Professional Documents
Culture Documents
Mentor
Texts:
1. Charlottes
Web
by
E.B.
White
Page
29-30
Play?
said
Templetonand
was
abroad
only
after
dark.
Page
36-37
As
last
Wilbur
saw
the
creature.
waving
one
of
them
at
Wilbur
in
friendly
greeting.
Details:
I
chose
Charlottes
Web
because
it
was
one
of
my
favorite
books
growing
up
and
I
know
a
lot
of
children
have
read
it
or
have
background
knowledge
of
this
title.
The
characters
are
set
up
in
a
little
bit
different
way
than
my
other
mentor
texts
so
I
thought
it
would
be
a
good
book
to
add
variety
and
show
students
that
they
can
make
snapshots
in
many
different
ways.
The
way
that
they
author
describes
Templeton
in
the
first
excerpt
through
his
dialogue
with
Wilbur
we
get
the
idea
that
he
is
a
rat
and
is
sneaky.
Words
like
frolic
and
glutton
are
rich
description
words.
When
the
author
describes
Charlotte
in
the
next
section
he
changes
his
way
of
using
the
snapshot.
He
talks
about
her
size
and
color,
even
using
a
comparison
to
show
that
she
was
the
size
of
a
gumdrop
instead
of
just
saying
she
was
big.
2. Matilda
by
Roald
Dahl
Page
26:
Normally
Miss
Honey
was
terrified
of
the
Headmistress
She
looked,
in
short,
more
like
a
rather
eccentric
and
bloodthirsty
follower
of
the
stag-hounds
than
the
headmistress
of
a
nice
school
for
children.
Page
6:
Mr.
Wormwood
was
a
small
ratty-looking
man
whose
front
teeth
stuck
out
underneath
a
thin
ratty
moustache.
He
liked
to
wear
jackets
with
large
brightly-coloured
checks
and
he
sported
ties
that
were
usually
yellow
or
pale
green.
Page
7:
Mrs.
Wormwood
sat
munching
her
meal
with
her
eyes
glued
to
the
American
soap
opera
on
the
screen.
She
was
a
large
woman
whose
hair
was
dyed
platinum
blonde
except
where
you
could
see
the
mousy-brown
bits
growing
out
from
the
roots.
She
wore
heavy
makeup
and
she
had
one
of
those
unfortunate
bulging
figures
where
the
flesh
appears
to
be
strapped
in
all
around
the
body
to
prevent
it
from
falling
out.
Page
19:
Their
teacher
was
called
Miss
Honey,
and
she
could
not
have
been
more
than
twenty-three
or
twenty-four.
She
had
a
lovely
pale
oval
madonna
face
with
blue
eyes
and
her
hair
was
light-brown.
Her
body
was
so
slim
and
fragile
one
got
the
feeling
that
if
she
fell
over
she
would
smash
into
a
thousand
pieces,
like
a
porcelain
figure.
Page
20:
Miss
Trunchbull,
the
Headmistress,
was
something
else
altogether.
She
was
a
gigantic
holy
terror,
a
fierce
tyrannical
monster
who
frightened
the
life
out
of
the
pupils
and
teachers
alike.
There
was
an
aura
of
menace
about
her
even
at
a
distance,
and
when
she
came
up
close
you
could
almost
feel
the
dangerous
heat
radiating
from
her
as
from
a
red-hot
rod
of
metal.
When
she
marched
Miss
Trunchbull
never
walked,
she
always
marched
like
a
storm-trooper
with
long
strides
and
arms
aswinging
when
she
marched
along
a
corridor
you
could
actually
hear
her
snorting
as
she
went,
and
if
a
group
of
children
happened
to
be
in
her
path,
she
ploughed
right
on
through
them
like
a
tank,
with
small
people
bouncing
off
her
to
left
and
right.
Details:
I
chose
Matilda
also
because
I
loved
it
but
additionally
I
love
the
way
Roald
Dahl
uses
description.
He
does
a
fantastic
job
of
showing
instead
of
just
telling.
He
also
uses
his
descriptions
throughout
his
book
so
it
shows
the
students
that
although
snapshots
can
be
used
to
start
a
story
they
can
be
used
any
where
in
a
book.
My
favorite
description
is
that
on
page
26
of
Miss.
Trunchbull.
Dahls
word
choice
is
so
vivid.
He
uses
words
like
formidable,
sinewy,
bull-neck,
obstinate,
massive,
eccentric
and
bloodthirsty
that
would
be
great
mentor
words
for
the
students
to
look
at.
The
way
that
Dahl
explores
Trunchbulls
outfit
as
well
as
her
physique
is
just
another
great
example
of
how
students
could
arrange
their
writing.
The
descriptions
on
page
6
and
7
of
Matildas
parents
are
short
and
to
the
point.
This
gives
students
an
example
of
something
that
is
shorter
and
could
be
used
for
more
minor
characters.
Words
like
ratty-looking,
mousy-brown,
and
bulging
are
good
examples
to
show
the
students.
The
other
description
of
Miss
Trunchbull
on
page
20
gives
you
insight
in
how
this
woman
walks
and
sounds.
I
love
the
comparison
to
a
storm-trooper
who
marches
down
the
hall
and
a
tank.
Words
to
point
out
would
include
menace,
radiating,
ploughed
and
tyrannical.
I
think
the
whole
second
sentence
in
that
blurb
is
outstandingly
descriptive.
3. The
Witches
by
Roald
Dahl
Page
58-9
:
That
face
of
hers
was
the
most
frightful
and
frightening
thing
I
have
ever
seen.
Just
looking
at
it
gave
me
the
shakes
all
over.
It
was
so
crumpled
and
wizened,
so
shrunken
and
shriveled,
it
looked
as
thought
it
had
been
pickled
in
vinegar.
It
was
a
fearsome
and
ghastly
sight.
There
was
something
terribly
wrong
with
it,
something
foul
and
putrid
and
decayed.
It
seemed
quite
literally
to
be
rotting
away
at
the
edges,
and
in
the
middle
of
the
face,
around
the
mouth
and
cheeks,
I
could
see
the
skin
all
cankered
and
worm-eaten,
as
though
maggots
were
working
away
in
there
It
rasped.
It
grated.
It
scraped.
It
shrieked.
And
it
growled.
Details:
I
chose
this
mentor
text
also
because
Roald
Dahl
wrote
it.
His
descriptions
in
this
excerpt
are
gruesome
yet
wonderfully
vivid.
This
shows
students
how
an
author
can
use
a
snapshot
just
to
focus
on
one
specific
part
of
a
character.
He
just
describes
the
face
but
he
does
so
in
many
different
ways
that
give
us
a
complete
picture.
Some
words
to
point
out
are
frightful,
shrunken,
ghastly,
putrid,
decayed,
cankered,
mesmerized,
metallic,
grated
and
rasped.
The
part
about
her
face
being
pickled
in
vinegar
is
a
great
description
that
gives
students
something
to
reference.
I
also
like
the
repetition
of
how
the
witchs
voice
sounded
at
the
end
of
the
section.
For
the
5
senses
I
can
see
the
ugliness
of
her
face,
I
can
feel
the
shriveled
texture,
I
can
smell
the
rotten
decay
and
I
can
hear
her
horrible
grating
voice.
Differentiation:
When
the
students
brainstorm,
I
can
let
students
draw
pictures
instead
of
writing
out
their
ideas.
This
would
be
especially
helpful
with
ELL
students.
I
could
also
let
them
describe
their
ideas
orally
if
they
need
to.
Giving
students
a
brainstorming
organizer,
would
help
some
struggling
students
organize
their
thoughts
as
well
as
give
them
structure.
I
use
Think,
Pair,
Share
in
day
one
so
that
students
can
work
collaboratively
and
scaffold
each
other.
For
students
who
may
need
to
see
the
text,
I
can
give
copies
of
the
mentor
text
excerpts
for
them
to
follow
along.
Students
may
also
be
given
more
time
to
complete
the
project,
such
as
time
at
home.
We
are
also
doing
a
lot
of
whole
group
work
so
the
students
can
listen
to
peer
ideas
and
be
helped
out
by
the
students
around
them.
For
an
extension
students
may
write
a
longer
piece
or
use
more
difficult
words.
They
can
also
write
more
than
one
Snapshot.
Another
extension
would
be
to
start
writing
their
story
that
goes
with
their
character
and
adding
more
snapshots
throughout.
Assessment:
For
an
informal
assessment
I
plan
on
using
the
3-2-1
slips
from
day
4.
This
will
help
me
gauge
where
my
students
are
and
if
I
need
to
change
anything
about
my
lesson
for
the
next
few
days.
The
students
are
responsible
for
writing
their
own
Snapshot
on
any
made-up
and
original
character
that
they
like.
I
will
assess
them
based
on
the
rubric
below
and
the
students
will
be
given
the
checklist
below
so
that
they
can
self
assess
their
work
before
they
turn
in
their
writing.
Self-assessment
checklist:
Word
Choice
Sentences
Grammar
No
character
is
described
in
detail
or
the
character
isnt
original.
There
are
few
to
no
strong
detailed
physical
characteristics
described.
Teacher
Notes
Teacher
Crafted
Writing
Silvia
sank
into
the
warm
embrace
of
the
large
armchair
and
let
out
a
sigh
of
relief.
Her
creaky
old
bones
settled
into
place
as
she
picked
up
her
knitting
needles.
Silvia
Waters
had
stormy
gray
hair.
Delicate
glasses
perched
on
the
end
of
her
crooked
nose,
magnifying
her
bright,
intelligent
blue
eyes.
Laugh
lines
wrinkled
her
face,
showing
the
many
joys
that
she
had
experienced
in
her
long
life.
Silvias
arthritic
and
wrinkled
hands
worked
the
needles
slowly.
Her
gnarled
hands
struggled
and
eventually
she
gave
up
rubbing
her
sore
fingers
gently.
The
musty
smell
of
mothballs
permeated
the
air
around
Silvia.
From
her
pink
robe
she
extracted
a
cough
drop,
which
she
plopped
in
her
mouth.
Silvia
reached
down
by
her
pink
fuzzy
slippers
to
pet
her
little
tabby
cat
as
she
rubbed
against
her
leg.
Her
back
stiffened
and
she
slowly
straightened
back
out.
Just
as
she
was
reaching
for
her
worn
copy
of
Wuthering
Heights,
the
doorbell
rang.
Who
could
that
be,
Silvia
wondered.
No
one
ever
visited
the
petite
elderly
lady.
With
a
deep
breath
she
steeled
herself
to
stand.
Reflection:
I
had
a
hard
time
getting
started.
I
brainstormed
first
and
had
a
few
ideas
but
had
a
hard
time
deciding
what
I
wanted
to
write
about.
I
eventually
found
that
Googling
pictures
of
random
people
helped
get
me
started.
I
was
just
scrolling
through
when
I
found
a
cartoon
picture
of
an
elderly
lady
knitting.
Something
drew
me
to
that
picture
and
so
I
just
started
listing
out
ideas
of
what
the
lady
could
look
like.
Then
I
started
writing.
Once
started,
the
ideas
followed
smoothly.
I
then
went
back
and
changed
some
words
and
rearranged
and
added
sentences.
I
thought
it
was
interesting
that
I
roughly
followed
the
writing
process
without
even
realizing.
References:
Dahl,
Roald,
and
Quentin
Blake.
Matilda.
New
York,
N.Y.:
Viking
Kestrel,
1988.
Print.
Dahl,
Roald,
and
Quentin
Blake.
The
Witches.
New
York:
Farrar,
Straus,
Giroux,
1983.
Print.
Pinnell,
Gay
Su.,
and
Irene
C.
Fountas.
The
Continuum
of
Literacy
Learning,
Grades
3-8:
A
Guide
to
Teaching.
Portsmouth,
NH:
Heinemann,
2007.
Print.
White,
E.
B.,
and
Garth
Williams.
Charlotte's
Web.
Print.