Professional Documents
Culture Documents
The term Creation Spirituality was named for Fox in 1967 by the French Theologian MD
Chenu, with whom he studied at LInstitute Catholique in Paris. Foxs teaching and writing
career led him to discover more deeply the common threads in countless traditions, and the
principles of Creation Spirituality came to be named as Fox further explored and articulated the
tradition. As a movement, Creation Spirituality becomes an amazing gathering place, a kind of
watering hole for person whose passion has been touched by the issues of our day deep
ecologists, ecumenists, artists, native peoples, justice activists, feminists, male liberationists, gay
and lesbian peoples, animal liberationists, scientists seeking to reconnect science and wisdom,
people of prophetic faith traditions all these find in the Creation Spirituality movement a
common language and a common ground on which to stand.
Creation Spirituality derives from the oldest tradition in the Bible (the J source) and it is
theWisdom Tradition in the Hebrew Biblethe tradition that scholars agree was the tradition of
the historical Jesus. Thus creation spirituality brings together the root sources of Christian
spirituality (along with other world traditions), those being 1) the historical Jesus and 2) the
Cosmic Christ. These represent the prophetic and the mystical roots of Christianity.
FOR ENDING: The Cosmic Mass is a community-based worship celebration designed to engage
body and spirit through acts of meditation, grieving, gratitude, sacred meal, and the most primal
form of worship dance.
Through worship we create community.
Every journey traverses the four paths of human experience
We dance together celebrating joy via positiva a dance of joy and delight (hands together
moving in a circle)
We grieve together via negativa grief experience (bent on the ground)
We reconnect via creative opening creativity to connect (bow to each other with hands
clasped at the heart)
We celebrate communion and defend compassionvia transformativa warrior dance for
community
We do so much more than pray through dance; as a community we gather to learn and leave the
mass empowered to take action as well!
Join us and take action in your community! Make a lasting difference in the world.
Let's leave the space truly empowered to take action in our lives and leave everyone we touch
inspired to make a difference in the world.
Real economics one that works for all humans and all beings in the planet
for a living economy that isn't based upon extraction and pollution is becoming essential. Join us
on February 8th to celebrate new possibilities while grieving the damage being done to Earth
the importance of changing our consciousness around boarders within our sensitive living
planet.
Students learn in very different wayssome by exams and papers and textsbut many through
their bodies, imaginations, hands and story tellingand given todays new technologies there are
multiple fresh ways to tell stories and the youth are quite at home with these languages.
Healing Arts
Wisdom education begins with the wisdom of the body. The modern educational system is based
on a worldview that radically separates the body from the mind. YELLAWE views the mind and
the body as part of the same cosmic process. The healing arts practices of YELLAWE begin
each session. These practices serve a variety of purposes: they center and calm the students,
helping them to concentrate; they integrate the body into the learning process in a positive way;
they give the student a practical skill they can take with them. First and foremost is the idea that
the body is an expression of the Universe, 13.7 billion years of cosmic wisdom, and it contains a
deep wisdom. This is a very different view of the body from what our youth hear on television.
Many different practices can be used: for example, meditation, qi gong, and hatha yoga. In each
case, the practice is led by a skilled and trained facilitator.
Wisdom Education
YELLAWE is different from many other programs emphasizing creativity in our insistence on
basing the creativity on the wisdom of the elders and ancestors. This phase of the pedagogy
addresses the same wisdom as the others, but from a more conceptual viewpoint. The
philosophy of the content of YELLAWE can be found in detail in Matthew Foxs The A.W.E.
Project, and is based in the 10 Cs. Usually, this dimension of the pedagogy comes after the
Healing Arts practice.
Creativity
The integration of this wisdom occurs during the creative expression of the students. During this
time, the students must re-learn the material by expressing it from their own, unique perspective.
In this way, the students not only learn, but become teachers in their own right. Students will
now begin to create their own wisdom as they create works of art.
While the students creativity can and will ultimately take over, it is important to have skilled
facilitators who also understand the YELLAWE philosophy. Any medium can serve this
purpose. In the past we have used African drumming and theater, but a special emphasis has
been placed on Hip Hop music and video production. Hip Hop has been a point of emphasis
because of the role it plays in the minds of the youth and the power of the images
unfortunately, mostly negative imagesit conveys. YELLAWE recognizes the necessity of
empowering youth through this creative medium because, ultimately, it is the creative vision of
our youth that determine the world they will create for the future.
Usually, creative expression is the final phase of the pedagogy. We tend to emphasize the
wisdom teaching more in the beginning of a semester, gradually phasing those lessons out to
leave more room for creativity.
What does it mean to think critically? When we are given information, do we always accept it?
Whom do we trust? Friends? Parents? Peers?
(8) Courage (p.124):
Compassion is not possible if we lack courage. And our Critical Consciousness doesnt do us
much good without courage, either. As the students for examples of courageous people.
9) Creativity (p.111):
Students should understand that the third phase of the program is creative, and that they are
expected to create something based upon the class. In addition, students should recognize how
the YELLAWE pedagogy is different in its emphasis on the students creativity. Instead of being
given information to learn, the students become teachers as they integrate lessons and
experiences and express them in their own, unique way. It is also helpful to ask the students
what creative talents and interests they bring to the program.
(10) Ceremony, Celebration, & Ritual (p.136): Questions for discussion:
What rituals do you have in your lives?
Why is ritual important for people of every culture and how does it build community?
What happens to a society that has lost its rituals? An example: gang initiations that have arisen
in the absence of traditional rites of passage.
Note that the students will have a ceremony as a way to share with the community and integrate
what they have learned.
In almost all provinces and regions in the Philippine archipelago there are festivities and
celebrations. Some festivities were reenactments of historical experiences that manifest the
peoples source of pride, justice, and freedom. In the Cordillera, there are festivities and
celebrations that are uniquely indigenous but not popular in the Philippines