Christie's Interiors - Style & Spirit

INTERIORS
2-3 June 2015
Mary Portas
selects her top lots from

Buy or Bid the newest way
to buy at Christies
Art Nouveau and Art Deco including

Property from a Gentleman
Style & Spirit
South Kensington
Its easy to buy at Christies

Read this simple guide to buying at auction. If you still have questions our terms and conditions of business as
well as much more information can be found in the all you need to know section at the back of this catalogue.
BROWSING
BIDDING
PAYING &
TAKING IT HOME
Browsing our catalogues is a great way to
There are four ways to buy offering you
Once you have paid for your lot you can take
discover more about whats coming up in
convenience and flexibility whether you are
it home or arrange for it to be delivered.
future sales; alternatively check the website
able to attend the auction in person or not.
If you need to come back a few days later
at www.christies.com where its possible to
All of the following services are free:
to pick something up bear in mind that all

purchased items marked with a square n
see all lots free of charge. Of course once

the sale is on view, visit our salerooms, open
IN THE SALEROOM
are removed to an offsite warehouse and
seven days a week except Bank Holidays.
storage charges can apply.
DESCRIPTIONS
you will experience the buzz, drama and fun of

bidding in a live auction. To bid in person just
arrive in time to register. If you havent bid with
us before youll need to bring some form of
identification such as a drivers licence or passport.
cover basic catalogue information such as size, date

or age, medium, type, attribution, quantity and so on.
CHRISTIES LIVE
the first 50,000 of the hammer price plus 20%

of the excess of the hammer price above 50,000
Make the most of your browsing:
is our online bidding service and allows you to see
ESTIMATES
are given for all lots and can be based on prices
recently paid at auction for comparable property.
They can take into account rarity, condition, quality
and provenance. The RESERVE is the price below
which a lot will not sell. Since it is confidential it is
not published in the catalogue.
The reserve will never exceed the low estimate.
TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot
in greater detail; their contact details are
listed opposite.
CONDITION REPORTS
are available on request. These supplement the
catalogue description and provide guidance on a
lots condition.
VIEW THE LOT PERSONALLY

We would always recommend coming to the
saleroom and looking at a lot for yourself,
especially in the case of more valuable items.
SYMBOLS
next to the lot number can indicate a variety of
things, such as where the lot can be collected
after the sale or how much if any VAT is payable.
There is a key to symbols in the all you need to
know section at the back of this catalogue.
CATALOGUE SUBSCRIPTIONS
Receive beautifully illustrated catalogues from
our auctions around the world:
Christies Catalogues, 8 King Street, St. Jamess,
London SW1Y 6QT, United Kingdom
Tel: +44 (0)20 7389 2820
Fax: +44 (0)20 3219 6067
subscribe-uk@christies.com
and hear the auction in progress giving you a real

time link into the saleroom direct from your PC.
All you have to do is click to bid wherever you
are. Visit christies.com to find out more.
TELEPHONE BIDDING
enables you to talk directly to a Christies member
of staff in the auction itself who will relay progress
back to you and, on your instruction, bid on
your behalf. Please arrange a telephone line at
least 24 hours before the sale.
To organise a telephone bid ask at the Bids Office
on your visit to the saleroom or telephone us on
+44 (0)20 7839 9060.
WRITTEN BIDS
are great if you cannot attend the auction or
are not available to participate either online or
on the telephone. A written bid is simply your
maximum bid.
To find out more about written bids and how to
place them refer to the written bid form at the
back of this catalogue or just call our Bids Office
on +44 (0)20 7839 9060.
HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer
price plus buyers premium on each lot (25% of
up to and including 1,000,000 plus 12% of any

amount in excess of 1,000,000) together with
any additional applicable charges such as VAT.
There is a HOW TO PAY section at the back
of this catalogue. If you still have any questions
please call our Cashiers Department on
+44 (0)20 7839 9060.
STORAGE
Lots marked with a square n are transferred to
an offsite warehouse at the close of business on
the day of the sale. We give you 2 weeks free
storage, after which charges begin.
All other lots are stored at Christies South
Kensington until 5pm the 5th Friday after the
sale, after which they will also be transferred to
the offsite warehouse and charges will begin.
For full post sale storage details and collection
information please see the relevant page at the
back of the catalogue. There you will find a map to
the warehouse and contact telephone numbers.
DELIVERY
We can help you with all your transport
requirements whether local deliveries or
international freight. Please call our Art Transport
Department on +44 (0)20 7839 9060.
INTERIORS
STYLE
& SPIRIT
SOUTH KENSINGTON
AUCTION DATES
Tuesday 2 June 2015
at 10am (Lots 1360)
Lot 386
Wednesday 3 June 2015

at 10am (Lots 500746)
IBE VER
SCR
SUB AND NE E
AY
ISSU
TOD ISS AN
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Pleas 7389 2
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(0)2
+44
AUCTION NUMBER
In sending written bids or making enquiries,
please use auction numbers:
10648 (Lots 1360) and 10649 (Lots 500746)
THIS SALES TEAM
Fiona Baker
Head of Sale,
20th Century
Decorative Art
& Design
Stephen
OConnell
Furniture
Kate Summers
Works of Art
Mark Henry
Lamp
Carpets & Rugs
VIEWING DATES
Saturday 30 May
Sunday
31 May
Monday
1 June
Tuesday
2 June
Tuesday
2 June
Wednesday 3 June
11am 5pm
11am 5pm
9am 7.30pm
9am 10am (Lots 1360)*
9am 5pm (Lots 500746)*
9am 10am (Lots 500746)*
*(limited view)
Celia Harvey
Clocks
James Richards
Pictures
Mary OConnell
European
Ceramics & Glass
Michael Prevezer
Silver
CHRISTIES SOUTH KENSINGTON

85 Old Brompton Road,
London SW7 3LD
Buy or Bid: Lots 361401 will be available to view
and purchase in store or online from
Friday 8 May at 3pm until Wednesday 27 May at 3pm.
Monday 9am 7.30pm, TuesdayFriday 9am 5pm
SaturdaySunday 11am 5pm
Also to view and purchase online at
christies.com/buyorbid buyorbid@christies.com
EMAIL
First initial followed by last name @christies.com
(e.g. Kate Buchanan = kbuchanan@christies.com)
Kate Buchanan
Administrator
LOTS OF IRANIAN /PERSIAN ORIGIN

Bidders are kindly reminded that some countries (such as the USA and Canada) prohibit
or restrict the purchase and import of Iranian origin works of conventional craftsmanship
(works that are not by a recognized artist and/or that have a function, for example: bowls, tiles,
ornamental boxes and carpets).
Informational materials(such as paintings, drawings and pastels, executed entirely by hand,
collages and similar decorative plaques, framed or not framed; original engravings, prints and
lithographs, printed books, newspapers and manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with the laws that apply to them and
ensuring that they do not bid on or import property in contravention of relevant sanctions or
trade embargoes.
LOTS CONTAINING IVORY

The USA has recently changed its policy on the import of property containing elephant ivory.
Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied
by DNA analysis and confrmation the object is more than 100 years old. We cannot indicate
whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other
report required in connection with their proposed import into the USA. A buyers inability to
export or import a lot is not a basis for cancelling their purchase.
OPENING HOURS
Sat & Sun 11am 5pm
Mon 9am 7.30pm
Tues to Fri 9am 5pm
BIDS OFFICE
T +44 (0)20 7752 3225
F +44 (0)20 7581 1403
SALE ENQUIRIES
Kate Buchanan
kbuchanan@christies.com
T +44 (0)20 7752 3241
THINKING
OF SELLING?
Valuations
Philip Belcher
pbelcher@christies.com
T +44 (0)20 7752 3146
GENERAL
ENQUIRIES
T +44 (0)20 7930 6074
FRONT COVER
Mary Portas
ON THE GO
This auction features on
BACK COVER
Lots 58, 201, 220, 362,
364, 390, 554 & 727
Browse this auction and view

real-time results on your
iPhone, iPod Touch,
Bid live in Christies salerooms worldwide
iPad and Android
Register at christies.com.
[10]
2 JUNE 2015 ROOM TO BREATHE
ROOM TO BREATHE
Step through the front door of Mary Portas airy mid-Victorian
house in the desirable NW1 area of London and youre
instantly struck by a sense of light, colour, space and just a
hint of theatricality. Its a perfect reflection of Portas herself,
who with her trademark personal style has become one of the
UKs most recognisable and respected retail experts.
A media commentator, presenter of popular TV series on
consumerism, director of her eponymous retail and brand
communications agency and a government retail strategy
adviser, Portas influence informs popular and political
culture in a way few other professionals in her field have
achieved. The success of her memoir Shop Girl published
earlier this year by Penguin Random House and currently
riding high on the Sunday Times best-seller list has
meant a constant round of promotional tours in Britain
and abroad, adding even more speed to an already frenetic
professional life. Her personal environment, then, is an
important antidote.
Home is where I rest and thats why its so important that
you get the interior right. Its where I am most at peace; me
and my little brood. It is the most personal expression of
who I am. Home has to make your heart sing creatively, she
explains. I think about creating a home very carefully and it
gives me huge joy. I love choosing the textures, the colours
and there are lots of splashes of colour here. You have to live
with the space. In that sense its not so different from dressing
a window in a retail context: it has to breathe.
Despite making her name as a window dresser for leading
department stores, Portas takes her interiors lead less from
fashion than from classic cinema: When it came to choosing
shades of paint, my inspiration was Parisian apartments. I
watched a whole string of French movies to get the right
colours for the walls upstairs, and downstairs I went more
Alfred Hitchcock that cool 50s chic. But I do have to do
things slowly to create exactly the look I want.
Its a welcoming extended family house and thats been part
of its history, continues Portas, who has two children from
her 14-year marriage to Unilever executive Graham Portas and
now lives with her wife Melanie Rickey and son Horatio. It
was the childhood home of Boris Johnson [London mayor] and
I bought it from Simon Jenkins [former editor of The Times]
but theres still a bit of theatre. I really wanted that sense
of glamour when you arrive in the hallway. Its not exactly
understated!
I have very little thats been handed down from the family,
she adds, but memories are very important to me. Under
my bed I keep a box of them. Im tough about throwing out
clothes but not memories. I want to know the story of an object
and its heritage and thats why I like good design. That was
something my father instilled in me. An uncle of mine had an
old Heals writing desk and you felt that great design was at the
heart of that piece of furniture. My daughters inherited that
instinct for design and we love looking out for home stuff the
tactility of it and the joy of discovery.
Portas describes herself as so anti-minimalist! but her home

speaks to a decidedly modernist, British design-led aesthetic.
Two of her prize possessions are works by Grayson Perry, the
Turner Prize-winning artist.
Im a huge Grayson fan, she enthuses. Hes an artist, a
philosopher, a sociologist and a bit of a genius. The embroidery
banner hanging over my fireplace is an image of five men
and women from the Newtownards Road area of Belfast. It
was part of his project exploring British identity. My Dad was
a Protestant from Northern Ireland who married my Catholic
mum so this piece speaks to me in a very personal way.
Its a reflection of Portas professional determination to
champion contemporary and emerging artists, something
that has always been important to me: When I was creative
director of Harvey Nichols, I gave Thomas Heatherwick one of
his first high-profile commissions to create a window display
in 1997 and Ive often worked with other students from the
Royal College of Art. I get excited by young talents because
they care so much and commissioning work is something
that feels very special. I try to do it as much as I possibly can.
Heatherwicks Harvey Nichols intervention led to a major
advertising industry award for the man who went on to
achieve global acclaim for his Cauldron design at the London
2012 Olympics. It also cemented Portas reputation in the
1990s as one of the best creative minds in the retail business.
Portas is credited with turning the stolidly traditional
institution like a Rolls-Royce: classic, comfortable and
reassuringly expensive and the store of choice for the grandes
dames of Knightsbridge, as she describes it in her memoir
into a leading modern fashion brand.
Portas also secured the department store massive publicity
in the BBCs anarchic hit comedy Absolutely Fabulous, after
promising its writer and lead actor Jennifer Saunders free
access for research in exchange for frequent references in the
show. The series went on to become a cult comedy classic. The
stores owners were suitably impressed and by the age of 30
Portas had joined the board.
By 1997 shed left to set up her own agency, Yellowdoor, working
with many of the biggest names in luxury and high-street
retail from Louis Vuitton, Swarovski, Dunhill and Habitat
to Mercedes-Benz (which remains a client today). Shes
also reinvigorated the high-street charity shop, becoming
a brand ambassador for Save the Children in the process.
In January 2013, capitalising on her personal brand, she
relaunched her agency as Portas, a multi-channel strategy and
communications business with a focus on customer behaviour.
Whats happening today is that we are coming back to
creating tactile experiences for consumers, she explains.
Because of the growth of the internet, we have to have
real reasons to go out and shop. You only have to look at a
department store such as Selfridges: people go there because
its about social interaction. Thats why service and knowledge
are so important.
ROOM TO BREATHE 2 JUNE 2015
Its also a reason why Portas is a fan of Christies upcoming Buy

or Bid sale, The Art Peoples second foray into a fixed price retail
proposition following a successful trial in December 2014.
I think Buy or Bid is a fantastic idea, Portas enthuses. Id never
have thought of coming to Christies just to buy something.
The idea of walking in off the street would have been a little
intimidating but trust is huge in any retail context today
and Christies has honest expertise. Its an historic and trusted
brand where people really understand and care. Thats very
special and really important.
Inside Mary Portas' London home
One of the ironies of my professional life is that Im so

restricted on time to actually shop so I love going to bed with
home interiors magazines. I guess Ill be adding Christies
Interiors magazine and newspaper to the list now.
Mary Portas chooses her highlights from Christies Buy or Bid
sale on p. 80. Her memoir Shop Girl is available at all leading
bookstores and online.
(part)
2
A SET OF TWELVE CHINESE EXPORT PAINTINGS OF TRADE SELLERS
LATE 18TH/EARLY 19TH CENTURY
Watercolour on paper, depicting various scenes including a cat seller, a puppy seller, a man selling
hair accessories, and a weaver, some with pencil annotations
21 x 20 in. (55 x 53 cm.), framed and glazed
(12)
5,000-8,000
$7,600-12,000
7,000-11,000
n1
A CHINESE MOTHER-OF-PEARL INLAID AND MARBLE-INSET HONGMU SIDE TABLE
LATE 19TH / EARLY 20TH CENTURY
Inlaid overall with fowers and trees, birds and animals, the mother-of-pearl heightened with incised
lines, the gadrooned and beaded rectangular top with a waisted frieze, above a pierced apron carved
with prunus, qilin and deer, on moulded legs carved with mythical beasts and claws
37 in. (94 cm.) high; 47 in. (120 cm.) wide; 23 in. (60 cm.) deep
7,000-10,000
$11,000-15,000
9,700-14,000
n3
A CHINESE MOTHER-OF-PEARL INLAID
HONGMU URN STAND OR BARREL SEAT
LATE 19TH CENTURY
The inset marble top with Chinese characters

underneath, the whole inlaid with mother-ofpearl foliage
20 in. (52 cm.) high; 19 in. (49 cm.) diameter
3,000-5,000
$4,600-7,500
4,200-6,900
n5
A PAIR OF CHINESE MOTHER-OF-PEARL INLAID AND
MARBLE-INSET HONGMU CENTRE TABLES
SECOND HALF 19TH CENTURY
n4
A FINE DRAGON NINGXIA RUG, NORTH CHINA
Each with a panelled square top with a moulded edge and

waisted frieze, the aprons, arched spandrels and legs inlaid with
foliage, on scroll feet
30 in. (76 cm.) high; 30 in. (77 cm.) square
(2)
CIRCA 1900
approx: 7ft.2in. x 4ft.2in.(218cm. x 127cm.)
2,000-3,000
$3,100-4,500
2,800-4,200
3,000-5,000
$4,600-7,500
4,200-6,900
ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE 2 WEEKS FREE STORAGE
n6
A SET OF CHINESE HONGMU QUARTETTO TABLES
7
A PAIR OF FRENCH BRONZE CHINOISERIE FIGURES
LATE 19TH CENTURY
Each with an inset panelled rectangular top and waisted frieze,

with stylised key carving to the aprons, on square-section legs
joined by humpback stretchers
The largest: 28 in. (71.5 cm.) high; 19 in. (50 cm.) wide; 14
in. (36 cm.) deep
(4)
Modelled as a male and female fgure, the woman with a fan in

her hand, the base with an urn and stand, on shaped base with
cast signature WILLEME, the other possibly emblematic of
seafaring, the base with an anchor to the fgures side, also with
cast signature WILLEME
14 in. (37 cm.) high
(2)
1,200-1,800
$1,900-2,700
1,700-2,500
2,000-3,000
$3,100-4,500
2,800-4,200
8
A PAIR OF CHINESE YELLOW GROUND FAMILLE ROSE
PORCELAIN VASES LATER GILT-BRONZE MOUNTED AS TABLE
LAMPS
Of baluster form, decorated with panels of chrysanthemums and

peonies, ftted for electricity
27 in. (68.5 cm.) high, excluding ftment
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
n9
A MASSIVE CHINESE CARVED HARDWOOD AND MARBLE-INSET SCREEN
n10
A PAIR OF CHINESE GILT AND POLYCHROME-DECORATED BLACK LACQUER CABINETS
20TH CENTURY
18TH CENTURY
Of architectural form, matching on both sides, carved with dragons, clouds and the sun
Approx: 96 in. (244 cm.) high; 79 in. (201 cm.) wide; 29 in. (75 cm.) deep
Each decorated to the front with birds among trees, with stylised leaves and scrolling foliate borders,
each with a pair of doors enclosing a shelf and two short drawers
67 in. (172 cm.) high; 44 in. (112.5 cm.) wide; 20 in. (51 cm.) deep
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
5,000-8,000
$7,600-12,000
7,000-11,000
5
n12
A CHINESE HONGMU SIDE OR CENTRE TABLE
19TH CENTURY
Decorated in the round, the panelled rectangular top with scroll-carved carved
edge and foliate-carved waisted frieze, the apron elaborately carved in relief with
opposing dragons, on square section legs with cloud-carved feet
33 in. (84.5 cm.) high; 49 in. (125 cm.) wide; 18 in. (47.5 cm.) deep
n11
A CHINESE HONGMU URN STAND
19TH CENTURY
The circular marble inset top with a foliate-carved border and gadrooned edge
above a pierced waisted frieze and pierced foliate apron, on foliate carved scroll
legs and feet joined by a conforming undertier
Z2,000-3,000
Z3,000-5,000
$4,600-7,500
4,200-6,900
$3,100-4,500
2,800-4,200
13
A FRENCH GILT-BRONZE MOUNTED CHINESE CLOISONN ENAMEL OIL LAMP
LATE 19TH CENTURY, LATER ADAPTED FOR ELECTRICITY
Of baluster form, decorated with geometric ground, cartouche panels of prunus,

peonies, bamboo and rockwork, with dragon side handles and pierced base, the
etched glass shade with petal shaped rim
29 in. (73.5 cm.) high
Z1,200-1,800
$1,900-2,700
1,700-2,500
n14
A CHINESE HONGMU WARDROBE OR YIGUI
n15
A CHINESE HONGMU SIDE OR CENTRE TABLE
LATE 19TH CENTURY
LATE19TH / EARLY 20TH CENTURY
Carved with various motifs, the sides triple-panelled, the glazed door with silk backing
The marble-inset rectangular top with a moulded and waisted frieze above a scroll-carved and
roundel-decorated apron, on moulded square-section legs with scroll feet
32 in. (83.5 cm.) high; 38 in. (98 cm.) wide; 19 in. (49 cm.) deep
Z4,000-6,000
$6,100-9,000
5,600-8,300
Z3,000-5,000
$4,600-7,500
4,200-6,900
6
FROM THE ESTATE OF MRS BARBARA LEBUS (LOTS 16 & 19)

n16
A PAIR OF VICTORIAN CARVED-GILTWOOD AND VERRE EGLOMISE PIER MIRRORS
Each with original split plate, the frames carved with gadrooning, acanthus and beading, the
marginal plates simulating tortoiseshell, with vitruvian scroll and foliate decoration
65 in. (166 cm.) high; 28 in. (72 cm.) wide
2,000-4,000
(2)
$3,100-6,000
2,800-5,500
n~17
A LARGE VICTORIAN ORMOLU-MOUNTED KINGWOOD, ROSEWOOD, WALNUT AND
MARQUETRY BUREAU PLAT
LATE 19TH CENTURY
Of serpentine form, the gilt-tooled leather inset top with a broad band of foliage and perching birds
to the corners, above a conformingly-inlaid shaped frieze with a single drawer, on cabriole legs
30 in. (77.5 cm.) high; 57 in. (145.5 cm.) wide; 33 in. (85 cm.) deep
3,000-5,000
n18
A VICTORIAN WALNUT, EBONISED AND VERRE EGLOMISE BOOK TABLE
$4,600-7,500
4,200-6,900
LATE 19TH CENTURY
The moulded circular top with a reverse-painted, gilt and mother-of-pearl inlaid panel of a stylised
female classical fgure, above two revolving tiers with turned baluster gallery sides, on a concave side
plinth base with roundel decoration and bun feet
2,000-3,000
n19
AN EMPIRE MAHOGANY FAUTEUIL
$3,100-4,500
2,800-4,200
POSSIBLY BY JEAN-BAPTISTE BERNARD DEMAY, CIRCA 1815
Re-upholstered in close-nailed green suede, the over-scrolled padded back and arms with lions
head terminals, the frame panelled and futed with applied paterae, on sabre legs with paw feet,
inscribed in blue chalk 1054 and with a paper label Lord Stafford, St. Room
3,000-5,000
$4,600-7,500
4,200-6,900
PROVENANCE:
Lord Stafford, possibly of the Fitzherbert family, the Barons Stafford.
20
A GEORGE III SILVER SOUP TUREEN
MARK OF WILLIAM BURWASH, LONDON, 1816
Oval with gadroon rim on anthemion and foliate scroll feet, with shell-capped leafy scroll side
handles and an unmarked detachable silver liner, sides applied with rococo cartouches, engraved to
one side of cover and on one cartouche with a pheon crest
15 in. long (39.5 cm.)
129 oz. (3999 gm.)
VARIOUS PROPERTIES
4,000-5,000
LATE 18TH CENTURY
$6,100-7,500
5,600-6,900
n23
A LATE GEORGE III SATINWOOD-CROSSBANDED AMBOYNA CARD TABLE
Strung overall, the D-shaped top with a tooled leather-edged baize-lined interior, on square
tapering legs with conforming inlay headed by a lozenge
28 in. (72 cm.) high; 36 in. (92 cm.) wide; 18 in. (45.5 cm.) deep
1,500-2,500
$2,300-3,800
2,100-3,500
n21
A CREAM-PAINTED, PARCEL-GILT AND RED-JAPANNED CHINOISERIE LOW TABLE
ALMOST CERTAINLY RETAILED BY MALLETT, SECOND HALF 20TH CENTURY
The inset top with a protective glass cover and stylised leaf-decorated border with re-entrant
corners, the frame with a shaped apron and scroll feet
2,000-3,000
$3,100-4,500
2,800-4,200
n22
A SET OF EIGHT CREAM AND POLYCHROME-PAINTED DINING CHAIRS
n24
A LATE GEORGE III CALMANDER-CROSSBANDED AND EBONY-INLAID BURR YEW
OCCASIONAL TABLE
OF GEORGE III STYLE, LATE 20TH CENTURY
THE PROPERTY OF A LADY
Each upholstered in close-nailed cut red velvet, the frames decorated with leaves and fowers
2,000-4,000
Supplied by Sybil Colefax & John Fowler, under the direction of Tom Parr, in 1980.
$3,100-6,000
2,800-5,500
The oval swing-top enclosing a lockable compartment, on C-scroll supports with reeded roundel
decoration and bun feet
1,500-2,500
$2,300-3,800
2,100-3,500
8
28
A SET OF FOUR GEORGE III SILVER CHAMBERSTICKS
MARK OF WILLIAM FOUNTAIN, LONDON, 1808
n25
AN EARLY GEORGE III MAHOGANY COLLECTORS CABINET
MID-18TH CENTURY
The cavetto-moulded cornice above a pair of doors enclosing twenty-eight numbered drawers with
their original lacquered brass handles, on shaped bracket feet with concealed castors
37 in. (96 cm.) high; 24 in. (61.5 cm.) wide; 12 in. (32.5 cm.) deep
1,200-1,800
Rectangular bases with shell and gadroon borders, shell-capped handles with acorn fnials to the
conical snuffers, the capitals applied with shells to all four sides
5 in. long (14.8 cm.)
61.75 oz. (1915 gm.)
(4)
4,000-5,000
$1,900-2,700
1,700-2,500
$6,100-7,500
5,600-6,900
n26
A QUEEN ANNE BLACK, GILT AND RED-JAPANNED TRIPLE-PLATE MIRROR
EARLY 18TH CENTURY
The original bevelled plates with stylised foliate and stellate details, the frame decorated with fgures
and fowers
1,200-1,800
$1,900-2,700
1,700-2,500
n27
A MATCHED PAIR OF GEORGE III MAHOGANY BEDSIDE COMMODES
n29
A LATE GEORGE III FIDDLE-BACK MAHOGANY CABINET-ON-CHEST
LATE 18TH CENTURY
LATE 18TH CENTURY
Each with a shaped gallery top and tambour front above a drawer, one apron re-shaped, the pullout lower sections adapted to drawers, very minor differences in size
(2)
The dentil-moulded and arcaded cornice above a pair of gothic glazed doors enclosing four
adjustable shelves, the bowfront lower section with fve long graduated drawers, with a shaped
apron and slightly outswept bracket feet
97 in. (247 cm.) high; 52 in. (132 cm.) wide;
3,000-5,000
$4,600-7,500
4,200-6,900
2,000-3,000
$3,100-4,500
2,800-4,200
9
32
A GEORGE IV SILVER THREE-LIGHT CANDELABRUM AND AN OLD SHEFFIELD PLATE EXAMPLE
EN SUITE
n30
A PAIR OF ENGLISH WALNUT HIGH-BACK WING ARMCHAIRS
OF QUEEN ANNE STYLE, FIRST HALF 20TH CENTURY
Each re-upholstered in close-nailed buttoned burgundy leather, on C-scroll and shell-carved

cabriole legs with pad feet, joined by a turned H-stretcher
5,000-7,000
THE FIRST MARK OF RICHARD GREGORY & CO., SHEFFIELD, 1824, THE OTHER CIRCA 1824
(2)
$7,600-11,000
7,000-9,700
The futed, flled tapering column with acanthus-decorated base raised on tri -form claw supports,
the fowery branches and leafy drip-pans centred by an eagle fnial, with outspread wings, on rocky
base
27 in. high (69 cm.)
(2)
5,000-6,000
$7,600-9,000
7,000-8,300
33
A SET OF FOUR GEORGE IV SILVER CAULDRON SALTS
MARK OF PAUL STORR, LONDON, 1825
With shell, leaf and gadroon borders, each on three lion mask and paw feet, gilt interiors
3 in. diameter (9.7 cm.)
26.5 oz. (821 gm.)
3,000-4,000
(4)
$4,600-6,000
4,200-5,500
n31
A GEORGE III MAHOGANY TALLBOY
n34
A PAIR OF GEORGE III STYLE MAHOGANY OPEN ARMCHAIRS
THIRD QUARTER 18TH CENTURY
IN THE MANNER OF GILLOWS, SECOND HALF 19TH CENTURY
The blind fret-carved moulded cornice above three short and three long graduated drawers
fanked by futed angles, above three further long graduated drawers, on bracket feet with pierced
scroll spandrels, the handles cast in the rococo style, inscribed in chalk SMITH / 258 / and
CARMICHAEL
Each with a futed and foliate-carved frame and oval padded back and arms above a serpentine seat,
the rails stop-futed and with rosette blocks, on tapering turned and futed legs
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
1,200-1,800
$1,900-2,700
1,700-2,500
The cabriole chairs correspond to patterns executed by Gillows in the 1780s. Several related
examples are illustrated in Susan Stuart, Gillows of Lancaster and London 1730 1840,
Woodbridge, 2008, e.g. pp.181 2, pl. 148.
10
n35
A PAIR OF LATE VICTORIAN GILT-BRONZE MOUNTED MAHOGANY BEDSIDE TABLES
n36
AN EARLY GEORGE III MAHOGANY KETTLE STAND
ATTRIBUTED TO CONRATH, CIRCA 1895, FORMERLY WINE COOLERS
MID-18TH CENTURY
Mounted in the Adam style with gilt-lacquered bronze rams heads and hooves, large patera-cast
carrying handles and guilloche mouldings, the tops formerly hinged, each with one of the sides later
cut out to allow side access
(2)
The gadrooned piecrust top on a spiral-turned baluster column with acanthus-carved cabriole legs
and arched pad feet
20 in. (51 cm.) high; 12 in. (32.5 cm.) diameter
3,000-5,000
1,500-2,500
$4,600-7,500
4,200-6,900
$2,300-3,800
2,100-3,500
Frances Collard, Regency Furniture, London, 1985, p. 245, illustrates the design by Conrath as
published in The Cabinet Maker and Art Furnisher, January 1895.
~38
A GEORGE III FIVE-PIECE SILVER TEA AND COFFEE SERVICE
n37
A SMALL GEORGE III KINGWOOD-CROSSBANDED MAHOGANY SIDEBOARD
MARK OF SOLOMON HOUGHAM, LONDON, 1800, EXCEPT THE SUGAR BOWL, LONDON, 1802
Of serpentine form and strung overall, the central bowfront drawer fanked by two deep drawers,
one with lead-lined divisions for bottles, on square tapering legs with spade feet
Oval with stiff leaf-shaped lobes and engraved band of scrolling fowers above snake-skin texturing,
pineapple fnials, gadroon borders, teapot and coffee pot both with ivory handles, gilt interior to
sugar bowl and cream jug
Coffee pot 10 in. high (26 cm.)
75 oz. (2325 gm.)
(5)
1,500-2,500
4,500-5,500
LATE 18TH CENTURY
$2,300-3,800
2,100-3,500
$6,800-8,300
6,300-7,600
n39
A SET OF EIGHT MAHOGANY DINING CHAIRS
OF EARLY GEORGE III STYLE, EARLY 20TH CENTURY
Including two armchairs, richly carved with ribbons, foliage,

thistles and paterae, with blue leather drop-in seats
(8)
3,000-5,000
$4,600-7,500
4,200-6,900
11
n40
A VERY FINE SILK TABRIZ RUG, NORTH-WEST PERSIA
CIRCA 1880
2,500-3,500

$3,800-5,300
3,500-4,800
41
41
AN UNUSUAL PAIR OF AUSTRIAN COLD-PAINTED BRONZE MODELS OF TYROLEAN HUNTERS
42
AN AUSTRIAN COLD-PAINTED BRONZE ELEPHANT GROUP
CIRCA 1900, BY BERGMAN FOUNDRY, VIENNA
CIRCA 1920S/1930S, BY BERGMAN FOUNDRY, VIENNA
Each in traditional hunting attire, both with a cast B stamp in an urn, both with serial number
631, one also stamped GESCHUTZT, on waisted bronze bases
Largest: 12 in. (30.5 cm.) high
(2)
Depicting a tiger hunt, with a hunting platform mounted on the elephant, modelled with a hunter
and his aide, with stamp to the underside rim of the saddle GESCHUTZT and a B within an urn
foundry stamp, on an associated marble base
10 in. (25.5 cm.) high; 9 in. (24 cm.) wide
2,000-4,000

$3,100-6,000
2,800-5,500
42
3,000-5,000

$4,600-7,500
4,200-6,900
n42A
A FINE KIRMAN LAVER CARPET, SOUTH PERSIA
CIRCA 1890, SIGNATURE, SEFARESH DILMAGHANI 92
6,000-9,000

$9,100-14,000
8,400-12,000
12
43
AN AUSTRIAN COLD-PAINTED BRONZE GROUP OF A SEATED NUBIAN ON A RUG
EARLY 20TH CENTURY
EARLY 20TH CENTURY, BERGMAN FOUNDRY, VIENNA
Modelled with a book on stand, the man with pen and paper in his hand, the underside of the rug
stamped GESCHUTZT and a B within an urn foundry stamp
3 in. (8.5 cm.) high; 5 in. (14.5 cm.) wide
Modelled seated next to a brazier fre, with a plate and two cups by his side
3 in. (8.5 cm.) high; 7 x 7 in. (18 x 18 cm.) square
1,200-1,800
45
AN AUSTRIAN COLD-PAINTED BRONZE GROUP OF A SEATED SCHOLAR
$1,900-2,700
1,700-2,500
800-1,200
$1,300-1,800
1,200-1,700
46
AN AUSTRIAN COLD-PAINTED BRONZE GROUP OF A MAN AT PRAYER
Modelled kneeling on a rug, his shoes by his side, the underside of the rug stamped with a B; in an
urn and a GESCHUTZT stamp
5 in. (14 cm.) high; 5 in. (14.5 cm.) long; 4 in. (10.5 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
44
AN AUSTRIAN COLD-PAINTED BRONZE GROUP OF A NATIVE AMERICAN ON HORSEBACK
47
TWO AUSTRIAN COLD-PAINTED BRONZE NUBIAN GROUPS
With a rife in his hand and an eagle slung over the saddle, the underside with urn foundry stamp,
indistinct GESCHUTZT and the number 8
One modelled as an archway, a seated Arab scholar, the reverse with GESCHUTZT and a
B urn foundry stamp, the other a young boy next to a large oil vase, the underside stamped
GESCHUTZT and a B urn foundry stamp and serial number 3055
Archway group: 8 in. (22 cm.) high; 6 in. (16.5 cm.) wide
Reclining boy: 6 in. (15 cm.) long
1,200-1,800
$1,900-2,700
1,700-2,500
1,200-1,800
(2)
$1,900-2,700
1,700-2,500
13
n48
A FINE TABRIZ CARPET, NORTH-WEST PERSIA
n52
A FINE KASHAN CARPET, CENTRAL PERSIA
CIRCA MID 20TH CENTURY, SIGNATURE
n50
A VERY FINE PART SILK TABRIZ CARPET, NORTH-WEST
PERSIA
CIRCA MID 20TH CENTURY
Z1,500-2,000
$2,300-3,000
2,100-2,800
approx: 10ft. x 6ft.9in.(305cm. x 206cm.)
Z3,500-5,000
Z1,200-1,800
$5,300-7,500
4,900-6,900
$1,900-2,700
1,700-2,500
n49
n51
A FINE SAROUK CARPET, WEST PERSIA
n53
A FINE MESHED CARPET, NORTH-EAST PERSIA
CIRCA MID 20TH CENTURY, SIGNATURE, HADJ AHMAD TAGHIZADEH
CIRCA FIRST HALF OF 20TH CENTURY, SIGNATURE, GHAZI KHAN
Z1,500-2,000
$2,300-3,000
2,100-2,800
Z1,500-2,000
$2,300-3,000
2,100-2,800
Z2,500-4,000
14
PLEASE REFER TO THE IMPORTANT NOTICES AT THE FRONT & BACK OF THE CATALOGUE REGARDING LOTS OF IRANIAN/PERSIAN ORIGIN
$3,800-6,000
3,500-5,500
n54
A VERY FINE PART SILK TABRIZ CARPET, NORTH-WEST PERSIA
n56
AN UNUSUAL VERY FINE HEREKE CARPET, TURKEY
CIRCA 1900
Z5,000-8,000
$7,600-12,000
7,000-11,000
Z3,000-5,000
n55
AN UNUSUAL FINE QASHQULI CARPET, SOUTH-WEST PERSIA
n57
AN EXTREMELY FINE SILK QUM RUG, CENTRAL PERSIA
CIRCA SECOND HALF OF 20TH CENTURY, SIGNATURE, HOSSEIN ZADEH
CIRCA MID 20TH CENTURY, SIGNATURE, AHMADI
approx: 15ft.4in. x 10ft.(466cm. x 305cm.)
Z4,500-6,500
$4,600-7,500
4,200-6,900
$6,800-9,800
6,300-9,000
Z5,000-8,000
$7,600-12,000
7,000-11,000
15
~58
AN ANGLO-INDIAN IVORY AND HORN GAMES BOARD AND
CHESS SET
VIZAGAPATAM, MID-19TH CENTURY
The games board modelled as a folded book, with shellac foliate

decorated borders and spine, sandalwood interior inlaid for
backgammon, ftted with three conforming boxes; the ivory and
horn chess set with kings and queens with pierced crowns, the
rooks as unusually broad turrets; with thirty-two ivory and horn
draughts counters, shakers and dice
The board 18 in. (47 cm.) wide; the chess set: the king 5
in. (13.5 cm) high; the pawn 2 in. (7 cm.) high
7,000-10,000
$11,000-15,000
9,700-14,000
The earliest documented games boards from Vizagapatam are

those purchased by Lady Clive in 1801 which are now at Powis
Castle.
n59
AN INDIAN CARVED ROSEWOOD WARDROBE
LATE 19TH CENTURY
In three parts, pierced and carved overall with foliage, monkeys,

birds and dogs, the vertically divided interior with two drawers
in the bottom with VR crown patent locks, the right hand
compartment with a mirror-back, on lion carved feet supporting
lion-headed columns
93 in. (237 cm.) high; 62 in. (159 cm.) wide; 25 in. (63 cm.)
deep
2,000-3,000
$3,100-4,500
2,800-4,200
n60
A LARGE COLD-PAINTED TERRACOTTA FIGURE OF AN ARAB
WARRIOR
BY GOLDSCHEIDER, EARLY 20TH CENTURY
Modelled with an associated large rife in his hands, the reverse

of the base with incised signature Friedrich Goldscheider and
serial numbers 90/5
40 in. (101.5 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
n61
AN ANGLO-INDIAN ROSEWOOD TEAPOY
CIRCA 1835
Finely carved overall with fowers, scrolls and leaves, the hinged
gadrooned top enclosing four gadrooned cannisters with fower
carved lids, the sides headed by lotus carved baluster stretchers,
with Bramah lock
34 in. (86 cm.) high; 17 in. (43 cm.) square
2,500-3,500
16
$3,800-5,300
3,500-4,800
~62
A JAQUES IVORY STAUNTON PATTERN CLUB SIZE CHESS SET
CIRCA 1920
With a mahogany presentation box inset with a brass shield and

inscribed to the inside of the lid Jaques London
The king 4 in. (11.5 cm.) high; the pawn 2 in. (6 cm.)
high
5,000-8,000
$7,600-12,000
7,000-11,000
The actual pieces of this handsome chess set, complete with

ftted mahogany box, are unmarked, which is a rarity for Jaques.
Although there are a few exceptions, sets probably were left
blank deliberately so the retailers could apply their own trade
mark, such as Leuchars or Pearce. However, in this instance the
box is marked Jaques London.
n63
A VERY FINE DOROKSH CARPET, NORTH-EAST PERSIA
n64
n65
CIRCA 1920, SIGNATURE DOROKSH ZAMANI
CIRCA MID 20TH CENTURY, SIGNATURE, ISFAHANIAN
3,500-4,500
$5,300-6,800
4,900-6,200
1,400-2,200
$2,200-3,300
2,000-3,000
1,200-1,800
$1,900-2,700
1,700-2,500
THE PROPERTY OF A GENTLEMAN

n66
A PAIR OF INDIAN CARVED HARDWOOD ARMCHAIRS
BOMBAY PRESIDENCY, SECOND HALF 19TH CENTURY
Each elaborately pierced and carved with scrolling foliage and

peacocks, the drop-in seats with foral needlework upholstery,
on outswept legs with paw feet and porcelain castors
(2)
2,000-4,000
$3,100-6,000
2,800-5,500
17
VARIOUS PROPERTIES
~67
A LARGE INDIAN IVORY FIGURAL GROUP OF A MARRIAGE PROCESSION
MID-19TH CENTURY
Modelled as a horse drawn carriage, with driver escorting two ladies, on galleried plinth base
1,500-2,500
$2,300-3,800
2,100-3,500
n68
A VICTORIAN POLYCHROME-PAINTED, GILT-DECORATED AND MOTHER-OF-PEARL INLAID
SLATE-TOPPED EBONISED SIDE TABLE
IN THE MANNER OF JENNENS & BETTRIDGE, MID-19TH CENTURY
The rounded rectangular top above a single frieze drawer fanked by octagonal-shaped and turned
drop-fnials, on scrolled standard end supports and scroll feet joined by a turned stretcher
1,800-2,500
$2,800-3,800
2,500-3,500
~69
AN ANGLO-INDIAN IVORY AND SADELI-WARE WORK BOX
BOMBAY PRESIDENCY, EARLY 19TH CENTURY
Of rectangular form, decorated overall with geometric inlays, with a sandalwood interior ftted with
a tray divided into various covered compartments ftted with ivory and sadeli lids, ivory pots, spools
and a pin cushion
1,000-1,500
$1,600-2,300
1,400-2,100
n70
A LARGE CARVED HARDWOOD INDIAN ELEPHANT
n71
A FINE TABRIZ CARPET, NORHT-WEST PERSIA
20TH CENTURY
CIRCA 1930S, SIGNATURE, MAHMOOD GHALIBAF
Naturalistically modelled, with blond hardwood tusks and toenails

3,000-5,000
2,000-3,000
$4,600-7,500
4,200-6,900
18
$3,100-4,500
2,800-4,200
*72
A LOUIS-PHILIPPE GILT-BRASS AND POLYCHROME STRIKING
MANTEL CLOCK
n73
CIRCA 1845, FOR THE TURKISH MARKET
approx:12ft.10in. x 9ft.9in.(392cm. x 296cm.)
The case of architectural outline with crescent moon fnial and

ornamental handles, decorated overall with Ottoman scrolls, on
a stepped plinth, the white enamel dial with Turkish chapters
and blued steel hands, the Japy Freres twin barrel movement
with Brocot regulation and pierced outside countwheel strike
to bell
15 in. (38 cm.) high; 7 in. (19.6 cm.) wide; 5 in. (13.3 cm.)
deep
1,800-2,500
3,000-5,000
n~74
AN OTTOMAN MOTHER-OF-PEARL AND TORTOISESHELL
INLAID OCTAGONAL TABLE
CIRCA 1930S, SIGNATURE
PROBABLY TURKISH, EARLY 19TH CENTURY
$2,800-3,800
2,500-3,500
With an arabesque design and a central cartouche of fowers, the

legs with matching inlay
2,000-3,000
$3,100-4,500
2,800-4,200
n76
AN INDIAN BONE-INLAID PADOUK TEA TROLLEY
$4,600-7,500
4,200-6,900
HOSHIARPUR, LATE 19TH / EARLY 20TH CENTURY
Each tier line and foliate-inlaid, with a turned gallery and ringturned supports with a baluster handle
2,000-3,000
$3,100-4,500
2,800-4,200
~75
AN ANGLO-INDIAN IVORY, BONE AND SANDALWOOD WORKBOX
VIZAGAPATAM, MID-19TH CENTURY
Of sarcophagus form, with bands of shellac engraving scrolling foliage, the interior ftted with a
compartment to the lid, lift-out tray ftted with various covered sections, on lobed feet
1,500-2,500
$2,300-3,800
2,100-3,500
A similar work box, known to be executed by the craftsman, Shedashboodoo, is now in the
collection of the Victorian & Albert Museum, originally exhibited at the Paris Universal Exhibition,
1855. See Amin Jaffer, Furniture from British India and Ceylon, pp.201, pl.55.
n77
TWO INDIAN EBONY AND BONE-INLAID TEAK OCCASIONAL TABLES
HOSHIARPUR, LATE 19TH / EARLY 20TH CENTURY
Each with an elaborately-inlaid octagonal top, one with a chessboard, on arcaded folding bases,
each with a partial paper depository label 22 ARTS & (...) Number A.2 and Ltd. (...)H WEST (...)
BIGNA... minor variations in size
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
19
The Art of the Box
This exquisite group of hard stone, semi-precious and

gold mounted boxes are nearly all marked or can be
attributed to the Parisian jewellery house Chaumet.
In the 1980s, Ren Morin, the artistic director, used
his varied infuences to promote the resurgence of
precious objects alongside the jewellery the company
was famous for. Having joined Chaumet in 1962, Morin
created a bulls head from a block of lapis lazuli, and it
is likely these boxes were produced in a similar vein for
private collector. Some applied with jewelled mounts
or veneered in sumptuous and unusual agates and
jaspers, these boxes are works of art in their own right.
78
A RHODONITE MODEL OF A PIG
20TH CENTURY
Inset with glass eyes, the underside inscribed spuriously AP for Alfred Pocock
3 in. (7.5 cm.) high
Z800-1,200
$1,300-1,800
1,200-1,700
79
THREE SILVER AND GILT-METAL MOUNTED TIGERS EYE AGATE PAPER KNIVES
CIRCA 1980S, ONE MARKED FOR CHAUMET, PARIS
The silver exampled with stamps for Chaumet Paris and hall marks, the other two, probably also by Chaumet, in gilt
metal, one with applied malachite beads
Largest: 13 in. (33 cm.) long
(3)
Z800-1,200
$1,300-1,800
1,200-1,700
80
80
TWO FRENCH GOLD-MOUNTED HARD STONE BOXES
CIRCA 1980S, ONE CHAUMET, PARIS, THE OTHER PROBABLY
CHAUMET BUT UNMARKED
One a hawks eye agate example with a lapis clasp, apparently

unmarked, the cover with applied yellow metal mounts, the
other smaller square example in a tigers iron palm stone with
malachite and gold clasp, the underside with Chaumet label
Largest - 7 x 4 in. (19.5 x 10 cm.)
Smallest - 3 x 2 in. (7.5 x 6 cm.)
(2)
Z1,200-1,800
$1,900-2,700
1,700-2,500
81
TWO GOLD-MOUNTED HARDSTONE BOXES
CIRCA 1980S, BY CHAUMET, PARIS
81
One rhodochrosite example, with applied gold mounts and

cabochon emeralds to the cover in the form of a stylised willow
tree, the interior lined in onyx with applied gold Chaumet label
to the underside, the other a sodalite example with applied gold
and mother of pearl mounts in the form of a wave to the cover,
corners and clasp, also with applied gold Chaumet label to the
underside
6 x 4 in. (16 x 11 cm.)
(2)
Z1,500-2,500
$2,300-3,800
2,100-3,500
82
TWO FRENCH HARDSTONE BOXES
82
One a lapis lazuli example with gold, coral and diamond mounts in
the form of fsh, the interior lined in onyx with a Chaumet label
to the underside, the other a rhodonite example with applied gold
foral mounts to the corners of the hinged cover, the fower heads
applied with diamonds, the interior lined with black fossil marble, the
underside also with an applied gold Chaumet label
6 x 4 in. (16 x 11 cm.)
(2)
1,500-2,500
$2,300-3,800
2,100-3,500
83
TWO FRENCH GOLD-MOUNTED MARBLE AND HARDSTONE
BOXES
One of grey marble with gold mounts, Chaumet stamp to the

underside and a chrysoprase clasp, the other tigers iron palm
stone or jasper example with a Chaumet stamp to the underside,
the interiors lined in marble
Largest: 6 in. (16 cm.) high; 2 in. (5 cm.) high
Smaller: 6 in. (16 cm.) high; 1 in. (4 cm.) high
(2)
1,200-1,800
83
$1,900-2,700
1,700-2,500
84
TWO FRENCH PALAIS ROYALE AGATE AND GILT-METAL
BOXES
LATE 19TH CENTURY
Each with inset chamferred panels of agate specimens, raised on

ball feet
Large: 2 in. (5.5 cm.) high; 3 in. (9.5 cm.) wide
Small: 2 in. (5 cm.); 3 in. (8.2 cm.) wide
(2)
2,000-4,000
84
$3,100-6,000
2,800-5,500
85
A GERMAN AGATE SPECIMEN AND GILT-COPPER BOX
POSSIBLY DRESDEN, THIRD QUARTER 18TH CENTURY
With engraved borders, the specimens including bloodstone and

rock crystal quartz
1 in. (4 cm.) high; 4 in. (10.5 cm.) wide
4,000-6,000
85
$6,100-9,000
5,600-8,300
86
A PAIR OF JAPANESE BRONZE VASES
MEIJI PERIOD (1868-1912)
Of baluster form, each with a writhen dragon

in relief with mouth agape, on hard wood bases
18 in. (46.5 cm.) high
(2)
2,000-4,000
$3,100-6,000
2,800-5,500
87
A JAPANESE CLOISONNE CHARGER
MEIJI PERIOD, LATE 19TH CENTURY
Decorated with a dragon on a dark blue ground within a broad border of cartouches
bearing pairs of birds
24 in. (61 cm.) diameter
1,500-2,500
n~88
A FRENCH JAPONISME ORMOLU- AND
IVORY-MOUNTED FRUITWOOD STAND
$2,300-3,800
2,100-3,500
LATE 19TH CENTURY, PROBABLY BY GABRIEL

VIARDOT
Mounted with dragons, other mythical beasts

and arabesques and applied with carved
Japanese ivory netsuke, the whole incised with
crosshatching and Japanese motifs, the base
with a cupboard
52 in. (132 cm.) high; 17 in. (45 cm.) wide; 17
in. (45 cm.) deep
3,000-5,000
$4,600-7,500
4,200-6,900

n89
A FRENCH JAPONISME STAINED BEECH DESK AND CHAIR
BY GABRIEL VIARDOT, LAST QUARTER 19TH CENTURY
Carved in low relief with Chinoiserie motifs and inlaid with mother-of-pearl overall, the shaped top
above three frieze drawers and three pedestal drawers to the left side, the upper drawer ftted with a
removable tray and a lockable compartment; the chair carved en suite with cresting and pierced splat
with various geometric motifs, one leg of the desk and one leg of the chair signed G. Viardot
30 in. (77.5 cm.) high; 47 in. (121 cm.) wide; 29 in. (74 cm.) deep, the desk;
36 in. (93 cm.) high; 17 in. (43 cm.) wide; 15 in. (40 cm.) deep, the chair
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
VARIOUS PROPERTIES
n90
A PAIR OF EXTREMELY FINE SILK QUM RUGS, CENTRAL PERSIA
CIRCA MID-SECOND HALF OF 20TH CENTURY, SIGNATURE KAZEMI
approx: each 4ft.11in. x 1ft.7in.(150cm. x 49cm.)
2,500-3,500
22
(2)
$3,800-5,300
3,500-4,800
~92
A FRENCH IVORY AND COLD-PAINTED BRONZE MODEL OF A
GEISHA GIRL
94
A PAIR OF FRENCH JAPONISME BRONZE RELIEF CAST
VASES
EARLY 20TH CENTURY, AFTER HENRI LOUIS LEVASSEUR (1853-1934)
LATE 19TH CENTURY
Modelled with her ivory arms outstretched, the purple kimono

painted with silvered scenes, on a bronze base with cast signature
H. LEVASSEUR, with BRONZE stamp and Societes de
bronze foundry stamp
11 in. (28.5 cm.) high
Of faceted baluster form with fare necks, each with twin dragon
handles and exotic birds perching on prunus tree branches
(2)
1,200-1,800
1,500-2,500
$1,900-2,700
1,700-2,500
$2,300-3,800
2,100-3,500
93 No Lot
n96
A VERY LONG FINE KARAJA RUNNER, NORTH-WEST PERSIA
n95
AN UNUSUAL PAIR OF FRENCH GILT-METAL MOUNTED
MAHOGANY AND INCISED RED LACQUER SIDE CABINETS
Each with a pierced three quarter gallery surround and inset greyveined Carrara marble top above two pairs of doors enclosing
shelves, with a gilt-tooled red leather-lined slide between, and
fanked by projecting futed columns, on tapering legs
deep
(2)
2,000-3,000
n91
A VERY LONG FINE KARAJA RUNNER, NORTH-WEST PERSIA
1,500-2,500
$2,300-3,800
2,100-3,500
5,000-8,000
$3,100-4,500
2,800-4,200
$7,600-12,000
7,000-11,000
23
Property from a Private European Collection, Lots 97-102
n97
A PAIR OF FRENCH GILT-METAL AND MIRROR GLASS
SURTOUT DE TABLES
OF EMPIRE STYLE, LATE 19TH/ EARLY 20TH CENTURY
Each of circular form, raised on paw feet, with pierced borders

with winged putti holding aloft garlands
(2)
2,000-3,000
$3,100-4,500
2,800-4,200
n98
A FRENCH GILT-BRONZE THIRTEEN-LIGHT VASE
CANDELABRUM ON A GILTWOOD AND EBONISED PEDESTAL
BY THE BARBEDIENNE FOUNDRY, PARIS, LATE 19TH CENTURY, IN THE
MANNER OF CLODION
The ovoid body cast in relief with classical muses and with
roaring animal mask handles, supporting an urn issuing a central
candle nozzle surrounded by twelve acanthus-cast branches, on
a square verde antico base with laurel-cast surround, the pedestal
with spreading pediment above a laurel-swagged frieze fronted
by a female mask and futed column, on conforming base,
inscribed F.Barbedienne
40 in. (103 cm.) high, the candelabrum; 91 in. (230 cm.) high
overall
4,000-6,000
n99
A FRENCH ORMOLU NINE-LIGHT CANDELABRUM
LATE 19TH CENTURY
Modelled with two playful putti beneath a naturalistically

scrolled branches on a rocaille-cast tripartite base, ftted for
electricity
38 in. (96.5 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
$6,100-9,000
5,600-8,300
100
A BRONZE MODEL OF ST GEORGE SLAYING THE DRAGON
EARLY 20TH CENTURY, AFTER CARL KAUBA (1865-1922)
Modelled in combat, the base with cast signature C.Kauba , on an onyx cylindrical
plinth
2,000-3,000
$3,100-4,500
2,800-4,200
101
A PAIR OF FRENCH GILT-BRONZE VARIEGATED GREEN AND RED MARBLE URNS
BY HENRY DASSON (1825- 1896), DATED 1879
With gilt-bronze pomegranate fnials to the covers and scrolling handles, each with a
cast signature to the base henry Dasson, 1879
(2)
5,000-8,000
$7,600-12,000
7,000-11,000
Detail of signature
24

n103
A LOUIS XV ORMOLU-MOUNTED, KINGWOOD, TULIPWOOD AND
PARQUETRY COMMODE
BY J. RHENON, MID-18TH CENTURY
Of serpentine outline, the moulded Rouge Royal marble top above two short and
one long drawer, with a shaped apron, stamped J. RHENON
n102
A LARGE LACQUERED- BRONZE MOUNTED PORCELAIN
JARDINIRE
4,000-6,000
20TH CENTURY
Jean Rhenon, Matre in 1746.
$6,100-9,000
5,600-8,300
The mounts modelled as winged putti, the scrolled feet

terminating in castors
49 in. (124.3 cm.) high
2,500-4,000
$3,800-6,000
3,500-5,500
n104
A NEAPOLITAN BRONZE STANDARD LAMP
105
AN EGYPTIAN REVIVAL BRONZE AND MARBLE THREE-PIECE CLOCK GARNITURE
LATE 19TH CENTURY
LATE 19TH CENTURY
The classical futed stem mounted with an ovoid vase cast in relief with two classical lions and with
a large trophy with a mask and other motifs, on a dished platform and tripod base, adapted from gas
to electricity
60 in. (153 cm.) high
Comprising a mantel clock, the case surmounted by a sphinx, with two urns and covers in the form
of winged sphinxes on stepped plinths
Clock: 16 in. (41.5 cm.) high; Urns: 13 in. (34 cm.)
(3)
2,000-4,000
$3,100-6,000
2,800-5,500
1,500-2,500
$2,300-3,800
2,100-3,500

n106
A PAIR OF BRONZED, GILTWOOD AND BROCATELLE MARBLE CONSOLE TABLES
OF EMPIRE STYLE, 20TH CENTURY
In the Egyptian taste, each with a rectangular top and inverted breakfront frieze centred by a winged
female fgure and fanked by scarab beetles, on fgural supports and moulded plinth bases
(2)
7,000-10,000
$11,000-15,000
9,700-14,000
25
*107
A NAPOLEON III ORMOLU-MOUNTED IMARI
CENTREPIECE
BY CHRISTOFLE, PARIS, THIRD QUARTER 19TH
CENTURY
The octagonal charger with pierced rim

fanked by dragon handles, on a circular stand
with acanthus feet, marked CHRISOFLE and
numbered 203328
1,500-2,500
*110
AN ITALIAN ORMOLU AND PIETRE DURE-MOUNTED EBONY
CASKET
$2,300-3,800
2,100-3,500
Set with relief carved hardstone and semi-precious stone panels,

the hinged lid enclosing a walnut veneered interior
10 in. (26 cm.) high; 16 in. (40.5 cm.) wide; 12 in. (32 cm.)
deep
n108
A FRENCH GILT-BRONZE NINE-LIGHT
CHANDELIER
3,500-4,500
EARLY 20TH CENTURY
The central stem modelled as a blue-painted

vase issuing fowers, the corona with draped
swags issuing three chains terminating in
rams masks supporting scrolled branches with
candleholders, wired for electricity
44 in. (112 cm.) high
3,000-5,000
$4,600-7,500
4,200-6,900
n109
A PAIR OF LACQUER AND BRASS OCCASIONAL TABLES
MODERN
The circular tops decorated with birds amongst prunus and blossom
branches
24 in. (61.5 cm.) diameter; 26 in. (67 cm.) high
(2)
4,000-6,000
$5,300-6,800
4,900-6,200
$6,100-9,000
5,600-8,300
111
A FRENCH GILT-BRONZE MOUNTED SANG DE BOEUF PORCELAIN VASE
MOUNTED AS A TABLE LAMP
LATE 19TH CENTURY
Of baluster outline with fruiting vine swags issuing from putti terms with fsh tails
on a later rocaille acanthus base, restoration to the porcelain neck and rim, later
ftted for electricity
24 in. (62.2 cm.) high
2,000-4,000
$3,100-6,000
2,800-5,500
26
112
A LOUIS XVI ORMOLU AND WHITE MARBLE STRIKING MANTEL CLOCK
VAILLAND, PARIS, LATE 18TH CENTURY
The rockwork case fanked by a putto with a dove and a classical female fgure with a fallen dove,
the white enamel dial with gilt highlights and foral swag, with Arabic hours and quarters and
concentric date ring, the twin barrel movement with recoil anchor escapement, silk suspension and
count wheel strike on bell; with pendulum and winding key
16 in. (41 cm.) high; 17 in. (43 cm.) wide; 5 in. (12.5 cm) deep
VARIOUS PROPERTIES
4,000-6,000
EARLY 20TH CENTURY
$6,100-9,000
5,600-8,300
115
A PAIR OF FRENCH GILT-BRONZE AND ROUGE GRIOTTE FIGURAL TABLE LAMPS
The stems modelled as putti holding aloft cornucopia fowering branches, adapted to electricity
26 in. (68 cm.) including lamp ftment
3,000-5,000
(2)
$4,600-7,500
4,200-6,900
113
A PAIR OF GILT-BRONZE MOUNTED COBALT BLUE PORCELAIN VASES
OF LOUIS XVI STYLE, LATE 20TH CENTURY
Each of baluster form, cone fnial to each cover, the bodies with ribbon tied foral swags issuing
from swan head handles, on waisted laurel wreath socles above canted angle bases
20 in. (52.5 cm.) high
(2)
2,000-4,000
$3,100-6,000
2,800-5,500
n116
CIRCA 1930, SIGNATURE KASHAN FARSHCHI
approx; 12ft.8in. x 9ft.11in.(387cm. x 302cm.)
PROPERTY OF A LADY
2,000-3,000
n114
A NAPOLEON III GILTWOOD AND COMPOSITION SERPENTINE CONSOLE TABLE
$3,100-4,500
2,800-4,200
OF LOUIS XV STYLE, CIRCA 1870
With replaced white marble top over a frame decorated with fruit and fower-bearing maidens,
shells and rocaille
3,000-5,000
$4,600-7,500
4,200-6,900
27
n117
A MASSIVE REGENCY MAHOGANY AND EBONY-INLAID PEDESTAL SIDEBOARD
EARLY 19TH CENTURY
In the Gothic taste, with one long central frieze drawer, the pedestals each with a drawer above an
arched panelled door with quatrefoil motifs and fanked by ring-turned cluster columns, enclosing
adjustable shelves and ftted drawers, with an old paper depository label MAPLES DEPOSIT(...) /
Dr. F. H. Day
2,000-4,000
$3,100-6,000
2,800-5,500
n118
A VERY FINE PART SILK TABRIZ CARPET, NORTH-WEST PERSIA
n119
AN EXTREMELY FINE SILK QUM CARPET, CENTRAL PERSIA
7,000-10,000
$11,000-15,000
9,700-14,000
8,000-12,000
28
$13,000-18,000
12,000-17,000
n120
A LARGE REGENCY SIMULATED ROSEWOOD AND PARCEL-GILT WINDOW SEAT
EARLY 19TH CENTURY
Re-upholstered in close-nailed and buttoned burgundy leather, the scroll ends

shaped as cornucopia and carved with acanthus, above a bobbin-moulded front
rail, on outswept legs with foliate-carved paw feet
85 in. (216 cm.) wide; 24 in. (63 cm.) deep
5,000-7,000
$7,600-11,000
7,000-9,700
n121
A REGENCY MAHOGANY AND ROSEWOOD-CROSSBANDED BOWFRONT CHEST
n123
A REGENCY MAHOGANY AND PADOUK-CROSSBANDED CENTRE TABLE
CHANNEL ISLANDS, EARLY 19TH CENTURY
EARLY 19TH CENTURY
Strung overall, with three long graduated chestnut-lined drawers fanked by spiral-turned stiles, on
leaf-carved claw-and-ball feet
Strung overall, the fame-veneered circular tilt-top on a concave-sided plinth base with foliate-cast
brass caps and castors
2,000-3,000
2,000-3,000
$3,100-4,500
2,800-4,200
n122
A HERIZ CARPET, NORTH-WEST PERSIA
n124
A VERY FINE PART SILK TEHERAN PRAYER RUG, NORTH PERSIA
CIRCA 1900S
1,500-2,000
$3,100-4,500
2,800-4,200
$2,300-3,000
2,100-2,800
1,500-2,000
$2,300-3,000
2,100-2,800
29
125
AN EXTENSIVE ST. LOUIS MONOGRAMMED THISTLE PATTERN PART SUITE OF GLASSWARE
20TH CENTURY, ACID ETCHED MARKS
Gilt with the initials NGC below tooled borders, comprising: a centre bowl, three decanters
and stoppers, two carafes and stoppers, two water jugs, a whiskey decanter and stopper, eighteen
champagne coups, eighteen fnger bowls and seventeen stands, seven tall tumblers, eleven whisky
glasses, twenty-one water glasses, eighteen red wine glasses, eighteen white wine glasses, ten sherry
glasses and fourteen coloured hock glasses
The tallest decanter and stopper 15 in. (39.4 cm.) high
7,000-10,000
$11,000-15,000
9,700-14,000
128
A PAIR OF RESTAURATION BRONZE FIGURES OF THE PHILOSOPHERS VOLTAIRE AND
ROUSSEAU
SECOND QUARTER 19TH CENTURY, AFTER THE MODELS BY JEAN-CLAUDE ROSSET (1706-1786)
Rousseau modelled with a scroll in his right hand, a cane in his left, dressed in frock coats and
breeches, and each with a hat tucked under their left arm, each raised on a Giallo marble rectangular
plinth with acanthus-cast mounts
Largest: 18 in. (48 cm.) high
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
126
A LOUIS PHILIPPE GILT AND PATINATED BRONZE MOUNTED ROUGE GRIOTTE CLOCK
GARNITURE
MID-19TH CENTURY
The clock case surmounted by a reclining young Bacchus, the engine turned dial encircled by a
wreath of fruiting vines, the twin barrel movement stamped Douillon 128 CD , silk suspension,
countwheel strike on bell, pendulum and winding key, fanked by a pair of tazze en suite decorated
with fruiting vines, the pedestals with different futed bronze mounts
The case 20 in. (51.5 cm.) high
The tazza 12 in. (32.5 cm.) high
1,500-2,500
(3)
$2,300-3,800
2,100-3,500
n127
A PAIR OF FRENCH ORMOLU AND WHITE MARBLE GUERIDONS
l129
GEOFFREY SQUIRE, A.R.S.A. (SCOTTISH, 1923-2012)
Sunfower feld (illustrated); Hay bale feld; Night in the feld
Each with an inset circular top and moulded and stippled band, on downswept legs with paw feet,
joined by an undertier and concave-sided stretcher surmounted by a pine cone fnial
(2)
all signed Squire (lower right)

the frst bodycolour and pastel on paper; the second oil on canvas; the third oil on board
11 x 18 in. (27.9 x 45.7 cm.); and smaller
2,500-4,000
1,500-2,500
$3,800-6,000
3,500-5,500
(3)
$2,300-3,800
2,100-3,500
30
130
A LOUIS XVI ORMOLU AND MARBLE STRIKING LYRE CLOCK
131
A PAIR OF LARGE FRENCH ORMOLU SEVEN LIGHT CANDELABRA
LATE 18TH CENTURY
ONE SIGNED BY HENRY DASSON (1825 - 1896), DATED 1889
The case surmounted by a sunburst mask and fanked by eagle heads and
laurel garlands, the enamel dial with Arabic hours and quarters, the twin barrel
movement with recoil anchor escapement, silk suspension and count wheel strike
to bell; with pendulum and winding key
25 in. (65.5 cm.) high; 11 in. (29 cm.) wide; 4 in. (10 cm.) deep, excluding bell
stand
Of rocaille form, with scrolling acanthus branches, stem and bases, one engraved henry Dasson et Cie 1889 , each
stem cast with the coronet of a Comte
(2)
4,000-6,000
6,000-8,000
$9,100-12,000
8,400-11,000
$6,100-9,000
5,600-8,300
n132
A FINE PART SILK TEHERAN CARPET, NORTH PERSIA
n134
AN UNUSUAL HERIZ CARPET, NORTH-WEST PERSIA
CIRCA 1900S
n133
AN EXTREMELY FINE PART SILK ISFAHAN PICTORIAL
RUNNER, CENTRAL PERSIA
approx: 10ft.7in. x6ft.8in.(322cm. x 204cm.)
CIRCA MID 20TH CENTURY, SIGNATURE JAVAD ELSIMI
4,500-6,500
$6,800-9,800
6,300-9,000
2,000-3,000
CIRCA 1900S
3,000-5,000
$3,100-4,500
2,800-4,200
$4,600-7,500
4,200-6,900
31
135
A GROUP OF THREE VICTORIAN HARD STONE MOUNTED
WALKING CANES
~137
A WHALEBONE AND MARINE IVORY WALKING CANE
LATE 19TH/ EARLY 20TH CENTURY
With a white metal collar with worn, indistinct inscription J.

Andieu, the knop modelled as a latticework knot, the shaft with
a section of cross-hatching
35 in. (89 cm.) long
Comprising an amethyst and gold-mounted Charles Cooke for

Brigg cane with a malacca shaft, the gold band engraved A. R.
de L/ 77 George Street/ Portman Square, an agate mounted
example with an ebony shaft, lastly a jasper and gold mounted
cane with ebonised shaft
(3)
Z1,200-1,800
MID- 19TH CENTURY
Z1,000-1,500
$1,600-2,300
1,400-2,100
$1,900-2,700
1,700-2,500
~138
A FRENCH IVORY HANDLED EBONISED WALKING CANE
CIRCA 1921
The knop modelled as a bust of Napoleon Bonaparte, above a

white metal collar, later horn ferrule
Z1,200-1,800
$1,900-2,700
1,700-2,500
CIRCA 1700
The knop with a pierced screw top to reveal a cavity for spices,
above a shaped silver collar on a shaft with long brass ferrule to
the end
Z1,500-2,500
$2,300-3,800
2,100-3,500
Pommander canes are popularly depicted in Hogarths satirical

caricature: The Company of Undertakers or Quacks in
Consultation published in London by Baldwin, Craddock and Joy,
1822. The engraving shows the bewigged group sniffng canes
whilst three sinister quacks at the top of the page demonstrate
their professions.
~136
AN ENGLISH IVORY AND SILVER MOUNTED MALACCA
WALKING CANE
The knop modelled as a rose in ivory above a white metal collar

with inscription Lilian from Will/ 9th October 1921, and
horn ferrule
~139
A QUEEN ANNE IVORY AND PIQUE INLAID POMMANDER
MALACCA WALKING CANE
LATE 19TH CENTURY
Z1,200-1,800
$1,900-2,700
1,700-2,500
~140
A VICTORIAN IVORY AND SILVER-MOUNTED EBONISED
WOOD WALKING CANE
HALLMARKS FOR BIRMINGHAM, 1876
The knop handle modelled as a parrot with blue glass eyes, above
a silver collar with indistinct inscription on an ebonised wood
shaft and white metal ferrule
35 in. (89. 5 cm.) long
Z1,200-1,800
$1,900-2,700
1,700-2,500
32
~141
A VICTORIAN SILVER AND TORTOISESHELL NOVELTY VESTA
CASE WITH SCENT BOTTLE EN SUITE
142
MILITARY INTEREST:- AN EARLY VICTORIAN SILVER
REGIMENTAL PRESENTATION TABLE SNUFF BOX
143
A VICTORIAN NOVELTY SILVER MUSTARD POT AND TWO
CASTERS FORMED AS A TRIO OF OWLS
MARK OF THOMAS JOHNSON, LONDON, 1882 AND RETAILED BY

WALTER THORNHILL OF NEW BOND ST.
MARK OF THOMAS EDWARDS, LONDON, 1839
THE MUSTARD POT MARK OF ROBERTS & BRIGGS, LONDON, 1865, THE
CASTERS MARK OF RICHARDS & BROWN, LONDON, 1867
Both modelled as tortoises with hinged tortoiseshell covers

realistically decorated as the tortoises shell, the scent bottle
with hinged cap to interior, the vesta case with gilt interior and
striking plate affxed to side
3 in. long (8 cm.)
(2)
2,000-3,000
$3,100-4,500
2,800-4,200
Oblong, engine-turned with applied relief border of Union

fowers to cover, centred by the badge of the 3rd. Royal Middlesex
Militia, gilt interior, inscribed inside cover Presented to Lieut.
Col. Penton & Offcers of the 3rd. Royal Middx. Militia by Major
W.H. Burgess, 1871, the engine-turned base centred by a vacant
escutcheon
4 in. long (10.4 cm.)
11.75 oz. (365 gm.)
1,200-1,500
Each owl with glass eyes, the largest with hinged head and
detachable liner, the smaller peppers with pierced, pull-off heads,
with ftted maroon leather and velvet-lined case
The tallest 3 in. (8.3 cm.) high
Gross weight 5.75 oz. (178 gm.)
(3)
3,000-4,000
$1,900-2,300
1,700-2,100
$4,600-6,000
4,200-5,500
The battle honour Mediterranean in the regiments badge

was awarded after the Crimean War of 1854/1855 to ten Militia
battalions who undertook garrison duty, presumably in places like
Malta and Gibraltar, to relieve regular army battalions for active
service in the Crimea
n144
A NAPOLEON III ORMOLU-MOUNTED, EBONY AND VERNIS MARTIN BONHEUR DE JOUR
n145
A FRENCH ORMOLU-MOUNTED MAHOGANY CENTRE TABLE
PARIS, THIRD QUARTER 19TH CENTURY, BY MATHIEU BEFORT
The inset Gris Saint-Anne de Belge marble top with beaded and leaf-cast surround, the gilt-tooled
leather-lined fall fanked by caryatids, enclosing a shelf and two short drawers, above a frieze drawer,
on cabriole legs, stamped BEFORT JEUNE
With Brche dAlep marble top and oak-lined frieze drawer, the whole mounted with chandelles,
musical trophies and foliate swags
1,500-2,500
$2,300-3,800
2,100-3,500
7,000-10,000
$11,000-15,000
9,700-14,000
33
l147
GEER VAN VELDE (1898-1977)
148
AN EDWARDIAN SILVER PHOTOGRAPH FRAME
Untitled
MARK OF GOLDSMITHS AND SILVERSMITHS COMPANY LTD., LONDON,

1902
signed with initials GvV (lower right)

bodycolour on paper
10 x 8 in. (26.7 x 20.3 cm.)
2,000-3,000
$3,100-4,500
2,800-4,200
Rectangular with shaped inner edge and applied with rope-tied

simulated bamboo scroll border, wood easel back, interior lined with
dark blue silk
15 in. high (39.5 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
PROVENANCE:
with The Leicester Galleries (Ernest, Brown and Phillips),

London.
149
A PAIR OF FRENCH GILT BRONZE AND
CHINESE FLAMBE PORCELAIN MOUNTED
THREE-LIGHT CANDELABRA
OF LOUIS XV STYLE, CIRCA 1830
Each with an incense burner modelled as a Fo

dog, on a Rocaille scrolled base issuing three
acanthus-cast scrolled branches, regilded
10 in. (25.5 cm.) high; 9 in. (24 cm.) wide (2)
2,000-4,000
$3,100-6,000
2,800-5,500

n150
A LOUIS XVI GREY-PAINTED WALNUT
DUCHESSE EN BATEAU
CIRCA 1770
The moulded frame carved to the cresting

of each curved back with a pair of roses and
foliage, terminating in scroll-carved armrests,
on rosette-headed turned futed tapering legs,
upholstered in close-nailed turquoise velvet
39 in. (99 cm.) high; 81 in. (206 cm.) wide; 27
in. (69 cm.) deep
3,000-5,000
n146
AN UNUSUAL VERY LONG FINE KIRMAN
LAVER RUNNER, SOUTH PERSIA
CIRCA SECOND HALF OF 19TH CENTURY
approx: 27ft.10in. x 4ft.(851cm. x 122cm.)
5,000-8,000
$7,600-12,000
7,000-11,000
34
$4,600-7,500
4,200-6,900
VARIOUS PROPERTIES
152
A PAIR OF FRENCH GILT AND PATINATED BRONZE LAMPS
151
A PAIR OF FRENCH GILT-BRONZE FIVE-LIGHT CANDELABRA
LATE 19TH CENTURY AND LATER ADAPTED
OF LOUIS XV STYLE, THE BASES LATE 19TH CENTURY, THE CANDELABRUM 20TH CENTURY
The associated candelabrum each with four acanthus scrolled branches supporting drip pans, the
central stems with late basket of fruit fnials, with cast numbering to the underside BD 275
26 in. (66.5 cm.) high
(2)
2,000-3,000
The bodies cast in relief with cavorting putti, on gilt bronze square bases, with square white and
gold lamp shades, adapted to electricity
25 in. (65 cm.) high, including lamp ftment
(2)
1,500-2,500
$2,300-3,800
2,100-3,500
$3,100-4,500
2,800-4,200
n153
CIRCA 1930S
1,500-2,000
$2,300-3,000
2,100-2,800
~154
A PAIR OF SILVER-MOUNTED AND INLAID TORTOISESHELL
PHOTOGRAPH FRAMES
UNMARKED, CIRCA 1910
Shaped rectangular with foliate borders, inlaid with ribbon-tied

swags, medallions and pendant musical trophies, bright plumcoloured velvet easel backs
8 in. high (20 cm.)
(2)
2,500-3,000
$3,800-4,500
3,500-4,200
n155
A PAIR OF FRENCH CARVED BEECH SMALL SOFAS
OF LOUIS XV STYLE, EARLY 20TH CENTURY
Each re-upholstered in pink silk, the frames moulded overall and

carved with scrolls, acanthus and fowers
48 in. (122 cm.) wide
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
35
156
TOLLECK WINNER (RUSSIAN, B. 1959)
Generations
signed, inscribed and dated GENERATIONS/ TOLlECK
WINNER, A.R.B.S./ 2007 (on the bottom of the base)
steel
41 in. (104.8 cm.) high, including the metal base
2,000-3,000
$3,100-4,500
2,800-4,200
PROVENANCE:
Acquired directly from the artists studio by the present owner.
nl158
MARTA MARC (SPANISH, B. 1972)
EXHIBITED:
Homanage
London, Alon Zakaim Fine Art, Tolleck Winner, Vanitas, October

2007, no. 4.
n157
A REGENCY GILT-METAL MOUNTED AND PARCEL-GILT
MAHOGANY CONSOLE TABLE
signed, inscribed and dated Homanage Marc 2002 (on the canvas overlap), signed again MARTA
MARC (on the stretcher)
acrylic on canvas
98 x 71 in. (250 x 180.5 cm.)
4,000-6,000
$6,100-9,000
5,600-8,300
EARLY 19TH CENTURY
The rectangular black marble top above a fame-veneered frieze, on

panelled upright supports joined by an inverted bowfront galleried
undertier, on bun feet, inscribed in pencil M 22
2,000-3,000
$3,100-4,500
2,800-4,200
PROVENANCE:
with Rifemaker Gallery, London.

Anonymous sale; Christies, South Kensington, 14 September 2001, lot. 70, where purchased by
the present owner.
EXHIBITED:
London, Rifemaker Gallery, Playroom 1, 2005.
n159
2,000-3,000
$3,100-4,500
2,800-4,200
n160
A LARGE FRENCH GILT-METAL MOUNTED AND POLISHED STEEL COFFEE TABLE
PROBABLY BY MAISON JANSEN, MID-20TH CENTURY
The inset glass top with a beaded mille raie surround, on square tapering legs joined by curved
stretchers
15 in. (40 cm.) high; 48 in. (122.5 cm.) square
1,500-2,500
$2,300-3,800
2,100-3,500
36
n161
A GEORGE I STYLE CARVED GILTWOOD STAND
n162
A LARGE VICTORIAN MAHOGANY AND PARCEL-GILT BREAKFRONT LIBRARY BOOKCASE
IN THE MANNER OF JAMES MOORE, SECOND HALF 19TH CENTURY, POSSIBLY PORTUGUESE
LATE 19TH CENTURY
The circular inset marble top with a leaf-carved border, on three scrolled legs headed by foliate
cabochons and with hairy hoof feet, the apron centred to all sides by a mask of the green man,
variously stamped and numbered RUA (...)S (...) VIAS 19 / CEZAR EE CUNHA
In the French taste, each glazed door with acanthus cast composition ornament enclosing adjustable
shelves, the lower section with four frieze drawers above a pair of doors faced as drawers, and two
glazed doors with brass grilles enclosing further shelves, the locks numbered and stamped N815 / JT
NEEDS / 1OO NEW BOND ST. / LATE (CORONET) / J. BRAMAH / 124 PICCADILLY
Z2,000-3,000
$3,100-4,500
2,800-4,200
n163
A LARGE BAKSHAISH CARPET, NORTH-WEST PERSIA
Z2,000-4,000
$3,100-6,000
2,800-5,500
n165
CIRCA 1890
n164
A FINE UNUSUAL QASHQULI PICTORIAL RUG, SOUTH-WEST
PERSIA
Z3,000-5,000
$4,600-7,500
4,200-6,900
Z1,500-2,000
Z2,500-3,500
$2,300-3,000
2,100-2,800
$3,800-5,300
3,500-4,800
37
~*166
A LOUIS XVI VARI-COLOUR GOLD-MOUNTED
TORTOISESHELL AND LACQUER BONBONNIERE SET WITH A
PORTRAIT MINIATURE
MAKERS MARK INDISTINCT, PARIS, 1775/1776, WITH THE CHARGE
AND DECHARGE MARKS OF JEAN BAPTISTE FOUACHE 1774-1780,
STRUCK WITH TWO FRENCH POST-1838 RESTRICTED WARRANTY
MARKS FOR GOLD
circular striped vari-colour gold and lacquer tortoiseshell box,

the detachable cover set with a portrait miniature, on ivory, of
a young lady in a low-cut white dress and silk flowered hat, the
dcollet bordered with lace and hung with a pearl, with foliate
vari-colour gold mounts, in associated case
3 in. (78 mm.) diam.
1,200-1,800

$1,900-2,700
1,700-2,500
*167
TWO LOUIS XVI GOLD ETUI-A-AIGUILLES
BY JEAN-FRANOIS DELANOY (FL. 1785-1793), MARKED, PARIS, WITH
THE SECOND CHARGE AND DECHARGE MARKS OF HENRY CLAVEL
1782-1789; TOGETHER WITH ANOTHER, PARIS, WITH THE SECOND
CHARGE AND DECHARGE MARKS OF HENRY CLAVEL 1782-1789
each slightly tapering tui of oval section, both sides of base and
cover with engine-turned panels between raised foliate borders
and stamped at intervals with pellets and stars, slightly domed
cover with rosette, blank matrix
45 in. (116 mm.) and 35 in. (90 mm.) high respectively
1 oz. (27 gr.) and oz. (14 gr.) respectively
1,200-1,800

$1,900-2,700
1,700-2,500
~168
A FRENCH GOLD-MOUNTED LACQUERED TORTOISESHELL
BOITE -A- MINIATURE
PARIS, 1782/1789
With ropework borders, the lacquered surfaces simulating a

mottled hardstone, cover set with glazed miniature depicting an
infant suckling at the breast
1,000-1,500

$1,600-2,300
1,400-2,100
n169
A PAIR OF FRENCH CREAM-PAINTED WALNUT FAUTEUILS
Each re-upholstered in green silk damask, the ribbon carved crest

rail flanked by turned finials, with fluted stiles and acanthuscarved arm terminals
(2)
1,200-1,800

$1,900-2,700
1,700-2,500
n170
A VERY LARGE PAIR OF FRENCH GILT-BRONZE FOUR-LIGHT
WALL-APPLIQUES
EARLY 20TH CENTURY
The elaborately backplates of pierced scrolling foliate form,

centred with satyr masks, issuing four scrolled acanthus-cast
branches, mounted on faux-wood backboards
48 in. (122 cm.) high; 11 in. (29 cm.) protrusion
4,000-6,000

(2)
$6,100-9,000
5,600-8,300
n171
A VERY LARGE PAIR OF FRENCH GILT-BRONZE FOUR-LIGHT
WALL-APPLIQUES
EARLY 20TH CENTURY
The elaborately cast back plates of pierced scrolling foliate form,

centered with satyr masks, issuing four scrolled acanthus-cast
branches, mounted on faux-wood backboards
48 in. (122 cm.) high; 11 in. (29 cm.) protrusion
(2)
4,000-6,000

170
170
38
$6,100-9,000
5,600-8,300
n172
A LARGE PAIR OF FRENCH GILT-BRONZE THREE-LIGHT WALL-APPLIQUES
173
A LOUIS XV ORMOLU STRIKING CARTEL CLOCK
EARLY 20TH CENTURY
FERDINAND BERTHOUD, PARIS, MID-18TH CENTURY
The back plates surmounted with ribbon-tie crestings, each issuing three scrolled branches, with
indistinct numbered stamps to the reverse
(2)
The scrolling foliate case with clouds surmounted by Cupid, the enamel dial with Roman hours
and Arabic fve minutes, signed Fd. BERTHOUD/PARIS, the twin barrel movement with recoil
anchor escapement and individual pallets on separate arbors, silk suspension and count wheel strike
to bell; pendulum lacking
18in. (45.5 cm.) high; 9 in. (24 cm.) wide; 4 in. (10 cm.) deep
2,000-4,000
$3,100-6,000
2,800-5,500
2,500-3,500
n174
n175
A FRENCH ORMOLU AND BRASS-MOUNTED MAHOGANY CENTRE TABLE
IN THE MANNER OF ADAM WEISWEILER, LATE 19TH CENTURY
2,500-4,000
$3,800-6,000
3,500-5,500
$3,800-5,300
3,500-4,800
With a grey veined marble-inset top and frieze drawer, the brass-futed legs headed by panels, the
stretcher centred by an urn
3,000-5,000
$4,600-7,500
4,200-6,900
39
n176
A LARGE ITALIAN CARVED MARBLE BUST OF A LADY
~178
A PAIR OF FRENCH DIEPPE IVORY PORTRAIT RELIEF PANELS
FIRST HALF 19TH CENTURY
Modelled in a Medieval type costume, with a tiara in her hair, on a shaped wood base with
decorated reliefs carved with mythical creatures
26 in. (66 cm.) high; 28 in. (71 cm.) wide, including stand
Depicting Queen Elizabeth I and George Villiers, 1st Duke of Buckingham, each with armorials
carved to the upper corners, indistinct ink inscriptions to the reverse of each, in a gilt-tooled leather
presentation case
1,500-2,500
$2,300-3,800
2,100-3,500
3,000-5,000
$4,600-7,500
4,200-6,900
177 No Lot
n179
A PAIR OF BLACK-PAINTED PLASTER FIGURES OF MUSES
19TH CENTURY AND LATER, IN THE MANNER OF HUMPHREY HOPPER
Each with a removable twin branch gilt-metal and cut-glass twin

light candelabrum, redecorated
(2)
2,000-4,000
$3,100-6,000
2,800-5,500
n180
AN ITALIAN POLYCHROME GLAZED EARTHENWARE MODEL
OF A BANJO PLAYER
n181
A PAIR OF FRENCH GILT-BRONZE MOUNTED BRECHE
VIOLETTE COLUMNS
LATE 19TH CENTURY, IN THE MANNER OF PIETRO CALVI (1833-1884)
LATE 19TH CENTURY
On a Carrara marble plinth, replaced elements

30 in. (77.5 cm.) high- banjo player
45 in. (114 cm.) high - plinth
With futed tapering shafts

43 in. (110 cm.) high
2,500-4,000
(2)
$3,800-6,000
3,500-5,500
3,000-5,000
(2)
$4,600-7,500
4,200-6,900
40
n182
A PAIR OF LOUIS XV CARVED STONE MODELS OF SPHINXES
MID-18TH CENTURY
Each modelled with a head in the style of of Madame de Pompadour, a bonnet tied with a ribbon around her neck and the shoulders swathed in drapery, seated recumbent with one paw raised on a shell,
on integral stone plinths
35 in. (89 cm.) high; 38 in. (97 cm.) long; 18 in. (46 cm.) wide
(2)
25,000-35,000
$38,000-53,000
35,000-48,000
PROVENANCE:
By repute, from a castle near Aix en Provence.

The sphinx, a creature typically represented as having a lions body and the head and breasts of a woman, was thought by the Greeks to be a repository of arcane wisdom, and is perhaps most famously
remembered for the legend of Oedipus and the Sphinx. Pairs of sphinx became popular as decorative objects in the 17th century when artists found inspiration from this mythical animal and personalised it
by sculpting human faces modelled on women of the court such as Madame de Pompadour, Madame Du Barry, Marie Antoinette or Madame de Polignac. Typically, the representation of sphinxes became
a regular element of decorative sculptures in the gardens of grand palaces and castles in Europe. The present pair, with their tricorn hats and bows to the neck point to the more delicate examples of the
second half of the 18th century.
n183
A SCANDINAVIAN CARRARA MARBLE BUST OF VENUS
n184
A CARVED MARBLE CLASSICAL VASE
n185
AN ITALIAN CARVED MARBLE BUST OF VENUS
MID-19TH CENTURY
18TH CENTURY
Signed Hugget af B. Bergstien on a waisted socle

After the Antique, on a square marble plinth

47 in. (121 cm.) high
The base modelled as a shell, the hair in loose tendrils

1,500-2,000
$2,300-3,000
2,100-2,800
1,500-2,500
$2,300-3,800
2,100-3,500
1,000-1,500
$1,600-2,300
1,400-2,100
41
186
186
A SET OF FOUR BRONZE MODELS ALLEGORICAL OF THE SEASONS
PROBABLY ITALIAN, CIRCA 1920S
Each fgure standing on a square base with moulded rim

3,500-5,000
(4)
$5,300-7,500
4,900-6,900
n187
A SET OF FOUR ENGLISH LEAD PUTTI ALLEGORICAL OF THE SEASONS
LATE 20TH CENTURY
On stone bases
Figures: 26 in. (67.5 cm.) high
Baes: 11 in. (29 cm.) high
1,800-2,500
(4)
$2,800-3,800
2,500-3,500
n188
A PAIR OF LIMESTONE BENCHES
MODERN
Each with foliate shaped end supports

55 in. (140 cm.) wide; 17 in. (45 cm.) high; 15 in. (39.5 cm.) deep
1,200-1,800
(2)
$1,900-2,700
1,700-2,500
187
n189
A VICTORIAN BOXWOOD CROQUET SET
LATE 19TH CENTURY
On a mahogany stand, the eight mallet heads marked

CASSIOBURY MALLET, the mallets with ash
shafts, with a polished pine original box with balls,
hoops and marker
38 in. (98 cms.); 21 in. (54.5 cm) base diameter (2)
2,500-4,000
$3,800-6,000
3,500-5,500
42
190
TWELVE HAND-COLOURED BOTANICAL MEZZOTINTS
JOHANN WILHELM WEINMANN (1683-1741)
In modern etched glass mirrored frames

16 x 12 in. (42 x 30.5 cm.) overall
2,000-3,000
(12)
$3,100-4,500
2,800-4,200
n191
A VICTORIAN CAST IRON PASSION-FLOWER GARDEN SEAT
LATE 19TH/ EARLY 20TH CENTURY, IN THE MANNER OF COALBROOKDALE
Of scrolling curved form, cast with blossoming and interweaving passion fower vines, the armrests
terminating in parrot head masks, on bracketed cabriole legs to the front
42in. (107cm.) wide
3,500-4,500
$5,300-6,800
4,900-6,200
n192
A PAIR OF PAINTED TERRACOTTA FIGURES OF LAND AND SEA
EARLY 20TH CENTURY
Modelled as Land, the male, and Sea female, on later terracotta plinths, restorations
85 in. (216 cm.) high, overall
3,000-5,000
(2)
(part)
$4,600-7,500
4,200-6,900
n193
A PAIR OF BLACK-PAINTED CAST-IRON SEATS
IN THE MANNER OF COALBROOKDALE, LATE 20TH CENTURY
With oak leaf and acorn pattern backs, the hand rests modelled as panther heads, with wood slatted
seat
60 in. (153 cm.) wide; 37 in. (96 cm.) high
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
A near identical pair of seats were sold in these rooms on 16 September 2014, lot 168, price realised
11, 875.
43
n194
A REGENCY ROSEWOOD AND PARQUETRY-CROSSBANDED CARD TABLE
n196
A VICTORIAN CARVED GILTWOOD EASY ARMCHAIR
EARLY 19TH CENTURY
BY HOWARD & SONS, LATE 19TH CENTURY
The canted rectangular top with a tooled baize-lined interior, on a raised platform base with
downswept legs and paw castors
In the French taste, re-upholstered in close-nailed buttoned black leather, the frame panelled and
carved with ribbon, on futed tapering legs, stamped 1012 / 7098 / HOWARD & SONS. LTD. /
BERNERS ST. the castors stamped HOWARD & SONS LTD. / LONDON
1,500-2,500
3,000-5,000
$2,300-3,800
2,100-3,500
$4,600-7,500
4,200-6,900
195 No Lot
n197
A SET OF SIX ENGLISH MAHOGANY AND PARCEL-GILT CURULE OPEN ARMCHAIRS
AFTER A REGENCY DESIGN BY THOMAS HOPE, 20TH CENTURY
Each with a curved tablet back and futed octagonal uprights surmounted by turned fnials, the arm terminals carved with recessed roundels, the front rails with applied paterae
Together with a pair of stools en-suite
2,500-3,500
(8)
$3,800-5,300
3,500-4,800
44
n198
A PAIR OF CARVED AND PAINTED WOOD MODELS OF GRIFFINS ON PEDESTALS
n200
A VERY FINE MANCHESTER KASHAN RUG, CENTRAL PERSIA
OF RECENT MANUFACTURE
CIRCA 1920S
Each griffn set on a plinth with relief carved decorations of dolphins

64 in. (162.5 cm.) high, including plinth
3,000-5,000

(2)
2,500-3,500
$4,600-7,500
4,200-6,900
$3,800-5,300
3,500-4,800
n199
A LATE VICTORIAN GILTWOOD TUB ARMCHAIR
BY HOWARD & SONS, LATE 19TH CENTURY
In the French taste, re-upholstered in close-nailed buttoned black leather, the frame panelled and
carved with ribbon, on futed tapering legs, stamped 1014 / 7097 / HOWARD & SONS. LTD. /
BERNERS ST. the castors stamped HOWARD & SONS LTD. LONDON
2,000-3,000
$3,100-4,500
2,800-4,200
n201
AN EXTREMELY FINE SILK QUM RUG, CENTRAL PERSIA
CIRCA MID-SECOND HALF OF 20TH CENTURY
2,500-3,500
$3,800-5,300
3,500-4,800
45
n203
THREE MASONIC BRASS AND MAHOGANY FLOOR-STANDING CANDLESTICKS

n~202
A GEORGE V BURR-YEW SILVER-FITTED DRESSING TABLE
EARLY 20TH CENTURY
BY GEORGE BETJEMANN & SONS, LONDON, CIRCA 1920
The hinged mirror-backed top opening to reveal an ivorine and white-painted interior with swingout drawers and various compartments enclosing multiple silver, steel and silver-mounted items, the
silver hallmarked for London, 1920, with two ivory implements, above a spring-released drawer,
the main compartment with registration number 541493, the underside of the front frieze rail with
brass plaque stamped G B & S
3,000-5,000
Comprising three columns, Ionic, Doric and Corinthian, supporting candleholders and drip pans,
on stepped wood bases, one bearing a retailers ivorine label for Spencer & Co. Masonic retailers
60 in. (153 cm.) high
(3)
1,500-2,500
$2,300-3,800
2,100-3,500
$4,600-7,500
4,200-6,900
n204
A VERY FINE ISFAHAN RUG, CENTRAL PERSIA
n205
n206
A VERY FINE PART SILK KASHAN RUG, CENTRAL PERSIA
CIRCA 1920S
CIRCA 1920S
approx: 14ft1in. x 9ft.9in.(429cm. x 296cm.)
1,500-2,500
$2,300-3,800
2,100-3,500
1,500-2,000
$2,300-3,000
2,100-2,800
2,500-3,500
46
$3,800-5,300
3,500-4,800
n207
n208
1,800-2,500
1,500-2,000
n209
$2,800-3,800
2,500-3,500
$2,300-3,000
2,100-2,800
3,000-5,000
$4,600-7,500
4,200-6,900
n210
A VICTORIAN ORMOLU-MOUNTED AND IVORY-INLAID, CALMANDER, AMARANTH AND
EBONISED VITRINE CABINET
n211
A FRENCH ORMOLU-MOUNTED KINGWOOD AND MAHOGANY WRITING TABLE
With foliate-cast electrifed ormolu desk lamps, gilt-tooled leather top, three oak-lined drawers, the
central drawer mounted with trumpet-playing baby satyrs resting on a musical trophy
Boxwood-strung overall, with a pierced gallery back and frieze centred by a putto, above a pair of
glazed doors enclosing two shelves with a mirrored back, on turned tapering legs, labelled to the
reverse LK 9633
2,000-3,000
CIRCA 1910
4,000-6,000
$3,100-4,500
2,800-4,200
$6,100-9,000
5,600-8,300
47
212
A VICTORIAN SILVER OVAL JARDINIERE LOOSELY BASED ON A MONTEITH BOWL
~214
AN EARLY VICTORIAN TORTOISESHELL AND IVORY TEA CADDY
MARK OF D. &J. WELLBY APPARENTLY OVERSTRIKING ANOTHER, LONDON, 1890
CIRCA 1830
The rim chased with scrolls, fowers and putti supporting masks, sides chased with bats-wing
futing, acanthus leaves, trailing fruit and foliage, vacant reserves to either side and lion mask drop
ring handles, on oval spreading foot
15 in. long (38 cm.)
68 oz. (2108 gm.)
The front with a pressed panel with an acanthus and foral motif, the corners with with column
supports, the interior strung in ivory, with two recesses with tortoiseshell covers and ivory fnials,
the cover with a white metal panel monogrammed JC
3,000-4,000
1,800-2,500
$4,600-6,000
4,200-5,500
$2,800-3,800
2,500-3,500
215
A SET OF FOUR VICTORIAN SCOTTISH SILVER CANDLESTICKS
MARK OF MARSHALL & SONS, EDINBURGH, 1888
The columns chased with pendant fowers and vertical bands of overlapping leaves, shells and scrolls
at base of columns, conforming shaped circular flled bases with rococo cartouches to either side,
one vacant, the other crested with a tree stump sprouting foliage, detachable nozzles
11 in. high (28.6 cm.)
(4)
4,000-5,000
$6,100-7,500
5,600-6,900
n216
A LATE VICTORIAN CARVED SATINWOOD DESK
n213
A VICTORIAN GILT-METAL MOUNTED AND TULIPWOOD-BANDED SATINWOOD WELLINGTON
CHEST
BY L.W. COLLMAN, LATE 19TH CENTURY
Of inverted breakfront outline, the pierced three quarter gallery top above six graduated drawers,
veneered to the inside in satinwood, with moulded spandrel brackets and turned feet with beaded
castors, stamped L.W. COLLMANN / 2889, the locks stamped HOBBS & CO, LONDON
3,000-5,000
48
$4,600-7,500
4,200-6,900
LATE 19TH CENTURY, POSSIBLY BY GILLOWS
Panelled overall, and strung throughout in ebony and boxwood, the tooled leather inset top with
brass moulded edge above fve mahogany-lined drawers with silver-plated brass handles, on futed
and reeded legs carved with chandelles and leafy capitals, the reverse conformingly panelled and
strung
3,000-5,000
$4,600-7,500
4,200-6,900
PROVENANCE:
By repute, the Countess of Derby
217
A MATCHED SET OF THREE SILVER VASES
MARK OF HAWKESWORTH, EYRE LTD., SHEFFIELD, 1913/1915/1926
One large and a pair smaller, moulded scroll decoration to shaped rims, lion mask drop ring handles
embellished with shells, on stepped circular pedestal bases
Largest 14 in. high (35.5 cm.)
94 oz. (2914 gm.)
(3)
3,000-4,000
$4,600-6,000
4,200-5,500
VARIOUS PROPERTIES
218
A PAIR OF LARGE ROYAL WORCESTER BLUSH-IVORY GROUND EWERS
1890, PUCE PRINTED AND IMPRESSED MARKS, SHAPE NO. 1309 AND DATE LETTER A
Probably decorated by Tim Morton, with gilt vignettes of swans and cygnets among aquatic fora,
above moulded bands of stiff leaves
(2)
5,000-7,000
$7,600-11,000
7,000-9,700
219
A PAIR OF VICTORIAN SILVER NOVELTY CONDIMENTS IN THE FORM OF SEATED MONKEYS IN
ORIENTAL DRESS
MARK OF EC BROWN, LONDON, 1867
With coloured glass eyes to the detachable heads wearing a tasselled cap and embroidered coat,
holding an open snuff box, the bases engraved with a design registration lozenge
3 in. (9 cm.) high
4,000-5,000
(2)
$6,100-7,500
5,600-6,900
220
A VICTORIAN SILVER COVERED SUGAR BOWL
MARK OF CHARLES THOMAS FOX & GEORGE FOX, LONDON, 1844
Vase-shaped with domed cover, on rocaille foot, sides and cover pierced with scrollwork, blue glass
liner, cover with its own blue glass liner secured by a central nut, foliate scroll fnial and scroll
handles, vacant cartouche to front
7 in. high (19 cm.)
17.25 oz. (535 gm.)
800-1,200
$1,300-1,800
1,200-1,700

n221
A VICTORIAN GILT-METAL MOUNTED WALNUT AND BURR
WALNUT, TULIPWOOD AND MARQUETRY SIDE CABINET
CIRCA 1870
With velvet lined outer shelves, the cupboards each enclosing

two adjustable shelves, the centre with two further adjustable
shelves
deep
3,000-5,000
$4,600-7,500
4,200-6,900
Acquired by the vendor from Harrods Antiques Dept. 10

November, 1986.
49
n222
A REGENCY STYLE GILTWOOD AND COMPOSITION MIRROR
The original rectangular plate with a leaf-carved border and moulded frame with anthemion decoration
64 in. (164 cm.) x 20 in. (52 cm.)
1,200-1,800
$1,900-2,700
1,700-2,500
n223
AN EARLY VICTORIAN MAHOGANY GALLERY EASEL
SECOND QUARTER 19TH CENTURY
With an adjustable hinged back and picture rest, the scrolled supports with applied roundel decoration
79 in. (202 cm.) high, extended; 28 in. (73 cm.) wide
1,500-2,000
$2,300-3,000
2,100-2,800
n224
A MASSIVE USHAK CARPET, TURKEY
CIRCA 1890
4,000-6,000
$6,100-9,000
5,600-8,300
n225
A SET OF SIX REGENCY EBONISED, PARCEL GILT AND POLYCHROME DECORATED ARMCHAIRS
EARLY 19TH CENTURY
Together with a matching sofa of later date and with caned seat, seat cushion and fve bolster cushions, the chairs with cane seats,
lyre shaped backs painted with ribbon-hung scrolls and martial trophies, spiral futed arm supports headed by feathered capitals,
re-decorated
The sofa 76 in. (195 cm.) wide
(7)
3,000-5,000
$4,600-7,500
4,200-6,900
n226
A REGENCY AMBOYNA, ROSEWOOD AND PARCEL-GILT JARDINIERE
EARLY 19TH CENTURY
The octagonal top with inset metal liner and a cavetto moulded-frieze, on futed angled supports joined by an undertier with
downswept tapering legs
1,200-1,800
50
$1,900-2,700
1,700-2,500
n227
A REGENCY SILVERED BRASS AND GLASS EIGHT-LIGHT CHANDELIER
n229
A PAIR OF REGENCY EBONISED AND PARCEL-GILT CANED OPEN ARMCHAIRS
EARLY 19TH CENTURY
EARLY 19TH CENTURY
Strung with glass plaquettes and prism drops, the central dish supporting eight scrolled branches
with candleholders
43 in. (109 cm.) high
Each with a curved tablet back above shaped seat with a buttoned leather squab cushion, on sabre
legs
(2)
3,000-5,000
2,500-3,500
$4,600-7,500
4,200-6,900
$3,800-5,300
3,500-4,800
PROVENANCE:
Removed from Morville Hall, Shropshire, seat of the Bythell family.
n228
A LATE REGENCY MAHOGANY AND EBONY-INLAID BREAKFRONT LIBRARY BOOKCASE
n230
EARLY 19TH CENTURY
CIRCA 1930S, SIGNATURE, JAVAN AMIR KHIS
The glazed upper-section enclosing three long and six short adjustable shelves fanked by ebonised
and channel-moulded stiles with foliate corbels, the conforming lower section with four panelled
doors enclosing four sliding trays, four drawers and folio divisions
approx:15ft.6in. x 11ft.8in.(471cm. x 354cm.)
10,000-15,000
1,500-2,000
$2,300-3,000
2,100-2,800
$16,000-23,000
14,000-21,000
51
n231
AN EXTREMELY FINE SILK QUM CARPET, CENTRAL PERSIA
CIRCA MID 20TH CENTURY, SIGNATURE, BAFT IRAN QUM, BY MASTER JAVADI
16,000-22,000
$25,000-33,000
23,000-30,000
52
n232
AN EXTREMELY FINE PART SILK TABRIZ CARPET, NORTH-WEST PERSIA
CIRCA MID 20TH CENTURY, SIGNATURE TAHRE BENAM TABRIZI, BAFTE-BADII
.
20,000-30,000
$31,000-45,000
28,000-42,000
53
233
A GERMAN GILT-BRONZE GROUP OF LOUIS XIV ON HORSEBACK
CIRCA 1868, AFTER MICHAEL WAGMULLER (1839-1881)
The naturalistic base with cast inscription nach Gobertmodell.M.WagQmller.MQnchen. / gegossen Lenz.
Heroldt.Nurnberg. 1868
11 in. (28.5 cm.) high on an ebonised wood plinth
2,000-3,000
$3,100-4,500
2,800-4,200
PROVENANCE:
The Von Heyl Collection, Worms, Germany

Michael Wagmller was Court Sculptor to Ludwig II working at Herrenchiemsee and Linderhof. The
model appears to be based on a bronze equestrian group attributed to Guillaume de Groff (16801742) who produced a series of statuettes of monarchs including William III at Windsor castle and
Charles XII of Sweden.
234
A FRENCH BRONZE GROUP OF LOUIS XIV ON HORSEBACK
AFTER FRANCOIS GIRARDON, 19TH CENTURY
On an ormolu, ebonised wood and brass boulle-work base

13 in. (34.9 cm.) high; 20 in. (50.9 cm.) high, overall
4,000-6,000
$6,100-9,000
5,600-8,300
n~235
A FRENCH ORMOLU-MOUNTED CUT-BRASS, TORTOISESHELL AND EBONISED SIDE CABINET
IN THE MANNER OF A.C. BOULLE, LATE 19TH CENTURY
With grey-veined white marble top, the side cupboards lined in velvet, each cupboard enclosing a
shelf
43 in. (109 cm.) high; 70 in. (179) wide; 16 in. (42 cm.) deep
6,000-8,000
$9,100-12,000
8,400-11,000
n~237
A NAPOLEON III ORMOLU-MOUNTED BRASS-INLAID TORTOISESHELL BOULLE CENTRE
TABLE
n236
A PAIR OF FRENCH BEECH FAUTEUILS A LA REINE
CIRCA 1870
Carved overall with rocaille and fowers, upholstered in foral needlework
1,000-1,500
(2)
$1,600-2,300
1,400-2,100
Inlaid with scrolling foliage, fgures, vases and birds, with a long drawer to one side, the legs and
frieze mounted with putto and espagnolette masks, with paw feet
4,000-6,000
$6,100-9,000
5,600-8,300
54
238
A FRENCH BRASS AND FAUX-TORTOISESHELL BOULLEWORK EASEL MIRROR
BY PRETOT & CIE, PARIS, LATE 19TH CENTURY
The arched moulded frame veneered with red and coloured

paste, mother of pearl and pewter into brass, with applied giltbronze mounts and feet all signed PRETOT
2,500-4,000
$3,800-6,000
3,500-5,500
PROPERTY FROM A PRIVATE BELGIAN COLLECTION

239
A FRENCH ORMOLU-MOUNTED BRASS AND HORN-INLAID
MARQUETRY STRIKING TETE-DE-POUPEE CLOCK
BY F. LESAGE, PARIS, LAST QUARTER 19TH CENTURY
The shield-shaped case surmounted by a sunfower spray and

applied foliate scrolling handles, centred by an enamel dial,
signed F. Lesage, Paris, the twin-barrel movement with Brocot
escapement and rack striking to bell, the back plate with trade
stamp for AD. MOUGIN
1,800-2,500
$2,800-3,800
2,500-3,500
VARIOUS PROPERTIES
n240
A PAIR OF FRENCH GILTWOOD FAUTEUILS
OF LOUIS XV STYLE, 19TH CENTURY
With original foral needlework upholstery, each with a foliate and shell-carved cartouche back and
scroll arms above a shaped seat, on cabriole legs
(2)
1,200-1,800
$1,900-2,700
1,700-2,500
n241
A NAPOLEON III ORMOLU-MOUNTED, CUT-BRASS AND TORTOISESHELL-INLAID AND
EBONISED WRITING OR CENTRE TABLE
Of serpentine form, decorated overall in contre partie with scrolling foliage and fowers, the long
sides centred by Bacchic masks, with a frieze drawer
5,000-8,000
$7,600-12,000
7,000-11,000
n~242
A NAPOLEON III ORMOLU-MOUNTED BRASS AND TORTOISESHELL BOULLE PIER CABINET
CIRCA 1870
With fossilised black marble top over a frieze drawer and cupboard enclosing a shelf, the sides
mounted with lyres and foliate shells, the front with foliage, grapes and masks
39 in. ( 99 cm.) high; 28 in. (71 cm.) wide; 13 in. (34 cm.) deep
2,500-3,500
$3,800-5,300
3,500-4,800
55
n243
AN EDWARDIAN GILT-BRASS CLUB FENDER
OF GEORGE III STYLE, EARLY 20TH CENTURY
The seat re-upholstered in close-nailed and buttoned red leather, on round and square section supports with a central
beaded and pierced futed panel with applied paterae
1,500-2,500
$2,300-3,800
2,100-3,500
Gillows design from 1806

n246
A WILLIAM IV GILT-METAL MOUNTED GONCALO ALVES WELLINGTON CHEST
SECOND QUARTER 19TH CENTURY
The pierced three quarter gallery above three drawers and pair of panelled doors
enclosing a shelf, fanked by turned columns with foliate capitals
3,000-5,000
$4,600-7,500
4,200-6,900
n244
A REGENCY MAHOGANY WRITING OR DRESSING TABLE
ATTRIBUTED TO GILLOWS, CIRCA 1806
With fve oak-lined drawers with fnely cast brass lion mask handles, the front legs headed by fame mahogany panels
3,000-5,000
$4,600-7,500
4,200-6,900
Two near-identical mahogany dressing tables were supplied by Gillows Lancaster to General Jones in March and June
1806 (see the Estimate Sketch Books, folios 1781 and 1792). They were ftted respectively with 6 brass nobs and 6
commode nobs, the latter also in brass.
n247
A GEORGE III MAHOGANY LINEN PRESS
BY GILLOWS, LATE 18TH CENTURY
n245
A BEECH ARMCHAIR AND SIMILAR SIDE CHAIR
Upholstered in Howard fabric, the armchair with both back legs stamped HOWARD CHAIRS LTD/ LONDON
ENGLAND, the side chair with a Howard paper label underneath and with stamp to one back leg HOWARD
CHAIRS LTD/ LONDON ENGLAND
(2)
The upper section enclosing three mahogany and cedar trays, the base with
two short and two long cedar-lined drawers, the back fully panelled, with 19th
century inscription to the back With care/ Rev. W. Giffard/ Wotton Vicarage/
Brocklesbury Station/ Near Doncaster, the inside left door with 19th century
inscription stating the press was acquired from Gillows in Lancaster in 1823
1,500-2,500
2,000-3,000
BY HOWARD CHAIRS LTD, LATE 20TH CENTURY
$2,300-3,800
2,100-3,500
$3,100-4,500
2,800-4,200
56
248
A PAIR OF ENGLISH BLUE JOHN URNS
ENCORPORATING 19TH CENTURY ELEMENTS
Each solid urn with restored composite fnial on an associated blue john veneered
alabaster and marble plinth
13 in. (33.5 cm.) high
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
n249
A REGENCY BURR OAK CENTRE OR BREAKFAST TABLE
IN THE MANNER OF WILLIAM TROTTER OF EDINBURGH, EARLY 19TH CENTURY
The radially-veneered circular tilt-top on a concave-sided triangular column

support and conforming plinth base, with beaded decoratioin, with anthemion
and rosette-carved scroll feet with inset castors
27 in. (70.5 cm.) high; 53 in. (136 cm.) diameter
5,000-8,000
$7,600-12,000
7,000-11,000
n250
AN ENGLISH BRASS-BOUND GREEN LEATHER FOLDING LIBRARY LADDER
LATE 20TH CENTURY
Opening to seven rungs, with a close-nailed fnish

102 in. (261 cm.) high, closed
800-1,200
$1,300-1,800
1,200-1,700
n~251
A GEORGE IV MAHOGANY WARDROBE
BY GILLOWS, 1829
In two parts, the upper section with doors faced in book-spines enclosed by
channelled stiles, the lower section with ten rosewood-handled graduated drawers
fanking doors with later mirror glass enclosing two trays, the lower doors
originally with silk panels, the interiors lined in their original holland linen, one
lower door panel signed in a contemporary hand H Alexander Esq/ 2 Pannels
[sic]
2,500-4,000
$3,800-6,000
3,500-5,500
PROVENANCE:
Supplied by Gillows of Lancaster to H. Alexander Esq. on 27th February 1829.

This unique wardrobe was illustrated by Gillows in their Estimate Sketch Books,
folio 3695. Costing over twenty-fve pounds, it included a charge of almost four
pounds for leather and covering sham books. These faux books and the original
holland linen lining the interior survive.
57
n252
A GEORGE IV OAK CHAMBER OR WRITING TABLE
BY GILLOWS, EARLY 19TH CENTURY
The gilt-tooled leather inset top with a hinged compartment

enclosing an inkwell and pen-tray, above a frieze drawer with
olivewood handles, stamped GILLOWS. LANCASTER, on
ring-turned reeded legs with brass caps and castors, with an
ivorine retailers label JAMES PHILLIPS & SONS / UNION
STREET, BRISTOL
deep
2,000-3,000
$3,100-4,500
2,800-4,200
253
A GEORGE III GILT-BRONZE MOUNTED BLUE-JOHN URN
LATE 18TH CENTURY AND LATER MOUNTED
The George IV handles modelled as sea nymph caryatids and

with a pierced cover, on a square black marble base
10 in. (28.2 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
n254
A VICTORIAN GILT-BRASS MOUNTED OAK HALL STAND
ATTRIBUTED TO JAMES SHOOLBRED, LATE 19TH CENTURY
The moulded and panelled back surmounted by a shelf and

fanked by stylised sunfower terminals, with its original drip-tray
and applied brass kitemark to the reverse
deep
1,500-2,500
$2,300-3,800
2,100-3,500
n255
A LARGE EARLY VICTORIAN MAHOGANY PEDESTAL DESK
BY GILLOWS, CIRCA 1846, THE CRAFTSMAN B. SHARPLES
Panelled to the back and sides, the moulded rectangular top with inset gilt-tooled leather writing surface above three frieze drawers,
and three further graduated drawers to each side of the kneehole, with lockable hinged stiles, the reverse with false frieze drawers,
and two doors, each enclosing a shelf, stamped GILLOWS. LANCASTER, the locks stamped J.D.B & CO. LD / LONDON /
IMPROVED LEVER, the central frieze drawer inscribed in pencil B. Sharples / September 1846 and indistinctly further inscribed
beneath
7,000-10,000
256-257 No Lots
$11,000-15,000
9,700-14,000
Two smaller but otherwise identical models are shown in Gillows Estimate Sketch Books at Westminster City Archives. The frst, made
by B. Sharples, is dated November 1846 (E.S.B. folio 5498). A second, larger version, made by Benjamin Hartley, is dated November
1848 (E.S.B. folio 5550).
58
n259
A NEST OF THREE REGENCY EBONY-INLAID BROWN OAK AND BURR OAK OCCASIONAL
TABLES
CIRCA 1820, POSSIBLY BY GEORGE BULLOCK
Each with ebony-strung and crossbanded top, and ebonised ball feet
The largest 29 in. (75 cm.) high; 21 in. (53 cm.) wide; 13 in. (33 cm.) deep
2,000-3,000
n260
A GEORGE II MAHOGANY KNEEHOLE DESK
n258
AN EXTREMELY FINE PART SILK ISFAHAN CARPET
EARLY 18TH CENTURY
3,000-5,000
(3)
$3,100-4,500
2,800-4,200
$4,600-7,500
4,200-6,900
The moulded rectangular top above on long frieze drawer, the central cupboard enclosing a shelf,
fanked to each side by three graduated drawers, on bracket feet
1,500-2,500
$2,300-3,800
2,100-3,500
261
n261
A REGENCY CALAMANDER-CROSSBANDED AND BRASS AND EBONY-INLAID ROSEWOOD
SOFA TABLE
n262
AN EARLY VICTORIAN WALNUT FOLIO STAND
IN THE MANNER OF GEORGE OAKLEY, EARLY 19TH CENTURY
MID-19TH CENTURY
The rectangular twin-fap top with re-entrant corners above two frieze drawers with opposing
dummy drawers, on shaped standard end supports with arched legs joined by a ring-turned stretcher
28 in. (71 cm.) high; 58 in. (148.5 cm.) wide, open; 27 in. (68.5 cm.) deep
With hinged ratcheted sides, turned handles and stretchers, on shaped standard end supports with
scroll feet
28 in. (71 cm.) wide
4,000-6,000
2,000-3,000
$6,100-9,000
5,600-8,300
$3,100-4,500
2,800-4,200
59
263
TWELVE ENGRAVINGS DEPICTING SCENES OF EQUESTRIAN
DRESSAGE
JOHANNE ELIAS RIDINGER (1698-1767)
From Le Nouveau Manege representant Un homme de Cheval

parfait dans touts les exercices, each in a modern silvered and
painted wood frame
14 x 12 in. (35.5 x 31 cm.) overall
(12)
2,000-4,000
$3,100-6,000
2,800-5,500
n264
A LARGE SILVERED SPELTER MODEL OF A STALLION
LATE 19TH CENTURY
On a silvered metal naturalistically cast base

36 in. (92.5 cm.) high; 42 in. (107 cm.) long
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
Removed from an apothecary, Bredgade, Copenhagen.

n265
A LARGE SOUTH-EAST ASIAN BRONZE MODEL OF A
RHINOCEROS
LATE 20TH CENTURY
(part)
14 in. (35.5 cm.) high; 29 in. (75 cm.) long
1,800-2,500
$2,800-3,800
2,500-3,500
266
AN EMPIRE ORMOLU AND BRONZE STRIKING MANTEL
CLOCK
DENIERE & MATELIN, PARIS, EARLY 19TH CENTURY
The case of urn form with swan-neck handles, the neck applied
with torcheres and a putto, a foral wreath beneath dial, the base
applied with butterfies, the white enamel dial with Roman
hours, signed Deniere & Matelin/ Fab.ts de Bronzes a Paris, the
twin barrel movement with recoil/tic-tac escapement, silk
suspension and count wheel strike to bell, the back plate stamped
L; with pendulum and winding key
2,500-4,000
$3,800-6,000
3,500-5,500
267
A LARGE GINORI TWO-HANDLED MAIOLICA VASE
LATE 19TH CENTURY, BLUE PAINTED CROWNED GINORI 31-665 MARK
Painted to the front with a lady emblematic of peace, the reverse

with trophies, reserves against a grotesschi ground, applied with
bifurcated scrolling serpent handles
25 in. (64.4 cm.) high
3,000-5,000
60
$4,600-7,500
4,200-6,900
(part)
268
TWELVE ITALIAN ENGRAVINGS OF MONKEYS
270
AN AUSTRIAN SILVER GILT, ROCK CRYSTAL AND ENAMEL MODEL OF A PEACOCK
AFTER NICOLAS HENRI JACOB, MILAN 1812
MARK OF HERMANN RATZERSDORFER, VIENNA, LATE 19TH CENTURY
In modern etched glass frames

16 x 12 in. (42 x 30.5 cm.) overall
2,000-3,000
(12)
$3,100-4,500
2,800-4,200
The rock crystal body carved in relief with swirled plumage, the silver gilt tail feather studded with
red and green enamel discs
12 in. (32. 5 cm.) high; 7 in. (19 cm.) long
10,000-15,000
n269
A PAINTED IRON ROOF FINIAL IN THE FORM OF A BIRD
271
A LARGE PAIR OF GERMAN SILVER PHEASANT TABLE ORNAMENTS
MID- 20TH CENTURY
STAMPED GERMANY STERLING, 20TH CENTURY
Stylistically painted in the form of a seagull, his feet curled round the rod
With coloured glass eyes

23.5 cm. long (59.5 cm.)
68 oz. (2108 gm.)
1,500-2,500
$2,300-3,800
2,100-3,500
5,000-6,000
$16,000-23,000
14,000-21,000
(2)
$7,600-9,000
7,000-8,300
61
272
AN EXTENSIVE HEREND PART DINNER, TEA AND COFFEE-SERVICE
MID-20TH CENTURY, BLUE PRINTED, PAINTED AND IMPRESSED MARKS,
Painted with the Rothschild Bird pattern, comprising: a two-handled soup-tureen and cover, a
two-handled double-lipped sauceboat and stand, two oval platters in sizes, two circular platters
in sizes, a circular dish, a trefoil dish, twenty-two dinner plates, twelve soup plates, thirteen salad
plates, eleven dessert plates, a large teapot and cover, a coffee-pot and cover, two sugar-bowls
and covers in sizes, two milk jugs, eleven teacups and saucers, eleven coffee-cups and saucers, two
ashtrays and two small dishes
The soup-tureen 13 in. (33 cm.) across handles
(121)
5,000-8,000
$7,600-12,000
7,000-11,000
273
A BERLIN (K.P.M., OUTSIDE-DECORATED) PORCELAIN TWO-HANDLED CLARET-GROUND VASE
CIRCA 1840-60, UNDERGLAZE BLUE SCEPTRE AND K.P.M. MARK
Painted to each side with fgures before a town, within a tooled gilt rectangular panel, the claret
ground gilt with scrolling foliage and reserved with shaped panels of colourful fowerheads
4,000-6,000
$6,100-9,000
5,600-8,300
In 1955, the Hungarian Ministry of Agriculture gave this service as a wedding gift to the parents of
the present owner. The original shipping bill is included with the lot.
274
EIGHT COLOURED BOTANICAL ENGRAVINGS FROM EDEN- A
COMPLEAT BODY OF GARDENING
SIR JOHN HILL (1714- 1775) ,CIRCA 1757
Each in a modern frame gilt and painted frame and cream card
mount
28 x 22 in. (71.5 x 57 cm.) overall
(8)
2,500-4,000
$3,800-6,000
3,500-5,500
~275
A VICTORIAN SILVER FLAGON
MARK OF THOMAS SMILY, LONDON, 1864
Fluted in late 17th century style, cartouche to one side

engraved with crest and motto of Hicks, chairback thumbpiece, handle with ivory insulators and terminating in heartshaped escutcheon, gilt interior, cover inscribed to top within
a wreath A goblet of Burgundy fll fll for me, give those who prefer it
Champagne; but whatever the wine a bumper must be, if we never drink
a bumper again. Now, now when the cares of the day are thrown by and
all mans best feelings possess him, and the soul lights the beacon of truth
in the eye, heres a health to the Queen, God bless her! God bless her!
God bless her! Heres a health to the Queen, God bless her! June10th,
1885
87 oz. (2697 gm.)
(part)
3,000-4,000
$4,600-6,000
4,200-5,500
276
A MASSIVE VICTORIAN BRITANNIA STANDARD SILVER-GILT
FLAGON IN THE RENAISSANCE MANNER
MARK OF CHARLES THOMAS FOX & GEORGE FOX, LONDON, 1859
The tall cylindrical body chased in relief with geometric

strapwork, demonic masks above drapery swags and pendant
fruit, fruiting vine spout and leaf-chased spreading foot
with conforming domed cover, scroll thumb-piece, handle
terminating in an escutcheon, the front with a vacant cartouche
17 in. high (44.5 cm.)
96.25 oz. (2984 gm.)
3,000-4,000
275
$4,600-6,000
4,200-5,500
276
62
278
A PAIR OF FRAMED CONTINENTAL PORCELAIN VIENNA-STYLE CHARGERS
EARLY 20TH CENTURY
277
A VIENNA MYTHOLOGICAL OVAL DISH
THE PORCELAIN 1822, THE DECORATION PERHAPS LATER, UNDERGLAZE BLUE SHIELD MARK AND 9.,
PRESSNUMMER 822 AND M
Painted to the front with a gathering of female mythological fgures, within a richly-gilt and
tooled dark blue, red and paltinum-ground panelled border, iron-red painted script title,
Gfttinnenversammlung
146 in. (37.3 cm.) wide
2,500-3,500
Painted with mythical scenes, one with classically-dressed fgures discussing a Chinese porcelain
vase, further antiques in the background, the other with a semi-nude lady being shown to a fnelydressed man, a town in the distance, signed H Stadtler, each within a velvet-lined giltwood frame
The porcelain 18 in. (47.7 cm.) diam.
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
$3,800-5,300
3,500-4,800
(part)
279
TWELVE HAND-COLOURED ETCHINGS FROM A NATURAL
HISTORY OF UNCOMMON BIRDS
280
A LARGE MEISSEN SCHNEEBALLEN VASE
GEORGE EDWARDS (1694-1773), CIRCA 1760
Applied all over with blossom and blossom clusters, a hoopoe, a

parakeet and a nesting bullfnch on trailing leafy branches
18 in. (47.7 cm.) high
Each in a modern lacquer Chinoiserie frame, with cream card

mounts
18 x 15 in. (46 x 38 cm.) overall
(12)
2,500-3,500
CIRCA 1830-40, BLUE CROSSED SWORDS MARK
5,000-7,000
$3,800-5,300
3,500-4,800
$7,600-11,000
7,000-9,700
281
A PAIR OF LARGE GERMAN HISTORISMUS SILVER FIVE-LIGHT
CANDELABRA
LATE 19TH/EARLY 20TH CENTURY
The spirally futed columns of 17th century style, chased with

bands of fowers and large foral-chased knops above large
circular bases embossed with fowers and demonic masks
187 oz. (5797 gm.)
(2)
5,000-6,000
$7,600-9,000
7,000-8,300
282
JUDAICA:- A LARGE SILVER MENORAH
MARK OF M.A.K, (UNTRACED), LONDON, 1925
With tapering spirally futed column and conforming border to

circular base, each capital with detachable nozzle
48 oz. (1488 gm.)
1,300-1,600
$2,000-2,400
1,800-2,200
63
282A
A PAIR OF FRENCH BRONZE BUSTS OF A BACCHANTE AND A
SATYR
CIRCA 1882, AFTER LEBROC
Each raised on a socle base and square foot, inscribed Coul 1882,
Concours de tir, Sanglier ler Prix and Metz 1882, Concours de tir,
Sanglier ler Prix respectively, one with cast signature Lebroc
(2)
1,500-2,500
$2,300-3,800
2,100-3,500
n283
A NORTH EUROPEAN BLACK, GILT AND POLYCHROMEJAPANNED FOUR-FOLD SCREEN
Decorated overall in chinoiserie, with vases of lowers and fgures in

domestic settings, with interlaced geometric and foliate-decorated
borders
Each panel: 78 in. (199.5 cm.) high; 22 in. (56 cm.) wide
2,500-3,500
$3,800-5,300
3,500-4,800
~285
A LARGE PAIR OF GERMAN SILVER STATUETTES MODELLED AS A KNIGHT AND HIS LADY
n284
A NORTH EUROPEAN LEATHER SEDAN CHAIR
STAMPED STERLING GERMANY, EARLY 20TH CENTURY
Covered in brass-studded leather, the roof with a late 18th century leaf-cast brass vase fnial and
re-gilt foliate carved cornice, the upper door and upper sides with retractable glazed screens, the
lower section with 18th century foral painted panels probably associated from a screen, possibly
at the time of manufacture, the interior lined in 18th or 19th century red velvet, the pine bearers
modern replacements
67 in. (170 cm.) high; 29 in. (74 cm.) wide at cornice; 35 in. (90 cm.) deep at cornice
The knight in full armour chased with battle scenes and warriors including St. George, his shield
charged with a crowned lion rampant, the pennant on his jousting lance similarly charged, ivory
face beneath a hinged visor, the lady with steeple headdress and richly embroidered robes, ivory
head, hands and dcolletage, a hooded falcon on one arm with chain dependent, both on large
pedestal bases with cut corners, chased in relief with lion masks and escutcheons and applied at each
corner with an armoured foot-soldier within a balustrade
Knight 23 in. high (59 cm.)
186 oz. (5766 gm.)
(2)
1,500-2,500
15,000-20,000
$2,300-3,800
2,100-3,500
$23,000-30,000
21,000-28,000
64
287
A GERMAN SILVER TABLE ORNAMENT OF A PEDLAR IN 17TH
CENTURY DRESS
CIRCA 1910
Set all over with coloured pastes, wearing a pill-box hat, ruff,
cloak and soft boots, carrying a rectangular basket with hinged
cover, the head detachable, on circular base
10 in. high (26.7 cm.)
1,500-2,000
$2,300-3,000
2,100-2,800
~286
A PAIR OF GERMAN SILVER AND IVORY STATUETTES
MODELLED AS A MEDIEVAL KING AND QUEEN
288
A GERMAN SILVER EQUESTRIAN STATUETTE OF KING
GUSTAVUS ADOLPHUS OF SWEDEN (REIGNED 1611-1632)
MARK OF NERESHEIMER OF HANAU WITH ENGLISH SPONSORS MARK

OF BERTHOLD MLLER AND ENGLISH IMPORT MARKS FOR LONDON,
1905 AND CHESTER, 1906
MARK OF LR WITH FLEUR-DE-LYS BELOW, LATE 19TH/EARLY 20TH

CENTURY
With ivory heads, the queen additionally with ivory hands, on

octagonal pedestal bases with pierced foliate sides, the king in
cuirass, armed with sword, dagger and shield
8 in. high (21 cm.)
Gross weight 28 oz. (868 gm.)
(2)
On rearing horse, armed with sword and a pair of pistols, the

wide circular pedestal base embossed with fowers and foliage
and applied with frog, lizard, tortoise and snail, the monarch
with detachable head
15 in. high (38 cm.), 12 in. wide (30 cm.)
66 oz. (2046 gm.)
1,800-2,200
4,000-5,000
$2,800-3,300
2,500-3,000
$6,100-7,500
5,600-6,900
n289
A PAIR OF LOUIS XVI STONE-GREY PAINTED FAUTEUILS
n290
A MALTESE CROSSBANDED AND MARQUETRY-INLAID OLIVEWOOD COMMODE
LATE 18TH CENTURY
Each re-upholstered in linen, the frames channel-moulded and futed overall, with paterae carved to
the tops of the legs
(2)
Of serpentine form, the quarter-veneered moulded top inlaid with circular panels of the Maltese
cross, above on long frieze drawer and pair of doors enclosing a shelf, with a shaped apron and
cabriole legs
1,500-2,500
$2,300-3,800
2,100-3,500
2,000-3,000
$3,100-4,500
2,800-4,200
65
291
AN ITALIAN MARBLE BUST OF A ROMAN EMPEROR
AFTER THE ANTIQUE, LATE 17TH / EARLY 18TH CENTURY
Carved with a mask of Medusa to his breast-plate, the head and

shoulders associated, on a white marble socle, some restoration
1,500-2,500
$2,300-3,800
2,100-3,500
292
AN ITALIAN MARMO ROSSO ANTICO TAZZA
CIRCA 1880
The square faring dish with egg and dart rim, each side cast with
a mask, on a later hardwood square base
8 in. (22.5 cm.) high; 7 in. (17.5 cm.) square
1,000-1,500
$1,600-2,300
1,400-2,100
n293
A PAIR OF ITALIAN BLUE-PAINTED AND PARCEL-GILT ARMCHAIRS
VENICE, SECOND HALF 18TH CENTURY
Upholstered a chassis, with dark blue and red-painted heightening, carved overall
with foliage, C-scrolls and rocaille, on cabriole legs, re-decorated, one chair with
an ink inventory number 17885, each stamped COLLECTION (...) / DE / S. A. I
& R, redecorated, restorations
(2)
2,500-3,500
$3,800-5,300
3,500-4,800
n294
A PAIR OF ITALIAN FAUX PORPHYRY AND GREY-PAINTED CONSOLE TABLES
n295
A NORTH ITALIAN WALNUT AND MARQUETRY COMMODE
THE TOPS POSSIBLY 18TH CENTURY, THE BASES 19TH CENTURY
LATE 18TH CENTURY
Of conjoinable form, the demi-lune tops decorated in two colours of porphyry, on scrolled bases
(2)
The quarter-veneered and crossbanded rectangular top above two long drawers, with conforming
inlay to the sides, on square tapering legs
2,000-2,500
$3,100-3,800
2,800-3,500
3,500-5,000
$5,300-7,500
4,900-6,900
66
296
AN ITALIAN TERRACOTTA AND PAPIER MACHE CRECHE GROUP OF THREE SHOEMAKERS
LATE 19TH CENTURY, PROBABLY BY GAETANO GEMMALO, SICILY
Modelled as a shoemaker stretching a piece of leather, as his companion demonstrates a hole in

the sole of the shoe he has removed from his foot., the young apprentice with rope cord, with
hand written ink label to the front of the painted cork base inscribed Ciambattini di Catalagirona/
Gaetano Gemmalo, 1968
1,500-2,500
$2,300-3,800
2,100-3,500
The ink inscribed label identifes this work as by the hand of Gaetano Gammalo (c.1800-c.1899),
a sculptor from Messina, Sicily, active in the late nineteenth century. A large tableau depicting the
Massacre of the Innocents by Gemmalo is on view at the Museo della Devozione in Calvaruso, Sicily.
n297
AN ITALIAN MICROMOSAIC MIRROR
VENICE, LATE 19TH/EARLY 20TH CENTURY
The shaped pediment centred by a lion emblematic of St. Mark grasping a book inscribed PAX
/ TIBI / MAR / CE / EVAN / GE / LISTA / MEUS on a starry ground over a scrolling frame
enclosing an arched plate and decorated with foral garlands on a gold ground, the reverse stamped
ITALY within an oval
58 x 35 in (149 x 91 cm.)
5,000-8,000
$7,600-12,000
7,000-11,000
n298
A SPECIMEN PIETRA DURA MARBLE TOP
n299
A VERY LARGE PAIR OF MARBLE VENEERED OBELISKS
20TH CENTURY, PROBABLY ITALIAN
Inlaid with various hardstones and specimen marble including alabastro, lumacchella near,
brocatelle di Spagna, above two U-shaped marble supports
31 x 51 in. (79 x 130 cm.); 17 in. (45 cm.) high
Set into a parcel-gilt ebony veneered frame, the specimens including Lumichella, Siena, Brocatello,
Porphyry and Verde Antico
102 in. (259 cm.) high; 21 x 21 in. (53.5 x 53.5 cm.) square
(2)
5,000-8,000
12,000-18,000
$7,600-12,000
7,000-11,000
$19,000-27,000
17,000-25,000
67
302
n300
A PAIR OF SPANISH COLONIAL RED-PAINTED AND PARCELGILTWOOD MIRRORS
n301
A SPANISH GILT AND POLYCHROME DECORATED WOOD
AND IRON SIXTEEN-LIGHT CHANDELIER
n302
A LARGE PAIR OF SPANISH GILT-IRON SEVEN-LIGHT WALLAPPLIQUES
POSSIBLY 19TH CENTURY, AND LATER
MID-20TH CENTURY
Each with an oval central plate above a narrow shelf, in a stylised

drapery frame
(2)
Of octagonal form, with applied mirrored mounts, issuing

scrolled iron branches
Of naturalistic scrolled foliate form

31 in. (78.5 cm.) high; 14 in. (36 cm.) protrusion
2,000-3,000
4,000-6,000
$3,100-4,500
2,800-4,200
1,000-1,500
$6,100-9,000
5,600-8,300
(2)
$1,600-2,300
1,400-2,100
THE PROPERTY OF A PRIVATE COLLECTOR
VARIOUS PROPERTIES
n303
A PORTUGUESE BRASS-MOUNTED TEAK AND ROSEWOOD CENTRE TABLE
n304
A LOUIS XVI TULIPWOOD, KINGWOOD AND AMARANTH BONHEUR DU JOUR
LATE 18TH CENTURY
The rectangular top with a spiral-moulded edge above cushion and ripple-moulded frieze with four
true and six false drawers, on spiral and ring-turned base with conforming stretchers
In two parts, strung overall in fruitwood, the upper section enclosing six adjustable shelves, the
lower section with a pair of drawers above a pair of cupboards each enclosing four more drawers,
the cylinder enclosing a leather-lined slide below eleven small drawers, the frieze with three further
drawers, all internal drawers fnished in tulipwood, fruitwood and amaranth, the sides elaborately
fnished in tulipwood and amaranth rectangular parquetry, the legs all inlaid with futing
2,500-3,500
$3,800-5,300
3,500-4,800
3,000-5,000
68
$4,600-7,500
4,200-6,900
n308
A NORTH ITALIAN WALNUT, KINGWOOD AND FRUITWOOD MARQUETRY COMMODINO
LATE 18TH CENTURY
The radially-veneered rectangular top with a moulded edge, above a door enclosing a void interior,
on futed square tapering legs with block feet
2,000-3,000
$3,100-4,500
2,800-4,200
309 No Lot
n305
A FRENCH MOULDED AND ETCHED-GLASS MIRROR
CIRCA 1900
In the Venetian style, the arched bevelled plate surmounted by a

scroll and foliate cresting, the marginal plates with cut details to
the edges and applied foliate mouldings, stamped twice MADE
IN FRANCE / M.R. & CO. / PARIS
2,000-3,000
$3,100-4,500
2,800-4,200
n306
A SET OF TWELVE ITALIAN WHITE AND RED OCHRE PAINTED AND
PARCEL-GILT DINING CHAIRS
OF LOUIS XVI STYLE, MID-19TH CENTURY
Including two armchairs, the frames moulded and futed overall with acanthuscarved arm supports and feet, curved caned backs, padded arms and shaped
seats with velvet upholstery, one chair with an old old paper inventory label
1975
(12)
5,000-8,000
$7,600-12,000
7,000-11,000
n307
A NORTH EUROPEAN WALNUT COMMODE
n310
A SET OF EIGHT ITALIAN WALNUT AND POLYCHROME-DECORATED DINING CHAIRS
LATE 18TH / EARLY 19TH CENTURY, POSSIBLY ITALIAN
EARLY 19TH CENTURY
The solid two-plank rectangular top above three long drawers, with panelled sides and block feet
Each with a winged toprail painted with a tablet, above a pierced fret splat modelled as opposing
birds, with caned seats and sabre front legs
(8)
2,500-4,000
1,500-2,500
$3,800-6,000
3,500-5,500
$2,300-3,800
2,100-3,500
69
l311
GEOFFREY SQUIRE, A.R.S.A. (SCOTTISH, 1923-2012)
Turning Form
signed Squire (lower right)
oil on board
14 x 28 in. (36.2 x 71.8 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
314
A FRENCH GILT-BRONZE AND CHAMPLEVE ENAMEL MANTEL
CLOCK
LATE 19TH CENTURY, RETAILED BY JOHN. J. PETERS AND CO.
The case modelled as a turret with a spire fnial, the front with
two putti supporting and one putto above the dial, the dial
signed John J. Peters and Co., on a shaped gilt wood plinth
20 in. (53 cm.) high, excluding the base
4,000-6,000
$6,100-9,000
5,600-8,300
THE PROPERTY OF A PRIVATE COLLECTION

312
A PAIR OF FRENCH ORMOLU-MOUNTED SEVRES-STYLE PORCELAIN FIVE-LIGHT CANDELABRA
LATE 19TH CENTURY
Each with turquoise-ground vase painted to both sides with exotic birds fanked by scrolling handles and supporting foliate branches,
on scrolling acanthus supports
(2)
2,500-4,000
$3,800-6,000
3,500-5,500
n315
A LARGE PAIR OF FRENCH GILT AND PATINATED BRONZE
TWIN-LIGHT WALL-APPLIQUES
VARIOUS PROPERTIES
n313
A FRENCH BRASS-MOUNTED MAHOGANY BUREAU PLAT
The back plates modelled as putto supporting baskets of fruit

on their heads, issuing foliate scrolled branches the drip pans
supported by blue-painted brass spheres applied with stars
28 in. (72.5 cm.) long; 7 in. (18 cm.) protrusion
(2)
OF LOUIS XVI STYLE, EARLY 20TH CENTURY
The gilt-tooled red leather top above seven drawers, the back with seven dummy drawers
3,000-5,000
$4,600-7,500
4,200-6,900
3,000-5,000
$4,600-7,500
4,200-6,900
70
n316
A FRENCH GILTWOOD AND COMPOSITION OVERMANTEL
MIRROR
Spiral and ripple-moulded overall, the angles carved with

C-scrolls, acanthus and rocaille, branded to the reverse 194
2,000-3,000
$3,100-4,500
2,800-4,200
317
A NAPOLEON III BRONZE AND WHITE MARBLE STRIKING MANTEL CLOCK
H.HOUDEBINE, PARIS, THE FIGURE AFTER A MODEL BY ETIENNE-HENRI DUMAIGE, THIRD
QUARTER 19TH CENTURY
Surmounted by a classical female fgure signed H.i. Dumaige 1874 and stamped 23779,
on lion mask and claw feet, the Roman dial signed indistinctly HOUD.../Ft. d..
BRONZES/PARIS, twin barrel movement with Brocot escapement and rack striking
to bell, the back plate stamped with Japy Freres trade stamp; with pendulum and
winding key
2,000-3,000
$3,100-4,500
2,800-4,200
318 No Lot
FROM THE ESTATE OF THE LATE MRS EVANGELINE HUNTER-JONES

n319
A WILLIAM IV GILT-METAL MOUNTED ROSEWOOD AND GILT-COMPOSITION OPEN BOOKCASE
VARIOUS PROPERTIES
EARLY 19TH CENTURY
The central pediment above two adjustable shelves and a pair of pleated fabric-lined doors, each enclosing two further shelves, fanked
by foliate-clasped columns, above an egg-and-dart moulded plinth base with downswept sabre legs, one door inscribed in pencil
to the reverse Edward(?) William West(?) / Cabinet and Chair Maker / (...) Suffolk / November 23, 1842 / Lady Pocklington / Chiffonier /
Chelsworth House
2,500-4,000
PROVENANCE:
$3,800-6,000
3,500-5,500
319A
A LARGE ORMOLU-MOUNTED SEVRES-STYLE DARK-BLUEGROUND VASE AND COVER, ON AN ONYX PEDESTAL BASE
CIRCA 1900, BLUE INTERLACED LS AND FRANCE
Painted with a marriage scene and the reverse with putti, on a

knopped pedestal and square foot, signed Bertren
The vase 48 in. (124 cm.) high; 92 in. (234.5 cm.) high,
overall
5,000-8,000
$7,600-12,000
7,000-11,000
According to the inscription, Lady Pocklington of Chelsworth House, Suffolk
71
n320
A SET OF FIVE AUSTRALIAN POLYCHROME DECORATED WOOD SPORTING PANELS
BY BERNARD HESLING (1905-1987), SIGNED AND DATED 1959
Each panel depicting sporting and leisure activities including boxing and tennis; surfng and
sunbathing; rugby and football; horseracing and a fancy dress ball; and cricket
2,000-4,000
(5)
$3,100-6,000
2,800-5,500
These panels are by Bernard Hesling (1905-1987), a British born painter who spent much of his life
in Australia. He is most well know for his work as a muralist, producing large-scale works for Marcus
Clark & Co department stores and Qantas Airlines. It is possibly that the panels could be Quantus
advertising, alerting tourists to popular Australian pursuits.
l322
RICHARD CHOPPING (COLCHESTER 1917-2008)
TDtes
signed with a monogram (lower right)
pencil and watercolour on paper
7 x 20 in. (19.1 x 50.8 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
PROVENANCE:
with Abbot and Holder, London.

EXHIBITED:
London, Artur Jeffress, exhibition catalogue not traced.
n321
A PAIR OF GILT-METAL MOUNTED FIGURED WALNUT, SPECIMEN MARBLE AND PIETRA DURA
OCCASIONAL TABLES
OF EARLY 19TH CENTURY STYLE, LATE 20TH CENTURY
Each with circular top inlaid with Plinys Doves within a border inlaid with cabochon and
diamond-shaped motifs
3,000-5,000
$4,600-7,500
4,200-6,900
n323
AN EDWARDIAN MAHOGANY AND TULIPWOOD-BANDED DRINKS TABLE
BY MAPPIN & WEBB, EARLY 20TH CENTURY
The hinged twin-fap top with chequer-banded stringing opening to reveal a rising tray with
various glassware, a silver ashtray and a silver-mounted match striker, plus a mahogany cigar box
31 in. (81 cm.) high; 22 in. (56 cm.) wide, closed; 42 in. (108 cm.) wide, open; 22 in. (58 cm.)
deep
2,000-3,000
$3,100-4,500
2,800-4,200
n324
A PAIR OF EDWARDIAN MAHOGANY AND PAINTED FAUX BOOK DOORS
EARLY 20TH CENTURY
Each door formed as full bookshelves

Each door: 71 in. (182 cm.) high; 41 in. (102 cm.) wide
2,000-3,000
325 No Lot
(2)
$3,100-4,500
2,800-4,200
72

n326
AN EBONY-INLAID AND OAK-CROSSBANDED SICILIAN
WALNUT EXTENDING DINING TABLE
IN THE MANNER OF GEORGE BULLOCK, FIRST HALF 19TH CENTURY,
THE TOP AND BASE ASSOCIATED
The rounded rectangular top with fve additional leaves, on

a mahogany base with turned and lapetted legs, the castors
stamped COPE & COLLINSON / PATENT / STRONG, with
an old inscribed paper label to the underside of one end-leaf and
with a diagram of the table Sicilian walnut / made up at / Oyc(...)
/ April 1800(?) / - (...) / in England - (...), the leaves extended in
the early 19th century
29 in. (74 cm.) high; 147 in. (373 cm.) long, fully extended; 56 in.
(142 cm.) deep
5,000-8,000
$7,600-12,000
7,000-11,000
VARIOUS PROPERTIES
n327
A VICTORIAN FIGURED AND BURR-WALNUT COLLECTORS CABINET
The pierced three-quarter gallery and moulded rectangular top above a glazed door enclosing eleven fabric-lined trays fanked by
canted angles, one of which is a hinged stile, with foliate-carved scroll corbels
2,500-4,000
$3,800-6,000
3,500-5,500
n328
A LARGE EDWARDIAN BRASS CLUB FENDER
EARLY 20TH CENTURY
The seat with green leather upholstery

1,500-2,500
$2,300-3,800
2,100-3,500
n329
AN EARLY VICTORIAN ORMOLU-MOUNTED, ROSEWOOD, WALNUT, KINGWOOD AND
FLORAL MARQUETRY BUREAU PLAT
ATTRIBUTED TO GEORGE BLAKE & CO., SECOND QUARTER 19TH CENTURY
Of inverted breakfront outline, the gilt-tooled leather inset top with a broad band of
scrolling foliage encased by an ormolu-band, above three frieze drawers with opposing
dummy drawers, on cabriole legs headed by rococo style angle mounts with scrolled sabots
8,000-12,000
$13,000-18,000
12,000-17,000
This bureau-plat can be frmly attributed to the Blake workshop on the basis of its distinctive
marquetry decoration executed in the Dutch fashion. The frm of cabinet inlayers and buhl
manufacturers was established by Robert Blake in 1826 and evolved to George Blake & Co.
by the 1840s. Displaying serpent-headed cornucopiae issuing fowers, musical and theatrical
trophies, the marquetry is emblematic of peace and plenty, as well as of the arts.
A desk at Goodwood House, Sussex, labelled Messrs Blake, and a piano in the collection
of the Metropolitan Museum of Art (Mus. no. 59.76) stamped, Designed and Executed by/
George Henry Blake/London, feature related foral marquetry (M. Levy, E.H, Baldock and the
Blake Family, Furniture History Society Newsletter, May 2005, p.1-2).
73
330
A FRENCH SILVER-MOUNTED DRESSING TABLE MIRROR
331
A FRENCH SILVER-GILT EWER OF EMPIRE STYLE
332
A FRENCH SILVER EWER AND BASIN
MARK OF CARDEILHAC, PARIS, CIRCA 1900
MARK OF TETARD FRERES, PARIS, PROBABLY EARLY 20TH CENTURY

AND RETAILED BY COLLET OF GENEVA
MARK OF AUGUSTIN LAHURE, PARIS, CIRCA 1890
Rectangular with arched top and angular projecting corners, reed

and ribbon borders and ribbon surmount, bevelled glass, oak
back with brass strut
18 in. high (47.5 cm.)
1,800-2,500
$2,800-3,800
2,500-3,500
Helmet-shaped with applied stiff leafage to lower body below a

milled band, the upper body with applied laurel frieze, stiff laurel
rim and ribbed handle terminating in a swan with outspread
wings, on square pedestal foot
10 in. high (26.8 cm.)
40 oz. (1240 gm.)
1,500-2,000
With spiral futing terminating in rocaille decoration, the jug with

large initialled rococo cartouche to front, the wide circular basin
with conforming decoration
Jug 14 in. high (37 cm.), Basin 17 in. diameter (43 cm.)
110 oz. (3410 gm.)
(2)
4,000-5,000
$2,300-3,000
2,100-2,800
$6,100-7,500
5,600-6,900
333
A RARE FRENCH BRONZE GROUP OF TWO HARES AND A RABBIT
LAST QUARTER 19TH CENTURY, AFTER JULES MOIGNIEZ (1835-1894)
Modelled on a naturalistic cast base with signature J. Moigniez

12 in. (31 cm.) high; 12 in. (30 cm.) long
1,200-1,800
$1,900-2,700
1,700-2,500
An identical model of this group was sold Christies London, April 5th 2000, lot 230, price realised
(3760).
334
A LARGE PAIR OF FRENCH SILVER DOUBLE-LIPPED SAUCE TUREENS
MARK OF MAISON ODIOT, PARIS, CIRCA 1890
With bifurcated scroll side handles above applied leaf motifs, on conforming monogrammed stands
with ribbed borders, raised on four stump feet, detachable silver liners
83 oz. (2573 gm.)
(2)
2,000-3,000
$3,100-4,500
2,800-4,200
VARIOUS PROPERTIES
n335
A DIRECTOIRE GILT-BRASS MOUNTED MAHOGANY COMMODE
n336
A FRENCH ORMOLU-MOUNTED MAHOGANY GUERIDON
AFTER THE MODEL BY ADAM WEISWEILER, BY HENRY DASSON, DATED 1878
The eared Gris Saint-Anne Belge marble top above three long drawers fanked by futed columns, on
tapering legs with brass collars and sabots
The circular brocatelle dEspagne marble top within an ormolu surround, on bamboo-cast supports
joined by a concave-sided undertier, on sabre legs, signed HENRY DASSON / 1878
2,000-3,000
2,500-4,000
$3,100-4,500
2,800-4,200
$3,800-6,000
3,500-5,500
74
337
A LARGE AND EXTENSIVE FRENCH SILVER TABLE SERVICE WITH REED, RIBBON AND FOLIATE
HANDLES
MARK OF ALPHONSE DEBAIN, PARIS, CIRCA 1900
Contained in a six-drawer wood canteen with brass side handles, most pieces monogrammed,
comprising:- 48 table forks, 23 table spoons, 2 pairs of serving spoons and forks, a pair of sauce
ladles, 12 egg spoons, 24 fsh knives, 24 fsh forks, 24 large parcel-gilt forks, 3 pairs of fsh servers,
two grape scissors, 3 carving items, 47 table knives, a pair of steel-pronged cold meat forks, a pair
of salad servers, 24 dessert spoons, 24 fruit knives with silver blades, 24 cheese knives with steel
blades, 13 various serving pieces, 30 ice cream spoons, 24 demi-tasse spoons, 24 teaspoons, 8 salt
spoons with scalloped bowls, 22 pairs of asparagus tongs, 2 sprung asparagus servers of clip form, a
soup ladle, 10 cauldron salt cellars, also 4 non-associated small German condiment spoons, th top of
canteen with an escutcheon monogrammed ESG
Height of canteen 20 in. (52 cm.), width of canteen 27 in. (70 cm.), depth of canteen 20 in.
(51.5 cm.)
Weighable silver:- approx. 565.25 oz. ( 17,579 gm.) (weight does not include any piece with flled
handle even if it has silver blade or bowl)
(433)
10,000-15,000
$16,000-23,000
14,000-21,000
n338
A FRENCH GREEN-PAINTED AND PARCEL-GILT TRUMEAU
OF LOUIS XVI STYLE, THIRD QUARTER 19TH CENTURY
The moulded cornice above an oil painted canvas panel depicting singing cherubs, the original plate
surmounted by a ribbon-tied cresting and fanked by stop-futed pilasters
1,500-2,500
$2,300-3,800
2,100-3,500
l339
GILLES GORRITI (FRENCH, B. 1939)
Biarritz
signed Gorriti (lower right), signed again and inscribed BiARRiTZ/15F/Gorriti (on the reverse)
oil on canvas
21 x 25 in. (54 x 65 cm.)
1,500-2,500
$2,300-3,800
2,100-3,500
PROVENANCE:
Private Collection, Cap dAntibes

Au Bord de la Mer Private Collections from St.Tropez; Christies, London, 17 April 2013, lot 221,
where purchased by the present owner.
n340
A FRENCH SILVER PLATE AND MAHOGANY BEEF SERVING TROLLEY
The hood decorated with pierced foliate decoration, the stand with scrolled legs and castor wheels
6,000-9,000
$9,100-14,000
8,400-12,000
75
n342
A PAIR OF LATE REGENCY MAHOGANY PLATE STANDS
EARLY 19TH CENTURY
Each with an adjustable-height rest and lotus leaf carved plinth base
2,000-3,000
(2)
$3,100-4,500
2,800-4,200
341
A HEREND PART DINNER, TEA AND COFFEE-SERVICE
20TH CENTURY, BLUE PRINTED, PAINTED AND IMPRESSED MARKS
Painted in green with the Chinese Bouquet pattern, comprising: a two-handled circular vegetable
tureen and cover, two shaped oval meat platters, a shaped oval dish, two small shaped oval dishes,
four circular serving bowls in sizes, a two-handled double-lipped sauceboat on integral stand, eight
dinner plates, eight two-handled broth-bowls and covers and seven stands, fourteen dessert plates,
a teapot and cover, a coffee-pot and cover, a two-handled sugar-bowl and cover, a milk jug, eight
coffee-cups and saucers, a two-handled circular cake platter and a two-handled oblong sandwich
tray
The tureen 11 in. (29.2 cm.) across handles
(70)
5,000-7,000
$7,600-11,000
7,000-9,700
n343
A GEORGE IV MAHOGANY EXTENDING DINING TABLE
IN THE MANNER OF GILLOWS, SECOND QUARTER 19TH CENTURY
With two additional leaves, the moulded rectangular top with rounded corners
above a plain frieze with beaded edge, on ring-turned reeded legs, with brass caps
and castors
29 in. (74 cm.) high; 102 in. (259 cm.) long, extended; 54 in. (137 cm.) deep
2,500-4,000
$3,800-6,000
3,500-5,500
n344
A SET OF EIGHTEEN EBONISED, GREY-PAINTED AND PARCEL-GILT
ARMCHAIRS
TEN REGENCY, EARLY 19TH CENTURY, EIGHT 20TH CENTURY
Each with a Greek-key patterned tablet back and gilt-bar uprights

with enclosed balls above a caned seat, on ring-turned outswept
tapering legs, re-decorated, with green silk squab cushions
(18)
12,000-18,000
$19,000-27,000
17,000-25,000
PROVENANCE:
Esmond Harmsworth, 2nd Viscount Rothermere (d.1978),

Daylesford House, Gloucestershire.
Almost certainly acquired through John Fowler when overseeing the
major restoration of Daylesford in the early 1960s.
Christies London, A View Over Eaton Square: A Private Collection, 10
November 2005, lot 481 (57,600 inc. premium), where acquired
by the present vendor
76
345
A ROYAL GIFT:- A PAIR OF GEORGE III SILVER TRAVELLING CHAMBERSTICKS
MARK OF THOMAS HEMING, LONDON, 1778
The saucer-shaped bases with bead rims and domed centres, engraved inside with the pre-1801
royal arms of George III, each with detachable capitals which unscrew so the two bases can be
screwed together for travelling, and with detachable bead-edged nozzles, the bases, nozzles and
capitals all engraved with barons coronet over EA and swan crest
16.25 oz. (504 gm.)
(2)
1,500-2,500

$2,300-3,800
2,100-3,500
Thomas Heming was Principal Goldsmith to the King from 1760-1782

346
A FINE GEORGE II SILVER TEA CADDY
MARK OF PAUL CRESPIN, LONDON, 1745, ALSO BEARING LATER FRENCH IMPORT MARK FOR PARIS,
1819/1838
Of upright oblong form, the plain sides applied with swags of marine life, coral, molluscs and
seashells, with matching decoration around the scroll-edged base and conforming rococo finial to
the slide-off cover
5 in. high (12.8 cm.)
18 oz. (558 gm.)
3,000-4,000

$4,600-6,000
4,200-5,500
n347
A PAIR OF FRENCH WALNUT BEDSIDE TABLES
CIRCA 1890
Each carved overall with foliage, scrolls, shells and ribbons, the inset pink marble top above an oaklined drawer with shell-cast brass handle, the cupboard below with shaped white porcelain interior
(2)
1,200-1,800

$1,900-2,700
1,700-2,500
n348
A VICTORIAN ORMOLU-MOUNTED KINGWOOD, EBONY AND FLORAL MARQUETRY BUREAU
PLAT
MID-19TH CENTURY, RETAILED BY EDWARDS & ROBERTS
Of serpentine form, the inset tooled leather top with an foliate and scroll border, the shaped apron
with three short drawers, one stamped EDWARDS & ROBERTS / WARDOUR ST. LONDON,
on cabriole legs with pierced angle mounts and foliate scroll sabots
5,000-8,000

$7,600-12,000
7,000-11,000
n349
A REGENCY FIGURED-MAHOGANY AND CALAMANDER-CROSSBANDED PEMBROKE TABLE
EARLY 19TH CENTURY
Boxwood and ebony-strung overall, the canted rectangular twin-flap top with a reeded edge, above
one frieze drawer with an opposing dummy drawer, on a raised platform base with sabre legs
28 in. (72 cm.) high; 40 in. (101.5 cm.) wide, open; 36 in. (2 cm.) deep
2,000-3,000

$3,100-4,500
2,800-4,200
77
n350
A DIRECTOIRE GILT-METAL MOUNTED MAHOGANY MIRROR
EARLY 19TH CENTURY
The original rectangular plate with a brass-futed frame, the angles applied with lions masks
1,500-2,500
$2,300-3,800
2,100-3,500
n351
A LATE LOUIS XVI GILT-BRASS MOUNTED PLUM-PUDDING MAHOGANY COMMODE
LATE 18TH CENTURY
The moulded and lobed Arabescato marble top above three short and two long drawers fanked by
brass-futed projecting columns, with panelled sides, on tapering legs with brass collars and feet
4,000-6,000
$6,100-9,000
5,600-8,300
n352
A PAIR OF LOUIS XV GREY AND BLUE-PAINTED FAUTEUILS
MID-18TH CENTURY
Channel-moulded overall, each with a foliate-carved cartouche padded back and arms above a
shaped seat, on cabriole legs, re-upholstered in silk damask
2,000-3,000
(2)
$3,100-4,500
2,800-4,200
n353
A NORTH EUROPEAN BRASS-MOUNTED AND AMARANTH-INLAID BURR ASH SOFA TABLE
PROBABLY AUSTRIAN, EARLY 19TH CENTURY
The quarter-veneered twin-fap top above two frieze drawers with opposing dummy drawers, on
lyre end supports with scroll legs
29 in. (75 cm.) high; 57 in. (146.5 cm.) wide, open; 27 in. (69.5 cm.) deep
2,000-3,000
$3,100-4,500
2,800-4,200

n354
A NAPOLEON III GILTWOOD AND COMPOSITION CONSOLE TABLE
CIRCA 1870
The grey-veined white marble top above a frame decorated with Vitruvian scrolls, a ribbon-tied
cartouche, foliate swags and a fower-flled vase
1,000-1,500
$1,600-2,300
1,400-2,100
78
357
A GEORGE II IRISH SILVER ROCOCO COFFEE POT
VARIOUS PROPERTIES
355
A FRENCH GILT-BRONZE CARTEL CLOCK
MARK OF WILLIAM TOWNSEND, DUBLIN, CIRCA 1752/1754
OF LOUIS XV STYLE, LATE 19TH CENTURY
The enamel dial signed BALTHAZAR PARIS with Roman

numerals, the movement by MOUGIN with bell strike, the
case decorated with three putti, birds, and a pair of dog like
creatures, case with embellishments
1,200-1,800

$1,900-2,700
1,700-2,500
PROPERTY FROM A PRIVATE BELGIAN COLLECTION

359
A LATE LOUIS XVI ORMOLU STRIKING MANTEL CLOCK
Tapering sides chased with flowers, scrolls and fruiting vines,

vacant rococo cartouches to either side, scalloped and leafcapped spout and spreading circular foot, leaf-chased knop finial,
base engraved with scratch-weight 33:14
9 in. high (25 cm.)
34 oz. (1054 gm.)
BY LEPAUTE, PARIS, CIRCA 1775
2,000-2,500

3,000-5,000

$3,100-3,800
2,800-3,500
With lion mask handles and urn finial, the white enamel dial
signed Lepaute / HGER. DU ROI, Roman hours and Arabic
five minutes, the twin barrel movement with recoil anchor
escapement, silk suspension and count wheel strike to bell
16 in. (41 cm.) high; 10 in. (26 cm.) wide 6 in. (15 cm.) deep
$4,600-7,500
4,200-6,900
LITERATURE:
Similar model illustrated in J.-D.,Augarde, Les Ouviers du Temps,

La Pendule Paris de Louis XIV Napolon I, 1996, p. 387 , No. 282
n356
A FRENCH ORMOLU-MOUNTED KINGWOOD, MARQUETRY
AND PARQUETRY CABINET
n358
A NORTH EUROPEAN CARVED GILTWOOD MIRROR
OF LOUIS XV STYLE, LATE 19TH CENTURY
In the Rococo style, the rectangular plate surmounted by an

asymmetrical pierced cresting
With rouge griotte marble top, the doors enclosing a slide and two
drawers, the whole inlaid with flowers and foliage and mounted
with Regence-style foliage and neoclassical rams masks and
hooves
4,000-6,000

$6,100-9,000
5,600-8,300
MID-19TH CENTURY, POSSIBLY GERMAN
2,000-3,000

$3,100-4,500
2,800-4,200
VARIOUS PROPERTIES
n360
AN ITALIAN EMPIRE GILT-METAL MOUNTED, WALNUT AND
EBONISED PIER MIRROR
EARLY 19TH CENTURY
The rectangular plate surmounted by a frieze with classical

figures and lion masks, and flanked by turned columns, on foliate
bun feet, labelled and inscribed to the reverse Mr. de May
1,500-2,500

$2,300-3,800
2,100-3,500
79
Inside Mary Portas London home.
Mary Portas selects her top lots from the Buy or Bid shop
80
LOT 364 5,200
LOT 379 2,010
LOT 365 2,340
8 27 MAY 2015 SHOP IN-STORE OR ONLINE AT CHRISTIES.COM/BUYORBID
WHY WAIT FOR

THE AUCTION?
Christies Buy or Bid offers, for a limited time only, to shop for items at a fixed price
ahead of auction, ensuring you dont miss out on that must-have piece. These elegant
works of art are available to browse and buy at christies.com/buyorbid and in-store at
Christies South Kensington between 8-27 May.
Anything that is not bought in the buy or bid shop during this period will be entered
into the auction on 2 June.
Buy now..
How do I buy?
Online with your credit or debit card, through your
MyChristies account or in-store at Christies South
Kensington, 85 Old Brompton Road, London, SW7 3LD.
What if I dont have a MyChristies account?

Even if youve bought or sold with Christies before
you might not have one of these, as your MyChristies
account is your online account at Christies. However,
you can set one up on christies.com in minutes.
Alternatively you can visit or call Christies Client
Service on +44 (0) 20 7839 9060 and well talk you
through it.
Where can I buy?
Anytime from 3pm on Wednesday 8 May, BST until
3pm on Wednesday 27 May, BST. After this time any
unsold lots will be transferred to auction, where you
can bid for them on Tuesday 2 June.
How do I collect my purchase(s)?
You can collect your item from Christies South
Kensington on the day of purchase or up until 5pm
on Friday 3 July. Please note items marked with a red
square n will be transferred to an off-site warehouse
on 3 June. Alternatively we can arrange to have it
shipped to you. You are able to choose ship or collect
on our online checkout system.
Anything else I should know?

The Buy or Bid price is the full cost of the item, inclusive
of VAT and all other charges. If you have any questions
while trying to participate in the sale, please contact
the online team on +1 (212) 636 2002.
or wait until the auction
All items that have not been bought at their fxed price
will be offered in the 2 June Style & Spirit auction.
Standard auction terms and charges will then apply.
If you have any questions, or would like to hear more
about any of the items please do not hesitate to
contact us.
Contact
Kate Buchanan
kbuchanan@christies.com
+44 (0)20 7752 3241
You can fnd out more about online auctions and read
terms and conditions at onlineonly.christies.com
christies.com/buyorbid
n361
A PAIR OF GEORGE III STYLE CARVED GILTWOOD MIRRORS
IN THE MANNER OF JOHN LINNELL, LATE 19TH/EARLY 20TH CENTURY
Each oval plate with a moulded and stylised leaf-carved border,

the frame carved overall with C-scrolls, acanthus and rocaille
(2)
Auction Estimate: 3,000-5,000

BUY NOW
6,500
363
A PAIR OF MEISSEN MODELS OF PARROTS
CIRCA 1924-34, BLUE CROSSED SWORDS MARKS,
INCISED MODEL NO. 63 AND 63X, PRESSNUMMERN
52 AND 141
Naturalistically modelled to the left and right,

perched on a tree stump
Each parrot 13 in. (33.3 cm.) high max.;
5 in. (12.7 cm.) wide approx.;
6 in. (16.6 cm.) deep approx.
(2)

BUY NOW
7,800
PROPERTY OF A GENTLEMAN
n362
A BRASS-MOUNTED , BLACK, GILT AND POLYCHROME
JAPANNED CABINET-ON-STAND
OF GEORGE I STYLE, LATE 19TH/EARLY 20TH CENTURY
364
A PAIR OF JAPANESE IMARI PORCELAIN GILT-BRONZE MOUNTED VASES
Decorated in chinoiserie, with fgures and pagodas, birds and

blossom trees, enclosing an arrangement of ten drawers, the
stand elaborately carved with acanthus and scrolling foliage on a
punched ground, centred by a plumed female mask
21 in. (53.5 cm.) deep
Of square section and slightly tapering, decorated overall blossoming branches, the rocaille mounts
with bifurcating scroll handles
10 in. (26 cm.) high; 6 x 6 in. (16 x 16 cm.) square base
(2)
BUY NOW
BUY NOW
6,500
5,200
LATE 17TH CENTURY, THE MOUNTS MID-19TH CENTURY
8-27 MAY 2015 WHY WAIT FOR THE AUCTION WITH CHRISTIES BUY OR BID
363
367
361
366
371
362
364
365
365
n365
A PAIR OF GILT-BRASS OCCASIONAL TABLES
LATE 20TH CENTURY
In the Chinese style, each with an inset glass top

19 in. (49 cm.) deep
(2)
366
A SET OF TWELVE CHINESE EXPORT BOTANICAL STUDIES OF
FRUITS AND PLANTS
19TH CENTURY
Watercolour on paper, including depictions of gypsophila,

persimmon, metaplexis japonica and olives, each illustrated with
the plant name in Chinese characters
18 x 16 in. (46.5 x 41.5 cm.), framed and glazed
(12)

BUY NOW
5,200
(part)
SHOP IN-STORE OR ONLINE AT CHRISTIES.COM/BUYORBID
BUY NOW
2,340
367
A PAIR OF JAPANESE CLOISONNE ENAMEL CHARGERS
20TH CENTURY
Each decorated with birds and fowering prunus on a sky

blue ground and strapwork border
(2)

BUY NOW
5,200
369
368
*368
A PAIR OF FRENCH ORMOLU-MOUNTED TURQUOISE GROUND PORCELAIN LAMPS
LATE 19TH CENTURY
In the sino-japonaise style, each tapering body with ruyi shaped handles, on
mask-paw feet
(2)

BUY NOW
2,700
369
A PAIR OF CHINESE CELADON CRACKLE GLAZED PORCELAIN VASE LAMPS
20TH CENTURY
Of baluster form, with brass ftments for electricity, restoration

28 in. (71 cm.) high, including lamp ftment; 9 in. (23 cm.) wide approx. 7 in. (7.5
cm.) circumference
(2)

BUY NOW
3,900
n370
A VERY FINE SILK CHINESE RUG

BUY NOW
10,400
371
A PAIR OF GILT-BRONZE MOUNTED SAMSON GREEN CRACKLE GLAZE PORCELAIN VASES
AND COVERS
LATE 19TH CENTURY
The lobed baluster bodies above gilt-bronze covers with pine cone fnials, the handles with applied
laurel wreath loop mounts
9 in. (24 cm.) high; 3 x 3 in. (7.5 x 7.5 cm.) square base
(2)

BUY NOW
6,500
n372
A LARGE ENGLISH MAHOGANY STOOL
MODERN, INCORPORATING EARLIER ELEMENTS
Re-upholstered in close-nailed and buttoned black leather, on foliate-carved square baluster legs
with castors

BUY NOW
4,500
n373
A SET OF GEORGE III MAHOGANY METAMORPHIC LIBRARY STEPS
LATE 18TH CENTURY
The seat re-upholstered in buttoned green leather, opening to three steps, secured by inset brass
hinges and chain-link mechanism
20 in. (52 cm.) high, 43 in. (110 cm.) high, open; 31 in. (79 cm.) wide; 18 in. (46 cm.) deep

BUY NOW
7,800
(extended)
374
A SWISS GILT-BRASS AND GLASS NOVELTY DESK CLOCK
JAEGER-LECOULTRE, NO. 3 215 005. SECOND HALF 20TH CENTURY
In the form of a stirrup, the clear dial with brass hands, the rear wind movement with sixteen jewels
and balance wheel lever escapement
Auction Estimate: 800-1,200

376
A GEORGES FLAMMAND PATINATED AND COLD-PAINTED ART NOUVEAU FIGURAL
TABLE LAMP
BUY NOW
1,560
DAPHNE, 1900S
Modelled and cast as a naked young woman, her hair merging with the branches holding the light
ftments, marble and bronze base, signed G. Flamand
19 in. (49.5 cm.) high

BUY NOW
3,900
n375
LOUIS SOGNOT (1892-1969)
n377
MAISON CHARLES
A PAIR OF CHAIRS
A MATCHED PAIR OF OCCASIONAL TABLES, CIRCA 1940-50
Designed 1928, chromed tubular steel and velvet upholstery

(2)
Circular glass tops and gilt-brass frames with hoof feet, numbered to the
underside of each 453
BUY NOW
BUY NOW
5,200
3,900
(2)
ln378
JANE GIFFORD (B. 1955)
Dream Inventory
signed and dated JaneGifford 1997 (on the reverse)
oil on canvas
68 x 68 in. (172.6 x 172.6 cm.)

PROVENANCE:
Terence Higgins Trust, their sale, Bonhams, Knightsbridge,

16 April 2008, lot 244.
Jane Gifford started recording her dreams in writing in 1994. She
would then produce canvases which provide visual records of her
dreams during one month.
BUY NOW
1,608
ln379
AFTER PABLO PICASSO
Le Visage de la paix, vert

with embroidered signature (lower left) and numbered 368/500
(on a label on the reverse)
wool tapestry in colours
76 x 67 in. (193 x 170.2 cm.)
published by Desso, Netherlands, under the license of succession
Picasso-Paris.

BUY NOW
2,010
AVAILABLE AHEAD OF AUCTION IN-STORE OR ONLINE AT CHRISTIES.COM/BUYORBID
380
A FRENCH BRONZE MODEL OF A DROMEDARY CAMEL
383
A SET OF 12 CHRISTOFLE GALLIA METAL KNIFE RESTS; THE DESIGN ATTRIBUTED TO
EDUARD MARCEL SANDOZ
MID-19TH CENTURY
Mounted on a rouge-griotte marble base

CIRCA 1920
Each modelled and cast as a stylised animal or bird, comprising: a peacock, swan, dove, bear, lion,
pelican, hare, greyhound, pig, dog, cat and a fsh, stamped makers marks, in ftted case printed makers mark
Cat 4 in. (10.8 cm.) long
BUY NOW
3,250
BUY NOW
2,340
381
A SMALL RUSSIAN SILVER-GILT AND PLIQUE-A-JOUR BOWL
MARK OF KHLEBNIKOV, MOSCOW, 88 STANDARD, 1908/1917
The sides with polychrome panels of stylised fowers and scrolls in red, green, yellow, lilac and two
shades of blue between vertical silver-gilt futes, shaped rim and tucked-in foot, centre edged with
white enamel bead border
3 in. diameter (9 cm.)

BUY NOW
1,950
382
A GILT-METAL AND STEEL TOLEDO-WARE MOUNTED
EBONISED WOOD WALKING CANE
384
A SILVER GRAPE STAND WITH A PAIR OF GRAPE SCISSORS EN SUITE
LATE 19TH CENTURY
Shaped rectangular base with canted corners and hammered surface, the bifurcated twisted stand
embellished with stylised vine leaves and terminating in three twisted scrolls forming a trefoil, the
unmarked silver-handled grape scissors matching the stand, the base inscribed Omar Ramsden me fecit
11 in. high (28.2 cm.)
Weight of stand without scissors 32.25 oz. (1000 gm.)
(2)
The knop decorated in low relief with scrolled foliate and stylized
dragon decoration on an ebonised wood shaft and horn ferrule
MARK OF OMAR RAMSDEN, LONDON, 1930, THE SCISSORS UNMARKED

BUY NOW
BUY NOW
1,560
6,500
385
A VICTORIAN SILVER NOVELTY TABLE SPIRIT LIGHTER IN THE
FORM OF A COCKATOO ON ITS PERCH
388
A PARCEL-GILT SILVER POT POURRI BOWL
MARK OF JAMES BARCLAY HENNELL, LONDON, 1886
On circular ashtray base, cockatoo with detachable head

6 in. high (16 cm.)
6.25 oz. (194 gm.)
Plain bowl with gilt interior, on collet foot, the leaf-pierced

cover capped by a silver-gilt rose fnial
9 in. diameter (24 cm.)
50.5 oz. (1566 gm.)
BUY NOW
BUY NOW
3,900
3,900
MARK OF GARRARD & CO. LTD., BIRMINGHAM, 1968
PROPERTY FROM AN ESTATE

386
TWO FRENCH SILVER-GILT MOUNTED TIGERS EYE
AGATE OBJECTS
389
A GERMAN SILVER NOVELTY JARDINIERE IN THE FORM OF
A WHEELBARROW
MARK OF B &Z, A CROWNED LION PASSANT AND STAMPED

GERMANY, 20TH CENTURY
Comprising a table lighter, the clasp stamped Chaumet Paris

and a cigarette box, the interior lined with onyx and the clasp
stamped Chaumet
Box: 1 in. (4 cm.) high; 6 in. (16 cm.) wide
Table Lighter: 3 in. (9 cm.) high
(2)

BUY NOW
2,340
Chased in relief with putti making wine, putti with storks,

a village behind, children at play in a garden, a cartouche of
musical trophies and pierced and chased with fowers, C
scrolls and diaperwork, the large front wheel with scrolling
spokes, heavy clear glass liner
29 oz. (899 gm.)

BUY NOW
3,900
387
A RUSSIAN GOLD CIGARETTE CASE
MARK OF IP (CYRILLIC) PROBABLY FOR I. PROKOVIEV, 1908/1917
With rayed futing and cabochon-set sapphire thumb-piece

3 in. long (9.5 cm.)
7 oz. (approx. 217 gm.)

BUY NOW
5,200
390
MICHAEL ARGOV (ISRAELI, 1920-1982)
Untitled
oil and and corrugated cardboard collage on canvas
30 x 21 in. (76.3 x 55.4 cm.)

BUY NOW
3,250
n391
A PAUL KISS (1885-1962) ART DECO WROUGHT-IRON AND
ALABASTER FLOOR LAMP
CIRCA 1925
The alabaster up-lighter shade, raised on three supports that spread

and twist, terminating in scroll feet and berries, stamped P Kiss Paris
67 in. (170.5 cm.) high

BUY NOW
10,400
392
A BRUNO ZACH (1891-1935) COLD-PAINTED BRONZE GROUP
FEMALE HUNTRESS WITH HOUND, CIRCA 1920
Modelled and cast with the huntress holding a bow, standing before
a hound, on an onyx plinth, engraved signature to the base B Zach
15 in. (38.7 cm.) high

LITERATURE:
See Bryan Catley, Art Deco and other Figures, Woodbridge, 2003,
p.330 for an illustration of this fgure group.
BUY NOW
4,550
n393
A LOUIS MAJORELLE ART NOUVEAU WALNUT ETAGERE
CIRCA 1900
Having three shelves veneered in burr-walnut, with panelled

back and central Y shaped tapered support, signed L Majorelle
48 in. (123.2 cm.) high; 21 in. (54.5 cm.) wide;
17 in. (44.5 cm.) deep

BUY NOW
3,250
394
A RUSSIAN NOVELTY SILVER PAPER KNIFE WITH TOP MODELLED AS A PORTRAIT OF
LEO TOLSTOY
396
AN ARTS & CRAFTS SILVER, ENAMEL AND MAHOGANY DOUBLE PHOTOGRAPH FRAME
MARK OF KHLEBNIKOV, MOSCOW, 1908/1917, ALSO BEARING FRENCH & DUTCH CONTROL MARKS
9 in. long (23.5 cm.)

4.5 oz. (140 gm.)
The embossed double silver frame with enamelled detail mounted on a shaped mahogany back with
easel support and bevelled glass, stamped marks
BUY NOW
BUY NOW
1,950
6,500
MARK OF WILLIAM HUTTON & SON LTD, LONDON 1903
l397
GERNOT KISSEL (GERMAN, 1939-2008)
Anna in blue dress on red

395
JOCKEY A BRUNO ZACH (1891-1935) COLD-PAINTED BRONZE FIGURE
CIRCA 1920
signed G Kissel (upper right)

oil on canvas
47 x 31 in. (119.4 x 80 cm.)
Modelled and cast as a female jockey holding a whip, standing on an onyx base,
signed Bruno Zach
14 in. (36.8 cm.) high
with The Richmond Hill Gallery, Surrey, where purchased by the present owner.
BUY NOW
BUY NOW
6,500
4,020
PROVENANCE:
400
AN ENGLISH MAHOGANY RAF SECTOR CLOCK
F.W. ELLIOTT LIMITED, 1941
The case stamped to underside A M with a crown between above

F.W.ELLIOTT/ LTD/1941, also printed with the broad arrow above an R
and the numbers 20-3-1954/STORES No.21B/???/CON No. A1B7460/54/
C22(B), the dial with Arabic numerals and RAF emblem to centre, with red,
blue and yellow sectors, the timepiece chain fusee movement with recoil anchor
escapement, the back plate stamped 18397/MADE BY/F.W.ELLIOTT LTD/
ENGLAND/1941; with pendulum and winding key
18 in. (47 cm.) diameter; 7 in. (17.5 cm.) deep

When RAF operations rooms were being developed in the late 1930s, as part of the
UKs fghter defences, it was realised that the markers placed on the plotting table to
show the location of enemy and friendly aircraft would have to be kept up to date.
A system was devised whereby different colours of markers were used, and the
colours changed every fve minutes, as dictated by the coloured segments on
the clock - when the minute hand was in the red sector a red marker would be
used, then yellow followed by blue. When the third marker was put down the
frst would be removed. In this way the controller could see how up to date each
marker was, and the overall picture would be no more than 10 minutes old. Later
clocks have twice as many segments, to cope with the higher speeds of jet aircraft.
n399
A PAIR OF JAPANESE 45 X 80 NAVAL BINOCULARS
BUY NOW
MID-20TH CENTURY, BY FUJI
With plaque between lenses Fuji/ MEIBO/ 45 x 80/ no.2185 on wood and
aluminium tripod stand
54 in. (138.5 cm.) high, adjustable; 9 in. (23 cm.) wide; 19 in. (49.5 cm.) long
The stand, at the widest point : 25 in. (65.5 cm.)
7,800
401
A PAIR OF FRENCH BRONZE MODELS OF THE MARLY HORSES
LATE 19TH/ EARLY 20TH CENTURY, AFTER GUILLAUME COUSTOU
BUY NOW
The bases inscribed Coustou

10,400

BUY NOW
6,500
n398
A FINE UNUSUAL SOUTH CAUCASIAN
RUNNER, AZERBAIJAN
CIRCA SECOND HALF 20TH CENTURY

BUY NOW
2,340
End of Day 1
(2)
DAY TWO
3 JUNE 2015
LOTS 500-746
500
A RUSSIAN TWO-COLOUR GOLD AND
RASPBERRY RED ENAMEL SEAL WITH
NEPHRITE MATRIX AND MOONSTONE
FINIAL
501
A RUSSIAN SILVER AND HARDSTONE ASHTRAY
502
A RUSSIAN SILVER-GILT AND CHAMPLEV
ENAMEL-MOUNTED MAPLE BOWL
MARK OF KARL FABERG, 84 STANDARD,

MOSCOW, 1908/1917
MARK OF KARL FABERG, WORKMASTERS MARK

OF MICHAEL PERCHIN, ST. PETERSBURG, CIRCA
1895
The ash-tray applied with a bear supporting

itself on one paw, the other paw clutching a
broken branch, below him a pinned-on silver
label inscribed in Cyrillic translating as I can
break the trees but I cannot make a shaft bow from
the fable of The Assiduous Bear by Ivan Krylov
(1769/1844)
5 in. long (14.5 cm.)
MARK OF GRATCHEV, WORKMASTERS MARK OF

AP (CYRILLIC), 88 STANDARD, ST. PETERSBURG,
CIRCA 1890
The tapering seal enamelled with translucent

enamel over wavy engine-turning and applied
with four leafy drops, the mount diagonally
futed with a leaf-band above and a futed band
below, the nephrite matrix plain
4,000-6,000
$6,100-9,000
5,600-8,300
PROVENANCE:
Christies, Geneva, 11 May 1983, lot 224.
5,000-7,000
$7,600-11,000
7,000-9,700
A shaft bow is an element of horse harness,

popular in Russia and the Baltic, that is
attached to the front of the shafts of a horsedrawn vehicle and joins them by arching high
above the horses necks
With silver-gilt interior, the rim and straps

with red enamel fower-heads and trios of short
red and black vertical bars, edged with narrow
black borders, on plain silver-gilt collet foot,
the front applied with a vacant escutcheon
56in. diameter (14.4 cm.)
1,500-2,000
$2,300-3,000
2,100-2,800
503
A RUSSIAN JEWELLED, GOLD-MOUNTED
AND PART-ENAMELLED OVAL BLOODSTONE
BOX
MARK OF FABERG, WITH THE WORKMASTERS
MARK OF HENRIK WIGSTRM, ST PETERSBURG,
1896/1908
The hinged cover and body gold-mounted,

the upper rim alternately ribbed and enamelled
in white, the lower rim chased with a dot and
dash border, with a diamond-set thumb-piece,
in original silk and velvet-lined Karelian birch
box printed with Faberg Moscow
2 in. (5.8 cm.) wide
6,000-8,000
$9,100-12,000
8,400-11,000
94
504
A RUSSIAN SILVER TWO-HANDLED TRAY
THE HERMAN BAER COLLECTION
MARK OF CARL TEGELSTEN, ST. PETERSBURG, 1850
Of rounded oblong form with naturalistic leafy vine border, the

handles modelled as two entwined vines, centre engraved with
monogram
33 in. long (84 cm)
164.25 gm. (5092 gm.)
3,000-4,000
508
A RUSSIAN SILVER EWER AND BASIN
506
A RUSSIAN PARCEL-GILT SILVER CHARKA
$4,600-6,000
4,200-5,500
505
A SET OF TWELVE RUSSIAN SILVER-GILT AND CLOISONN
ENAMEL LEMON TEA SPOONS AND TWELVE COFFEE
SPOONS EN SUITE
MARK OF L.K (UNIDENTIFIED), ST. PETERSBURG, 1860
UNMARKED, CIRCA 1720
The fat handle of shaped outline imitating the Imperial doubleheaded eagle and engraved with an eagle above foliage, the gilt
interior set with a medallion of St. George and the dragon, with
legend S. GEORGIUS within a silver acanthus leaf frame, the
silver exterior with gilt rim, on three gilt ball feet
4 in. long (12 cm.)
4 oz. (124 gm.)
2,500-3,500
2,000-2,500
$3,100-3,800
2,800-3,500
3,000-5,000
(2)
$4,600-7,500
4,200-6,900
$3,800-5,300
3,500-4,800
508A
A RUSSIAN PORCELAIN PLATE FROM THE SERVICE OF THE
ORDER OF SAINT GEORGE
MARK OF GUSTAV KLINGERT, MOSCOW, 1896/1908
The stems with overlapping leaves in red, white and dark blue,
the drop-shaped bowls decorated with scrolling fowers in
traditional colours within turquoise enamel bead borders, in
original ftted box, covered in dark red leather and centred by
oval silver-gilt boss initialled IBA, lined in cream silk and velvet
and printed with name and address of the retailer and maker, G.
Klingert, Moscow
Teaspoons 5 in. long (13.5 cm.)
(24)
The ewer of oval baluster form with plain oval basin, each
engraved with a large stylised initial V
Ewer 12 in. high (31 cm.), basin 15 in. long (40 cm.)
73 oz. (2263 gm.)
507
A PAIR OF NORTH EUROPEAN ORMOLU TAZZE
PROBABLY RUSSIAN, CIRCA 1830
BY THE IMPERIAL PORCELAIN FACTORY, 1884, PERIOD OF ALEXANDER

III, GREEN PRINTED MARK
Each with dishes cast as open lotus leaves with pairs of eagles
below perching above an acanthus capital on an anthemia
decorated circular base
7 in. (18 cm.) high
(2)
Painted with the badge of the Order, within a gold and black
striped ribbon and cross of the Order entwined with laurel,
below a gilt rim
9 in. (23.2 cm.) wide
1,500-2,500
1,000-1,500
$2,300-3,800
2,100-3,500
$1,600-2,300
1,400-2,100
95
Property of a Continental Collector, Lots 509-534
*509
A SMALL RUSSIAN SILVER STIRRUP CUP, FINELY MODELLED AS A HORSES HEAD
MARK OF SAMUEL ARNDT, ST. PETERSBURG, 1861
With partly textured fnish and gilt interior

4.5 oz. (140 gm.)
2,500-3,500
$3,800-5,300
3,500-4,800
(detail lot 513)
*510
A RUSSIAN TERRACOTTA POT POURRI CONTAINER WITH OXIDISED SILVER MOUNTS
*511
A SET OF FIVE RUSSIAN SILVER VODKA BEAKERS
MARK OF FABERG (FABERG IN CYRILLIC), WORKMASTER JULIUS RAPPOPORT, ST. PETERSBURG, CIRCA 1895
MARK OF SECOND ARTEL, MOSCOW, 1908/1917
The spreading silver foot with four layers of overlapping futing, rocaille and scalloped decoration,
the detachable cover chased with roses, rocaille work and swirling foliage, the terracotta body with
glazed interior, in ftted satinwood box, the cream silk lining printed K.FABERG. in Cyrillic with
Imperial warrant above
5 in. high (12.8 cm.)
With matt surface, the foot chased with a band of swans without spread wings, laurel wreathes and
swags, monogrammed CM, gilt interiors
14 oz. (435 gm.)
(5)
4,000-5,000
1,000-1,200
$6,100-7,500
5,600-6,900
$1,600-1,800
1,400-1,700
*512
A RUSSIAN PARCEL-GILT SILVER TEA GLASS HOLDER
FABERG WORKMASTERS MARK OF ANDERS NEVALAINEN, WITH ONLY THE IMPERIAL WARRANT PART OF
THE FABERG MARK VISIBLE, INVENTORY NUMBER 45049, ST. PETERSBURG, CIRCA 1895
Of kovsh form, with futed thumb piece, the prow rising to a point beneath a cabochon-set garnet,
the matt silver surface with moulded gilt edges and set to front with a Catherine II coin
4,000-5,000
$6,100-7,500
5,600-6,900
*513
A RUSSIAN PAN-SLAVIC PARCEL-GILT SILVER KOVSH
MARK OF KARL FABERG, (INCUSE K. FABERG IN CYRILLIC WITH IMPERIAL WARRANT), MOSCOW,
1908/1917
Compressed circular on four stump feet, the angular hook handle with bead and scroll decoration,
the rim chased with a band comprising alternate panels of scrollwork and feather motifs, gilt interior
6 in. (16.5 cm.) long
6.25 oz. (194 gm.)
3,000-4,000
96
$4,600-6,000
4,200-5,500
*514
A RUSSIAN SILVER GOBLET
MARK OF KARL FABERG, (FABERG IN CYRILLIC), WORKMASTERS MARK OF JULIUS RAPPOPORT, ST.
PETERSBURG, 1896/1908, AND BEARING A FINNISH IMPORT MARK FOR HELSINKI, 1919
With fared lip and half-futed body below an elaborate cartouche applied with a vacant escutcheon
and fanked with lion heads, foliage and scrolls, below the cartouche a narrow double dot and dash
girdle, gilt interior, the foot with bead girdle above a stiff laurel border
4 in. (12.3 cm.) high
9 oz. (280 gm.)
3,000-4,000
$4,600-6,000
4,200-5,500
*515
A RUSSIAN SILVER DISH OF NAVETTE FORM
MARK OF KARL FABERG (INCUSE K. FABERG IN CYRILLIC WITH
IMPERIAL WARRANT), WORKMASTERS MARK OF STEPHAN WAKEWA,
INVENTORY NUMBER 11961, 88 STANDARD, ST. PETERSBURG,
1896/1908
*516
A GROUP OF SEVEN EIGHTEENTH CENTURY SILVER RUSSIAN VODKA CUPS, THREE MORE
NINETEENTH CENTURY, A BASE METAL EXAMPLE AND A SMALL TWO-HANDLED WINE
TASTER, PROBABLY SPANISH
VARIOUS DATES AND MAKERS
Comprising:- a part-futed octagonal example chased with rococo decoration, Moscow, 1754; a
shaped oval example chased with rococo decoration, Moscow, 1774; a circular slightly tapering
example, unmarked; a similar silver-gilt example, with indistinct marks; three other unmarked
18th-century examples, one with base inscribed with Cyrillic initials; a 19th-century vodka cup
applied with putti, fowers and vacant rococo reserves, Moscow, 1843; a silver niello vodka cup,
1857; a Soviet silver niello vodka cup, decorated with bunches of fruit; a base metal vodka cup
chased with hunting scenes; and a futed two-handled wine-taster, probably Spanish, with makers
mark Gonz (Gonzalez)
Weighable silver 11 oz. (342 gm.)
(12)
2,000-3,000
$3,100-4,500
2,800-4,200
With cut-out handles and narrow foliate rim

9 in. (23.9 cm.) long
8.75 oz. (272 gm.)
1,000-1,500
$1,600-2,300
1,400-2,100
(detail lot 518)
*517
A COLLECTION OF FOURTEEN RUSSIAN SILVER VODKA CUPS
*518
A RUSSIAN SILVER TEA GLASS HOLDER
VARIOUS DATES AND MAKERS, PRINCIPALLY MID TO LATE 18TH CENTURY, BUT INCLUDING ONE PAIR EARLY
19TH CENTURY, AND SEVEN UNMARKED EXAMPLES
MARK OF FABERG (FABERG IN CYRILLIC), WORKMASTERS MARK OF STEPHAN WAKEWA, INVENTORY

NUMBER 14246, ST. PETERSBURG, CIRCA 1895
Mostly chased with rococo decoration, and comprising:- a shaped oval pair chased with crowned
imperial double-headed eagle to each side and inscribed to front with crowned initials ME within
a wreath; a good octagonal example with foral and diaperwork chasing and rococo handle; three
other shaped oval ones and another of circular slightly tapering form; the unmarked examples
comprising:- a good pair with rocailles chasing, two circular slightly tapering examples, one whose
base is inscribed SP (Cyrillic) above a wreath; and three others
Octagonal example 2 in. (6.3 cm.) diameter
14.25 oz. (443 gm.)
(14)
Of nib shape with spot-hammered surface, the handle formed as two entwined snakes, the
spreading circular foot edged with a gadroon border, the front set with a drop-shaped piece of lapis
lazuli, gilt interior
Gross weight 6 oz. (186 gm.)
3,000-4,000
4,000-5,000
$6,100-7,500
5,600-6,900
$4,600-6,000
4,200-5,500
97
*519
A RUSSIAN SILVER-GILT AND SHADED CLOISONN ENAMEL VODKA CUP
*522
A PAIR OF RUSSIAN SILVER-GILT AND CLOISONN ENAMEL TUMBLER CUPS
MARK OF FEODOR RCKERT, 88 STANDARD, MOSCOW, 1896/1908
MARK OF AIF.O (CYRILLIC), 88 STANDARD, MOSCOW, CIRCA 1885
Shaped circular, decorated with alternate panels of birds amidst fowers and scrolling foliage in
polychrome enamels on pale mint green and cream grounds respectively, blue, mauve and green
shaded enamel scroll handle, gilt interior enamelled with a white swan amidst green bullrushes
2 in. (5 cm) diameter
Decorated with a band of white and grey-shaded ducks within scrolls in three shades of blue, with
red, white and blue beads above, a band of tongue motifs in red, green, turquoise and black around
the base, the rim with band of red, black, dark blue and turquoise scrolls on white ground below
turquoise enamel bead edge, gilt interiors
2 in. high (5 cm.)
(2)
1,000-1,500
$1,600-2,300
1,400-2,100
1,500-2,000
$2,300-3,000
2,100-2,800
*520
A SMALL RUSSIAN SILVER-GILT AND CLOISONN ENAMEL BOWL, BRATINA
*523
A RUSSIAN SILVER-GILT AND CLOISONN ENAMEL VODKA CUP
APPARENTLY NO MAKERS MARK, INDISTINCTLY MARKED, MOSCOW, 1892
MARK OF PAVEL OVCHINNIKOV, WITH IMPERIAL WARRANT, MOSCOW, 1896/1908
On three wirework ball feet, the stippled ground decorated with scrolling foliage in traditional
colours below a band of alternate turquoise and white tongue motifs, centred by gold-foiled stars
and edged inside and out with turquoise enamel bead borders below a narrow ropework rim, the
interior similarly enamelled and with a central foral-decorated boss; also a small Russian silver-gilt
and cloisonn enamel vodka beaker, mark of Pavel Ovchinnikov, Moscow, circa 1890, decorated
with shaded polychrome enamel, fowers and foliage on a stippled ground edged with turquoise
enamel bead borders
First item 2 in. (6.5 cm.) diameter
(2)
Oval with bellied lower section and mythical bird handle, the sides enamelled with gold-foiled
carp on light blue ground amidst shaded enamel fowers, foliage and waves, the bellied section with
polychrome shaded fowers on a purple ground, gilt interior
3 in. (8.9 cm.) long
1,000-1,500
800-1,200
$1,600-2,300
1,400-2,100
*521
A RUSSIAN SILVER-GILT AND CLOISONN ENAMEL VODKA CUP
*524
A PAIR OF RUSSIAN SILVER-GILT AND CLOISONN ENAMEL CUPS
MARK OF KARL FABERG (INCUSE K. FABERG IN CYRILLIC WITH IMPERIAL WARRANT), PRESUMABLY BY
WORKMASTER FEODOR RCKERT, 91 STANDARD, INVENTORY NUMBER 14387, MOSCOW, 1896/1908
MARK OF ANTIP KUZMICHEV, MOSCOW, 1895, STAMPED MADE FOR TIFFANY
Circular with lobed sections decorated with polychrome shaded fowers on blue, red and olive
green grounds, the lower section pale apple green ground with gilt scrolling cloissons terminating in
gilt beads, the handle in the form of a parrot, olive green with pink, pale blue and sea-green shaded
wings, gilt interior
3,000-4,000
$1,300-1,800
1,200-1,700
$4,600-6,000
4,200-5,500
The silver-gilt handles formed as the Imperial double-headed eagle, the sides decorated with
anthemion in traditional colours on textured ground applied with scrolling cloissons, bases engraved
with monogram MES, rims with turquoise enamel bead border between dark blue bands
1 in. high (4.5 cm.)
(2)
2,000-3,000
$3,100-4,500
2,800-4,200
98
*525
FIVE RUSSIAN SILVER-GILT AND CLOISONN ENAMEL BEAKERS
ONE MARK OF KHLEBNIKOV WITH IMPERIAL WARRANT, 91 STANDARD, MOSCOW, 1908/1917, THE OTHER
FOUR MARK OF IVAN KHLEBNIKOV, 88 STANDARD, MOSCOW, 1896/1908
All on stippled ground with vacant reserves, four decorated in the Art Nouveau manner with
fowers, fruiting vines, foliage and in one case featuring a pair of birds, in an attractive and unusual
polychrome palette, gilt interiors, the ffth in traditional colours with bead-edged foliate medallions
within foliate scrollwork, all with narrow ropework borders
(5)
2,500-3,500
$3,800-5,300
3,500-4,800
*528
A RUSSIAN SILVER-GILT AND CLOISONN ENAMEL BEAKER
MARK OF FEODOR RCKERT, 88 STANDARD, MOSCOW, 1896/1908
Tapering form on spreading foot, enamelled with triangular panels with curved sides decorated with
polychrome shaded fowers on pink ground between red drop-shaped panels with gilt scrolling
cloissons and centred by polychrome shaded fowers on pale mint green oval reserves, the foot with
fowers and cloissons on emerald green ground, gilt inteerior
2,000-3,000
$3,100-4,500
2,800-4,200
*526
A RUSSIAN SILVER-GILT AND CLOISONN ENAMEL CREAM JUG AND SWING-HANDLED
SUGAR BOWL EN SUITE
MARK OF GUSTAV KLINGERT, MOSCOW, 1894
Decorated with fowers and scrolls in traditional colours on textured ground, with turquoise
enamel bead borders, ball feet and engraved monogram to bases; a Russian silver-gilt and cloisonn
enamel beaker by Gustav Klingert, Moscow, 1892, tapering sides and spreading circular foot with
gilt scrolling cloisons on turquoise ground with white bead borders; and a pair of Russian silver-gilt
and cloisonn enamel napkin rings, apparently no makers mark, Moscow, 1896/1908 in ftted case
retailed by Marshak of Kiev
Beaker 3 in. high (9 cm.), Sugar bowl 35 in. diameter (9 cm.)
(5)
1,500-2,000
$2,300-3,000
2,100-2,800
*527
A RUSSIAN SILVER VODKA SET
MARK OF IFS (CYRILLIC), MOSCOW, 1896/1908
The bottle in the form of a vodka bottle

engraved with facsimile trade label for Kaznoe
Vino 25 Kopek (State Monopoly Wine), the
circular tray with Cyrillic inscription for a 25th
anniversary, together with six small plain vodka
tots en suite, with gilt interiors, the bottle with
detachable silver cap
9 in. (23 cm.) high
21 oz. (653 gm.)
(8)
2,000-3,000
$3,100-4,500
2,800-4,200
529
*529
A RUSSIAN SILVER VODKA BOTTLE AND STAND
MARK OF PYOTR BASKAKOV, MOSCOW, 1908/1917, WITH A LATER FRENCH CONTROL MARK
The bottle engraved with a facsimile trade label for Kaznoe Vino, 27 Kopek State Monopoly
Wine, the circular tray engraved with a map of the River Vistula (Wisla in Polish) and its tributary
the River Narev in Russian Poland
9 in. (23 cm.) high
14 oz. (435 gm.)
(2)
527
1,200-1,800
$1,900-2,700
1,700-2,500
99
*530
A RUSSIAN SILVER TROMPE LOEIL PITCHER
MARK OF N. YANITCHKIN, ST. PETERSBURG, CIRCA 1880
Chased with raffa work, gilt interior; a similar Russian trompe loeil cream jug, mark of P. D.
(Cyrillic), St. Petersburg, circa 1890, with gilt interior; and a similarly decorated Russian silver
spirits fask, mark of P. D. (Cyrillic), St. Petersburg, circa 1890, with detachable cap over a screw-in
ring-handled stopper, the sides with four loops to take a cord attachment
Flask 58 in. (15 cm.) high
21 oz. (653 gm.)
(3)
1,800-2,200
$2,800-3,300
2,500-3,000
*533
A RUSSIAN SILVER TROMPE LOEIL VODKA SET
THE BOTTLE HOLDER AND CAP AND THE TWO SMALL KOVSHI MARK OF NIKOLAI YANITCHKIN, ST.
PETERSBURG, CIRCA 1890, THE FOUR ASSOCIATED VODKA CUPS MARK OF P. D. (CYRILLIC), MOSCOW,
1908/1917
Chased with raffa-work, the frosted glass bottle with unmarked silver-mounted detachable stopper
The bottle 7 in. (20 cm.) high
12.25 oz. (380 gm.)
(9)
2,000-3,000
$3,100-4,500
2,800-4,200
*534
A PAIR OF RUSSIAN SILVER BEAKERS
*531
A RUSSIAN SILVER TROMPE LOEIL BASKET
MARK OF KARL FABERG (INCUSE K.FABERG IN CYRILLIC WITH IMPERIAL WARRANT), MOSCOW,
1908/1917, ALSO BEARING LATER SOVIET MARKS
MARK OF I.N (CYRILLIC), ST. PETERSBURG, CIRCA 1890
Cylindrical with matt fnish, engraved with monogram and chased around the foot with a broad
frieze of swans, wreaths and swags, gilt interiors
3 in. high (8 cm.)
7 oz. (217 gm.)
(2)
With raffa-work surfaces and fxed handle, gilt interior

9 in. (22.9 cm.)
17 oz. (528 gm.)
800-1,200
$1,300-1,800
1,200-1,700
2,000-3,000
$3,100-4,500
2,800-4,200
*532
A RUSSIAN SILVER-GILT TROMPE LOEIL TEA CANISTER
MARK OF ALEXANDER MUCHIN, MOSCOW, 1871, ALSO BEARING LATER SOVIET MARKS
Cylindrical with textured cover, the latter with bayonet ftting, the sides chased to simulate birch
bark; also a Russian parcel-gilt silver trompe loeil covered pot, mark of P:O (Cyrillic), probably for
Pavel Ovchinnikov, Moscow, 1868, the sides chased to simulate woven reeds, the lift-off cover
designed as a cloth tied with cord, interior of pot gilded
First item 4 in. (10.8 cm.) high
8.25 oz. (256 gm.)
(3)
1,200-1,500
$1,900-2,300
1,700-2,100
100
VARIOUS PROPERTIES
535
TWO RUSSIAN PORCELAIN DARK-BLUE GROUND CABINET CUPS AND SAUCERS, ONE WITH
COVER
BY THE POPOV FACTORY, CIRCA 1830-40, BLUE PAINTED MONOGRAM AND IRON-RED PRINTRED NO.1
Painted with views of the Kremlin and other Russian landmark buildings, the dark-blue ground gilt
with scrolling foliage
(2)
1,000-1,500
$1,600-2,300
1,400-2,100
536
A PAIR OF RUSSIAN PORCELAIN CABINET PLATES
BY THE IMPERIAL PORCELAIN FACTORY, CIRCA 1825-55, PERIOD OF NICHOLAS I, UNDERGLAZE BLUE
PAINTED MARKS
Painted to the centre with fruit and fowers, the blue-ground borders reserves with gilt scroll
cartouches
9 in. (25.1 cm.) wide
800-1,200
(2)
$1,300-1,800
1,200-1,700
*537
A PAIR OF NORTH EUROPEAN ORMOLU AND PATINATED BRONZE THREE-LIGHT CANDELABRA
POSSIBLY VIENNA, CIRCA 1820
Each modelled as three serpent branches with foliate nozzles, above three addorsed sphinxes
supporting a sphere, atop a classically-decorated spreading tripartite stem, on a base decorated with
chimera, above a stiff-leaf concave sided plinth, drilled for electricity
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
538
A PAIR OF RUSSIAN SILVER INKWELLS
MARK OF FABERG (CYRILLIC) WITH IMPERIAL WARRANT, WORKMASTERS MARK OF JULIUS RAPPOPORT,
88 STANDARD, ST. PETERSBURG, 1896/1908
Squat circular on four futed cushion feet, lower rim chased with ribbon-tied laurel leaves, partfuted and beaded hinged cover with artichoke fnial and reed and ribbon border, sides applied with
ribbon-tied laurel swags
3 in. high (9 cm.), 2 in. diameter (7.2 cm.)
17.25 oz. (535 gm.)
(2)
5,000-7,000
$7,600-11,000
7,000-9,700
n539
A FRENCH ORMOLU-MOUNTED TULIPWOOD, SYCAMORE AND MARQUETRY COMMODE
OF REGENCE STYLE, SECOND HALF 20TH CENTURY
With brche dAlep marble top over two short and two long drawers, the front and sides inlaid
with vases, fowers, foliage and futed Ionic columns, the left rear corner of the top stamped on the
carcase FD within a shield
34 in. (88 cm.) high; 49 in. (125 cm) wide; 26 in. (60 cm.) deep
3,000-5,000
$4,600-7,500
4,200-6,900
101
Property of an Estate, Lots 540-546
543 (reverse)
540 (reverse)
543
540
~541
A RUSSIAN SILVER, GOLD, ENAMEL AND IVORY CIGARETTE CASE WITH APPLIED MOUNTS
541 (reverse)
MARK OF L SH IN LOZENGE PUNCH, MOSCOW, 1908/1917
The silver case applied with pinned-on gold and silver monograms and facsimile signatures and
further applied with a heraldic silver and enamel coat of arms, a silver skeleton with raised arms,
various silver, gold and enamel badges and jetons, a warrior mermaid, a Cyrillic-inscribed disc, a
silver and ivory jockey cap, an enamel playing card, the King of Spades, a silver rooster, a silver
boar laid over a rife, an enamel panel of a pensive putto with open book, an enamelled page with
turned-over corner, a silver horses head, a silver acorn, a silver and enamel champagne bottle,
another of brandy embellished with horse-shoe and shamrock, a Cyrillic-inscribed gold label dated
1897, an enamel fower, a silver pistol, a gold Albert chain, a silver cross surmounted by crown with
putti supporters and a gold and enamel horse-shoe with musical score encircling a crowned shield
and fag, gilt interior and cabochon-set thumb-piece
4 in. long (4.2 cm.)
541
1,500-2,000
$2,300-3,000
2,100-2,800
542
A RUSSIAN SILVER-GILT AND CLOISONN ENAMEL KOVSH
MARK OF ALEXANDER LYUBAVIN, 88 STANDARD, ST. PETERSBURG, 1896/1908, WITH FRENCH CONTROL
MARK
Sides and top of hook handle decorated with scrolling fowers in pink, orange, green and three
shades of blue on textured ground edged with turquoise enamel bead borders, the prow applied
with Imperial double-headed eagle, the handle applied with the crowned arms of St. Petersburg
and inscribed along both sides of handle La ville de St. Petersbourg au Lieutenant Cazenave; also a
silver and polychrome enamel kovsh bearing spurious Russian marks, 20th century, decorated with
fowers and with bridled horse-head handle
First item 7 in. long (18.4 cm.)
(2)
1,800-2,200
$2,800-3,300
2,500-3,000
543
A RUSSIAN SILVER AND GEM-SET CIGARETTE CASE APPLIED WITH GOLD MOUNTS
INCUSE MARK OF AOAME (CYRILLIC), 1896/1908
Cabochon-set with six gems including the thumb-piece, applied profusely to both sides with
facsimile gold signatures and monograms and further applied with two knights from a chess set, a
female classical lyre player, a heraldic shield with blue enamel and an enamelled Stars & Stripes
American fag, gilt interior
4 in. long (11.5 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
540
A RUSSIAN SILVER CIGARETTE CASE WITH GOLD AND ENAMEL MOUNTS
544
A RUSSIAN PARCEL-GILT STEEL AND METAL INLAID CASKET
MARK OF JN, ST. PETERSBURG, 1896/1908
TULA, SECOND HALF 19TH CENTURY
The reeded silver case applied all over with pinned-on facsimile gold signatures, polychrome
enamel monograms, a heraldic shield and enamel emblems including champagne and brandy
bottles, a foaming champagne fute, a fsh, a Havana cigar, a lit cigarette and an open box of
matches, gilt interior
4 in. long (11.5 cm.)
Of rectangular form, on ball feet, the sides and hinged cover applied with foral bouquets and
swagged garlands, the front with lock aperture, the cover inset with small medallions, one dated
1882, and the centre signed in Cyrillic
1,200-1,800
$1,900-2,700
1,700-2,500
1,500-2,500
$2,300-3,800
2,100-3,500
102
Property of an Estate, Lots 540-546
VARIOUS PROPERTIES
547
A RUSSIAN SILVER CIGAR BOX
MARK OF 14TH ARTEL, MOSCOW, 1908/1917
Cover applied with two kneeling Classical girls arranging fowers in a pair of cornucopia, centred
by a vacant ribbon-tied wreath cartouche, edged with narrow border of ring and bead motifs on a
linear ground, gilt interior
7 in. long (19.5 cm.)
24.75 oz. (768 gm.)
1,500-2,000
$2,300-3,000
2,100-2,800
545
A RUSSIAN SILVER-GILT AND NIELLO GOBLET
MARK OF GAVRIL USTINOV, MOSCOW, CIRCA 1815
Decorated with architectural views including the Triumphal Arch in Moscow and the Alexander
Column in St. Petersburg, all on textured ground above foliate decoration, similar leafy decoration
around foot
5 in. high (13 cm.)
6.75 oz. (210 gm.)
2,000-3,000
$3,100-4,500
2,800-4,200
548
A RUSSIAN SILVER CIGARETTE/CIGAR BOX
MARK OF NZ (CYRILLIC), MOSCOW, 1908/1917, ALSO BEARING LATER SOVIET MARKS
Rectangular, cover chased in relief with fruit, foliage and sinuous ribbons around a vacant reserve,
gilt interior
8 in. long (21.5 cm.)
27 oz.(837 gm.)
1,500-2,000
$2,300-3,000
2,100-2,800
546
A RUSSIAN CAST SILVER MODEL OF A DOLPHIN ON A STEPPED OVAL GREEN HARDSTONE
BASE
549
A RUSSIAN SILVER TROMPE LOEIL CIGAR BOX
MARK OF FABERG WORKMASTER KARL GUSTAV HJALMAR ARMFELT, 88 STANDARD, 1908/1917
Engraved with a facsimile trade label for H. UPMANN FLOR, including Russian and French
imperial warrants, the gilt interior of cover engraved with a presentation escutcheon in German to
Friedrich Beermann dated Moskau 1871
8 in. (20.2 cm.) long x 5 in. (13.5 cm.) wide x 2 in. (6.2 cm.) high
27 oz. (839 gm.)
Its tail curved up over its head, together with a small associated oval icon dependent
7 in. high (18 cm.)
2,000-3,000
$3,100-4,500
2,800-4,200
MARK OF PAVEL OVCHINNIKOV OVERSTRIKING ANOTHER, MOSCOW, 1871
3,000-5,000
$4,600-7,500
4,200-6,900
103
Property of a Gentleman
Lots 550-621
550
A GALLE DOUBLE-OVERLAY CAMEO GLASS
TABLE LAMP
AUX OMBELLES, CIRCA 1910
Overlaid and acid-etched with ombelles

and foliage, bronze mounts and three light
ftments, signed Gall in cameo to the shade, acidetched to the base
4,000-6,000
$6,100-9,000
5,600-8,300
n551
A GALLE WALNUT AND MARQUETRY TWOTIER OCCASIONAL TABLE
CIRCA 1900
The top inlaid with a landscape with a

shepherd and his fock, the under tier with
leaves and butterfies, on futed tapering
supports, signed in marquetry Gall
32 in. (82.5 cm.) high; 33 in. (84.5 cm.)
wide; 20 in. (52.4 cm.) deep
1,500-2,500
$2,300-3,800
2,100-3,500
552
A LARGE CLAIRE JEANNE ROBERTE COLINET
(1880-1950) GILT BRONZE
ANDALUSIAN DANCER, CIRCA 1910
Modelled and cast as a naked dancer with

poppies in her hair, holding castanets and
standing on a lion skin, marble plinth, signed
CJR Colinet
28 in. (72.7 cm.) high
3,000-5,000
550
552
$4,600-7,500
4,200-6,900
551
(Detail of top)
104
Property of a Gentleman, Lots 550-621
555
553
556
554
553
A LARGE MULLER FRERES CAMEO GLASS PAYSAGE VASE
555
A DAUM WHEEL-CARVED GLASS VASE
CIRCA 1920
CIRCA 1903
Overlaid and acid-etched with a shepherd with his fock of sheep beside a lake, mountains in the
distance, signed in cameo Muller Fres Luneville
11 in. (20.3 cm.) high, 8 in. (22 cm.) high
The internally mottled glass acid-etched in relief and wheel-carved with butterfies and roses,
having a textured ground heightened with a dusting of colour, acid-etched signature Daum Nancy with
Cross of Lorraine and 5.50
7 in. (18.1 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
1,000-1,500
$1,600-2,300
1,400-2,100
554
A CLAIRE JEANNE ROBERTE COLINET (1880-1950) ART DECO PATINATED AND COLD-PAINTED
BRONZE FIGURE WITH ILLUMINATED BASE
556
AN EDGAR BRANDT (1880-1960) AND DAUM WROUGHT-IRON AND GLASS TABLE LAMP
ESPRIT DE JOSEPHINE BAKER, CIRCA 1925
Modelled and cast as a dancer adopting a stylish pose inspired by Josephine Baker, raised on a
marble and onyx base with electrical illumination, engraved CJR Colinet
22 in. (56.5 cm.) high
The milky opalescent glass and acid-textured shade supported on an openwork base decorated with
pine cones and leaves, with spreading foot, shade engraved Daum Nancy with Cross of Lorraine, base
stamped E. Brandt
20 in. ( 52 cm.) high
5,000-7,000
4,000-6,000
$7,600-11,000
7,000-9,700
LE PINS, CIRCA 1925
$6,100-9,000
5,600-8,300
105
557
561
559
558
560
562
557
A SMALL DAUM VITRIFIED AND ENAMELLED CAMEO GLASS
VASE
559
A SMALL DAUM ENAMELLED GLASS VASE
561
A DAUM VITRIFIED AND ENAMELLED GLASS VASE
CIRCA 1910
CIRCA 1910
CIRCA 1910
The textured body acid-etched in relief with thistles, heightened

with enamels, acid-etched Daum Nancy with Cross of Lorraine,
enamelled H.G. to base
8 in. (20.6 cm.) high
The mottled glass with vitrifed colours acid-etched in relief with

cowslips, heightened with enamels, acid-etched signature Daum
Nancy with Cross of Lorraine
13 in. (35 cm.)
700-1,000
1,500-2,500
The mottled and cased glass overlaid and acid-etched with

orchids and heightened with enamels, enamelled Daum Nancy
with Cross of Lorraine
6 in. (17.5 cm.) high
1,000-1,500
$1,600-2,300
1,400-2,100
$1,100-1,500
970-1,400
$2,300-3,800
2,100-3,500
560
A GALLE DOUBLE-OVERLAY CAMEO GLASS PAYSAGE DES
VOSGES VASE
562
A GALLE CAMEO GLASS NENUPHARS VASE
CIRCA 1910
CIRCA 1910
Overlaid and acid-etched with nasturtiums, signed in cameo Gall

17 in. (45.4 cm.) high
Overlaid and acid-etched with a mountainous landscape with fr

trees, intaglio signature Gall
11 in. (30.2 cm.) high
Overlaid and acid-etched with water lilies and dragonfies, signed

in cameo Gall
11 ion. (28 cm.) high
1,500-2,500
1,200-1,800
1,000-1,500
558
A GALLE CAMEO GLASS VASE
CIRCA 1910
$2,300-3,800
2,100-3,500
$1,900-2,700
1,700-2,500
$1,600-2,300
1,400-2,100
106
563
A LARGE GALLE CAMEO GLASS VASE
564
AN EDUARDO ROSSI (1867-1926) PATINATED AND GILT
BRONZE FIGURE
CIRCA 1904-06
THE SNAKE DANCER, CIRCA 1900
Overlaid and acid-etched with wild fowers and foliage, signed in

cameo Gall with star preceding
29 in. (75.6 cm.) high
2,000-3,000
Modelled and cast as a bare-breasted dancer holding cymbals,

with a coiled cobra at her feet, integral base, marble plinth,
signed Rossi
23 in. (60.3 cm.) high
$3,100-4,500
2,800-4,200
1,500-2,500
$2,300-3,800
2,100-3,500
564
563
566
565
A MAURICE GUIRAUD-RIVIERE (1881-1947) PATINATED
BRONZE
566
BACCHANTE, CIRCA 1920
Overlaid and acid-etched with lilies and foliage, signed in cameo

Gall
CIRCA 1910
Modelled and cast as a naked woman dancing, her hair and the
base dressed with grapes and vine leaves, marble plinth, signed M.
Guiraud-Riviere
21 in. (54.5 cm.) high
2,000-3,000
2,000-3,000
$3,100-4,500
2,800-4,200
$3,100-4,500
2,800-4,200
565
107

567
AN EMILE GALLE (1846-1904) ENAMELLED GLASS VASE
CIRCA 1895
The futed glass with frill rim, enamelled in colours and gilt with
fowers and the inscription pourevoi ma plante soliatire, Es-tu
venue feurir ici, cher nassant cest pour te plaire, Et que tu me
dises......merci, enamelled signature Emile Gall
6 in. (17.2 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
568
A GALLE TWIN-HANDLED FIRE-POLISHED CAMEO GLASS
VASE
CIRCA 1903
Applied with striated and prunted twin handles, the body

overlaid and acid-etched with poppies, signed in cameo Gall
9 in. (24.8 cm.) high
1,000-1,500
567
570
$1,600-2,300
1,400-2,100
LITERATURE:
Alastair Duncan and Georges de Bartha, Glass by Gall, London

1984, p. 186, pl. 279, similar form illustrated
569
AN EMILE GALLE ENAMELLED AND GILT GLASS VASE
CIRCA 1895
The smoky glass acid-etched in low relief, enamelled in colours

and heightened in gilt with the Cross of Lorraine and thistles,
acid-etched signtaure Gall dpos
7 in. (17.8 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
570
A GALLE ENAMELLED AND GILT GLASS VASE
CIRCA 1900
568
571
The green glass acid-etched in relief and enamelled and gilded

with yellow fowers and leaves, gilt signature Gall
7 in. (18.1 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
571
A DAUM ENAMELLED GLASS PAYSAGE JUG
CIRCA 1900
The textured opalescent glass enamelled en grisaille with a rural

landscape of windmills and other buildings beside a lake, with
boats in the foreground, gilt Daum Nancy with Cross of Lorraine
8 in22.5 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
572
A DAUM WHEEL CARVED GLASS DECANTER AND STOPPER
CIRCA 1895
Of rhomboid section, acid-etched in relief with fowers, with

wheel carved detail, foliage and a banner inscribed with the
toast A tout Seigneur tout honneur, with gilt highlights on a
textured ground, gilt Daum Nancy with Cross of Lorraine
9 in. (22.9 cm.) high overall
569
108
572
700-1,000
$1,100-1,500
970-1,400
573
AN AFFORTUNATO GORY (FL.1895-1925) GILT AND
PATINATED BRONZE GROUP
WOMAN WITH COCKATOOS, CIRCA 1920
Modelled and cast as a naked woman wearing a turban, sitting

on a cushion with two cockatoo, marble plinth, signed A Gory
18 in. (46.5 cm.) high
3,000-5,000
$4,600-7,500
4,200-6,900
574
A MULLER FRERES DOUBLE-OVERLAY CAMEO GLASS
PAYSAGE TABLE LAMP
CIRCA 1910
573
575
Overlaid and acid-etched with a landscape of trees beside a

lakeside, the shade with two deer in the foreground, with
wrought-iron mount and light ftment, the shade signed in cameo
Muller Fres Lunville
20 in. (50.8 cm.) high
2,500-4,500
$3,800-6,800
3,500-6,200
575
A GALLE DOUBLE-OVERLAY CAMEO GLASS PAYSAGE VASE
CIRCA 1910
Overlaid and acid-etched with a lakeside scene with trees and

shrubs, signed in cameo Gall
11 in. (30.1 cm.) high
1,000-1,500
$1,600-2,300
1,400-2,100
576
A JOE DESCOMPS (CORMIER) (1869-1950) PATINATED AND
GILT BRONZE FIGURE
SUZANNE, CIRCA 1920S
Cast from a model as a young woman disrobing, on marble

plinth, signed Jo Descomps
17 in. (43.5 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
574
576
109

577
A DAUM AND LOUIS MAJORELLE (1859-1926) GLASS AND
WROUGHT-IRON VASE
CIRCA 1920
The mottled glass with additional coloured specks blown in to

the metal armature, signed Daum Nancy France and L. Majorelle
13 in. (34.9 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
LITERATURE:
Alastair Duncan, Louis Majorelle Master of Art Nouveau, London

1991, p.134 , plate 103, similar form illustrated
578
577
578
CIRCA 1910
Overlaid and acid-etched with water lilies and aquatic fowers

and foliage, signed in cameo Gall
7 in. ( 20 cm.) high
700-1,000
$1,100-1,500
970-1,400
579
CIRCA 1910
The oviform vase overlaid and acid-etched with plums hanging

from leafy branches, signed in cameo Gall
8 in. (21 cm.) high
800-1,200
579
$1,300-1,800
1,200-1,700
580
580
FIAMETTA A LIMOGES ENAMEL PLAQUE BY PIERRE
BONNAUD
CIRCA 1890
Painted and gilt with a bust-length profle portrait of a lady

wearing a laurel wreath in her hair, gilt signature P. Bonnaud and
Limoges, framed, with brass plaque titled FIAMETTA
8 x 8 in. (22.2 cm. x 22.2 cm.) inclusive of frame
1,000-1,500
$1,600-2,300
1,400-2,100
581
AN ALIX MARQUET (1875-1939) PATINATED BRONZE NUDE
EARLY 20TH CENTURY
Modelled and cast as a naked woman, her hair in a bun, integral

base, marble plinth, signed Alix Marquet, with personalised
presentation plaque dated 1932
15 in. (38.5 cm.) long
1,200-1,800
110
$1,900-2,700
1,700-2,500
581

582
CIRCA 1910
Overlaid and acid-etched with daisies and foliage, signed in cameo

Gall
10 in. (27.3 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
583
A GALLE DOUBLE-OVERLAY CAMEO GLASS VASE
CIRCA 1910
Having an eye-bath neck, the body overlaid and acid-etched

with leafy branches of verbena, signed in cameo Gall
12 in. (32.4 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
582
583
584
A DAUM GILT GLASS VASE
CIRCA 1890-96
Acid-etched in relief with thistles and two Crosses of Lorraine,

with gilt highlights, gilt signature Daum Nancy with Cross of
Lorraine
12 in. (30.7 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
585
584
585
A DAUM CAMEO GLASS VASE
CIRCA 1890-96
Of quatre-lobed section, overlaid and acid-etched with

leaves with a polished surface against a leaf-textured ground,
heightened in gilt, acid-etched and gilt signature Daum Nancy with
Cross of Lorraine
800-1,200
$1,300-1,800
1,200-1,700
586
TWO GEORGES SOUTIRAS (1906-1990) CARVED WOOD
BIRDS
WADING BIRD & GUINEA FOWL, 20TH CENTURY
The wading bird carved in Amarinthe and the Guinea fowl in

brown oak, both signed G. Soutiras and with monogram
20 in. (52 cm.) high & 15 in. (38.7 cm.) high
(2)
1,000-1,500
$1,600-2,300
1,400-2,100
586
586
111
589
587
588
591
590
592
587
A GALLE FIRE-POLISHED CAMEO GLASS VASE
589
A GALLE DOUBLE-OVERLAY CAMEO GLASS VASE
591
CIRCA 1900
CIRCA 1910
CIRCA 1910
Overlaid and acid-etched with hyacinths, signed Gall

9 in. (23.2 cm.) high
Overlaid and acid-etched with primulas, signed in cameo Gall

1,000-1,500
1,000-1,500
The yellow glass overlaid and acid-etched with bleeding hearts

and foliage, signed in cameo Gall
9 in. (24.8 cm.) high
$1,600-2,300
1,400-2,100
$1,600-2,300
1,400-2,100
1,000-1,500
$1,600-2,300
1,400-2,100
588
590
592
CIRCA 1910
CIRCA 1910
CIRCA 1910
Overlaid and acid-etched with lilies, signed in cameo Gall

13.1.4 in. (33.5 cm.) high
Overlaid and acid-etched with ferns, signed in cameo Gall

19 in. (49.5 cm.) high
800-1,200
1,200-1,800
The opaque white and yellow body overlaid and acid-etched in

purple with fowers, signed in cameo Gall
18 in. (47.6 cm.) high
$1,300-1,800
1,200-1,700
$1,900-2,700
1,700-2,500
1,200-1,800
$1,900-2,700
1,700-2,500
112
593
595
597
596
595
A DAUM CAMEO GLASS EUCALYPTUS VASE
594
593
A (JEAN) ANTONIN CARLES (1851-1919) GILT BRONZE
FIGURE
LA JEUNESSE, CIRCA 1900
Modelled and cast as a naked woman with two small fowers in

her hair, marble plinth, signed Antonin Carles, Siot Fondeur Paris,
La Jeunesse
12 in. (31.8 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
598
CIRCA 1910
The mottled body overlaid and acid-etched with pendant

branches of eucalyptus, signed in cameo Daum Nancy with Cross
of Lorraine
12 in. (32.1 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
596
A LEGRAS & CIE ENAMELLED CAMEO GLASS VASE
CIRCA 1900
The opaque milky-beige body overlaid, acid-etched and

enamelled with thistles, the decoration with polished surface,
signed in cameo Legras and SD for Saint Denis
594
A DAUM CAMEO GLASS VASE
CIRCA 1910
The mottled body overlaid and acid-etched with overlapping

poplar branches, signed in cameo Daum Nancy with Cross of Lorraine
13 in. (34.2 cm.) high
1,000-1,500
$1,600-2,300
1,400-2,100
1,000-1,500
$1,600-2,300
1,400-2,100
LITERATURE:
Victor Arwas, Glass - Art Nouveau to Art Deco, London, 1987,

p.196 (similar described)
597
A VIBERT SYMBOLIST PATINATED BRONZE CANDLESTICK
CIRCA 1902
Modelled and cast as fgures united to reach the light, some

traces of gilt, on stepped integral bronze base, signed VIBERT
2,000-3,000
$3,100-4,500
2,800-4,200
LITERATURE:
Alastair Duncan, The Paris Salons 1895 - 1914, Vol. V: Objects

DArt & Metalware, 1994, p. 536, similar illustrated
598
A LARGE DAUM DOUBLE-OVERLAY CAMEO GLASS VASE
CIRCA 1903-14
Overlaid and acid-etched with fruit and foliage, signed in cameo

Daum Nancy with Cross of Lorraine
17 in. (45.1 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
113
601
599
603
602
599
602
AN AMPHORA EARTHENWARE OWL VASE
CIRCA 1910
DESIGNED BY EDUARD STELLMACHER, CIRCA 1900-1908
Overlaid and acid-etched with fowers and foliage, signed in

cameo Gall
6 in. (17.2 cm.) high
Modelled as an owl perched on an oak branch on a squat

globular vase with cylindrical neck, impressed Amphora, indistinct
numerals and partial monogram ES in a triangle impressed on the side
12 in. (32.7 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
600
A DAUM GLASS TABLE LAMP
CIRCA 1910
Mottled glass body, the domed shade supported on wroughtiron mounts above the baluster base, light ftments, engraved to
shade Daum Nancy with Cross of Lorraine
17 in. (44.4 cm.) high
1,500-2,500
800-1,200
$1,300-1,800
1,200-1,700
Byron Vreeland, Monsters and Maidens - Amphora Pottery of the

Art Nouveau Era, (2003) p. 159 and Richard L. Scott, Ceramics
from the House of Amphora 1890-1915, Ohio, 2004, p. 117 cat.
169 for other examples of this vase. The note to the catalogue
entry in Scotts book mentions that it was one of the animal
sculptures designed for the 1900 Exposition Universelle in Paris.
$2,300-3,800
2,100-3,500
603
AN AMPHORA EARTHENWARE STARFISH VASE
601
AN ARY BITTER (1883-1960) PATINATED BRONZE GROUP
CIRCA 1930
600
114
Modelled and cast as a reclining nude, affectionately stroking a

fawn with her foot, on a rectangular marble base, signed Ary Bitter
and with foundry seal L.N. Paris II and impressed C and 9
37 in. (95 cm. wide)
1,500-2,500
$2,300-3,800
2,100-3,500
DESIGNED BY PAUL DASCHEL, CIRCA 1900-1904
The mottled green iridescent body applied with four starfsh,

incised PD, impressed Amphora, letters and no. 3684
14 in. (37.2 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
Richard L. Scott, Ceramics from the House of Amphora 18901915, Ohio, 2004, p. 102 cat. 138 for another version of this
vase.
604
607
606
606
AN AMPHORA EARTHENWARE EXOTIC FISH VASE
DESIGNED BY EDUARD STELLMACHER, CIRCA 1900-1904
605
The iridescent body applied with a fsh amongst seaweed, incised

monogram, impressed Amphora and 4112 / 3
10 in. (26.7 cm.) high
1,000-1,500
604
A PAUL MOREAU-VAUTHIER (1871-1936) GILT BRONZE
LADY IN A GONDOLA, EARLY 20TH CENTURY
Modelled and cast as a woman sitting in a gondola garlanded

with fowers and her robes fowing over the sides, the edge of
the boat inscribed as a boxing trophy OFFERT PAR MR TH
VIENNE POUR LES CHAMPIONNATS DE FRANCE
AMATEURS DE BOXE ANGLAISE with winners dated
1919, 1920, 1921, 1922, signed P. Moreau-Vauthier,
23 in. (58.5 cm.) long
1,200-1,800
$1,900-2,700
1,700-2,500
Byron Vreeland, Monsters and Maidens - Amphora Pottery of the

Art Nouveau Era, (2003) p. 159 for another version of this vase.
Also see Richard L. Scott, Ceramics from the House of Amphora
1890-1915, Ohio, 2004, p. 98 cat. 129 and 130 for two others.
The fsh was inspired by a lithograph, published in 1895 by
Gerlach & Schenk, Vienna, illustrated in Scotts book, p. 99 cat.
131 (Bell Collection, Cat. No. 9986) and was shown at the Turin
Exhibition of 1902.
607
CIRCA 1910
Overlaid and acid-etched with tulips in bud and bloom, signed in

cameo Gall
9 in. (24.1 cm.) high
605
AN AUGUST OTTO EARTHENWARE DRAGON VASE FOR
JOHANN MARESCH
800-1,200
CIRCA 1900
608
A DAUM GLASS TABLE LAMP
Modelled as a dragon emerging from rockwork, incised signature

Aug. Otto and date 1904, impressed JM and 1688
13 in. (34.5 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
See Byron Vreeland, Monsters and Maidens - Amphora Pottery

of the Art Nouveau Era, (2003) p. 139 for two further vases of
this form.
$1,600-2,300
1,400-2,100
$1,300-1,800
1,200-1,700
CIRCA 1910
Mottled glass body, the domed and shaped shade supported on

wrought-iron mounts above the slender base, light ftments,
engraved to shade Daum Nancy with Cross of Lorraine and France
2,000-3,000
$3,100-4,500
2,800-4,200
608
115
609
A LE VERRE FRANCAIS CAMEO GLASS
ROSES TABLE LAMP
CIRCA 1920
Overlaid and acid-etched with variegatedcoloured roses, the base with a tessellated
pattern, with wrought-iron mounts and light
ftment, coloured cane mark
19 in. (50 cm.) high.
2,000-3,000
$3,100-4,500
2,800-4,200
610
A LE VERRE FRANCAIS CAMEO GLASS TABLE
LAMP
CIRCA 1920
Overlaid and acid-etched with variegatedcoloured stylised fruiting plants with polished
surface, wrought-iron mounts and light
ftment, coloured cane mark
16 in. (41.9 cm.) high approx.
2,000-3,000
609
$3,100-4,500
2,800-4,200
611
611
A LE VERRE FRANCAIS CAMEO GLASS
EUCALYPTUS TABLE LAMP
CIRCA 1920
Overlaid and acid-etched with variegatedcoloured stylised fruit and foliage with polished
surface, wrought-iron mounts and light ftment
20 in. (52.7 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
612
A MULLER FRERES DOUBLE-OVERLAY
CAMEO GLASS TABLE LAMP
CIRCA 1910
Overlaid and acid-etched with fowering

foliage, with wrought-iron mount and light
ftment, the shade and base signed in cameo Muller
Fres, Lunville
17 in. (44.7 cm.) high
2,500-3,500
610
612
$3,800-5,300
3,500-4,800
116
613
614
615
616
613
615
CIRCA 1910
CIRCA 1910
Overlaid and acid-etched with pendant fowers and foliage,

signed in cameo Gall
Overlaid and acid-etched with falling autumnal leaves, signed in

cameo Gall
1,200-1,800
1,500-2,500
$1,900-2,700
1,700-2,500
617
$2,300-3,800
2,100-3,500
614
A MULLER FRERES CAMEO GLASS SOLIFLEUR VASE
616
AN EDWARD VAN DER STRAETEN COLD-PAINTED BRONZE
617
A DAUM GLASS AND WROUGHT-IRON TABLE LAMP
CIRCA 1920
LA BELLE OTERO, CIRCA 1900
CIRCA 1910
The mottled blue, green and white glass overlaid and acidetched with trailing convolvulus, signed in cameo Muller Frs
Luneville
13 in. (34/3 cm.) high
Modelled and cast as a woman dancing, her long skirt spreading

out to form the base, signed Van Der Straeten
17 in. (44.5 cm.) high
The mottled glass shade supported on an openwork wroughtiron base applied with leaves and having scroll terminals, the
shade engraved Daum Nancy with Cross of Lorraine
15 in. (38.1 cm.) high
1,000-1,500
$1,600-2,300
1,400-2,100
1,000-1,500
$1,600-2,300
1,400-2,100
1,500-2,500
$2,300-3,800
2,100-3,500
117
618
620
621
618
A LARGE GALLE DOUBLE-OVERLAY CAMEO GLASS VASE
620
A GALLE CAMEO GLASS FIRE-POLISHED SOLIFLEUR VASE
CIRCA 1910
CIRCA 1900
Overlaid and acid-etched with clematis, signed in cameo Gall

20 in. (51.1 cm.) high
Overlaid and acid-etched with pendant redcurrants, foliage and

sinuous lines, signed in cameo with Gall in running hand
1,500-2,500
$2,300-3,800
2,100-3,500
619
A GALLE CAMEO DOUBLE OVERLAY PAYSAGE VASE
CIRCA 1910
Overlaid and acid-etched with a lake view, mountains and trees,

signed in cameo Gall
12 in. (32.5 cm.) high
2,000-3,000
619
$3,100-4,500
2,800-4,200
2,000-3,000
$3,100-4,500
2,800-4,200
621
A MULLER FRERES TRIPLE-OVERLAY CAMEO GLASS
PAYSAGE VASE
CIRCA 1920
Overlaid and acid-etched with a mountainous landscape, with

trees in the foreground and hanging branches and pinecones to
the neck, acid-etched mark Muller Fres Lunville
19 in. (50.5 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
118
VARIOUS PROPERTIES
622
A RENI SCHASCHEL, JOH. OERTEL ET CO., HAIDA AND
WIENER WERKSTTTE FROSTED AND ENAMELLED GLASS
GOBLET
CIRCA 1919
Enamelled in white and red with stylised fowers and scrolling

ribbons, unsigned
7 in. (18.4 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
PROVENANCE:
Property from the Aaron and Greta Shapiro Trust, sale Christies
New York, 11 June 1999, lot 39
The collection of Federica Beer-Monti, Vienna
The registration ledger (book of models) of the Wiener
Werkstttte lists this as model no. WWMB 61/508.
Federica Beer-Monti was a patron of the arts and keen supporter
of modernist design in Vienna. She commissioned both Egon
Schiele Gustav Klimt to paint her portrait, making her the only
person to have portraits painted by both artists. She was a close
friend of Josef Hoffmanns, and personally knew many of the
artists from the Wiener Werksttte.
623
A MATHILDE FLGL, JOH. OERTEL ET CO., HAIDA AND
WIENER WERKSTTTE ENAMELLED GLASS GOBLET
CIRCA 1920
Enamelled with a profle portrait of a lady, a bird to the reverse,

unsigned
7 in. (18.7 cm.) high
1,200-1,800
$1,900-2,700
1,700-2,500
PROVENANCE:
Property from the Aaron and Greta Shapiro Trust, sale Christies
New York, 11 June 40.
The Collection of Federica Beer-Monti, Vienna
622
623
The registration ledger (book of models) of the Wiener

Werksttte lists this as model no. WWMB 61/508.
624
A WIENER WERKSTATTE SILVER BONBONNIERE, THE FORM
DESIGNED BY JOSEF HOFFMANN AND THE DECORATION BY
BERNARD LOFFLER
1909-1917
The small round box with rounded base having a lid embossed
with a putto riding on the back of a fsh, with beaded edge, gilt
interior, stamped rose mark, WW and partial Hoffmann monogram,
Austrian silver mark
2 in. (6.4 cm.) diameter
2,500-3,500
$3,800-5,300
3,500-4,800
The object and design information is listed in the MAK archive.
W625
A GUDRUN BAUDISCH (1907-1982) WIENER WERKSTATTE
TERRACOTTA FIGURE
CIRCA 1927
624
Modelled as a kneeling woman with two bowls, coloured and

glazed, impressed 262, Made in Austria, GB and WW Wiener
Werkstatte mark
1,500-2,500
$2,300-3,800
2,100-3,500
624
624
625
119
n~*626
A LOUIS MAJORELLE (1859-1926) CARVED
WALNUT AND MARQUETRY VITRINE
CIRCA 1900
Carved top over glazed door, with central open

shelf beneath, the lower door inlaid in various
woods, including rosewood, with daisies, the
tapered supports carved with sinuous and partly
openwork foliage
71 in. (181 cm.) high; 24 in. (62.3 cm.) wide;
6,000-8,000
$9,100-12,000
8,400-11,000
*627
A TIFFANY STUDIOS ART NOUVEAU CAMEO
AND IRIDESCENT GLASS VASE OF GOURD SHAPE
CIRCA 1900
Decorated in shallow relief with fowers, stringing,

tendrils and leaves, with acid-etching and a little
hand work, signed o5061
12 in. (32.4 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
The lower case o before the number was used

on Tiffany items made to special order. See Victor
Arwas, Glass - Art Nouveau to Art Deco, London
1987, p.324
628
A DAUM CAMEO GLASS TABLE LAMP
CIRCA 1910
The shade overlaid and acid-etched with sailing

boats on a lake below a cloudy sky, the base with
aquatic foliage, apparently unsigned
16 in. (42.9 cm.) high
4,000-6,000
628
$6,100-9,000
5,600-8,300
n*629
A LOUIS MAJORELLE (1859-1926) CARVED
WALNUT, BURR MAPLE AND BURR WALNUT
MARQUETRY ETAGERE
CIRCA 1903
The upper convex marquetry door inlaid with a

landscape, above an open shelf and a pair of shaped
cupboard doors, enclosing adjustable shelves, the
frame richly carved with foliage
63 in. (162 cm.) high; 24 in. (61 cm.) wide, 17 in.
(43.2 cm.) deep
7,000-10,000
$11,000-15,000
9,700-14,000
LITERATURE:
626
Similar examples illustrated:

A. Duncan, Louis Majorelle: Master of Art Deco,
London, 1991, p. 58, fgs 13-15;
A. Duncan, The Paris Salons 1895-1914, Volume III:
Furniture, Suffolk, 1996, p. 390.
630
A JEAN VERSCHNEIDER (1872-1943) ART
NOUVEAU FIGURAL BRONZE AND ALABASTER
TABLE LAMP
CIRCA 1900
Modelled and cast as a partially draped young

woman, with traces of gilt, the alabaster shade
forming a halo, marble plinth, signed Jean
Verschneider. M 1460
26 in. (66 cm.)
3,000-4,000
$4,600-6,000
4,200-5,500
631
A MATCHED, NEAR PAIR OF ART NOUVEAU,
SILVER AND OAK PHOTOGRAPH FRAMES
MARK OF WILLIAMS (BIRMINGHAM) LTD 1903 AND H.J.
COOPER & CO LTD, BIRMINGHAM 1905
Each embossed with the head and long fowing hair

of a maiden and poppies, mounted on oak with
easel supports, bevelled glass, stamped marks
10 in. (25.5 cm.) high x 8 in. (20.5 cm.) wide (2)
2,500-3,500
$3,800-5,300
3,500-4,800
632
AN EMILE GALLE (1846-1904) MARQUETERIESUR-VERRE INTERCALAIRE VASE
CIRCA 1900
Internally decorated glass body inlaid with a trailing

stem of fowers and leaves with wheel carved details,
engraved signature Gall
10 in. (25.5 cm.) high
4,000-6,000
627
$6,100-9,000
5,600-8,300
629
120
631
633
633
A GABRIEL ARGY-ROUSSEAU (1885-1953) PTE-DE-VERRE GLASS
VASE
UMBELS, 1922
Moulded with trellis and foral roundels, signed G. Argy-Rousseau, France

7 in. (18 cm.) high
3,000-5,000
630
$4,600-7,500
4,200-6,900
LITERATURE:
J. Bloch-Dermant, G. Argy-Rousseau, Glassware as Art, London, 1991,

p. 191
632
634
n634
A GEORGES DE FEURE (1868-1943) CARVED AND PAINTED BIRCH SALON SUITE
CIRCA 1900
Comprising a settee, two armchairs and two chairs, the top rail and open work back carved
with a fower and leaves, with leaves carved on the arms, apron and front supports, with closenailed embroidered upholstery
settee: 38 in. (96.5 cm.) high; 44 in. (113 cm.) wide; 21 in. (53.5 cm.) deep;
armchairs: 38 in. (96.5 cm.) high; 22 in. (56 cm.) wide; 20 in. (50 cm.) deep;
chairs: 35 in. (90 cm.) high; 17 in. (44.5 cm.) wide; 15 in. (40 cm.) deep
(5)
5,000-7,000
$7,600-11,000
7,000-9,700
121
635
638
636
639
635
A MATCHED, NEAR PAIR OF SILVER AND OAK PHOTOGRAPH
FRAMES
637
A DAUM CAMEO GLASS AND WROUGHT-IRON TWINBRANCH TABLE LAMP
MARK OF WALKER & HALL, SHEFFIELD 1902 AND HORTON & ALLDAY,
BIRMINGHAM 1902
CIRCA 1910
The silver embossed with a peacock with trailing tail feathers

and heart shaped leaves, mounted on oak with easel supports,
bevelled glass, stamped marks and Rd.no 383029
8 in. (21 cm.) x 6 in. (16.2 cm.)
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
The bell shaped shades overlaid and acid-etched with tiger lilies
and suspended from scrolling arms, the base embellished with
gingko leaves, octagonal base, glass signed in cameo Daum Nancy
19 in. (49.5 cm.)
(3)
2,000-3,000
$3,100-4,500
2,800-4,200
638
A DAUM ENAMELLED WINTER LANDSCAPE VASE
CIRCA 1895
636
A LOUIS MAJORELLE (1859-1926) ART NOUVEAU WALNUT
AND GILT BRONZE MANTEL CLOCK
CIRCA 1900
2,500-3,500
Walnut case, the bronze dial cast with a landscape highlighted

with colours, the case and supports mounted with thistles and
leaves, with blue, rippled glass back, (with pendulum and key)
16 in. (41.5 cm.) high
639
A THEODORE RIVIERE GILT BRONZE FIGURE
4,000-6,000
LOIE FULLER, CIRCA 1900
$6,100-9,000
5,600-8,300
LITERATURE:
637
The mottled body acid-etched in relief and painted in coloured

enamels with trees in a snow covered landscape, painted signature
Daum Nancy with Cross of Lorraine
8 in. (20.6 cm.) high
Alastair Duncan, Louis Majorelle Master of Art Nouveau, London

1991, Colour plate 90, similar clock illustrated with a different
pendulum
$3,800-5,300
3,500-4,800
Cast by Susse Freres from a model, and depicting the celebrated

dancer and her fowing robes, signed Theodore Riviere, with
impressed foundry seal
10 in. (27.3 cm.) high
3,000-5,000
$4,600-7,500
4,200-6,900
122
642
640
643
641
643
A MATCHED PAIR OF SILVER AND OAK PHOTOGRAPH
FRAMES
640
A WILLIAM DE MORGAN RUBY LUSTRE VASE
CIRCA 1880
Painted with stylised scrolling foliage and buta, painted lustre

dragon to underside
13 in. (34.8 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
641
AN ARTS & CRAFTS SILVER, GLASS AND ENAMEL TANKARD
ATTRIBUTED TO JOHNSON WAKER & TOLHURST
MARK OF HENRY MATTHEWS, BIRMINGHAM 1903 AND CHESTER

1904
Each embossed with fowers and leaves, some fowers picked out
in later added soft enamels,mounted on oak with easel supports,
glass, stamped marks
7 in. x 6 in. (17.8 cm. x 17.2 cm.)
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
LONDON 1901
Glass body with silver mounts, handle and hinged cover with
red enamelled bosses, London hallmarks for 1901, no makers marks
(missing foot)
8 in. (22.2 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
642
AN AUSTRIAN SILVER AND GLASS CENTRE PIECE
644
A DEMETRE CHIPARUS (1886-1947) PATINATED BRONZE
FIGURE
CIRCA 1910
DELHI DANCER, CIRCA 1925
The green glass bowl supported by an openwork cup and base

embellished with fowers, with two lower shell form bowls,
stamped makers mark S.H. and Austrian silver mark
Modelled and cast as a young woman wearing an exotic

costume, with traces of gilt to the surface, on a brown onyx base,
base engraved Chiparus
13 in. (33.6 cm.) high
2,000-3,000
3,000-5,000
$3,100-4,500
2,800-4,200
$4,600-7,500
4,200-6,900
644
123
Property from a Private

International Collector
Lots 645-653
645
AN AFRICAN SILVER MODEL OF A BAOBAB TREE
BY PATRICK MAVROS, HARARE, ZIMBABWE, 2001
The tree on a hardwood base with gold bush fgures crouching on the base and a
topaz stone symbolising a fre, the base signed BUSHMAN BAOBAB 1, Patrick
Mavros, PM 27.3.2001
6,000-9,000
$9,100-14,000
8,400-12,000
645
646
647
646
A PAIR OF ZIMBABWEAN SILVER MODELS OF SAND GROUSE
647
A PAIR OF AFRICAN SILVER LEOPARD TORTOISE
BY PATRICK MAVROS, 2009
One modelled seated, each with hallmarks to the underside for Patrick Mavros and dated 2009
Largest 3 in. (7.5 cm.) high; 8 in. (20 cm.) long
(2)
The tortoise modelled retracted in their shells, the underside to each with hall marks for Patrick
Mavros, Harare, 2000
(2)
2,000-3,000
124
$3,100-4,500
2,800-4,200
1,500-2,500
$2,300-3,800
2,100-3,500
648
AN AFRICAN SILVER MODEL OF AN
ELEPHANT
BY PATRICK MAVROS, 21ST CENTURY
Mounted on an ebony gnarled wood

base, the elephant with hallmarks for
Patrick Mavros
8 in. (20.5 cm.) high
600-900
$910-1,400
840-1,200
649
A LARGE AFRICAN SILVER MODEL
OF A BULL ELEPHANT
BY DAVID SCHAEFER (1949-2012), 1987
The elephant modelled with his

trunk down, on a bronze naturalistic
base with cast signature D. Shaefer
copyright, 1987. 2/50
18 in. (45.5 cm.) high; 26 in. (66 cm.)
long
648
10,000-15,000 $16,000-23,000
14,000-21,000
649
650
A SILVER FIGURE OF A GORILLA
ENTITLED THE CHAIRMAN
BY PATRICK MAVROS, HARARE,
ZIMBABWE, 2009
Modelled breaking a cane branch in

half and roaring, with cast signature
to the back of the right foot Patrick
Mavros/Harare 09
12 in. (33 cm.) high; 9 in. (23.5 cm.)
wide
6,000-9,000
$9,100-14,000
8,400-12,000
651
AN AFRICAN SILVER MODEL OF A
FEMALE GORILLA AND HER BABY
BY PATRICK MAVROS, HARARE,
ZIMBABWE, CIRCA 2000S
The mother modelled seated on

he haunches her outstretched arm
supporting the baby, both with hall
marks PM for Patrick Mavros
7 in. (19 cm.) high
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
651
650
652
A PAIR OF AFRICAN SILVER ADOLESCENT GORILLAS AT PLAY
BEARING HALLMARKS AND MAKERS MARKS FOR PATRICK MAVROS,HARARE, ZIMBABWE 2011
One modelled somersaulting, the other trying to catch his foot with an outstretched hand
6 in. (15 cm.) high; 15 in. (38 cm.) (width of group together)
2,000-4,000
(2)
$3,100-6,000
2,800-5,500
653
653
AN AFRICAN SILVER MODEL OF A FEMALE GORILLA AND HER BABY
The gorilla seated with the baby on her back, with cast signature and date to the inside of the
foot 1.6.2011/ Patrick Mavros PM/ Harare
6 in. (17 cm.) high
652
2,000-3,000
$3,100-4,500
2,800-4,200
654 No Lot
125
VARIOUS PROPERTIES
l655
A FRENCH PINK EPOXY RESIN OF A
HOWLING WOLF
2014, BY RICHARD ORLINSKI
Prism cut, with a silvered metal plaque

mounted to the underside of the body with
artist signature and edition number
Together with a boxed limited edition book
and catalogue of the artists work
(2)
7,000-10,000
$11,000-15,000
9,700-14,000
PROVENANCE:
Acquired by the vendor directly from the artist.

A larger, similar epoxy model of a panther
by Orlinski, also from an edition of 8, was
sold at Louiza Auktion & Associs, Belgium,
Saturday, June 14, 2014 , lot 234, price realised
110,000.
n656
TWO REGIMENTAL DRUM AND GLASS
OCCASIONAL TABLES
LATE 20TH CENTURY
The modern drums made for the Lifeguards

and the Highland regiments with brass supports
and glass tops
20 in. (51 cm.) high; 24 in. (61 cm.) diameter (2)
2,000-4,000
$3,100-6,000
2,800-5,500
n657
A LARGE ITALIAN RED JASPER AND BRASS LOW TABLE
MID-20TH CENTURY
Of rectangular form, with brass stretcher

4,000-6,000
126
$6,100-9,000
5,600-8,300
658
659
nW658
A TRUNK IN NATURAL COW HIDE
659
A DAMIER CANVAS MANS HAT BOX
LOUIS VUITTON, 20TH CENTURY
LOUIS VUITTON, LATE 19TH / EARLY 20TH CENTURY
Leather and brass bound, with leather handles and the monogram PGV and a crown to either end,
mounted on casters, the interior lined in ivory linen, the padded lid studded with ribbon taping
12 x 40 x 21 in. (32 x 101.5 x 53.5 cm.)
The lock numbered 028435
Bound in leather, with leather handle to top, the interior lined in ivory linen with one removable
tray, the base with two red cord cross straps and one red canvas cross strap
12 x 14 x 11 in. ( 31 x 36 x 29 cm.)
The interior label numbered 44406
1,200-1,500
800-1,200
$1,900-2,300
1,700-2,100
$1,300-1,800
1,200-1,700
n*660
A STEAMER TRUNK IN GREY CANVAS
LOUIS VUITTON, LATE 19TH CENTURY
With wood ribs and leather strapping, the top with applied brass plaque H.H. Princess Victoria of
Schleswig Holstein, metal carrying handles to each side, old shipping labels to one side Registered
via Outred and London (Victoria) to Koln, the interior with label numbered 108549 and ribbon
cross tufted lid, the lock numbered 08298
1,500-2,500
$2,300-3,800
2,100-3,500
Princess Helena Victoria of Schleswig Holstein (1870-1948) was a grand-daughter of Queen Victoria.
Her father was Prince Christian of Schleswig-Holstein and her mother, The Princess Helena was the
ffth child of Queen Victoria and Prince Albert. The present lot dates to before 1917 when George V
changed the name of the British Royal House to the House of Windsor and the territorial designation
of Schleswig-Holstein ceased to be used in titles.
660
660 (Label)
662
661
n661
A GROUP OF THREE FRENCH SHOP
MANNEQUINS
n662
A GRAINED PINE SADDLE-HORSE
EARLY 20TH CENTURY
Each with silk and velvet upholstered bodies

with wooden tops and brass fnials, and with
ebonised boots with studded decoration
(3)
Painted to simulate oak, the gabled top hinges

open and with a drawer at each end, above a
shelf and with cupboard below
46 in. (118 cm.) high; 48 in. (122 cm.) long;
14 in. (36 cm.) deep (at top)
1,500-2,500
2,000-3,000
$2,300-3,800
2,100-3,500
LATE 19TH CENTURY
$3,100-4,500
2,800-4,200
127
663
A PIERRE LE FAGUAYS (1892-1935) POLISHED BRONZE
FIGURE
MESSAGE OF LOVE, CIRCA 1930
Cast from a model and depicting a female fgure holding a dove,

on marble plinth, signed Le Faguays, Etling Paris
17 in. (45.5 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
664
ARGENTINE INTEREST:- AN ITALIAN SILVER AND ENAMEL
ART NOUVEAU SHOOTING PRIZE CIGARETTE CASE WITH
VESTA CASE AND PENCIL EN SUITE
MARK OF AUGUSTIN GEROSA, MILAN, CIRCA 1903
Made for the Tiro Federal Argentino, Buenos Aires for the 7th
World Shooting Championship held in Buenos Aires in 1903,
the cigarette case depicting a Classical girl holding a rife and
contemplating the holes in a target, smoke swirling around her
and the TFA building in the background, the bottom right
corner with badge of TFA and a leaf spray above Concurso
Interncional 1903, gilt interior, the vesta case depicting TFA
badge, a rife, the TFA building and swirling Art Nouveau
fowers, the pencil similarly decorated
Cigarette case 3 in. wide (8 cm.)
(3)
2,000-2,500
$3,100-3,800
2,800-3,500
The Tiro Federal Argentino was a Buenos Aires-based institution for

the sport of shooting, founded in 1891. The 7th World Shooting
Championship, an annual event, was held in Buenos Aires in 1903
for the worlds National Shooting Federations and Associations.
666
665
A PAIR OF WMF TWIN-HANDLED SILVERED METAL AND
GLASS URNS
CIRCA 1910
Each tapering and faceted glass liner having a metal collar and
supported in openwork mount with Griffns and foliage, stamped
makers marks, model number 11141
18 in. (45.8 cm.) high
(2)
1,000-1,500
$1,600-2,300
1,400-2,100
663
666
A LARGE SILVER AND MAHOGANY PHOTOGRAPH FRAME
MARK OF A & J ZIMMERMAN, BIRMINGHAM 1904
Of shield shape, embossed with leaves and fowers on a textured

ground, the fowers picked out with later added soft enamels,
mounted on mahogany with easel support, bevelled glass,
stamped marks, Rd. No. 41674
2,500-3,500
$3,800-5,300
3,500-4,800
~667
A ROLAND PARIS (1894-1945) COLD-PAINTED BRONZE AND
IVORY FIGURE
664
MEPHISTOPHELES, CIRCA 1930
Modelled, cast and carved as the Faustian character, on hewn

marble base, apparently unsigned
Total height 26 in. (66.5 cm.)
3,000-5,000
$4,600-7,500
4,200-6,900
668
A FINZI SILVER VASE
2ND HALF 20TH CENTURY
Fashioned as a shell and star fsh set with a carnelian cabochon,

stamped 800 Finzi
6 in. (15.5 cm.)
1,000-1,500
$1,600-2,300
1,400-2,100
669
A LARGE FINZI SILVER SWAN CENTRE PIECE
2ND HALF 20TH CENTURY
Fashioned as a swan, with carnelian eyes, raised on an undulating

base, stamped Finzi 800 and faint city mark
23 in. 60.3 cm.) wide; 11 in. (28 cm.) high
4,000-6,000
665
$6,100-9,000
5,600-8,300
667
128
669
668
670
671
670
A PAIR OF SILVER-GILT AND RASPBERRY RED
ENAMEL TUMBLERS
MARK OF GERALD BENNEY, LONDON, 1970
3 in. (8.5 cm.)

2,000-2,500
(2)
$3,100-3,800
2,800-3,500

671
AN ANDRE THURET (1898-1965) GLASS
VASE
CIRCA 1950
n672
ELIZABETH GAROUSTE (B.1946) AND MATTIA BONETTI
(B.1953)
672
A DINING TABLE
Heavy bubble suffused vase with dimpled sides,

engraved ANDRE THURET
7 in. (18.4 cm.) high
Glass, bronze and ebonised wood, initials cast in the bronze

elements
deep
3,000-5,000
2,000-3,000
$4,600-7,500
4,200-6,900
$3,100-4,500
2,800-4,200
129
l673
ROMAIN DE TIRTOFF ERT (RUSSIAN, 1892-1990)
Stage design with singers

bodycolour and metallic paint on paper
4 x 7 in. (11.4 x 19.7 cm.)
1,200-1,800
$1,900-2,700
1,700-2,500
674
A VERY STYLISH SILVER-MOUNTED COMPOSITION AND
PALE GREEN ENAMEL DRESSING TABLE SET
MARK OF ALBERT CARTER, BIRMINGHAM, 1935
The translucent enamel over engine-turning and decorated with

composition panels or handles simulating slate and decorated
with trios of silver-edged composition fsh blowing bubbles,
comprising:- a dressing table mirror with arched top and green
leather easel back, a pair of hair brushes, another pair smaller,
hand-mirror, comb, button-hook, trinket box, powder box and
cologne bottle, in green leather travelling case initialled M.L.F.
1,700-2,000
$2,600-3,000
2,400-2,800
675
A DAUM DOUBLE OVERLAY CAMEO GLASS TABLE LAMP
CIRCA 1910
Overlaid and acid-etched with trees in a watery landscape, the

shade signed in cameo Daum Nancy with Cross of Lorraine
16 in. ( 42.5 cm.) high
3,500-5,500
$5,300-8,300
4,900-7,600
D676
A MULLER CROISMARE FLUOGRAVURE CAMEO,
ENAMELLED AND WHEEL CARVED VASE
CIRCA 1910
Acid-etched in relief with a shepherdess, her hair and dress wheel

carved, with two sheep, standing beside a tree, painted in colours
and with slight iridescent sheen to the background, signed Muller
Croismare (restoration to foot)
11 in. (29.2 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
n677
AN ART DECO WALNUT, AMBOYNA AND MARBLE-TOPPED
SIDEBOARD
CIRCA 1930, FRENCH OR ITALIAN
The rectangular breche violette marble top above a slide, with two
hinged doors and a central sliding door, each enclosing a shelf,
the exterior naturalistically carved to resemble bark
31 in. (78.5 cm.) high; 71 in. (182 cm.) wide; 17 in. (43.5 cm.)
deep
3,000-5,000
$4,600-7,500
4,200-6,900
130
679
678
680
681
l678
ROMAIN DE TIRTOFF ERT (RUSSIAN, 1892-1990)
La M(me Crevette
signed Ert (lower right)
pencil and bodycolour on paper
13 x 10 in. (34.9 x 26.1 cm.)
1,200-1,800
$1,900-2,700
1,700-2,500
679
A PIERRE LE FAGUAYS (1892-1935) PATINATED BRONZE FIGURE
CIRCA 1920
Cast from a model and depicting a reclining naked woman, signed P. Le Faguays
3,000-5,000
$4,600-7,500
4,200-6,900
680
STRETCHING PANTHER A BRACQUEMOND PATINATED BRONZE MODEL
CIRCA 1925
Modelled and cast as the sleek feline stretching with jaw open, with variegated patination, on slate
base, engraved Bracquemond
20 in. (52. 7 cm.) long
3,000-5,000
681
A DAUM ENAMELLED GLASS VASE
CIRCA 1905
The mottled glass body painted in coloured enamels with a summer landscape, with a duck fying
over a lake, with trees on the sides of the banks and a village in the distance, enamelled Daum Nancy
with Cross of Lorraine
13 in. (33,3 cm.) high
2,000-3,000
682
$4,600-7,500
4,200-6,900
$3,100-4,500
2,800-4,200
n682
ERNEST BOICEAU (1881-1950)
A COFFEE TABLE, CIRCA 1930
Oak and lacewood, with a radially veneered circular top, stamped E. Boiceau
3,000-5,000
$4,600-7,500
4,200-6,900
131
685
683
684
683
A CLAIRE-JEANNE-ROBERTE COLINET (1880-1950) GILT AND
COLD-PAINTED BRONZE
686
THEBAN DANCER, CIRCA 1925
Cast from a model and depicting a woman wearing an exotic

costume, head band and beads, on a stepped marble base with
Egyptian frieze, engraved Cl. J.R. Colinet
5,000-7,000
$7,600-11,000
7,000-9,700
LITERATURE:
Similar examples illustrated: V. Arwas, Art Deco Sculpture,

London, 1992, p. 78; B. Catley, Art Deco and Other Figures,
Suffolk, 1978, 115.
684
A DAUM ART DECO GLASS VASE
CIRCA 1925
Acid-etched in relief with vertical bands of semi-circular motifs,

signed Daum Nancy France with Cross of Lorraine
2,500-3,500
$3,800-5,300
3,500-4,800
687
W686
A DAUM ART DECO CAMEO GLASS TABLE LAMP
CIRCA 1925
The glass overlaid and acid-etched with orange stylised foliage,

the top surfaces further embellished with speckling, shade
engraved Daum Nancy with Cross of Lorraine
17 in. (44.5 cm.) high
685
A ST. LOUIS ETCHED OVERLAY GLASS DISH
CIRCA 1920S
Overlaid and in blue and etched with stylised trailing tulips, acidetched mark Cristaux dArt St Louis within lozenge
15 in. (39.5 cm.) diam.
5,000-7,000
2,000-3,000
PROVENANCE:
$3,100-4,500
2,800-4,200
Editions Graphique, 1988
$7,600-11,000
7,000-9,700
n687
JACQUES ADNET (1900-1984)
A COFFEE TABLE, 1930S
Black lacquer, gilded wood, and inset black glass top

17 in. (45 cm.) high; 63 in. (160 cm.) wide; 25 in. (64.5 cm.)
deep
4,000-6,000
$6,100-9,000
5,600-8,300
132
690
689
691
A GABRIEL ARGY-ROUSSEAU (1885-1953)
PATE-DE-VERRE PLAFONNIER
GROSSE FLEUR, 1923
Moulded as a large fower head, with chains

and ftments for suspension, signed in the mould
G. Argy Rousseau
3,000-5,000
688
$4,600-7,500
4,200-6,900
LITERATURE:
688
A DEMETRE CHIPARUS (1886-1947)
PATINATED AND COLD-PAINTED BRONZE
Similar example illustrated:

J. Bloch-Dermant, G. Argy-Rousseau, Glassware
as Art, London, 1991, p. 194.
FEMME A LA PALME, CIRCA 1930
Cast from a model and depicting a barebreasted woman holding a large palm leaf
above her head, mounted on stepped slate base,
engraved Chiparus, Etling Paris, stamped bronze
8,000-12,000
$13,000-18,000
12,000-17,000
691
689
EDOUARD-WILFRED BUQUET (B.1886)
ADJUSTABLE DESK LAMP, CIRCA 1920S
Nickel plated metal, adjustable at three points,

with two counter weights, weighted base with
switch
45 in at full stretch
2,000-3,000
$3,100-4,500
2,800-4,200
690
AN ALMERIC WALTER (1870-1959) AND
HENRI BERGE (1868-1936) PATE-DE-VERRE
PAPERWEIGHT
TWO LIAZRDS, CIRCA 1920
Depicting two lizards entwined, on a leaf

strewn base, signed in the mould A Walter Nancy,
Berg Sc
2,500-3,500
$3,800-5,300
3,500-4,800
n692
A PAIR OF ART DECO ARMCHAIRS
692
EARLY 20TH CENTURY
Figured mahogany and upholstery, each with a curved raked

back and squab cushion
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
693 No Lot
133
134
n694
ITALIAN SCHOOL
A DESK, 1950S
Oak, with glass supports and a gilt-bronze stretcher, with four

pedestal drawers
deep
2,000-3,000
$3,100-4,500
2,800-4,200
n695
VITTORIO DASSI (ATTRIBUTED TO)
698
A WALL UNIT, 1960S
Indian rosewood, gilt-brass and steel, comprising an arrangement

of interchangeable cabinets, drawers and shelves
80 in. (204.5 cm.) high; 165 in. (419 cm.) wide; 16 in. (42
cm.) deep
4,000-6,000
$6,100-9,000
5,600-8,300
n696
ICO PARISI (1916-1996)
A SET OF EIGHT ARMCHAIRS, MODEL NO. 814
Circa 1961, for Cassina, walnut frames with show-joint arms

and chamfered legs, black leather upholstery and gilt-metal feet,
manufacturers paper label Figli di Amedeo Cassina / 20036Meda
(Milano) Italy
(8)
4,000-6,000
$6,100-9,000
5,600-8,300
701
n697
SILVER LININGS WORKSHOP
A DINING TABLE, CIRCA 2003
Macassar ebony, quartered walnut, silver inlay, black lacquer

and black fossil marble base, inset and hallmarked manufacturers
silver label
29 in. (75 cm.) high; 121 in. (308.5 cm.) long; 47 in. (120
cm.) deep
4,000-6,000
$6,100-9,000
5,600-8,300
698
MARK BRAZIER-JONES (B.1956)
PAIR OF OLYMPIA WALL APPLIQUES, CIRCA 1990
Patinated metal, burnished copper and glass, light ftments

29 in. (74.3 cm.) high
2,000-3,000
(2)
$3,100-4,500
2,800-4,200
699
ZODIAC TEA-LIGHT CANDLE HOLDER
Patinated metal, bronze and glass, the glass cabochon with

stenciled Taurus emblem
11 in (28 cm.) across
700-1,000
$1,100-1,500
970-1,400
n700
ZODIAC MIRROR, CIRCA 1990S
Bronze, glass cabochons with stenciled zodiac emblems,

mirrored centre
38 in. (96.5 cm.) diameter
4,000-6,000
$6,100-9,000
5,600-8,300
701
OLYMPIA CANDLESTICK, 1990
Patinated metal, burnished copper and glass, Mark Brazier-Jones

1990
27 in. (68.5 cm.) high
800-1,200
$1,300-1,800
1,200-1,700
n702
FLOOR LAMP, 1993
Patinated metal, glass and bronze, light ftments, signed Mark

Brazier-Jones 1992
98 in. (250 cm.) high
2,000-3,000
700
702
$3,100-4,500
2,800-4,200
135
n703
A SET OF FOUR ALUMINIUM AND BRASS SHIPS CARGO
LIGHTS
MID-20TH CENTURY
Each conical frame with a large rectangular rear bracket

17 in. (45 cm.) diameter; 21 in. (54 cm.) long
1,500-2,500
(4)
$2,300-3,800
2,100-3,500
704
A NOVELTY BRASS TOBACCO JAR
LATE 19TH CENTURY
Modelled as mooring bollard, tied with rope, with nautical

trophies including anchors and chains applied overall, with
hinged cover opening to reveal a brass liner for storage
10 in. (27.5 cm.) high
1,500-2,500
$2,300-3,800
2,100-3,500
n705
A LARGE PAIR OF MALACHITE OBELISKS
MODERN
Of typical form
(2)
1,500-2,000
$2,300-3,000
2,100-2,800
n707
A BRONZE, GILT-BRONZE AND MALACHITE CENTRE TABLE
n706
A PAIR OF MALACHITE VENEERED TABLE TOPS
OF RUSSIAN EMPIRE STYLE, OF RECENT MANUFACTURE
2,000-3,000
(2)
$3,100-4,500
2,800-4,200
The circular top with a gilt bronze gallery supported by four futed legs applied with winged female
caryatids on an ebonised platform centered by a malachite urn
8,000-12,000
$13,000-18,000
12,000-17,000
136
n708
A MONUMENTAL EXHAUST HOLOPHANE LAMP FROM A BAE
146
21ST CENTURY
On a stainless steel adjustable stand, the head sanded and heat

treated to create the colourful surface
86 in. (220 cm.) high; 36 in. (92 cm.) width; 30 in. (78 cm.)
deep
5,000-8,000
$7,600-12,000
7,000-11,000
n709
A BOEING 747 FUSELAGE SECTION AS WALL CLOCK
21ST CENTURY, BY FALLEN FURNITURE
With an acrylic face and FF monogram

deep
1,000-1,500
$1,600-2,300
1,400-2,100
n710
A GLASS-TOPPED COFFEE TABLE MADE FROM A BOEING 777 ALUMINIUM
WHEEL
With visible nuts and vents with the makers logo BOEING below the glass top
3,000-5,000
n711
A PAIR OF STEEL AND BRASS PROPELLER OCCASIONAL
TABLES
n712
AN ALUMINIUM MODEL OF A THUNDERCHIEF AEROPLANE
MODERN
On an integral curved stand

With glass tops, the propellers stamped SPA and set in steel
frame, with curved stretchers
25 in. (64.5 cm.) high; 19 in. (49.5 cm.) diameter
(2)
2,000-3,000
$3,100-4,500
2,800-4,200
$4,600-7,500
4,200-6,900
MID-20TH CENTURY
1,000-1,500
$1,600-2,300
1,400-2,100
137
n713
A SET OF FOUR POUL HENNINGSEN (1894-1967) OUTDOOR
PATINATED AND PAINTED COPPER WALL LAMPS
DESIGNED 1927
Main shade connected to graduated hoops, on tubular support,

arm and circular wall fxing
deep
(4)
2,000-4,000
$3,100-6,000
2,800-5,500
714
GUNIL NYMEN (1909-1947)
SERPENTINE VASE, DESIGNED 1947, MADE 1958
Cased glass, internally decorated with a ribbon of white glass that

spirals at the base, engraved Gunil Nyman NuutajNrvi Notsj) -58
16 in. (42 cm) high
3,000-4,000
$4,600-6,000
4,200-5,500
n715
CHARLES (1907-1978) AND RAY (1912-1988) EAMES
n716
POUL KJAERHOLM (1929-1980)
n717
POUL KJAERHOLM (1929-1980)
A PAIR OF 670 LOUNGE CHAIRS AND 671 OTTOMANS
A PAIR OF PK-22 LOUNGE CHAIRS
A PK-33 STOOL
Designed 1957, these examples later manufactured by Vitra,

ebonised wood, leather upholstery and enamelled steel, with
applied manufacturers label
(4)
Designed 1956, these examples later produced by Fritz Hansen,

brushed and polished steel, stitched black leather upholstery,
applied manufacturers label
(2)
3,000-5,000
3,000-5,000
Designed 1959, this example later manufactured by Fritz

Hansen, brushed and polished steel, acrylic feet, and black leather
upholstery, applied manufacturers label to the underside
14 in. (35.5 cm.) high; 20 in. (51 cm.) diameter
$4,600-7,500
4,200-6,900
$4,600-7,500
4,200-6,900
1,200-1,800
$1,900-2,700
1,700-2,500
138
718
ALVAR AALTO (1898-1976)
A LARGE DISH, MODEL 9745, DESIGNED 1936, EXECUTED 1950S
Produced by Karhulan Lasitehdas, mould-blown glass

1,500-2,000
$2,300-3,000
2,100-2,800
LITERATURE:
Similar example illustrated:

M. Eidelberg, What Modern Was: Design 1935-1965, New York,
1991, p. 96.
719
TWO GEORG JENSEN SILVER BOWLS AND A CIGAR LIGHTER
20TH CENTURY
Comprising: a bowl designed by Harald Nielsen, with

openwork stem of leaves and bunches of berries, makers marks
for 1933-44 and HN monogram, 775, import mark for London 1936;
a Cigar lighter in the form of an oil lamp designed by Georg
Jensen, makers marks for 1919-27; together with a bowl with leaf
and berry openwork stem designed by Johan Rohde, Post War
makers marks, JR monogram, 17 b
First bowl 5 in. (13.3 cm.) high; 7 in. (18 cm.) diameter
(3)
2,000-3,000
$3,100-4,500
2,800-4,200
720
A GEORG JENSEN ACANTHUS PATTERN SILVER CUTLERY SET
DESIGNED BY JOHAN ROHDE, IN A MAHOGANY CANTEEN
ON STAND
MARK OF GEORG JENSEN, DENMARK, POST-WAR MARKS
The canteen having four drawers, the set comprising: 8 dinner

knives, 7 smaller knives, 8 large forks, 8 smaller forks, 8 fsh
knives, 8 pudding spoons, 8 soup spoons, 6 snail forks, 4 fruit
knives, 12 demi-tasse spoons, 10 coffee spoons, 11 tea spoons,
12 cake forks, 1 sardine fork and 1 sardine slotted spoon, 1 meat
fork, 4 small serving spoons and 4 large serving spoons (various
shapes), 2 serving spoons with stainless steel bowls, a pair of salad
servers, 2 ladles, 1 oval slice and I round slice, 1 large and one
small serving knife, 1 mustard spoon, 1 bottle opener, a pair of
sugar tongs, a pair of nut crackers, 2 salt spoons, 2 small knives,
2 toddy spoons, 2 butter knives, I pickle fork and a caddy spoon,
stamped marks
Chest on stand 29 in. (75 cm.) high; 21 in. (53.5 cm.) wide;
(144)
6,000-8,000
$9,100-12,000
8,400-11,000
n721
MRTA MAAS-FJETTERSTRM (1873-1941)
A RENAISSANCE TAPESTRY, DESIGNED 1913-1919, EXECUTED
BEFORE 1941
executed by MNrta M33s-Fjetterstr)m workshop, hand-woven

wool, fat-weave
signed in the weave MMF
3,000-4,000
$4,600-6,000
4,200-5,500
139
n722
FONTANA ARTE
CEILING LIGHT, CIRCA 1955
Glass, brass painted metal

37 in, (94 cm.) drop; 22 in. (57 cm.) diameter
2,500-3,500
$3,800-5,300
3,500-4,800
723
AN ARCHIMEDE SEGUSO (1909-1999)
AVENTURINE GLASS LAMP
20TH CENTURY, MURANO
Of lobed form, unsigned

24 in. (62.6 cm.) high
2,000-3,000
$3,100-4,500
2,800-4,200
n724
A PAIR OF ITALIAN GILT-BRASS AND MOULDEDGLASS MIRRORS
BY BAROVIER, SECOND HALF 20TH CENTURY
Each with a rectangular plate, the circular threesection frames futed and spiral-moulded, stamped
BAROVIER-TOSO / MURANO
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
n725
A CHROMIUM-PLATED ADJUSTABLE FLOOR
LAMP
MID-20TH CENTURY
With an upright stem supporting globular frame

with concentric rings
70 in. (178 cm.) high
1,500-3,500
$2,300-5,300
2,100-4,800
n726
CASABLANCA AN ETTORE SOTTSASS (19172007) FOR MEMPHIS LAMINATE ETAGERE
1981
The central cabinet ftted with drawers and shelves,

crowned and fanked by angular shelves, metal plaque
inscribed MEMPHIS Made in, Italy / Milano / Ettore
Sottsass / 1981 No 22
90 in. (229. cm. high; 63 in. (161.2 cm.) wide, 14
in. (36.8 cm.) deep
3,000-5,000
$4,600-7,500
4,200-6,900
See the example sold Christies New York East, 8

December 1998, lot 282.
140
727
A SWISS GILT-BRASS ATMOS CLOCK
JAEGER LECOULTRE, SWITZERLAND, LATE 20TH
CENTURY, NO. 664950, CALIBRE 540
The case of typical form with two forms of

pendulum lock and adjustable feet, gilt-brass
Arabic quarters to the chapter ring, with
torsion pendulum; together with its original
packaging
9 in. (23 cm.) high; 7 in. (19.5 cm.) wide; 6 in.
(15 cm.) deep
1,000-1,500
$1,600-2,300
1,400-2,100
n728
FONTANA ARTE
MIRROR, CIRCA 1960
Tinted glass back with curves sides, brass

mounts, circular glass mirror
40 in. (102 cm.) high x 25 in. (64 cm.) wide
3,000-5,000
$4,600-7,500
4,200-6,900
n729
A PAIR OF BRUSHED STEEL AND BRASSPLATED LOW TABLES
The tops inset with a blue mirrored glass panel

19 in. (50 cm.) high;
23 in. (60.5 cm.) square
(2)
1,500-2,000
$2,300-3,000
2,100-2,800
n730
GEORGE NAKASHIMA (1905-1990)
A DESK, CIRCA 1959
Solid cherrywood top with one free edge,

tapering supports and three pedestal drawers,
inscribed twice in red Clifford
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
Commissioned by Mr. Wm. Clifford, 74

MacDougal Street, New York 12, N.Y. at the
cost of $150.
n731
PAULO BUFFA (1903-1970), ATTRIBUTED TO
A PAIR OF LOUNGE CHAIRS, 1940S
Beech frame and grey upholstery
1,500-2,500
(2)
$2,300-3,800
2,100-3,500
141
732
732
732
732
THREE POLISHED SEMI-PRECIOUS STONE SPECIMENS
Comprising a section of amethyst, malachite and labrodite

Largest: 18 in. (47 cm.) long; 5 in. (12.5 cm.) high
1,500-2,500
(3)
$2,300-3,800
2,100-3,500
733
A LARGE SPECIMEN OF LAPIS LAZULI
The freeform polished on all sides

7 in. (8. 5 cm.) high; 22 in. (56 cm.) long
3,000-5,000
$4,600-7,500
4,200-6,900
733
n734
AN ELECTRO-MECHANICAL SPACE
EXPLORER PINBALL MACHINE
BY NORDOMATIC OF VERONA, ITALY, CIRCA 197579
Artwork by Michele Mike Martinelli, the

backglass depicting astronauts with a stars and
stripes background
67 in. (172.5 cm.) high; 22 in. (56 cm.) wide;
52 in. (132 cm.) deep
1,200-1,800
$1,900-2,700
1,700-2,500
735
734
n735
A FOOTWORKS ARROWS FORMULA 1 CARBON, ALUMINIUM
AND MAGNESIUM DEVELOPMENTAL MODEL
n736
AN ELECTRO MECHANICAL DANCING LADY PINBALL
MACHINE
DATED 25TH APRIL 1990
BY GOTTLIEB, CIRCA 1966
With applied Footworks label, on a later chromed stand with a

stretcher
40 in. (102 cm.) high; 61 in. (155.5 cm.) long; 29 in. (75 cm.)
wide
Designed by Ed Krynski and the artwork by Art Stenholm,

the reproduction back glass depicting a theatrical scene with a
crowded theatre and dancer
67 in. (170 cm.) high; 53 in. (134.5 cm.) deep; 29 in. (74 cm.)
wide
6,000-9,000
$9,100-14,000
8,400-12,000
This model would have been used for developmental testing in a

wind-tunnel.
1,500-2,500
$2,300-3,800
2,100-3,500
736
142
737
n737
A PAIR OF FRENCH GREEN-PAINTED IRON AND BRASS FOUR-LIGHT WALLAPPLIQUES
n738
A SPANISH SILVERED METAL POMEGRANATE HANGING DECORATION
MID-20TH CENTURY
Modelled as tiered chains of pomegranates

54 in. (139 cm.) high
The back plates of stylized lyre form, issuing four brass supports with ball knops
and light ftments
32 in. (81 cm.) high; 20 in. (51 cm,.) wide; 9 in. (23.5 cm.) protrusion
(2)
1,500-2,500
MID-20TH CENTURY
1,000-1,500
$1,600-2,300
1,400-2,100
$2,300-3,800
2,100-3,500
n739
A PAIR OF FRENCH MOULDED GLASS STANDARD LAMPS
MID-20TH CENTURY, IN THE STYLE OF BACCARAT
Of swirled form with brass ftments, each on a domed circular

base, with white pleated lampshades
61 in. (155 cm.) inc. lamp ftment
(2)
3,000-5,000
$4,600-7,500
4,200-6,900
n740
A PAIR OF ALUMINIUM PROPELLER BLADES FROM A
HERCULES
MID 20TH CENTURY
Each mounted on a circular base

738
3,000-5,000
n741
AN ENGLISH SATINWOOD-BANDED MAHOGANY SNOOKER/
DINING TABLE
(2)
$4,600-7,500
4,200-6,900
739
741
BY SIR WILLIAM BENTLEY, LATE 20TH CENTURY
With a panelled mahogany top swivelling over to reveal a green

baize-lined snooker table, a brass makers stamp at one short end,
the accessories including a scoreboard, ball stand, three cues, a
rest, a cue holder, brush, two triangles, a full set of snooker balls
and a full set of pool balls
As a dining table: 30 in. (76 cm.) high; 99 in. (252.5 cm.) long;
58 in. (147.5 cm.) deep
As a snooker table: 34 in. (88.5 cm.) high; 89 in. (226 cm.) long;
46 in. (118 cm.) deep
2,000-4,000
$3,100-6,000
2,800-5,500
143
n742
A SET OF THREE ITALIAN BRASS AND CERAMIC LOW TABLES
BY TOMMASO BARBI, CIRCA 1970
With smoked mirrored glass-inset tops, comprising a pair of tables and a larger table
The pair: 18 in. (47 cm.) high; 31 in. (79 cm.) square
The single: 14 in. (38 cm.) high; 59 in. (151 cm.) wide; 31 in. (79 cm.) deep
2,000-3,000
(3)
$3,100-4,500
2,800-4,200
n743
ARNE JACOBSEN (1902-1971)
n744
A PAIR OF WALNUT AND CHROME CABINETS
A MATCHED SET OF TWELVE SEAGULL CHAIRS
BY SENIOR & CARMICHAEL, LATE 20TH CENTURY
Designed 1969, for Fritz Hansen, chromed steel and leather upholstery, impressed manufacturers
marks
(12)
Each with an open central shelf fanked by eight further shelves, of which four are adjustable, on an
ebony-veneered stand
(2)
4,000-6,000
$6,100-9,000
5,600-8,300
4,000-6,000
n745
A FRENCH WROUGHT AND CAST IRON LOW TABLE
With inset travertine marble top, the frame with chain-link style
motif
18 in. (46.5 cm.) high; 41 in. (104 cm.) square
2,000-3,000
$3,100-4,500
2,800-4,200
PROPERTY OF A GENTLEMAN
n746
A MODERNIST STYLE DINING TABLE
MID-20TH CENTURY
Black lacquered composite wood, black-painted and brushed

and polished steel, the top and base probably associated
28 in. (72 cm.) high; 126 in. (320 cm.) long; 43 in. (110 cm.)
deep
2,000-4,000
$3,100-6,000
2,800-5,500
End of Sale
144
$6,100-9,000
5,600-8,300
Out of the Ordinary

London, South Kensington 15 September 2015
Contact
Kate Summers
ksummers@christies.com
+44 (0) 20 7752 3136
christies.com
WOODBURY HOUSE, MONT PELLIER

AND GLEBE HOUSE
Three Country House Collections
London, South Kensington 17 June 2015

Viewing
Contact
1216 June
85 Old Brompton Road
London SW7 3LD
Nathaniel Nicholson
nnicholson@christies.com
+44 (0)20 7389 2519
Including English and European Furniture,

Decorative Objects, Old Master and British Pictures,
Watercolours and Drawings, Chinese and
European Porcelain, Silver and Carpets
All You Need to Know

A GUIDE TO
CHRISTIES CATALOGUING PRACTICE
Some of the terms we use in catalogue descriptions

might be unfamiliar to you. Weve outlined below
these expressions and their explanations.
Style
In conjunction with a monarch. Eg. George III style
In our opinion the piece is a later work (of any date) and
not of the period.
Recent manufacture
In our opinion the piece is less than ten years old.
By (Furniture and decorative arts)
In our opinion the artist has been directly involved in the
production of the work.
Name(s) or recognised designation of an artist
without any qualification
In our opinion a work by the artist
Cast from a model by
In our opinion a work from the artists model, originating
in his circle and cast during his lifetime or shortly
thereafter
Attributed to
In our qualified opinion the piece is probably a work by
the artist in whole or in part
Studio of / Workshop of
In our qualified opinion a work executed in the studio or
workshop of the artist, possibly under his supervision
Circle of
In our qualified opinion a work of the period of the artist
and showing his influence
Follower of
In our qualified opinion a work executed in the artists
style but not necessarily by a pupil
Manner of
In our qualified opinion a work executed in the artists
style but of a later date
After
In our qualified opinion a later copy or aftercast (of any
date) of a work of the artist
Signed / Dated / Inscribed
(Pictures, drawings, prints or miniatures)
In our qualified opinion the work has been signed / dated
/ inscribed by the artist
With signature / With date / With
inscription (Pictures, drawings, prints or miniatures)
In our qualified opinion the signature / date / inscription
appears to be by a hand other than that of the artist
Labelled / Dated / Inscribed / Carved
with / Signed / Stamped (Furniture and
decorative arts)
In our qualified opinion the label / date / inscription /
carving / signature / stamp is contemporary
The term bears / bearing
In conjunction with the above indicates that in our
opinion the feature described is not by the artist or
manufacturer or has been added at a significantly
later date.
Mark of, 1725 (Silver)
In our opinion either made in the workshop of the
master or struck with his sponsors mark prior to retailing
between 19th May of the year specified and 18th May of
the following year until 1660 and thereafter between 29th
May of the year specified and 28th May of the following
year until 1975 and thereafter between 2nd January of the
year specified and 1st January of the following year. All
other countries have varying dating systems.
1725, mark (Silver)
In our opinion dated as above and struck with an
unidentified sponsors mark as described.
1725 (Silver)
In our opinion dated as above and struck with an illegible
sponsors mark or no sponsors mark at all.
Bearingmarks for 1725 (Silver)
In our opinion having either spurious or
transposed marks.
(oz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy.
(grossoz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy including any non silver additions
(e.g. wooden handles)
Glass and Ceramics
Reference is made for damage and/or restoration on
the illustrated lots only. The absence of such a reference
does not imply that a lot is free from defects nor does
any reference to particular defects imply the absence of
others. Such information is given for guidance only and
the condition of any lot and the nature and extent of any
damage or restoration should be confirmed by examination
prior to the sale. In this connection you are specifically
requested to read Condition 2 of the Conditions of Sale.
HOW DOES THE AUCTION WORK?
Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject
to the auctioneers discretion. Written bids that do
not conform to the increments set below may be
lowered to the next increment.
UK50 to UK1,000
by UK50s
UK1,000 to UK2,000
by UK100s
UK2,000 to UK3,000
by UK200s
UK3,000 to UK5,000
by UK200, 500, 800

(ie: UK4,200,
4,500, 4,800)
UK5,000 to UK10,000
by UK500s
UK10,000 to UK20,000
by UK1,000s
UK20,000 to UK30,000
by UK2,000s
UK30,000 to UK50,000
by UK2,000,
5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
Other
Unless otherwise stated miniatures are on ivory
UK100,000 to UK200,000 by UK10,000s

above UK200,000
at auctioneers discretion
Descriptions of metals conform to the Hallmarking

Act 1973.
The auctioneer may vary the increments during the

course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
All electrical goods offered in this catalogue have

either been tested and certified by an appropriately
qualified electrician or have been operationally disabled.
We would strongly advise that any intended
re-commissioning is undertaken by an
appropriately qualified electrician.
In respect of mechanical pieces such as clocks, no
representation is made or warranty given that any such
item is in working order and nothing in the catalogue
description should be taken as such.
The date given for Old Master, Modern and
Contemporary Prints is the date (or approximate date
when prefixed with circa) on which the matrix was
worked and not necessarily the date when the impression
was printed or published.
Measurements of Prints are taken where possible from
the platemark (P), otherwise they record the size of
the sheet (S) or the borderline of the subject (L). All
measurements are in centimetres to the nearest centimetre
and are approximate.
Christies does not accept liability for failing to describe
any alteration or addition to an item of furniture or
an object which is concealed by upholstery, gilding
or painted decoration and could only be detected by
physically dismantling the lot.
Post 1950 Furniture
All items of post-1950 furniture included in this sale are
items either not originally supplied for use in a private
home or now offered solely as works of art. These items
may not comply with the provisions of the Furniture and
Furnishings (Fire) (Safety) Regulations 1988 (as amended
in 1989 and 1993, the Regulations). Accordingly, these
items should not be used as furniture in your home in their
current condition. If you do intend to use such items for this
purpose, you must first ensure that they are reupholstered,
restuffed and/or recovered (as appropriate) in order that they
comply with the provisions of the Regulations.
SALEROOM NOTICES
Details in this catalogue can be subject to change after it
has been printed. For example, some extra provenance or
information might have come to light over a particular lot,
or the lot itself might have been withdrawn from the sale,
or the estimate might have changed.
These details will appear in the saleroom notice for that
particular sale and is available at the Bids Office,
Tel: +44 (0)20 7752 3225.

PAYMENT & SUCCESSFUL BIDS
A GUIDE TO NON-VAT RELATED SYMBOLS
LOTS OF IRANIAN/PERSIAN ORIGIN
All you need to know on how, when and where to pay
Bidders are kindly reminded that some countries (such as the

USA and Canada) prohibit or restrict the purchase and import
of Iranian origin works of conventional craftsmanship (works
that are not by a recognized artist and/or that have a function,
for example: bowls, tiles, ornamental boxes and carpets).
Informational materials (such as paintings, drawings
and pastels, executed entirely by hand, collages and similar
decorative plaques, framed or not framed; original engravings,
prints and lithographs, printed books, newspapers and
manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with
the laws that apply to them and ensuring that they do not bid
on or import property in contravention of relevant sanctions
or trade embargoes.
If Christies cancels a sale due to any sanction or trade
embargoes, the successful bidder will be accountable for any
shortfall between the total amount originally due to us and the
proceeds from a resale of the property.
Bidder Registration
If you have not previously bid or consigned with Christies, you
should bring with you:
Individuals: government-issued photo identification (such as a
photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, off-shore companies
or partnerships, please contact Christies
Credit Department at +44 (0)20 7752 3137 for advice
on the information you should supply.
If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies you should bring
identification documents not only for yourself but also for the
party on whose behalf you are bidding, together with a signed
letter of authorisation from that party. To allow sufficient time
to process the information, you are encouraged to register at
least 48 hours in advance of a sale.
You should register for a numbered bidding paddle at least 30
minutes before the auction.
Successful Written Bids
Christies South Kensington is not able to notify successful bidders.
While invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome of
their bids to avoid incurring unnecessary storage charges.
Payment
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard
& American Express only (up to 25,000), and cash (up
to 5,000 (subject to conditions)), bankers draft (subject to
conditions) or cheque (must be drawn in GBP on a UK bank;
clearance will take 5 to 10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box
217 72 Lombard Street, London, EC3P 3BT A/C: 00172710
Sort Code: 30-00-02 for international transfers, SWIFT
LOYDGB2LCTY. For banks asking for an IBAN: GB81
LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express
only A limit of 25,000 for credit card payments will
apply. This limit is inclusive of the buyers premium and any
applicable taxes. Credit card payments at London sale sites will
only be accepted for London sales. Christies will not accept
credit card payments for purchases made in any other sale site.
The fax number to send completed CNP (Card Member not
Present) authorisation forms to is +44 (0)20 7389 2821.
The number to call to make a CNP payment over the phone
is +44 (0)20 7752 3388. Alternatively, clients can mail the
authorisation form to the address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject
to conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with
all transactions.
All mailed payments should be sent to:
Christies, Cashiers Department, 8 King Street, St Jamess,
London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0)20 7389 2996 Fax: +44 (0)20 7389 2863 or
South Kensington Tel: +44 (0)20 7752 3138
Fax: +44 (0)20 7752 3143
No reserve
In these cases the lot is sold without reserve.
Property incorporating materials from endangered and

other protected species
Please see Property Incorporating Protected Species for
further information.
Artists Resale Right (Droit de Suite)

In these cases the lot is subject to Artists Resale Right.
The buyer agrees to pay to Christies an amount equal to the
resale royalty. Resale royalty applies where the Hammer Price
is 1,000 Euro or more and the amount cannot be more than
12,500 Euro per lot. The amount is calculated as follows:
Royalty
For the portion of the Hammer Price (in Euro)
4.00%
up to 50,000
3.00%
between 50,000.01 and 200,000
1.00%
between 200,000.01 and 350,000
0.50%
between 350,000.01 and 500,000
0.25%
in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the
purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
Christies Interest
From time to time, Christies may offer a lot which it owns in
whole or in part. Such property is identified in the catalogue
with the symbol next to its lot number.
On occasion, Christies has a direct financial interest in lots
consigned for sale which may include guaranteeing a minimum
price or making an advance to the consignor that is secured
solely by consigned property. Such property is identified in the
catalogue by the symbol next to the lot number. This symbol
will be used both in cases where Christies holds the financial
interest on its own, and in cases where Christies has financed all
or a part of such interest through a third party. Such third parties
generally benefit financially if a guaranteed lot is sold successfully
and may incur a loss if the sale is not successful. Where Christies
has an ownership or financial interest in every lot in the
catalogue, Christies will not designate each lot with a symbol,
but will state its interest at the front of the catalogue.
PROPERTY INCORPORATING PROTECTED SPECIES

Property made of or incorporating (irrespective of
percentage) endangered and other protected species of
wildlife are marked with the symbol ~ in the catalogue. Such
material includes, among other things, ivory, tortoiseshell,
crocodile skin, rhinoceros horn, whale bone and certain
species of coral, together with Brazilian rosewood.
Prospective purchasers are advised that several countries
prohibit altogether the importation of property containing
such materials, and that other countries require a permit
(e.g., a CITES permit) from the relevant regulatory agencies
in the countries of exportation as well as importation.
Accordingly, clients should familiarise themselves with
the relevant customs laws and regulations prior to bidding
on any property with wildlife material if they intend to
import the property into another country. Please note that
it is the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations applying
to the export or import of property containing endangered
and other protected wildlife material. The inability of a client
to export or import property containing endangered and
other protected wildlife material is not a basis for cancellation
or rescission of the sale. Please note also that lots containing
potentially regulated wildlife material are marked as a
convenience to our clients, but Christies does not accept
liability for errors or for failing to mark lots containing
protected or regulated species.
Recent changes to imports of elephant ivory and
other wildlife material into the USA
The USA has recently changed its policy on the import of
property made of or containing elephant ivory. Only Asian
Elephant ivory may be imported into the USA, and imports
must be accompanied by DNA analysis and confrmation
the object is more than 100 years old. We have not obtained
a DNA analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is African or
Asian elephant. Buyers purchase these lots at their own risk
and will be responsible for the costs of obtaining any DNA
analysis or other report required in connection with their
proposed import of such property into the USA.
The USA is also currently requiring all imports of property
made of or containing wildlife material to be accompanied
by a scientifc confrmation of species and in some cases an
additional confrmation of age.We have not obtained such
confrmations prior to sale (unless specifcally indicated) and
buyers will be responsible for the costs of any such additional
confrmations or opinions required for their proposed import
into the USA.
A buyers inability to export or import any lot containing
elephant ivory or other wildlife material is not a basis for
cancelling the purchase.

VAT AT CHRISTIES (UK)
No symbol
VAT is accounted for by Christies under the

Auctioneers Margin Scheme. No VAT is charged
on the Hammer price; VAT is charged at 20% on
the buyers Premium on a VAT inclusive basis. This
VAT is not shown separately on the invoice.
VAT is charged at 20% on both the Hammer and

Premium (subject to the usual UK VAT rules).
These lots have been imported from outside the

EU for sale using a Temporary Import regime.
Import VAT is payable (at 5%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. When a
buyer of such a lot has registered an EU address
but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
VAT refunds: What can I reclaim?

Symbol
No
Symbol
UK Trade VAT
Registered
Purchaser
EU VAT
Registered
Purchaser
Non EU
Purchaser
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
VAT can be
reclaimed through
purchasers own
VAT returns
VAT in the
Buyers Premium
will be refunded
upon proof of
movement within
the EU
VAT refund.
An amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
VAT may be
reclaimed through
purchasers own
UK VAT returns.
No VAT will be
charged on the
Buyers Premium
and the VAT on
the Hammer price
will be refunded
upon proof of
movement within
the EU
VAT will be
refunded on the
Hammer price by
Christies. VAT
in the Buyers
Premium may be
reclaimed back by
Trade clients from
Christies.
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer price and
an amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer and an
amount in-lieu of
the VAT in the
Buyers Premium
will be refunded
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and the VAT
charged of the
Buyer's Premium
will be refunded
upon proof of
movement within
the EU.
VAT will be
refunded on
the Hammer by
Christies. VAT
charged in the
Buyers Premium
can be claimed
back by Trade
clients directly
from Christies.
N/A
N/A
N/A
N/A
Can I reclaim the VAT?

Christies VAT refund rules are governed by the
current EU and UK tax legislation. The ability to
reclaim VAT depends on the particular circumstances
of the buyer and the information below, which is not
exhaustive, is therefore to be used as a general guide.
If you have any further queries then please contact the
VAT department here at Christies.
Where a buyer has purchased an item and intends to
export the item outside the EU, a VAT refund can be
obtained subject to ALL of the following conditions
being satisfied:
Buyer must have registered to bid
with a NON EU address
Lots must be exported within
3 months.
Lots subject to Import VAT, shown with the Star
(*) or Omega () in the catalogue, must be
exported within 30 days of collection.
Proof of export in the appropriate
form (please see section headed VAT
consequences on shipping) must be
provided to the VAT department at Christies.
Christies cannot refund VAT paid if the above
conditions are not met.
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot reclaim
any VAT charged.
UK/EU
Buyer
These lots have been imported from outside the

EU for sale using a Temporary Import regime.
Import VAT is payable (at 20%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where
applicable Customs duty will be charged (per rate
specified by HMRC guidance) on the Hammer
price and VAT will be payable at 20% on duty.
When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
The VAT treatment of the lot is determined by
the registered address of the purchaser:
Purchaser from within the European Union
(EU) VAT is accounted for by Christies under
the Auctioneers Margin Scheme. No VAT
is charged on the Hammer price; VAT is
charged at 20% on the Buyers Premium on a
VAT inclusive basis. This VAT is not shown
separately on the invoice.
Purchasers from outside the European Union
(EU) VAT is charged at 20% on both the
Hammer and Premium (subject to the usual
UK VAT rules).
No VAT charged.
VAT Consequences on Shipping

CHRISTIES AUTHORISED SHIPPER If a buyer
exports the purchased goods outside the EU and a
CHRISTIES AUTHORISED SHIPPER is used, the
buyer will not be required to pay the VAT at the time
of settlement.
Own Shipper If the buyer exports the purchased
goods outside the EU and does not use a CHRISTIES
AUTHORISED SHIPPER, VAT will be charged
on the invoice. This VAT will be refundable upon
receipt of the correct export documentation by
Christies VAT department.
Hand Carried Lots Purchased

If the buyer exports the purchased goods outside the
EU himself, VAT will be charged on the invoice. For
lots that are to be hand carried, the following must be
adhered to:
For lots that carry the Star (*) or Omega () symbol in
the catalogue, a C88 can be obtained from Christies
Shipping department. This must be stamped by UK
Customs on leaving the UK and sent to the VAT
department for a VAT refund to be issued.
For lots that carry no symbol or are daggered () in
the catalogue a Global Refund form can be obtained
from Cashiers and the VAT can be reclaimed by the
purchaser at the airport (subject to an admin fee).
The buyer must provide valid proof of identity (i.e.
passport/credit card) at time of collection and present
the same proof at the Global Refund desk at the
airport. Alternatively any commercial evidence of
export is acceptable.
VAT Queries
If you still have any queries about VAT, please contact the
following:
Telephone number: +44 (0)20 7389 2886
Email: info@Christies.com
HM Revenue & Customs

Telephone Number +44 (0)28 7137 5100
VAT on Premium may be reclaimed from HM Revenue

& Customs where the purchaser is taxable in their
home jurisdiction.
No VAT refund will be processed where the total
VAT amount is under 100.
A refund processing fee of 35 will be charged for
each refund processed (regardless of the number of
lots processed).
1
UK and EU private buyers cannot reclaim any

VAT charged
11/04/14
Conditions of Sale
These Conditions of Sale and the information set out in the All You Need to Know
section of the catalogue set out the terms governing the legal relationship of Christies
and the seller with the buyer. You should read them carefully before bidding.
1
CHRISTIE'S AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2
CATALOGUE DESCRIPTIONS AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale,
on the following basis.
a
Condition
The nature of the lots sold in our auctions is such that

they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly in
the case of any items of significant value, that you
instruct your own restorer or other professional adviser
to report to you in advance of bidding.
b
Cataloguing Practice
Our cataloguing practice is explained in the All You

Need to Know section of the catalogue, which appears
after the catalogue entries.
c
Attribution etc
Any statements made by Christies about any lot,

whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
d
Estimates
Estimates of the selling price should not be relied on as

a statement that this is the price at which the item will
sell or its value for any other purpose.
e
Fitness for Purpose
Lots sold are enormously varied in terms of age, category

and condition, and may be purchased for a variety of
purposes. Unless otherwise specifically agreed, no promise
is made that a lot is fit for any particular purpose.
11/04/14
3
AT THE SALE
a
Refusal of admission
Christies has the right, at our complete discretion, to

refuse admission to the premises or participation in any
auction and to reject any bid.
b
Registration before bidding
Prospective buyers who wish to bid in the saleroom

can register online in advance of the sale, or can come
to the saleroom on the day of the sale approximately
30 minutes before the start of the sale to register in
person. Prospective buyers must complete and sign a
registration form with his or her name and permanent
address, and provide identification before bidding. We
may require the production of bank details from which
payment will be made or other financial references.
c
Bidding as principal
When making a bid, a bidder is accepting personal

liability to pay the purchase price, including the buyers
premium and all applicable taxes, plus all other applicable
charges, unless it has been explicitly agreed in writing
with Christies before the commencement of the
sale that the bidder is acting as agent on behalf of an
identified third party acceptable to Christies, and that
Christies will only look to the principal for payment.
d
Absentee bids
We will use reasonable efforts to carry out written bids

delivered to us prior to the sale for the convenience of
clients who are not present at the auction in person,
by an agent or by telephone. Bids must be placed in
the currency of the place of the sale. Please refer to the
catalogue for the Absentee Bids Form. If we receive
written bids on a particular lot for identical amounts, and
at the auction these are the highest bids on the lot, it will
be sold to the person whose written bid was received and
accepted first. Execution of written bids is a free service
undertaken subject to other commitments at the time of
the sale and provided that we have exercised reasonable
care in the handling of written bids, the volume of goods
is such that we cannot accept liability in any individual
instance for failing to execute a written bid or for
errors and omissions in connection with it arising from
circumstances beyond our reasonable control.
e
Telephone bids
If a prospective buyer makes arrangements with us prior

to the commencement of the sale we will use reasonable
efforts to contact them to enable them to participate
in the bidding by telephone but we do not accept
liability for failure to do so or for errors and omissions
in connection with telephone bidding arising from
circumstances beyond our reasonable control.
f
Currency converter
At some auctions a currency converter may be

operated. Errors may occur in the operation of the
currency converter. Where these arise from circumstances
beyond our reasonable control we do not accept
liability to bidders who follow the currency converter
rather than the actual bidding in the saleroom.
g
Video or digital images
At some auctions there may be a video or digital screen.

Errors may occur in its operation and in the quality of the
image. We do not accept liability for such errors where
they arise for reasons beyond our reasonable control.
h
Reserves
Unless otherwise indicated, all lots are offered subject to

a reserve, which is the confidential minimum price below
which the lot will not be sold. The reserve will not
exceed the low estimate printed in the catalogue. If any
lots are not subject to a reserve, they will be identified
with the symbol next to the lot number. The auctioneer
may open the bidding on any lot below the reserve by
placing a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the amount
of the reserve, either by placing consecutive bids or by
placing bids in response to other bidders.
Auctioneers discretion
The auctioneer has the right to exercise reasonable

discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots and,
in the case of error or dispute, and whether during
or after the sale, determining the successful bidder,
continuing the bidding, cancelling the sale or reoffering
and reselling the item in dispute. If any dispute arises
after the sale, then, in the absence of any evidence
to the contrary the sale record maintained by the
auctioneer will be conclusive.
j
Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the

highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of a
contract for sale between the seller and the buyer. Risk
and responsibility for the lot (including frames or glass
where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.
4
AFTER THE SALE
a
Buyers premium
In addition to the hammer price, the buyer agrees

to pay to us the buyers premium together with any
applicable value added tax. The buyers premium is
25% of the first 50,000 of the hammer price on each
lot plus 20% of the excess of the hammer price above
50,000 up to and including 1,000,000 plus 12% of
any amount in excess of 1,000,000.
b
Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to

the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
c
Payment and ownership
The buyer must pay the full amount due (comprising the
hammer price, buyers premium and any applicable taxes)
immediately after the sale. This applies even if the buyer
wishes to export the lot and an export licence is, or may
be, required. The buyer will not acquire title to the lot
until all amounts due to us from the buyer have been
received by us in good cleared funds even in circumstances
where we have released the lot to the buyer.
d
Collection of purchases
We shall be entitled to retain items sold until all

amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, in our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled to
cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject to
this, the buyer shall collect purchased lots within two
calendar days from the date of the sale unless otherwise
agreed between us and the buyer.
Conditions of Sale
Packing, handling and shipping
Although we shall use reasonable efforts to take care

when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made a
recommendation for the acts or omissions of the third
party concerned.
f
Export licence
Unless otherwise agreed by us in writing, the fact

that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the buyer
requests us to apply for an export licence on his or
her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
g
Remedies for non payment
If the buyer fails to make payment in full in good cleared

funds within 7 days after the sale, we shall have the right
to exercise a number of legal rights and remedies. These
include, but are not limited to, the following:
i to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
ii to hold the defaulting buyer liable for the total
amount due and to commence legal proceedings
for its recovery together with interest, legal fees
and costs to the fullest extent permitted under
applicable law;
iii to cancel the sale;
iv to resell the property publicly or privately on such
terms as we shall think fit;
v to pay the seller an amount up to the net proceeds
payable in respect of the amount bid by the
defaulting buyer;
vi to set off against any amounts which we, or
Christies International plc, or any of its affiliates,
subsidiaries or parent companies worldwide, may
owe the buyer in any other transactions, the
outstanding amount remaining unpaid by the buyer;
vii where several amounts are owed by the buyer to
us, or to Christies International plc, or to any
of its affiliates, subsidiaries or parent companies
worldwide, in respect of different transactions, to
apply any amount paid to discharge any amount
owed in respect of any particular transaction,
whether or not the buyer so directs;
viii to reject at any future auction any bids made by or
on behalf of the buyer or to obtain a deposit from
the buyer before accepting any bids;
ix to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way, to
the fullest extent permitted by the law of the place
where such property is located. The buyer will be
deemed to have granted such security to us and we
may retain such property as collateral security for
such buyers obligations to us;
x to take such other action as we deem necessary
or appropriate.
If we resell the property under paragraph (iv) above,

the defaulting buyer shall be liable for payment of any
deficiency between the total amount originally due
to us and the price obtained upon resale as well as for
all reasonable costs, expenses, damages, legal fees and
commissions and premiums of whatever kind associated
with both sales or otherwise arising from the default.
If we pay any amount to the seller under paragraph (v)
above, the buyer acknowledges that Christies shall have
all of the rights of the seller, however arising, to pursue
the buyer for such amount.
Failure to collect purchases
Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
h
Selling Property at Christies

In addition to expenses such as transport, all consignors
pay a commission according to a fixed scale of charges
based upon the value of the property sold by the
consignor at Christies in a calendar year. Commissions
are charged on a sale by sale basis.
i
5
LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants
for a period of five years from the date of the sale that
any property described in headings printed in UPPER
CASE TYPE (i.e. headings having all capital-letter
type) in this catalogue (as such description may be
amended by any saleroom notice or announcement)
which is stated without qualification to be the work
of a named author or authorship, is authentic and
not a forgery. The term author or authorship
refers to the creator of the property or to the period,
culture, source or origin, as the case may be, with
which the creation of such property is identified in
the UPPER CASE description of the property in
this catalogue. Only UPPER CASE TYPE headings
of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does
not apply to supplemental material which appears
below the UPPER CASE TYPE headings of each
lot and Christies is not responsible for any errors or
omissions in such material. The terms used in the
headings are further explained in the All You Need
to Know section of the catalogue. The warranty does
not apply to any heading which is stated to represent
a qualified opinion.
The warranty is subject to the following:
i It does not apply where (a) the catalogue description
or saleroom notice corresponded to the generally
accepted opinion of scholars or experts at the
date of the sale or fairly indicated that there was a
conflict of opinions; or (b) correct identification of
a lot can be demonstrated only by means of either
a scientific process not generally accepted for use
until after publication of the catalogue or a process
which at the date of publication of the catalogue
was unreasonably expensive or impractical or likely
to have caused damage to the property.
ii
The benefits of the warranty are not assignable and

shall apply only to the original buyer of the lot as
shown on the invoice originally issued by Christies
when the lot was sold at auction.
iii The original buyer must have remained the owner
of the lot without disposing of any interest in it to
any third party.
iv The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the cancellation
of the sale and the refund of the original purchase
price paid for the lot. Neither Christies nor the
seller will be liable for any special, incidental or
consequential damages including, without limitation,
loss of profits nor for interest.
v The buyer must give written notice of claim to us
within five years from the date of the auction. It is
Christies general policy, and Christies shall have
the right, to require the buyer to obtain the written
opinions of two recognised experts in the field,
mutually acceptable to Christies and the buyer,
before Christies decides whether or not to cancel
the sale under the warranty.
vi The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.
6
COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies and
shall not be used by the buyer, nor by anyone else,
without our prior written consent. Christies and the
seller make no representation or warranty that the
buyer of a property will acquire any copyright or other
reproduction rights in it.
7
SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforcable, that
part shall be discounted and the rest of the conditions
shall continue to be valid to the fullest extent
permitted by law.
8
LAW AND JURISDICTION
The rights and obligations of the parties with respect
to these Conditions of Sale, the conduct of the auction
and any matters connected with any of the foregoing
shall be governed and interpreted by the laws of
England. By bidding at auction, whether present in
person or by agent, by written bid, telephone or other
means, the buyer shall be deemed to have submitted,
for the benefit of Christies, to the exclusive jurisdiction
of the courts of the United Kingdom.
All You Need to Know - Taking it Home

Every year we sell tens of thousands of lots of all shapes and sizes. We dont store
everything at our saleroom in South Kensington. All lots from Interior Sales marked
with a filled square go to a warehouse in Park Royal.
Its outside the congestion charge zone and theres plenty of dedicated free parking.
WHERE TO COLLECT
You can pay for and collect all sold lots from the
Interior Sales, including Sunday Sales, from Christies
South Kensington only on the day of the sale until
5.00 pm. Items marked with a filled square ( n ) in the
catalogue are transferred to an offsite warehouse at the
close of business on the day of the sale. We give you
2 weeks free storage from the date of the sale and after
that point charges apply (ie, up to and including the
2nd Tuesday after the sale and in the case of Sunday
Sales we give you slightly more than 2 weeks free
storage, ie, up to and including the 3rd Tuesday after
the sale). All other lots will be held at Christies South
Kensington until 5.oopm the fifth Friday after the sale.
They will then be transferred to Cadogan Tate Ltd and
will be available to collect from the following Tuesday.
The offsite warehouse is owned by Cadogan Tate Ltd.
Please see the map and contact details below for their
precise location.
WHEN TO COLLECT
Lots are available to collect from Cadogan Tate Ltd at
12 noon on the Thursday after the sale. In the case of
Sunday Sales, lots are available to collect at 12 noon on
the Tuesday after the sale.
You can pay for items at Christies South Kensington
from Monday to Friday.
Items can be collected from Cadogan Tate Ltd
Monday to Friday 9.00am to 5.00pm.
HOW TO COLLECT
All lots must be paid for at Christies South Kensington
before they will be made available for you to collect.
If you are collecting from Christies South Kensington
please ensure that you bring your invoice as well as some
form of identification such as a drivers licence or passport.
You will need to go to Cashiers first to pay for your lot
and to get a Collection Order and this form will then
allow your lot to be released from the Collection Desk.
If you are collecting from Cadogan Tate Ltd you will
also need your invoice and proof of identification. In
order to ensure a quick collection time please also
bring a copy of your Collection Order with you.
Please note that payment for lots cannot be accepted at
the warehouse.
In a hurry? To ensure a speedy collection you can now
call Cadogan Tate on +44 (0)800 988 6100 and book
a collection time. They will have your purchases ready
for collection.
Carrier / Third Party Collections
Advance booking of collections is compulsory for
commercial carriers.
Please ask your carrier to call Cadogan Tate on
+44 (0)800 988 6100 at least 24 hours in advance to
book a collection appointment. They will have your
purchases/lots ready for collection.
Please provide your carrier with:
1. Written authority to collect
2. Proof of their own identification
3. A copy of your invoice or accurate detail of sale and
lot numbers
10/06/14
TRANSFER, STORAGE & RELATED CHARGES

Cadogan Tate Ltds charges are applied on a per lot
basis and are as follows:
Furniture/
Pictures/
Large Objects Small Items
Transfer / Admin fee
42.00
21.00
Storage per day
5.25
2.65
EXTENDED LIABILITY CHARGE

Extended Liability Charge is charged at the lower amount
of 0.6% of the hammer price plus buyers premium or
100% of the above charges.
All charges are subject to VAT. Very large or heavy items
may be subject to a surcharge.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and clients
enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.
SHIPPING AND DELIVERY

Our Art Transport Department can organise local
deliveries or international freight.
Please contact them on +44 (0)20 7389 2712 or
arttransport_london@christies.com.
To ensure that arrangements for the transport of your
lot can be finalised before the expiry of any free storage
period, please contact Christies Art Transport for a quote
as soon as possible after the sale. As storage is provided
by a third party, storage fees incurred while transport
arrangements are being finalised cannot be waived.
CADOGAN TATE, CONDITIONS OF BUSINESS

All services provided by Cadogan Tate Ltd will be
subject to their standard Conditions of Business, copies of
which are available at Christies South Kensington.
Please note that in particular Cadogan Tate:
does not accept any liability for damage or loss, due to
its negligence or otherwise, exceeding the Hammer Price
of a lot plus Buyers premium, or, at its sole option, the
cost of repairing or replacing the damaged or missing lot
reserves a lien over all goods in its possession for
payment of storage and all other charges due to it
automatically arranges on behalf of the lots owner
and at the owners cost, Extended Liability Charge of
the lot for the sum of the hammer price plus Buyers
premium. This Extended Liability Charge covers the
lot from the time of collection from the saleroom until
release of the lot to the owner or the owners agent. The
Extended Liability Charge payable by the owner of the
lot is 0.6% of the sum of the hammer price and buyers
premium or 100% of the transfer and storage charges,
whichever is the smaller. This Extended Liability Charge
will not be arranged and no charge will be payable only
on receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal waiver of
subrogation from the owners insurers.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence
is required before exporting. It is the buyers sole
responsibility to obtain any relevant export or
import licence.
The denial of any licence or any delay in obtaining
licences shall neither justify the rescission of any sale
nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions
of the export licensing regulations and will submit
any necessary export licence applications on request.
However, Christies cannot ensure that a licence will be
obtained. Local laws may prohibit the import of some
property and/or may prohibit the resale of some property
in the country of importation.
For more information, please contact Christies Art
Transport Department at +44 (0)20 7389 2712 or the
Department of Culture, Media and Sport at
+44 (0)20 7211 6167/8.
Written Bids
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and confdential.
LOT NUMBER
Sale Details
to fax this form, please trim here.
Sale title:
MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
STYLE & SPIRIT
Sale date/time: TUESDAY 2 JUNE 2015

AT 10.00 AM
Sale number:
10648
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
YOUR CLIENT ACCOUNT NUMBER

NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED
DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Written Bids must be received the day before the sale

AML 10/12/08
Christies South Kensington
Written Bids
Is it like a Sealed Bid?

A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Written Bids
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and confdential.
LOT NUMBER
Sale Details
Sale title:
MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
STYLE & SPIRIT
Sale date/time: WEDNESDAY 3 JUNE 2015

AT 10.00 AM
Sale number:
10649
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
YOUR CLIENT ACCOUNT NUMBER

NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED
DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Written Bids must be received the day before the sale

AML 10/12/08
Christies South Kensington
Written Bids
Is it like a Sealed Bid?

A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Auction Calendar 2015

May
19
20
Tuesday
Christies Interiors SK 10.00 am
Wednesday
From Roentgen to Faberg:
A European Private Collection
KS 11.00 am
21
Thursday
The English Collector KS 11.00 am
June
02
Tuesday
Centuries of Style
KS 11.00 am & 2.00 pm
Christies Interiors Style & Spirit
SK 10.00 am
03
From Roentgen to Faberg: A European

Private Collection, 20 May
Wednesday
Centuries of Style
KS 11.00 am & 2.00 pm
Christies Interiors Style & Spirit
SK 10.00 am
10
Wednesday
30
Tuesday
European Furniture & Works of Art

KS 10.00 am
Style & Spirit, 2 & 3 June
Centuries of Style, 2 & 3 June
Interiors, 19 & 20 May
KS = King Street
SK = South Kensington
These auctions feature

Bid live in Christies salerooms worldwide
register atchristies.com
Christie, Manson & Woods Ltd. (2015)

Christie&#39;s Interiors - Style &amp; Spirit

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INTERIORS

2-3 June 2015

selects her top lots from

Art Nouveau and Art Deco including

Style & Spirit

Its easy to buy at Christies

Browsing our catalogues is a great way to

There are four ways to buy offering you

discover more about whats coming up in

convenience and flexibility whether you are

it home or arrange for it to be delivered.

future sales; alternatively check the website

able to attend the auction in person or not.

If you need to come back a few days later

at www.christies.com where its possible to

All of the following services are free:

to pick something up bear in mind that all

see all lots free of charge. Of course once

are removed to an offsite warehouse and

seven days a week except Bank Holidays.

storage charges can apply.

you will experience the buzz, drama and fun of

cover basic catalogue information such as size, date

the first 50,000 of the hammer price plus 20%

Make the most of your browsing:

is our online bidding service and allows you to see

TALK TO OUR SPECIALISTS

VIEW THE LOT PERSONALLY

and hear the auction in progress giving you a real

HOW MUCH YOU WILL PAY

up to and including 1,000,000 plus 12% of any

Wednesday 3 June 2015

THIS SALES TEAM

CHRISTIES SOUTH KENSINGTON

LOTS OF IRANIAN /PERSIAN ORIGIN

LOTS CONTAINING IVORY

This auction features on

Browse this auction and view

2 JUNE 2015 ROOM TO BREATHE

Portas describes herself as so anti-minimalist! but her home

ROOM TO BREATHE 2 JUNE 2015

Its also a reason why Portas is a fan of Christies upcoming Buy

Inside Mary Portas' London home

One of the ironies of my professional life is that Im so

The inset marble top with Chinese characters

Each with a panelled square top with a moulded edge and

approx: 7ft.2in. x 4ft.2in.(218cm. x 127cm.)

LATE 19TH / EARLY 20TH CENTURY

LATE 19TH CENTURY

Each with an inset panelled rectangular top and waisted frieze,

Modelled as a male and female fgure, the woman with a fan in

Of baluster form, decorated with panels of chrysanthemums and

Of baluster form, decorated with geometric ground, cartouche panels of prunus,

LATE 19TH CENTURY

LATE19TH / EARLY 20TH CENTURY

FROM THE ESTATE OF MRS BARBARA LEBUS (LOTS 16 & 19)

LATE 19TH CENTURY

POSSIBLY BY JEAN-BAPTISTE BERNARD DEMAY, CIRCA 1815

Lord Stafford, possibly of the Fitzherbert family, the Barons Stafford.

LATE 18TH CENTURY

OF GEORGE III STYLE, LATE 20TH CENTURY

LATE 18TH / EARLY 19TH CENTURY

THE PROPERTY OF A LADY

LATE 18TH CENTURY

Christie's Interiors - Style & Spirit

Christie's Interiors - Style & Spirit