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Culture Documents
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CulturalInfrastructure:
The Legacyof New Deal PublicSpace
ROBERT
D. LEIGHNINGER,
JR., Louisiana State University
awareness of this legacy and to begin a systematic assessment of it. The circumstances
nized role in defining the public space we now
that
produced it may be unique, but archiuse. In a short period of ten years, the Public
WorksAdministration,the WorksProgress Admin- tects and others concerned with public space
istration, and the CivilianConservationCorps built and
public life should at least know about the
facilities in practically every community in the
New
Deal public works projects and how
country. Most are still providingservice half a
century later. It is time we recognized this legacy
they changed our social and cultural landand attempted to comprehend its relationshipto
scape. The knowledge could provide us with
our contemporary situation.
a surer foundation for future plans.
The New Deal public works projects
were a response to the massive unemployAN ANALYSIS
OFTHEROLE
SPACES
IN ment of the Great
OFPUBLIC
Depression rather than a
American life cannot afford to neglect the vision of a national need for
public spaces.
contribution made by the Franklin D. These projectswere heavily influenced calby
Roosevelt administration. This brief but culations of the number of
people who might
rich period of commitment to public build- be taken off relief rolls and of the
possible
ing produced many of the works that define stimuli to sectors of the economy producing
the public space we now use. It would be
building materials. Harry Hopkins, head of
a
to
that
there
is
the Works ProgressAdministration (WPA),
only slight exaggeration say
a
a
in
or
citizen
the
said bluntly, "The objective of this program
hardly community
country who has not benefited in some way as laid down by the President [is] taking
from the facilities constructed during this 3,500,000
people off relief and putting them
time. In addition to the roads, bridges, to work. The secondary objective is
putting
schools, courthouses, hospitals, waterworks, them to work on the best possible projectswe
and post offices-traditional
infrastruc- can, but don't ever forget that first objecture-that
most people might think of tive. '2 Nonetheless, there was an awarenessat
when asked about the New Deal, there were the time that a
long-term investment in
also parks, museums, swimming pools,
American society was being made. As Louisicommunity centers, playgrounds, colise- ana WPA AdministratorJames H. Crutcher
ums, markets, fairgrounds, tennis courts, observed, "It is true that thousands of Louizoos, botanical gardens, auditoriums, water- sianians have been afforded work in these
fronts, city halls, gyms, university unions, programs, but it is also true that residents of
and numerous other kinds of structures the state will enjoy for many years those new
built across the country. Most are still in roads and streets and their children will be
use. They constitute an immense legacy of
given added educationalfacilitiesprovided by
what might be called a cultural infrastruc- the men and women on the relief rolls of
ture underlying our public space.
Louisiana."3Some historians have even arThere were public works projects be- gued that a sense of need for public facilities
fore the New Deal and since, but for scope was as least as strong a motivator as the desire
and variety, there is nothing else like this in to reduce unemployment. Jean B. Weir asour history. Lifemagazinecalled it "the great- serts that "asthe WPA grew and consolidated
est public building program in the history of its policies, the social, rather than the ecomankind."' My purpose here is to promote nomic outlook became more and more pronounced. It was social theory emphasizing
Journal ofArchitectural Education, pp. 226-236
Inc.
the value of individual pride derived from
1996
ACSA,
?
May1996 JAE49/4
useful work and the need for cultural improvement in American society which lent
coherence and consistency to a program that
seemed, and in large measure was, disorganized in its method of operation."4
The WPA was not the only, or even
the most important, agency engaged in public works. The Works Progress Administration (later called the Work Projects
Administration) got the most attention and
the most criticism at the time. It has come to
stand in the public mind for all the New
Deal public building programs-this synecdoche complicates research-but it was only
one of several ingredients in Roosevelt's alphabet soup.
The first program to embark on construction of public facilities was the Civilian
Conservation Corps (CCC). Beginning in
April 1933, it recruited young men between
the ages of seventeen and twenty-eight to
stop soil erosion, plant trees, fight forest
fires, create parks, build or repair roads and
bridges, and do other work in rural and suburban areas. The men were formed into
companies of two hundred under military
supervision and sent to camps throughout
the country for basic conditioning and six
months or more of labor.
Next into service was the Federal
EmergencyAdministrationfor Public Works,
known more commonly as the Public Works
Administration (PWA). Under Harold Ickes,
Secretary of the Interior, the PWA was responsible for the more traditional, large-scale
public works projects:dams, tunnels, airports,
and largerpublic buildings. It began in June
1933 and continued operation, with some
interruption, until 1942.
It became clear almost immediately
that the PWA would not have enough of an
impact on unemployment soon enough to
relieve the misery of the depression. This
was in part because large projects required
careful planning and in part because they
226
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relied on skilled workers and heavy machinery. As the winter of 1933 approached, the
Civil Works Administration (CWA) was
created to employ more unskilled laborers
in labor-intensive projects like road building. The CWA lasted only from November
1933 until March 1934, but it provided
useful experience for the creation of the
WPA the following spring. The WPA, led
by Hopkins, operated from May 1935 until June 1943, by which time World War II
had taken care of unemployment and diverted resources from domestic construction to overseas destruction.
For students of cornerstones and
plaques, it is worthwhile knowing that in
July 1939, the PWA and the WPA were incorporated under a single agency, the Federal Works Administration (FWA). They
maintained their separate missions and administrations, but the structures they built
were identified with the umbrella agency
and its head, John M. Carmody.
The accomplishments of all of these
agencies were enormous. The Final Reporton
the WPA Program, 1935-43 claims 40,000
new and 85,000 improved buildings. This
includes 5,900 new schools; 9,300 new auditoriums, gyms, and recreational buildings;
1,000 new libraries;7,000 new dormitories;
and 900 new armories, 400 of which were
also community centers and recreational
buildings (many of the rest have since been
converted to such).' WPA workers built
2,302 stadiums, grandstands, and bleachers;
52 fairgrounds and rodeo grounds; 1,686
parks covering 75,152 acres; 3,085 playgrounds; 3,026 athletic fields; 805 swimming pools and 848 wading pools; 1,817
handball courts; 10,070 tennis courts; 2,261
horseshoe pits; 1,101 ice-skating areas; 228
band shells and 138 outdoor theaters; 254
golf courses; and 65 ski jumps.6
The final report of the PWA provides
less specific totals (but, unlike the WPA, has
1. CentralParkZoo,NewYorkCity,PWA,1934.
2. Conservatory
Garden,CentralPark,NewYorkCity,PWA,1934. Quietinwinter,this is a
favoritesite forweddingsin otherseasons.
227
Leighninger
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Goalsand Agendas
3. Chicagoshoreline,WPA/PWA,
1938. Tothe northis a WPAbeachhousethatlookslikean
ocean liner.
228
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Leighninger
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May1996 JAE49/4
230
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6. Collegeof William
andMarystadium,Williamsburg,
PWA,1936.
Virginia,
Leighninger
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,Tx
............
JOHN
M.
e
..
.....?
..
AL
-.. -......
?.
T i tc
!ft?C
,f
,.
i
,
...
7. JohnM.ParkerAgricultural
Center,BatonRouge,WPA,1937. Thecenteris host to rodeos,4-H
Clubconventions,andlivestockandgardenshows.
more economically and ethnically segregated,opportunitiesfor interactingin public with othersin the communitydiminish.
We lose a sense of diversityand no longer
practiceour skillsof civility.
The ideologyof New Deal civility,assumingit existedat all, is hardto find now.
Both public and privatebuildershavebeen
focusingon otherthings.A bookon Chicago
publicworksthatwaspublishedin 1973 devoted only fifteenof its 224 pagesto public An Example
buildings and sixteen to "beautification"
projectslikepools,parks,andplaygrounds.25 One of the more unusualand multifaceted
Convention centers,domed stadiums,and public spaces to be constructed with the
shoppingmallsarethe majortypesof public help of the New Deal is San Antonio's
spaces built in the postwarperiod. These Paseodel Rio, or RiverWalk.The SanAnplaces contribute to local economies and tonio Riversnakesthroughthe heartof the
provide activitiesfor citizens, but how do city. During the earlyyearsof the century,
they comparein termsof health,education, it had becomea sewerand was, moreover,a
and recreationwith parks,museums,swim- constantthreatto life and property.A flood
in 1921 killed fifty people and caused$50
ming pools, and historicsites?
May1996 JAE49/4
232
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million in property damage. Plans for diverting the river and filling in the old channel were discussed.
In 1929, Robert H.H. Hugman, a local architect inspired by the survival of the
French Quarter in New Orleans as a convivial space, drew sketches of a clean, landscaped river with walks, stairs, bridges,
shops, and food stalls. Floods would be controlled with a bypass channel with gates at
both ends. In 1938, a local hotel owner became interested in the plan and mustered
some financial support, but the City Council refused to match the donations. Maury
Maverick, a New Deal supporter, was
elected mayor in 1939 and quickly arranged
a WPA grant of $325,000 to add to the
$75,000 raised by river property owners.
The final project cost a total of $442,900, of
which property owners paid $82,700.
River Walk offers one and three-quarter miles (twenty-two city blocks) of landscaped walkways connecting thirty rock and
brick stairways (and one made of cedar)
with twenty-one bridges. It includes the
Arneson River Theater, which has amphitheater seating for one thousand on one
bank and a stage and dressing room on the
other. The theater connects with La Villita,
a complex of buildings that was the city center before the Alamo battle. La Villita was
restored by the National Youth Administration, yet another New Deal agency.27
River Walk has had ups and downs
since its completion. It was described as
"San Antonio's major tourist attraction" in
1948.28 Guidebooks were attracting tourists
and conventioneers to take boat rides. River
Walk fell into neglect in the late fifties but
was revived for the HemisFair in 1968. In
8. RiverWalk,SanAntonio,WPA,1939-1941. ArchitectRobertHugman's
office.Despitehis role
as creatorof RiverWalk,he was firedfromhis supervisorypositionin 1940 overquestionsraised
aboutthe allocationof WPAfunds.
233
Leighninger
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Conclusion
We may conclude that there are benefits to
public spaces that are healthful, educational,
or recreational, that encourage the skills of
civility, and that are free and open to all.
That, however, does not mean that such
things are still viable. We must reckon with
the forces, in addition to consumerism, that
undermined these kinds of places. Our current environment encourages people to stay
at home. The decay of public transportation, the fear of crime in public spaces, and
May1996 JAE49/4
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Acknowledgments
I am grateful to J. Michael Desmond and an
anonymous reviewer for comments on earlier drafts of this article.
235
17. Caroline Loughlin and Catherine Anderson, Forest Park (Columbia: University of Missouri
Press, 1986), p. 210.
18. William H. Whyte, City: Rediscoveringthe
Center (New York: Doubleday, 1988).
19. Reported in Elizabeth Barlow Rogers, Rebuilding Central Park: A Management and Restoration
Plan (Cambridge, MA: MIT Press, 1987), pp. 23-31.
Leighninger
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May1996 JAE49/4
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