

INT. CHURCH
Barbara is stealthily approaching back room, listening in.

64.

155

INT. BACK ROOM

Dominic has on his black priest shirt unbuttoned and open
over an undershirt. His hands are on Angels shoulders, one
near the angel pin on her collar.
DOMINIC
I still want you as much as ever...
Caresses her. She is turned on by his charm. They are
reflected in the mirror in the closet, silhouetted in the
window light.
ANGEL
Pulls away from his advances
I have some news for you.
You are "Father" Dominic in more
ways than one.
He looks down at her puzzled at first and then down to her
belly.
DOMINIC
That cant be!
ANGEL
Well, it is. You are the only one.
Remember when you didnt want the
condoms - "to feel more special",
you said.
DOMINIC
What do you plan to do?
ANGEL
Do? Im pregnant - what do you
think?
DOMINIC
You have to get rid of it!
ANGEL
IT! How can you even consider that!
Whats wrong with you?
DOMINIC
I only want whats right for you.
Ill help you. You know you can
trust me.

65.

ANGEL
But you left me, and now Im having
your baby!
DOMINIC
I need you.
He holds her and tries to sooth her.
I always wanted you - but a baby
cant be part of my life. You have
to get rid of it.
Pulls back realizing that she is not taken in by his charm.
It really wont do - it would ruin
my career.
ANGEL
Your career? You hypocrite!
156

INT. CHURCH INTERIOR

Barbara moves away from her place near the doorway and works
her way toward exit.

157

INT. BACKROOM
ANGEL
"Preserve the sanctity of life" or
"get rid of it" - which is it?
Dominic ignores her accusation, tries to calm her. Goes to
kiss her.
ANGEL (contd)
You heartless bastard!
Slaps him and rushes out in tears.

158

EXT. CHURCH DOOR - RAINY - DAY

Barbara waits in a corner out of the rain. Angel storms out,
goes to her car. Barbara notes license plate numbers.
Barbara crosses to her car and enters.

66.

159

INT. BARBARAS CAR - RAINY - DAY

On her cell phone. Speed dial.
BARBARA
Hello Jack, I have a clue to that
burglary story and came across
another very unexpected angle. Ill
get back to you when I have more to
tell you. I need time to uncover
some details.
Pulls away from curb and follows Angels car at a distance.

160

EXT. STREET - RAINY DAY

Following Angel through traffic to apartment building. Angel
parks and enters building. Barbara looks up to building. A
third floor light comes on. Angel comes to window and pulls
shade.

161

EXT. POLICE HEADQUARTERS BUILDING - MORNING

Barbara ascends steps.

162

INT. FRONT DESK

To officer.
BARBARA
Detective West is expecting me.
Walks corridor to office and knocks.

163

INT. HIS OFFICE

BARBARA
Hi Phil, Thanks for getting back to me so soon.
PHIL
Your reputation from Sheriff
Windslow was very positive. He said
your intuitions were always good.
One of these days helping others is
gonna get me fired. But if you can
help me Ill help you.

67.

BARBARA
What can you tell me?
PHIL
The plates are registered to Frank
and Angelica Fortunatto. Heres the
address and other info.
Hands her a paper. Barbara looks it over.
BARBARA
No record for her, but I see her
husband has seen some time and some
juvenile stuff too.
How about the other thing?
PHIL
Hands her a second paper.
Father Dominic has quite the
history. No criminal record but his
pedigree is long. Went to private
schools then Princeton and Harvard.
His uncle is a bishop and the
family fortune goes back
generations. He has been reassigned
often. Four times in the last seven
years.
So what have you got for me?
BARBARA
Ill get you clued in as soon as
Im sure of my suspicions. I cant
tell you more unless I know
absolutely.
PHIL
Well, if you ever decide to quit
the glamor of TV - youd be welcome
here. Keep your nose clean and
dont get busted.
BARBARA
Thanks again Phil, Ill be back in
touch soon I hope.

68.

164

EXT. ANGELS APARTMENT - DUSK

Barbara gets out of her car. Checks a mini recorder and
turns it on, puts it in her pocket. Ascends stairs.

165

INT. HALLWAY
Barbara knocks at door. Angel answers still wearing her coat
from the office.
ANGEL
Yes?
BARBARA
Hello, Im Barbara Wentworth. May I
speak with you for a few moments?
ANGEL
I know who you are.
looks around to see if Barbara is alone
What do you want?
BARBARA
Its not something to discuss out
here. May I come in?
ANGEL
looks again at hall
OK, I guess, but make it quick. I
have to leave soon.

166

INT. APARTMENT FRONT ROOM -DUSK

Barbara enters. Checks out room. Pulls up a straight chair
by the door and gestures Angel to sit. Angel looks
perplexed. Takes off her coat, lays it on the sofa and sits
next to it.
BARBARA
This is awkward, but Ill make it
as direct as I can ... I was at St.
Augustines on Sunday. I was taping
the mass for a project ... I was
leaving when I saw you at the back
of the church. I saw you go to
speak to Father Dominic.

69.
ANGEL
Fidgets, looks away - starts to get up - stares at Barbara
What do you want!
BARBARA
I heard your conversation. Im here
to help you.
ANGEL
stands
I dont need your help. You better
leave!
BARBARA
There is something else. The reason
I stayed behind.
gestures toward Angels coat
ANGEL
sits
What are you talking about?
BARBARA
That pin on your coat. Its very
distinctive. Ive never seen
another one like it.
ANGEL
pissed
This is about you liking my
jewelery!
BARBARA
No - Sorry, you misunderstood. That
pin is from a famous collection. It
was stolen.
ANGEL
What are you saying?
BARBARA
I followed you at church because of
the pin. My overhearing your
conversation was an accident.
ANGEL
So what does a TV news reporter
have to do with any on this?

70.
BARBARA
My story on the family clinic just
got very interesting when I learned
that the priest leading the
Pro-life movement has a mistress
and is pressing her to abort his
child.
ANGEL
standing
I should never have let you in.
Please leave.
BARBARA
Unfortunately the pin on your
collar ties you to a crime. So Im
not done yet.
Angel sits down again - defeated.
BARBARA (contd)
Tell me about the pin.
ANGEL
I cant do that.
BARBARA
Its from Frank isnt it?
ANGEL
She tears up - stands again - goes to window.
Damn! Damn! I should have known!
Ever since our parents died, he
cant stay out of trouble.
BARBARA
Frank is your brother?
ANGEL
Frankie is three years younger.
Ive been taking care of him since
I was fourteen... Guess I havent
done a very good job.
BARBARA
Where is he now?
ANGEL
I guess hes driving his cab. his
hours are very irregular, so I
never know.

71.

BARBARA
Heres what I have in mind. I want
to expose Father Dominic for his
duplicity. If Frank is not in too
deep, I have connections in the
police that could go light on him.
ANGEL
So you want me to inform on my
lover to save my brother?
BARBARA
If Im right about Frank, he may be
OK. But if hes done more than a
few burglaries he might be in real
trouble.
ANGEL
And what about Nick, I mean
Dominic?
BARBARA
Hes on his own. Hes been
transferred before for his
misdeeds. Mostly Im interested in
the big picture. Hes just part of
the story.
ANGEL
So what do you want from me?
BARBARA
You dont have to be identified on
camera. Just answer questions about
your relationship with Dominic.
ANGEL
I dont know about this!
BARBARA
pulls out the turned on recorder
Id like to convince you to
cooperate.
ANGEL
You bitch!
BARBARA
Take it easy. I only want to get
the story out and you are a key
element.

72.
ANGEL
What about Frankie?
BARBARA
Talk to him. Find out what hes
done, and Ill do my best to make
it easy on him.
ANGEL
Why should I trust you?
BARBARA
Cause you need me, and I need you.
Stands and goes to the door
Talk to Frank and get back to me.
hands her a card
And make it quick.
167

EXT. SUBURBS - NIGHT

Frankie is helping an older lady out of the cab, takes her
suitcase and walks with her and her husband up to the door.
FRANKIE
Thanks folks
puts tip in his pocket
Have a good evening.
As he walks back to his cab he gets a text message.
"need to c u - come to truckstop
FRANKIE (contd)
"Later - 10 OK?"
Gets in cab picks up radio hand-set and drives off.

168

EXT. TRUCK STOP - NIGHT

Clock on gas station says 10:40. Frank pulls up to the
restaurant in his taxi.

169

INT. RESTAURANT - NIGHT

Angel is wiping counter and checks her watch. Two customers
at far counter. Her hair is a mess. She is upset.
Frankie walks in.

73.

ANGEL
Where have you been - you said 10
oclock!
FRANKIE
Whoa! Take it easy. Im here.
Whats the big deal!
ANGEL
calls to cook
Eddie, watch the counter please. I
gotta step out for a minute.
Takes Frankie by the arm and leads him outside.
170

EXT. RESTAURANT - NIGHT - ITS COLD

ANGEL
I thought you were staying out of
trouble!
FRANKIE
What do you mean?
ANGEL
reaches in her pocket and pulls out the angel pin
Whered you get this?
FRANKIE
startled
I...I got it from a guy.
ANGEL
Frankie! I need to know the truth.
You cant lie to me!
She pulls her arms around herself - (its cold outside)
FRANKIE
He tries to put his arms around her, she shakes him off.
I got it from Eduardo.
ANGEL
Jesus, Frankie didnt you figure it
was stolen - why would Eduardo have
something like this?

74.

FRANKIE
How do you know it was stolen?
171

EXT. OVERVIEW OF TRUCK-STOP/RESTAURANT PARKING LOT - NIGHT

The wind blows the trees as they argue. Angel gestures
toward Frankie to go away. She goes back in restaurant. He
stands for a minute and gets in his taxi and drives off.

172

INT. RESTAURANT - NIGHT

Angel is picking up dishes from a trucker who has finished
eating.
ANGEL
Hey, Tony, dont stay away so long.
Have a safe trip.
TONY
Maybe Ill see ya when I get back
from Cincinnati.
Angel wipes down counter and puts dishes away. Arranges
napkins.
Door opens again. She looks over. Nick/Dominic is standing
in doorway.
ANGEL
to the kitchen
Im stepping out again, Eddie.

173

EXT. PARKING LOT - NIGHT

They walk toward his car.
NICK
I needed to see you.
ANGEL
tearing up
Well here I am.
NICK
Its too cold - here get in.

75.

174

INT. CAR - NIGHT

NICK
Do you need help?
ANGEL
puzzled
Help? What do you mean?
NICK
You know, to get rid of it.
ANGEL
It! It! What kind of a monster are
you?
NICK
I just need to be sure no one
knows....
ANGEL
No one knows that a respected "man
of the cloth" is a hypocritical,
philandering, son-of-a- bitch!
Nick turns away. Lights a cigarette.
NICK
I have to maintain the right
appearances. A baby doesnt fit in
the picture.
ANGEL
You bastard!
NICK
thinks its funny
Well, yes. But we dont want
another one do we.
ANGEL
How can you conduct yourself in
church or even show your face at
the protests feeling like that?
NICK
Feeling?
Self-preservation is my only
concern.

76.

ANGEL
Well, self-preserve this you
son-of-a-bitch. The news-lady that
came to the church overheard our
little tale and is ready to expose
you.
NICK
How do you know?
ANGEL
She came to me - its all over for
you.
NICK
Well see about that.
Starts his car and motions for her to leave.
175

EXT. PARKING LOT - NIGHT

Angel exits car. He drives off. She stands until he is out
of sight.

176

INT. TV CREW TRUCK

BARBARA
She is pulling together equipment.
Ill arrange the camera and light
myself. I promised complete privacy
for this interview. Ill call when
Im done and you can bring the
truck back to pick me up. OK?
LUCY
The union would bust me for this if
it got around. As far as Im
concerned you took the stuff
without my knowledge.

177

EXT. OUTSIDE OF ANGELS APARTMENT - DUSK

Barbara on the stairs with the equipment. TV Truck drives
off.

77.

178

INT. HALLWAY BY APARTMENT

Barbara knocks.
ANGEL
Looks around in hall.
Are you alone?
BARBARA
I promised. No one will be able to
know who you are in the interview.
Just give me a few minutes to set
up.

179

INT. KITCHEN - NIGHT

Angel is in a chair back-lit by video light on wall. Barbara
at the camera.
BARBARA
Lets start by how Father Dominic
first met you.
ANGEL
I had no idea he was a priest. I
never discovered it til I saw him
on the news.
BARBARA
Who did you know him as before
that?
ANGEL
Nick - thats how I knew him - was
very charming. He came into the
restaurant where I work. When we
first talked, he seemed so nice.
BARBARA
Go on.
ANGEL(VO)
It was easy to open up to him. It
was a very quiet evening and before
I knew it I practically told him my
life story.
Replay of Nick and Angel in restaurant - talking and
laughing - she taken in by him.

78.
BARBARA(VO)
And after that first night?
ANGEL(VO)
He seemed to be around more and
more. Then he met me in the city.
He arranged a private dining room
at the Hyatt. No one ever gave me
that kind attention before. I
trusted him. He seemed to really
care for me. He also had power over
me. We did things I had never
experienced before.
Hotel rendezvous, dinner, bedroom, varied scenes of passion.
BARBARA
You enjoyed the excitement?
ANGEL
And the glamor. He was very
secretive about his work. He told
me the government kept the motel
room as a remote office. It became
routine to see him there as well.
Our time together was intense.
BARBARA
What happened to change that
relationship?
ANGEL
He broke it off suddenly. Said he
had to leave the country. Never
came back to the motel or called me
again.
BARBARA
That was it?
ANGEL
I was devastated at first. I had
not told him I was pregnant. I was
afraid he might reject me if I did.
I resolved to keep the baby.
BARBARA
And then you saw him in my
interview?
ANGEL
I couldnt believe it at first. I
had to go and see for myself at the
church.

79.
What was "Nick"/Father Domonics
reaction?
ANGEL (contd)
He said he wanted me to have an
abortion. That was out of the
question for me, but he insisted I
do it. He was afraid of the
publicity if it got out. He
couldnt accept the idea of being a
parent.
BARBARA
So is there any doubt that Father
Dominic Gregor of St. Augustine is
responsible for your pregnancy?
ANGEL
Are you insinuating I sleep around?
...No, He is the one. I havent
been with anyone else for over a
year.
BARBARA
And even though he has been a
spokesman for the Pro-life movement
he has insisted that you abort the
baby?
ANGEL
Yes. He acted so differently as
Nick. Then he was charming and
exciting. As Domonic he is cold and
uncaring. After I confronted him at
the church, he came to my job at
the diner and made it very clear
that he wanted me to abort the
baby.
BARBARA
Have you seen him since? What are
you planning to do?
ANGEL
No, and I dont want to see him. I
believe that abortion is immoral
and I will have the baby, God
willing.
BARBARA
Shuts off camera and stands.
That should do it. As for the
stolen jewelry if Frank will talk
(MORE)

80.

BARBARA (contd)
to my friend and come clean about
his crimes Ill try to work
something out.
ANGEL
Frankie left his phone here tonight
and I have to go to work now so
Ill talk to him as soon as I can.
Please do help him. Im so mixed up
with all of this Im going crazy.
Barbara packs up camera and light and leaves.
180

EXT. RESTAURANT PARKING LOT - NIGHT

Semi is pulling out. A pickup truck is by restaurant.
Time/Temp says 10:22

181

INT. RESTAURANT - NIGHT

Farmer is finishing up his meal. Angel is putting away the
last diners dishes. Looks frazzled. Drops dish. It breaks.
ANGEL
(tears in her eyes)
Eddie, can you hang in there til
Amanda gets here? I gotta get outta
here.
EDDIE
OK. Honey - I can handle it if you
need to go. Anything else I can do
for you?
ANGEL
Thanks Eddie, I just have to get my
head together.

182

EXT. PARKING LOT - NIGHT

Angel goes to her car.

183

INT. CAR IN LOT - NIGHT

Angel on her phone.

81.

ANGEL
Gwen, Gwen. Can I come see you? ...
yeah, tonight. I know its crazy
and its late but I need to talk
things out before I go nuts...yeah,
about 30-35 minutes. Thanks. Ill
see you soon.
184

INT. GWENS APT. - NIGHT

Gwen on the phone. She is in bed, holding a sheet as she
lays down the phone.
FRANK (V.O.)
Whats up?
GWEN
Looks over at Frank lying next to her.
Its your sister. Shes on her way
here.
FRANKIE
I think Id better go.
GWEN
Ya think!

185

EXT. GWENS APT. RAINY - NIGHT

Angel pulls up.

186

INT. HALLWAY
Gwen opens door lets Angel in.

187

INT. APT.
Angel is in tears. Grabs Gwen
ANGEL
God! My life is such a mess! Help
me think things through. Please.
GWEN
Sure, sure Honey. Come over here.
Sit.

82.
188

EXT. BUILDING - RAINING - NIGHT

SFX night sounds

189

INT. KITCHEN - NIGHT

Angel and Gwen at the table with tea pot and cups.
GWEN
I care about you. Nick can go to
hell. He deserves whatever is
coming to him. So this
news-Wentworth-gal has information
about Frank that she is threatening
you with?
ANGEL
Just that she knows the pin is
stolen and I got it from Frankie.
GWEN
What does Frank say?
ANGEL
He says he got it from that idiot
Eduardo.
GWEN
You believe him dont you?
ANGEL
I dont know what to believe.
GWEN
Well, you should believe him. I
have a confession to make. Frank
was here when you called tonight.
ANGEL
WHAT?
GWEN
Ive been wanting to tell to you.
But your life was complicated
enough. Weve been seeing each
other for a while.
ANGEL
You and Frankie?
Angel hits Gwens shoulder with a gentle punch.
You should have told me.

83.

GWEN
Well, actually tonight was the
first time we - um- ah - you know.
ANGEL
Wow, and I call and louse it up.
GWEN
Well, yeah. But you needed to talk.
You feel better now?
ANGEL
Im still mixed up but not panicked
like I was.
GWEN
Then I have some more to tell you.
Ever since that night Frank and I
came to see you at the truck-stop
weve been together a lot. He
didnt want you to know - I think
because he was afraid to tell you
things that he was sharing with me.
ANGEL
What kind of things?
GWEN
I guess cause he was doing stuff
with Eduardo and you dont like
that.
ANGEL
He was afraid to tell me but he
could talk with you?
GWEN
Well, yeah. - Please dont be mad
at him or me. He was trying to
protect you.
ANGEL
From what?
GWEN
Eduardo was threatening to harm you
if Frank didnt give him
information. Information about
people who ride his taxi leaving
town. Edwardo could then break in
to steal stuff.

84.

ANGEL
I knew it would come to no good. I
told Frankie to stay away from him!
GWEN
He has stopped. Thats part of why
he was here tonight - trying to
figure how to tell you about it.
190

EXT. TV STATION BUILDING - DAY

191

INT. ELEVATOR
Barbara walks into elevator - pushes top floor button.

192

INT. ELEVATOR DOOR AND HALL

Barbara exits and turns down long hall. Approaches executive
secretary desk.
BARBARA
Hello Sherry. Mr. Hollingsworth
wants to see me?
SHERRY
Yes, Barbara, Ill let him know you
are here. Would you like some
coffee?
BARBARA
No - Thanks.

193

INT. HOLLINGSWORTHS OFFICE

Hollingsworth is at his desk on the phone.
HOLLINGSWORTH
Yes, I understand. You can be sure
we dont want that either. Itll be
taken care of.
It is a delicate situation
Monsignor. Yes, Ill let you know.
Goodbye.
Hollingsworth gets up, tugs on his tie to straighten it.
walks to the door, opens it.

85.

194

INT. THE EXECUTIVE SECRETARY OUTER OFFICE

Hollingsworth sticks his head out.
Barbara, thanks for coming up. I
know you are busy. Wont you come
in? Did Sherry offer you a coffee?
Barbara enters office and door closes.

195

EXT. POLICE STATION - DAY

196

INT. HALLWAY
Barbara is storming down hallway. She is mad. Walks up to
Detective Wests office. Barges in without knocking.
BARBARA
Did you have anything to do with me
getting pulled from my story?!!
PHIL
On the phone
Ill get back to you.
Hangs up phone
Now, what are you talking about?
BARBARA
The whole thing - The clinic story,
the philandering priest, the
pregnant girlfriend, the pressured
abortion. All of it!
PHIL
Number one. Dont just come busting
in here. I have other things on my
plate than you.
Number two. I dont know anything
about your "story". Last time you
were here it was me supplying you
with info. You never got back to me
with anything!
Number three. I cant take the time
right now for anything else from
you.
Phil gets up and puts on his jacket.
(MORE)

86.

PHIL (contd)
I have a positive ID on the guy who
beat up and almost killed Greg
Martin.
Goes to the door.
And guess what - Its the felon you
wanted info on - Fortunatto. So
unless you want to get pulled into
that investigation youd better
keep quiet!
Phil exits room.
Barbara stands stunned.
Barbara pulls out her phone. She punches numbers as she goes
down the hall. Puts the phone to her ear.
197

EXT. POLICE STATION - DAY

Detective Phil and his partner go an unmarked car.

198

INT. UNMARKED POLICE CAR - DAY

PHIL
Behind the wheel to the second officer as he pulls out.
We have the location of
Fortunattos cab, #22, from the
taxi dispatch. He has a passenger
on board. Well pick him up as soon
as he discharges his load.

199

EXT. UNMARKED POLICE CAR - DAY

Driving

200

EXT. IPM OFFICE BUILDING - END OF DAY

People in cars leaving parking lot.

201

INT. IPM OFFICE

Angel and Gwen are leaving, putting on coats. Phone in
Angels purse rings. She answers looking at caller ID.
"WENTWORTH"

87.

ANGEL
What do you want now! ...
Listens
obviously upset,
Oh No!
closes phone
GWEN
Whats happened?
ANGEL
Franks in trouble! That was
Barbara Wentworth. She said the
cops are looking to arrest Frank
for aggravated assault of that
shopkeeper that got beat up.
Gwen looks downward guiltily hiding her reaction.
ANGEL (contd)
What do you know about this?
GWEN
(tears in her eyes)
Im sorry. its just that he
doesnt want to upset you.
ANGEL
Too Late! You two really piss me
off! Now hes in more trouble and I
feel helpless!
GWEN
Call him. Let him know theyre
looking for him - warn him.
ANGEL
You do it! Im too angry at both of
you.
202

EXT. CAB #22 - DAY

Driving

88.

203

EXT. SHOPPING CENTER - DAY

Taxi #22 drives into parking lot, Frank is on the phone,
passenger in back seat. Drives past several parked cars and
some waiting cabs by curb. Pulls up to main mall entrance.

204

INT. CAB - DAY

Passenger hands Frank the fare
PASSENGER
Thanks.
As passenger exits back door a panicked woman carrying a
large wrapped package rushes up to the side window.
LADY
I need a ride right away! Can you
get me to Willow and Hampstead
right now... fast??
FRANK
Yeah. Hop in.

205

EXT. PARKING LOT - DAY

Taxi does a u-turn heading toward exit by parked cabs.

206

INT. UNMARKED POLICE CAR - DAY

Phil talks to the other cop who is on the phone.
PHIL
Tell taxi dispatch were almost to
the mall - did he call in empty
yet?
SECOND COP
They said - not yet.

207

EXT. STREET BY MALL - DAY

Police car pulls into the entrance of the mall lot. As they
do, taxi #22 pulls out past them and quickly heads toward
expressway.

89.
208

INT. UNMARKED POLICE CAR - DAY

SECOND COP
That was his taxi!
Phil pulls a u-turn in the parking lot.
PHIL
Shit! Gimme the phone!
Dispatch this is detective West.
Call 22 and find out if hes alone.

209

EXT. EXPRESSWAY ON-RAMP - DAY

Taxi 22 speeding on to highway.

210

INT. UNMARKED POLICE CAR - DAY

Phil to second cop.
PHIL
They say hes not answering the
radio.
Flips on the red lights and heads toward on-ramp.

211

EXT. FREEWAY - DAY

Back and forth between the cars. Taxi has a good head start.
Taxi exits at Hampstead off ramp. Pulls up to a red light at
the intersection.

212

EXT. INTERSECTION BY LIGHT - DAY

Unmarked Police car screams down the ramp, lights flashing,
cuts across traffic, slides to a halt cutting off the taxi,
blocking the intersection. Both cops exit - weapons drawn.
PHIL
Put you hands where I can see them!
They advance on to taxi. Second cop opens drivers door pulls
driver out by the wrist and orders him down to the pavement.
Phil gets closer as driver looks up.
PHIL (contd)
Its not him!
Phil checks the marking on the door to see that it is #22.

90.

PHIL (contd)
Wheres Fortunatto?
Driver is shaken up - hands in the air in a protective
gesture.
DRIVER
I didnt do anything!
PHIL
Wheres Fortunatto?
DRIVER
He said he had to go home and he
told me to take his ride - so we
switched cabs.
LADY
in back seat
What the hell is going on! I gotta
get to my sisters house!
PHIL
What?
LADY
My sister - its a surprise
birthday! I gotta get there! Im
late!
213

EXT. STREET SIDEWALK - DAY

Frank is on the phone, looking over his shoulder as he
walks.
FRANK
Gwen, that was close. How did you
know the cops were looking for me?
Who?
Wentworth? I dont understand!
Look, I have to leave here.
Can you come pick me up? Ill be at
the food mart on 12th. OK?

91.

214

EXT. IPM PARKING LOT - DAY

Gwen and Angel are walking in parking lot. Gwen puts her
phone away.
GWEN
Hes OK - but we need to go get
him.
They get in Gwens car and drive off.

215

EXT. BY FOOD MART - AFTERNOON

Two police cars with flashing lights are parked outside food
mart. Gwen drives by slowly.

216

INT. GWENS CAR - DAY

The the two of them are looking toward the scene by the
store, there is a rapping on Gwens window. Frank is by her
door. She stops and Frank hops in the back seat.
FRANK
Wow! Glad you got here so soon. I
was waiting inside and the cops
showed up. Some guy threatened the
checkout lady. Lets get otta here.
Frank lays back into the seat exhausted, then pops up to
Gwen.
So anyway- whats this about
Wentworth? How come she called you?
GWEN
She didnt - she talked to Angel.
FRANK
OK - Angel - Whats the story?
Angel sits stoic and is quiet.
GWEN
Shes pissed that youve talked to
me about stuff and not told her.
FRANK
Angie - I just couldnt - I didnt
want you to worry.

92.

ANGEL
Frankie! Talk to me!
Thats what family is for! We used
to be so close and now I dont even
know you. How can I help you if Im
in the dark?
FRANK
Well what do you know? What did
Wentworth tell you?
ANGEL
Breaks into tears
She said that you are wanted for
aggravated assault!
Frank blushes and pulls back ashamed.
ANGEL (contd)
Whats that about?
FRANK
You remember, last week on the news
- that guy who got robbed and beat
up real bad?
ANGEL
Yeah.
FRANK
I was there. - but I didnt touch
him - Eduardo did it all.
ANGEL
Damn it! How could you do something
so stupid!
FRANK
If I didnt go along Eduardo swore
hed hurt you. Besides, if it
werent for me he probably would
have killed the guy.
GWEN
Is there anyway you can prove that
Eduardo beat the guy and not you?
FRANK
I dont see how.

93.

217

EXT. ST. ANNS CONVENT - AFTERNOON

Quiet yard with trees and hedges

218

INT. LOUNGE AND SUNROOM OF CONVENT - AFTERNOON

SR. HELENA and Barbara are walking out of lounge and toward
front stairs.
SR. HELENA
You seem to have gotten in over
your head my dear.
BARBARA
It isnt the first time. But I
dont want to give up on this one.
thats why I came to see you
Sister.
Just because Dominics family has
money to burn shouldnt stop my
story.
SR. HELENA
Fr. Dominic has escaped other
misdeeds. But perhaps there is a
way to change things this time.
Helena opens the front door.
Call me on Monday, after the
newscast. Ill see what I can do.

219

EXT. CONVENT FRONT SIDEWALK - AFTERNOON

Barbara goes toward her car. Phone rings.
BARBARA
This is Barbara.
Angel?...
Yes, youre welcome.
Can I meet you?
Umm - yeah, thatll work. Give me
the address.
I can be there in twenty minutes.

94.

220

INT. OUTSIDE GWENS APARTMENT DOOR

Barbara walks up and knocks. Gwen opens door.
GWEN
Hi. Come in. Angels in here.
They walk to the kitchen.

221

INT. KITCHEN - NIGHT

ANGEL
Ms. Wentworth, thanks for coming.
BARBARA
Barb, Please.
ANGEL
Barb, this is my friend Gwen. She
knows all about Nick - Fr. Dominic.
BARBARA
I see. Is there more I need to
know?
Angel gestures her to sit.
ANGEL
Oh, no. Thats not why I asked to
see you. I wanted to thank you
again for warning me about the
police.
BARBARA
Well, that may not have been my
best decision. But I did it. So is
your brother OK?
ANGEL
Yes, and we want your help to prove
he didnt beat up that man.
Barbara stands up.
BARBARA
Oh, No! I got myself in too deep
already.
Frank walks in.

95.

FRANK
Maybe, But we have an idea, and if
it works, youll have an exclusive
story for the news.
222

INT. STAIRWAY IN SHABBY APARTMENT BUILDING

Frank is coming up the stairs. A girl (twenties) is coming
down the stairs - she stumbles (she is high). Frank stops
and lets her pass on the landing. She smiles at him and goes
on. He continues up and knocks at the door at the top of the
stairs.

223

INT. EDUARDOS APARTMENT - NIGHT

Eduardo has his shirt off. Beer in hand and has had several.
Hikes up his pants as he goes to the door. Unlocks deadbolt,
opens the door as he turns back into the apartment.
EDUARDO
Over his shoulder
Whad you fergit now?
Frank steps in.
EDUARDO (contd)
Turns
Hey, what cu doing here?
FRANK
In case you forgot, you owe me some
cash.
EDUARDO
Oh, yeah? How you figure?
FRANK
Well, for one thing, those last
houses I gave you - whatd you get
from them?
EDUARDO
Hey man. My buddy aint fenced that
stuff yet. Youll get yours.
FRANK
Well, I want to settle up. I cant
do this anymore.

96.

EDUARDO
You gettin cold feet? Dont forget
- we got a deal - you work for me
and your sister dont get hurt.
FRANK
Ive done enough. I want out.
EDUARDO
You owe me man. If it wasnt for me
youda been the bitch for half the
guys in the joint.
FRANK
Its not just the burglary stuff.
That guy that got hurt was over the
top for me. You said it was gonna
be a piece of cake. You coulda
killed the guy.
EDUARDO
The jerk deserved it. Chaining up
his money was dumb. Besides it was
a big take.
FRANK
Thats just it. I dont want any of
that. You keep it. You did it all.
EDUARDO
Hey man. If youd just took the
case like you was sposed to there
wouldna been no trouble.
FRANK
Yeah, but did you have to keep
kicking once you had him down?
EDUARDO
The damn case wouldnt come loose.
I was pissed. Hey, I got it didnt
I? Lotta help you were - couldnt
even work the damn keys!
If you got no belly for doin what
it takes, I do. I dont need you
anyway you pansy fuck. You aint
gettin nothin from me. Get out!

97.

224

INT. FRONT HALLWAY OF NICE HOUSE - NIGHT

Doorbell rings. Phil comes to the door, looks out the side
glass panel by front door and sees Barbara on front porch.
Opens door and steps out.

225

EXT. FRONT PORCH - NIGHT

PHIL
What the hell are you doing here?
BARBARA
I need to apologize for busting in
at your office and accusing you.
PHIL
Well I was told you dont have good
sense when it gets personal. I
guess I had a short fuse too. Is
that it?
BARBARA
I do have more. Can I step in for a
minute?
Phil leads her into the rec room.

226

INT. REC ROOM

PHIL
Can I get you a drink?
Barbara nods and sits on a bar stool. Phil pours a couple.
BARBARA
Youre right Phil, When things get
personal, I dont make the best
choices.
PHIL
Yeah, so what were you blabbering
about - some story about a pregnant
gal?
BARBARA
I was so angry that my story got
pulled, I lashed out and since I
came to you for info I figured
somehow it got leaked to the wrong
people.

98.
PHIL
What happened? Fill me in.
Logs in fireplace burn in the foreground as Phil is
informed.
PHIL (contd)
Sounds like you might be able to
pull it off with Sr. Helenas help.
BARBARA
How about another drink. Theres
something else I havent told you.
Barbara takes out her digital recorder and places it on the
bar.
Back to burning logs in fireplace as Barbara tells more.
227

EXT. LARGE CATHEDRAL - DAY

228

INT. HALL
Footsteps on marble floor to stairs up one flight to
carpeted hallway. Hand knocks on heavy wooden door of
office.

229

INT. PLUSH OFFICE - DARK WOOD

Dominic enters door and quietly closes it. He walks across
the carpet of the large office. Stands at the desk.
Monsignor rises from his office chair, comes around desk and
gestures to a side chair.
MONSIGNOR
Dominic, please take a seat.
It seems Ms. Wentworth has put us
both in an awkward situation. I did
help you again last week as a favor
to your uncle. But you left out
some important details that are too
extreme to overlook.
DOMINIC
What are you telling me?
MONSIGNOR
You have crossed the line too many
times and in ways that even your
family cant tolerate.

99.

Domonic starts to stand.

DOMINIC
And this means?
Monsignor gestures him back into his chair.
MONSIGNOR
(Angry and forcefully)
You will face your actions and you
will not get any support from me or
your uncle!
You have brought shame on the
church and your family for the last
time. For all of our sakes your
exit will be swift and quiet. Do
not return to the Parish. Your
things are being packed and shipped
to Boston.
Dominic stands defiant.
DOMINIC
You cant do this to me!
Monsignor returns to his desk.
MONSIGNOR
You did it to yourself. Now get
out.
230

EXT. TOWNHOUSE - NIGHT

Hooded burglar figure approaches rear of building. Checks
back door. Tries window. Tries bathroom window, goes in.

231

INT. HALL OF TOWNHOUSE

Goes to bedroom, rifles drawer. Headlights come through
window, flashing police lights illuminating the room. Figure
empties bag on to the bed and pushes to the back door. Opens
it to face two officers with weapons drawn.

232

EXT. BACKDOOR OF TOWNHOUSE - NIGHT

COP #1
Drop the bag! Lay down, hands above
your head!

100.
COP #2
Holsters weapon, cuffs figure and does a pat down.
Hes clean.
COP #1
Pulls figure to his feet.
You have the right to ...
233

INT. POLICE INTERROGATION ROOM

Figure is seated faced away. Detective Phil West enters the
room.
PHIL
Mr. Ernesto, you seemed to have
tripped an alarm. Good thing our
cruiser was so close by.
EDUARDO
(smirking)
You aint gonna hold me. I didnt
take nothin.
PHIL
Lets check the report. Well,
youre right. Except for unlawful
entry and parole violation, you
seem to be in the clear.
Now is there anything else we
should know before letting you walk
out of here?
EDUARDO
(relaxed)
Naw, you got it all - I been good just took a chance on that house.
My bad luck they had the alarm. I
learned my lesson.
PHIL
Glad to hear it. How is it you
picked that house anyway?
EDUARDO
I was just driving around and Im
low on cash. It looked quiet.
I aint done nothin else since I
got otta the joint. Ask my parole
officer.

101.

PHIL
Ill do that. By the way what can
you tell me about Frank Fortunatto?
EDUARDO
looking nervous
Was that the dude in the joint with
me? - Yeah, I remember him - skinny
guy. What about him?
PHIL
Have you had any contact with him?
EDUARDO
Maybe seen him around.
PHIL
Thats it?
EDUARDO
Yeah, I seen him at a bar a couple
of times - what of it?
PHIL
Did you talk with him?
EDUARDO
Yeah, I guess - so?
PHIL
Let me refresh your memory. We had
a reason to talk with Frank
recently and he says you pressured
him to give you info on people
leaving town. Is that true?
EDUARDO
I never ... He came to me. I didnt
want ... I mean it was all his
idea. Im clean - I swear!
PHIL
So Frank did give you information
about people leaving town?
EDUARDO
I aint admitting nothin!
PHIL
I see. Mr, Ernesto, let me remind
you that when you cooperate things
will go much better for you.

102.

Let me ask you about the Gregory

Morgan robbery and beating - can
you help us out on that one.
EDUARDO
I got nothin to say! Talk to my
lawyer!
PHIL
Thats too bad Ed.
Phil takes out Barbaras recorder and presses play.
Recorder:
Franks voice: Its not just the burglary stuff. That guy
that got hurt was over the top for me. You said it was gonna
be a piece of cake. You coulda killed the guy.
Eduardos voice: The jerk deserved it. Chaining up his money
was dumb. Besides it was a big take.
Franks voice: Thats just it. I dont want any of that. You
keep it. You did it all...
234

INT. NICE APARTMENT-(SAME AS OPENING)-EVENING

SUPER - "SIX MONTHS LATER"
Bright, clean living room with nice furniture.

235

ON TV SCREEN
TV Station Newsroom back area with monitors.
NEWS REPORTER
Fair skies for the weekend. Highs
in the low 80s. Following
tonights news look for the special
report on the Anti-abortion
movement.
Run clip from the program - Barbara on the screen
BARBARA
Surprising circumstances are
disclosed concerning cover-ups and
other shocking behavior...
SFX - Buzzer of doorbell.

103.

236

INT. LIVING ROOM- EVENING

Angel in quilted robe, turns off TV with remote, gets up
from sofa and goes to the door. She opens it to Frank and
Gwen. They are holding hands.
GWEN
Well its over. The hearing only
took three hours. We wont have to
worry about Eduardo and Frank is
free on time served.
Angel hugs Frank.
ANGEL
Im so relieved. Sorry I couldnt
be there for you.
FRANK
I understand Sis. Youve had your
hands full with Nick.
GWEN
Speaking of Nick, where is he?
ANGEL
Hes in the bedroom as usual.
They walk together into a darkened bedroom.

237

INT. BEDROOM
With only the light from the adjoining room, all three enter
the doorway, Angel steps forward.
ANGEL
Nicky, Honey, its time to get up.
Angel picks up the baby from the crib and holds him.
Gwen reaches over to a small baby lamp and turns it on. The
room is now in the warm glow of the lamp. Fastened to the
shade is the angel pin that Frankie gave to Angel
Angel and Frankie are together holding the baby. Angel has
tears in her eyes.
ANGEL
(choking back her tears)
Nicky, I want you to meet your
Uncle Frank.

104.

Frankie pulls them both close and kisses Angel on the

forehead.
FADE TO BLACK: