The process of writing is not linear, but recursive: just as writers dont write a perfect draft the first time they put fingers to keyboard, they dont follow the steps prewriting, drafting, revising, editing, proofreading in some rigid fashion, each clearly separated from the others. Rather, they begin with an idea, think about it in various ways (initial prewriting), start drafting it out, then find that they need a clearer controlling idea or a more logical structure or more relevant or sufficient information (or that they need to rid the work of rabbit trails) and so they revise, repeating the process as many times as necessary until they are satisfied with their work. Despite this recursiveness, it is still helpful to name and understand the particular stages which need to be engaged in to create a satisfactory product. Prewriting is simply whatever thinking a writer does about the topic before beginning to create a draft. This will vary a great deal, depending upon the topic and form of the work and upon the personality and preferences of the writer. Typical prewriting work includes understanding the context of the essay (who the audience is and the purpose for writing about the topic), researching the topic and taking notes, brainstorming about ideas in various ways, creating an outline, free-writing and journaling, talking about the topic with others. These kinds of strategies serve to refine the writers thinking and lead to a tentative controlling idea (thesis) and the information needed to support that idea. At some point this prewriting will become drafting: the creation of a rough draft of your ideas with an introduction, body, and conclusion. Some writers call this a zero draft: they contend that this initial draft is generally so rough that it doesnt deserve a number yet. Now, they say, the real work begins as they turn this set of words into a real draft that begins to communicate their message clearly.
We distinguish revision from editing and proofreading because too often
writers tend to think that revision merely means using spell-check and correcting punctuation errors. Revision, however, means re-seeing the work, looking at global concerns such as the controlling idea, the information, and the structure to discern if the essay clearly conveys the intended message. Is the controlling idea clear and has it been followed throughout the essay? Is all the information necessary for the reader contained in the work, and is the information there all relevant to the controlling idea? Can the information be organized in a clearer and more helpful way for the reader? Does the introduction draw the reader in, and are its promises carried out in the body of the essay? Does the conclusion leave the reader understanding the significance of the information given in the body? These three stages prewriting, drafting, and revising will necessarily overlap. It is especially important, however, not to skip the re-visioning stage after getting a rough draft down. All good writing is rewriting, the professionals remind us again and again. If professional writers need to revise their work, how much more the rest of us? Editing is the process of making sentences clear and concise. Of course, a writer does some of this while revising, but we recommend not getting too caught up in this stage before being sure the message is clear and fully supported. Why spend a great deal of time making a sentence sound beautiful if it is going to be thrown out later? Once the content of the draft is satisfactory, then begin to focus on the clarity of each individual sentence. Read aloud, slowly, exactly what is on the page, and listen for awkwardsounding phrases, redundancies, imprecise vocabulary, misplaced emphasis. Are transitions clear and helpful? Does every word do necessary work? The final stage of writing is proofreading, checking each word, phrase, and sentence for correctness: spelling, punctuation, apostrophes, and so on. Again, reading aloud will help with this. Especially pay attention to wrong words real words that spell check wont catch but are not correct for the context (defiantly instead of definitely, for example). Its best to leave this stage as much as possible to the last, as it is counter-productive to worry too much about comma placement, say, while still drafting or revising, as sentences are still being changed. Focusing on this stage early in the process can interfere with a writers train of thought and/or give a false sense of completion when the content is not yet satisfactory.