Professional Documents
Culture Documents
maple (Acer truncatum), Mentor barberry (Berberis x mentorensis), weeping Siberian pea
(Caragana arborescens 'Pendula') – in bud, Eastern redbud (Cercis canadensis), Japanese
flowering quince (Chaenomeles japonica 'Maulei'; Chaenomeles x superba 'Cameo'), Betty
magnolia (Magnolia 'Betty'), redbud crabapple (Malus x zumi), Adams crabapple (Malus
'Adams'), May's Delight® crabapple (Malus 'Beeson'), Red Jade crabapple (Malus 'Red Jade'),
Red Jewel crabapple (Malus 'Red Jewel'), Sargent crabapple (Malus sargentii), Tina
crabapple (Malus 'Tina'), Weeping Candied Apple® crab (Malus 'Weepcanzam'), White
Cascade crabapple (Malus 'White Cascade'), Zumi crabapple (Malus x zumi), Japanese
spurge (Pachysandra terminalis), Sargent cherry (Prunus sargentii), autumn Higan cherry
(Prunus subhirtella 'Autumnalis'), Russian almond (Prunus tenella 'Fire Hill'), flowering
almond (Prunus triloba), rhododendrons (Rhododendron 'Aglo', 'Pioneer', 'P.J.M.''Weston's
Pink Diamond'), Korean azalea (Rhododendron yedoense var. poukhanense), Grefsheim
spirea (Spiraea x cinerea 'Grefsheim'), Emerald Triumph Viburnum (Viburnum 'Emerald
Triumph').
The Elizabeth Hubert Malott Japanese Garden is a garden of three islands, with much
symbolism in the plants and hardscape elements. With its carefully styled plants and
judiciously placed stones, the garden is a tribute to the beauty of pure form. This garden is a
year-round favorite, especially in winter, when the shadows of trees and boulders on the snow
create another dimension in the garden.
Designed as a stroll garden with curving paths, it discloses its plant treasures gradually. Pines
are pruned to open up distant landscapes, framing perfect views of lakes, grassy hills, woods,
and gardens beyond. In the dry garden on the island of Kieunto, gravel represents water and
plants represent landmasses. The focal point is the traditional Japanese lantern, Ikekomi, with
the shaft buried in the ground to look as though it were surrounded by water. Wintergreen
Korean boxwood represents the islands behind the lantern.
Certainly a garden for all seasons, it is, many say, most beautiful in winter. Those moments
are for snow viewing and shadow watching, where trees and shrubs create landscapes visible
only when the world is white. Secrets are revealed; self-discovery awaits.
Designed as a "stroll garden" with curving paths, it discloses its plant treasures gradually,
never at once. Pines are pruned to open up distant landscapes, framing perfect views of lakes,
grassy hills, woods and gardens beyond. Nature imitates nature as shapes and forms repeat
themselves—snowy mounds might be boulders, buried evergreens or clouds. There is wisdom
in such simplicity.
In warmer weather, visitors may see inside the Shoin Building, a recreation of a 17th-century
samurai’s retreat. The tranquil atmosphere of respect and appreciation is echoed throughout
the garden. Roving interpreters assist visitors with questions about plants and introduce them
to elements of Eastern style and design. Volunteers rake the fine pebbles in the dry gardens,
explaining the significance of the patterns. Visitors are encouraged to sit and rake patterns in a
tabletop garden.
You can listen to the wind, the rustling grasses or the songs of migrating birds. Stop by a
bench and listen to Japanese tales narrated by volunteers. If you visit the garden in spring,
guides will show you pictures of its fall glory; visit in winter and you will be inspired by an
altogether different enchanting scene.
The garden has a quiet power to change. As you leave the garden behind, you will walk away
a different person.
sansho-en in winter
When I think about Sansho-En in the winter, I get visual flashes in my mind of sparkling
snow, dancing shadows, ice-covered branches. These visions evoke emotional responses not
easily put into words. There are so many different sights, sounds and feelings that they are
difficult to describe in simple sentences. Poetic phrases such as these will hopefully give some
idea of how I view the garden in winter:
— Snow drifts across the raked gravel sea. Crested waves upon the distant
shore.
— Breathe deep the cold crisp air. Feel alive. See beauty and let it shine within.
— Fluffy flakes float down. Soft landing among the forest pines. Bird twitters
and adjusts his warm feathery cloak, snuggled deep in the arms of the
evergreen wood.
— Shadows shift and dance on the white sparkling ground. Ink painting
images. Which inspired which?
— White flowers bloom atop the green sculpted shrubs. Imagine peonies,
camellias, chrysanthemums — buds ready to burst.
— Stark mountain pines in the distance. Foggy island everlasting.
Against the snowy slopes, tall conifers loom large, with their sweeping, pendulous branch tips
weighted down, sometimes to the ground, with puffs of snow. Their dwarf counterparts
remain half-buried in mounds of white, some sporting snow caps or domes at rakish angles.
Prostrate, ground-hugging conifers as well as the tall cascading evergreens make the most of
the protective quality of snow, and create secret caves where birds and wildlife can weather
the storms.
What a delight to see how the garden's woody plants, ornamental grasses, and perennials all
contribute to the fourth-season landscape! Proudly poking through snowdrifts that might have
toppled other plants are the tawny stems and flowers of once-dark pink hydrangeas. Fuzzy,
deep maroon sedums, darkened foliage of azaleas, and dried, caramel rose leaves peek
through the snow, assuring us that spring beauty will return. Familiar yellow and red stems of
dogwood puncture through the heavy white blanket, as do feather-light grasses that cast
almost imperceptible shadows on the snow.
How glad we feel for the subtlety of this season, where small favors are so enjoyed. The
threadlike wisps of Russian sage — how can they possibly stand so straight in this winter of
heavy snow? Tips of some green, swordlike foliage slice through the white, urging us to
return in summer and confirm the identity of this unknown plant.
Walking in a white winter land muffles certain sounds while intensifying others. Senses are
heightened. Visitors will hear a variety of winter birds calling as they flit and forage for seeds.
Listen for the chickadees, juncos, goldfinches, woodpeckers, and nuthatches drawn to the
garden for food and refuge. Hawks and owls can be seen circling high or gliding low as they
seek their prey. Early afternoon lengthens the shadow play, stretching the snaking figures
across the snow, moving them down the hill to the snow-covered valley where, perhaps feet
below this snowy surface, land and water meet.
Herb L. Gustafson.
The Art of Japanese Gardens.
New York: Sterling, 2001.
paper, 144 p., ISBN 0-806-90963-3, $19.95.
apanese gardens combine many approaches to garden space, some methods thousands of
years old. The author in this book leads readers into an inspiring yet practical work aiming to
bring the Japanese garden and its philosophies into home landscaping. Five important
Japanese garden forms — the strolling path, flat sea, natural garden, teahouse and sand and
stone garden — are highlighted in this book, along with suggestions for incorporating these
concepts into smaller areas.
Traditional Japanese gardens have vast arrays of symbolic representations. Symbolism is
important in this book, and it suggests ways in which such symbolism can be incorporated
into today's garden to spiritual as well as practical effect. Color photographs highlight
traditional garden ornaments such as animals, lanterns, water basins, benches and bridges. A
Japanese desire for asymmetry and minimal use of flowers is pictured in the positioning of
plantings and sculpture; in this book, Japanese pavilions, teahouses and a moon-viewing
building are revealed in both text and picture.
Using illustrative photographs, the author discusses garden boundaries in terms of fences,
walls and gates; he also focuses on interior uses of rocks, boulders and stones. Maintenance
methods are listed, too. Water also plays an important role in a Japanese garden, and the
author uses diagrams and photographs to depict the use of plants within ponds, waterfalls and
streams.
Finally, this inspiring book gives readers a handy plant list of Japanese, common and
botanical names suitable for Japanese gardens. There is also a plant list grouped by use.