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Emma 2011

Piano/Conductor

26

THE EPIPHANY

Music and Lyrics by Paul Gordon


Orchestration by Brad Haak

1-15-11

### 6
& 8
### 6
& 8

I'm the

? # # # 68

###

&

Quickly, in 2
1

j

P

? ###
J
9

&

&

###
###

? ###

nat - u - ral daught-er of

(+Vcl., Kybd.)

nat - u - ral daught - er of


# # # j j

&

j
j

...

.
n ..

10

. .
got.

... ...
.
. .

11

11

(Solo)


And

...

...

for

That's what you're think - ing, that's

..
.
F
.
.

..
.

(+Vcl., Kybd.)

Prepared exclusively for Rachael Farrow.

thought?

...

12

.
.

crumbs on the

12

I'm the

I should set - tle

Why should he give me a

(Solo)

#
J
J


J
J

no - bo - dy.

10

grate - ful for what I have

j
j

no - bo - dy.


J
6

ta - ble, be

...
.


your im - pli - ca - tion, well

..
.
.
.

..
.

THE EPIPHANY 1-15-11

Piano/Conductor

##
& #

13

13

&

###

..
.

don't ac - cept that I'm

..
.

? ### .
.

16

&

###
###

? ###

&

#### c .
.
&

20

# ...
#.
#.

.
..

Mi-ster

6
4
6
4

19

1st x only

? # # # # c ..

(+Vcl.)

..
..
f

(Note R.H. pattern!)

..

21

is just

.. ..
.. ..

.. .
..

my friend

. .
.

Mi - ster Knight-ley.

n n
j

Prepared exclusively for Rachael Farrow.

22

22

that just be -

EMMA: "Harriet, have you any


ideaof Mr. Knightley's returning
your affection? " HARRIET: "Yes.
I must say that I have. Now I
seem to feel that I might deserve
him." EMMA: "Why is it so much
worse that Harriet should be in
love with Mr. Knightley than
Mr. Frank Churchill?"

U U

. .

He

..
..

a - gree

U U



P
.. w
21

for me.

n n

don't

U U
.
J

b.
b.

12
8 Nw.
Nw.

too good
(Tutti)

15

(+Fl.)

Mi - ster Knight-ley.

..

(Solo)

Knight-ley.

46

Knightley.

17

Colla Voce

19

17

15 (+Fl.)

12
8 N ...
.

sta - tion and

Moderato, evenly

#### c .
.
&

20

my

cause he is Mis- ter Knight-ley of Don-well Ab-by, he's

###

18

bound to

j

&

fl
f
j
#
? ##

fl
EMMA:
18 #
## . .
&

16

14

12
8

14

2.

#### c

#### c

#### c

Mi - ster

.
.

mem - ber of the fam

'ly

THE EPIPHANY 1-15-11

Piano/Conductor

23

&

####

####
&

. .

24

24

Al - ways there when-e-ver

23

? # # # # w

####

&
####
&

26

? ####

# ##
& #

32

&

32

&

####

27

be

30

in love

####
&
? ####

does not make sense

is not con-vien

can - not

be

28

ient or

31

a 28
- ware.

I can-

pref - 'ra-ble

Prepared exclusively for Rachael Farrow.

34

34

34

or prac - ti- cal

and

That would be

(Ob.)

33

.
r

31

in love

yet

(+Vcl.)

pend - a-ble and fair

It

33

25

3.

33

De

32

. r

30


it

need.

ing. 27 If there's some-thing more I'm un

not

####

####
&

? ####

dif-fi-cult and brood

29

29

in

26

I'm

25

too grim.

THE EPIPHANY 1-15-11

Piano/Conductor

35

&

####

Poco Rit.

. . . 42 . . c

####

&

(Solo) P
? ####
I

35

38

&

####

4.

can - not

i - ma - gine I

2
4

could

36

36

feel

that way

for

37

No

it's too ab-surd

(+Key 2)

.
.

No - one would be-lieve

? #### w
41

&

41

&

41

&

####
####
####

? ####

life.

(Ob.)

But

42

40

42

why

it


. . .

He has been


.
do I

feel weak

and

43

43

around
me all

my


.
sud-den-ly dis - tract

ed?

(Note: 2nd verse, R.H. 16ths throughout)

42

39
40
####

&

38

him.

42
39

Tempo I

37

(+Vcl.)

Prepared exclusively for Rachael Farrow.

43

THE EPIPHANY 1-15-11

Piano/Conductor

44

&

44

&

44

&

####
####
####

? ####
47

&

47

&

47

&

####
####
####

Longing
-

to

&

not

##
& ##

50

? ####

(etc.)

be

in love.

48

48

(etc.)

51

51

46

49

or bargained for.

49

Prepared exclusively for Rachael Farrow.

52

It's

(Vcl.)

That

was not the plan.

can-

be in love

49

52

(Ob.)

Some-thing must be wrong,

46

(+Eng. Hn.)

5.

can - not

51

46

45

counted on

48

####
&

(etc.)

in-tend - ed or

45

not what I

cri - tique?

50

####

by his

? # # # #

50

be bored

45

. . . 42
I

can not be - lieve that I

52 (+W.W.,

Vcl.)

have

42
42
42

THE EPIPHANY 1-15-11

Piano/Conductor

#### 2
&
4

53

#### 2
&
4

loved him

53

&

56

&

####
####

? ####
60

&

60

&

####
####

? ####
63

&

63

&

####
####

? ####

? # # # # 42
56

all

54

57

(+Key 2)

Knight-ly,

n n

58

n n

59

her.

62

62

59

Knight - ly,

j
..

n
n

Mis - ter Knight-ly,

Why must this be so

(etc.)

Mis - ter

(Tutti)

j
.

Colla Voce

64 Tempo I
#
#
#
#
# #
w

Mis - ter

"Oh,
but Harriet!" Why has my blood gone
55

(+Key 2)

It's on - ly Mis -ter

Mis - ter Knight-ly.

58

61

Rit.

I've seen him look at

61

hard?

long.
Poco

(+Key 2)

57


GL
#

6.
55

cold?

54

# # # # # 64

#


F
#### # w
#
Knight

Prepared exclusively for Rachael Farrow.

THE EPIPHANY 1-15-11

Piano/Conductor

#### #
& #

65

#### #
& #

65

ley.

? #### #
# w

Im

66

66

#### # .
& #

68

#### #
& #

67

ob

vi-ous

as day

? #### #
#
#### # c
& #

70

#### #
& # c

70

#### # c
& #

70

? #### # c
#

break,

. .

heart

is now

set free

and

(Ob.)

i - ble


.
.

(Vcl.)

her

.
71

and

72

and strange

in - dis - put -a - ble

he must not pur-sue


71

71

poss

42

con - clu-sive,
68

(+Key 2)

67

7.

42
42

yet

69

clear.
69

My

Prepared exclusively for Rachael Farrow.

when it's plain that he must mar

72

72

r c

ry

THE EPIPHANY 1-15-11

Piano/Conductor

#### #
& #

73

#### #
& #

73

#### #
& #

73

? #### #
#
#### #
& #

76

#### #
& #

76

me!

#### #
& #

79

#### #
& #

79

? #### #
#

74

mad

won-der-ful

? #### #
#
#### #
& #

Yes, I'm

79

8.

ly

in love

and

r
74




R
w

#### #
& #

76

74

it's tor - tur-ous

and I

j
.

there's no guar - an - tee

think

80

That

80


n
78

sad

78

Prepared exclusively for Rachael Farrow.

ly

in love

for

2
4

a chance that

Colla Voce

but half

75

. .

there might be

78

though it's not con-ve - ni-ent it's

Yes I'm

(Ob.)

75

I may have hives.

77

80

. .

77

77

75

81

42

"

he's in love with... -

81

42
81

42

"
"

THE EPIPHANY 1-15-11

Piano/Conductor

#### #
& #

82

#### #
& #

82

an

(Tutti)

? #### #
#

thing

#### # 2
& # 4 n

84

## #
& # # # 42

84

can

? # # # # # 42
#
n n
(+W.W., Vcl.)

" c

83

he's

(Solo)

" c
"

strang - er things have hap-pened...

" c
83

hap - pen...

9.

85

85

"

in

love

c w

86

86

c w

(Key 2)

Prepared exclusively for Rachael Farrow.

" 2
4

with...

me!

" 2
4

" 42

87

U
w

ggg wwww
g

Molto rit.
87 g

(Tutti)

U
w

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