Professional Documents
Culture Documents
SECOND DEGREE
ADVANCE
REENA.G
REIKI GRAND MASTER
www.reikicourses4u.com
Reiki Symbols
These are the Reiki symbols as they were taught to me. The arrows and numbers in
the pictures indicate how the symbols are to be drawn. There are many variations of
some symbols but they all work, use your intuition to find the right one for you.
Cho Ku Rei
Sei He Ki
Hon Sha Ze
Sho Nen
Tibetan Dai
Ko Myo
The first symbol is Cho-KU-Rei (pronounced cho-kooray), which is often referred to as the 'power symbol.
You will normally use this symbol in every healing
session, as frequently as you feel is right. Its affect is
to channel far stronger healing energy. Some people
may feel attracted to drawing it counter clockwise
instead. If you experiment, you will usually find which
feels better for you.
The second symbol is SEI-HE-KI (pronounced sayhay-kee) and is used in most healings. It is sometimes
called the 'emotional symbol' because it specifically
addresses the emotional healing process and helps
release deeply repressed feelings, quickly and easily. It
is usually drawn once at the start of a session, and can
be used again when you feel drawn to it at any time
during the healing.
Hon Sha Ze Sho Nen (pronounced hon-sha-zee-shownen) "The Distance Symbol" Hon Sha Ze Sho Nen is
used to send Reiki. You can send Reiki to anyone and
anything. It is used to send Reiki over distance and
time (such as when using Reiki to heal a past trauma or
sending Reiki to a point in the future when you or
someone might need it). It is also drawn before
sending a distant attunement. You may be guided
intuitively to use it in other situations when necessary.
If you feel you need to use it but have trouble recalling
it exactly, just repeat the name of of the symbol and let
Reiki do the rest for you.
The Dai ku Myo is also known as the Master Symbol.
Some people may feel attracted to drawing it instead
of usui symbol. If you experiment, you will usually
find which feels better for you.
Usui Dai
Ko Mio
Raku (Fire
Serpent)
Halu
Zonar
Harth
Om
Rama
Mara
Gnosa
Kriya
Iava
Shanty
Dumo
Tibetan
Fire Serpant
Antahkarana
Lon Say
Len So My
Yod
Johrei
Kasina Meditation
The word Kasina means a meditation object whereby the mind is concentrated. In Therevada
Buddhism, forty visual objects suitable for meditation are listed. Ten of these forty are referred
to as kasinas. These kasinas are the concepts of earth, water, fire, wind, the colors blue, red,
yellow and white, and the ideas of enclosed space and bright light or consciousness.
Contemplation on one of these kasinas allows the meditator to reach states of rapture referred
to as jhanas. Kasina are generally presented as colored disks with the particular properties of
the desired type of kasina. An earth kasina would be a reddish brown disk created by spreading
clay, earth, or similar material onto a backing material.
The amount of time that should be spent on kasina meditation varies between subjects. The
amount of time normally spent on other meditations should suffice for kasina meditation.
Initially, a teacher for this practice should be consulted, but after this, solitary practice is
permitted. Several kasina devices and a suitable place for practice must be found before
meditation can begin. The meditator should assume a comfortable sitting position,
approximately one and a half to three yards from the kasina object. Meditation should be on
the center of the colored image, not on the border or outside distractions. It is acceptable to
blink the eyes to reduce fatigue. Once focus on the kasina has been established, verbalization is
abandoned and only the nature of the kasina considered. All other thoughts or sensory
experiences must be avoided when practicing kasina meditation.
The method of meditating using the Earth Kasina can be readily understood by one with previous
experience from a past life. He or she might just see a farm or rice paddy field and the Learning
Sign (Uggaha-nimitta) would arise easily. Those who do not have such merit must create a
Kasina.
Making the Earth Kasina
There are two ways of making an Earth Element Kasina: movable and fixed in position.
Movable Kasina
For the first method, find an old piece of cloth, leather, or an old mat. Then tie the corners of the
material to each of four sticks driven into the ground. Then, find some pure mud, if there are any
rocks or leaves in the mud, they should be removed. The mud should be of one color and the
color should be like the color of dawn. Roll the mud into a round ball and place it on the piece
of material. Mold the mud until it becomes one piece with one color. Make it into a smooth
round shape with a flattened bottom on the prepared material. The diameter should be the
distance between the tip of the thumb and the tip of the middle finger when they are spread out
plus the width of four fingers [6-7 in. or 15-17 cm.].
Fixed Kasina
Pound many stakes into the ground close together at the bottom and open wide at the top like a
lotus leaf [cone shape]. Weave a net of string like a spiders web and tie it to support the stakes.
If there is not enough dawn-colored mud, fill the bottom with some other color and finish off the
top with the clean dawn-colored mud. The Kasina must be round. The diameter at the top should
be the distance from the tip of the thumb to the tip of the forefinger when spread out plus the
width of four fingers, as in the first method.
Meditating with the Earth Kasina
The meditator should sit on a cushion or platform raised about 8-10 inches or in a position
comfortable for seeing the Kasina. If sitting too high, one will have to look down. Over time this
might cause strain in the neck. If one sits too low, it will be difficult to see the Kasina. The
approximate distance from the Kasina should be about 2 - 2.5 ft.or 60-80 cm. Sitting too close,
one might see the defects in the Kasina and fail to achieve concentration.
This is just one example, there are many ways to make an Earth Kasina. Another example, one
could make an Earth Kasina in a three-dimensional shape such as the round shape of a sphere. As
mentioned before, some can just see a piece of plowed mud or threshed rice and take that as a
Sign.
When one has prepared everything and is ready to meditate, it is recommended to take a shower
and scrub the body in order to be comfortable, relaxed, and eliminate everything which disturbs
the mind. Contemplate the negative consequences of lust and sensual desire, see it as the cause of
suffering and make oneself love and have faith in the Kasina. Think I will attain Nirvana by
using this earth Kasina, then, close the eyes and recite, Pathavi, Pathavi, Pathavi or earth, earth,
earth.
Whenever this initial sign disappears, the meditator can open his or her eyes and stare at it until
he or she can remember it again. Then, close the eyes and meditate over and over, 100 times,
1,000 times or more. Soon he or she will attain the Learning Sign (Uggaha-nimitta).
When the Learning Sign arises, keep maintaining it. Soon, one will be able to continue onto the
Counterpart Sign or Patibhaga-nimitta. When one attains the Counterpart Sign, it means he has
succeeded in reaching the First Jhana. Continue doing the same procedure until reaching the
Fourth or the Fifth Jhana.
Please note that for this Earth Kasina, the Learning Sign will appear with the cracks, blemishes
and flaws of the Kasina, but the Counterpart Sign will appear one hundred to a thousand times
purer and clearer than that of the Learning Sign, like a crystal lens coming out of a bag or like an
oyster shell which has been well polished or like the moon coming out from behind a cloud.
Various methods for making and using the Water Kasina are similar to those for the Earth
Kasina, so only that which is different will be explained. One who has made merit in a past life
regarding this Kasina will be able to attain the Learning Sign easily when he or she sees water in
the sea, in a pond or in a well.
Those without such previous merit will need to use a container such as a bowl filled with clean,
clear, colorless water and find a quiet place to sit and meditate. The meditator sits and looks at
the water alternating looking with the eyes open and visualizing with the eyes closed, while
reciting Apo, Apo, Apo or water, water, water over and over until the Learning Sign is attained.
For this Water Kasina, the Counterpart Sign (Patibhaga-nimitta) will appear like a crystal clear
sphere standing still or like a crystal palm fan in the air.
One who has past merit with the Fire Kasina can easily attain the Learning Sign (Uggahanimitta) just from seeing a fire such as a forest fire, a fire in an oven, a fire in a lamp or a fire
people have lit.
Others must gather hard firewood that will burn a long time without going out and will not be
smoky [If the fire goes out quickly, one will have to waste time adding wood and smoke would
disturb the meditator]. To make a Kasina, light the fire, then place a thick mat or piece of leather
which can withstand the fire between yourself and the fire for protection from the heat. Make a
hole in the center about four inches wide. Contemplate the fire as seen through this hole.
An oil lamp or candle can also be used. One disadvantage is that the wind can easily extinguish
the flame. One must find a place protected from the wind, such as a closed room or cave.
Another disadvantage is that the lamp or candle could fall while the eyes are closed and be
dangerous. Make sure everything is safe before using an oil lamp or candle.
The advantages of an oil lamp or candle are that they are more convenient than finding wood and
building a fire and there is no need for the protecting mat or piece of leather, it is also not as hot
as sitting by a fire. The meditator can just light the lamp or candle, stare at the flame, and
mentally recite Tejo, Tejo, Tejo or Fire, Fire, Fire.
In this Fire Kasina, the Learning Sign appears like a spark from a wood fire falling to earth or if
the meditator is staring at a fire that he or she did not light, it may appear as burned wood,
charcoal, or smoke within the sign. But when the Counterpart Sign is attained, it will stand still
like a red cloth hung up or a golden palm fan or golden pillar.
A meditator observes the leaves on the topmost branches of a tree, seeing how they are moved
back and forth by the wind, or one can observe the hair of a person being blown by the wind.
These can be taken as sign, or one can observe the wind blowing against ones own body. In any
case, the meditator contemplates wind and recites Vayo, Vayo, Vayo or Wind, Wind, Wind.
For this Kasina, the Learning Sign will appear as a moving sign like the steam rising from
boiling rice. The Counterpart Sign appears as a sphere standing still.
Note: the first four meditaton objects or kasina are grouped into Element Meditation
Objects.
A meditator with merit from past lives can readily attain the Learning Sign by simply seeing
sunlight or moonlight hit the ground or passing through a hole in a wall or seeing light through a
hole in the ceiling or through the leaves of the trees. Others must construct a Kasina. Use the
light from a candle or oil lamp inside a pot resting on its side. Cover the opening of the pot with
cloth and make a hole in the cloth to let the light out. Turn the pot to face the wall, so there will
be a circle of light on the wall. If the pot is not covered, the sphere of light will be too large. This
will cause ones vision to blur. The circle from a lamp will last longer than sunlight or
moonlight. When all is set, the meditator stares at the circle of light and recites Aloka, Aloka,
Aloka or Light, Light, Light. For this Kasina, the Learning Sign is like a light circle on the
ground or wall. The Counterpart Sign is like a three-dimensional round sphere or bright crystal
ball.
Green Kasina (Nila) attainment can produce the ability to conjure up green images or make it
dark or bright.
Yellow Kasina (Pita) attainments can cause the ability to conjure up yellow images or fulfill the
wish that things become gold.
Red Kasina (Lohita) attainment can give rise to the ability to conjure up red images.
White Kasina (Odata) attainment can bring about the ability to conjure up white images,
eliminate Drowsiness (Thina-middha), illuminate the darkness, or make light to see things with
the celestial eyes.
Light Kasina (Aloka) attainment can lead to the ability to make oneself transparent, eliminate
Drowsiness, illuminate the darkness, or make light to see things with the celestial eyes.
Space Kasina (Akasa) attainment can create the ability to make secret things public, to conjure
up a hole in solid things such as down into land or through a mountain, or to walk through a solid
wall.
If reading yourself, hold one of your hands up against a white background in any way
that's comfortable to you.
If reading a partner, make them comfortable, and explain what you'll be doing. Have
them wear clothes that aren't too patterned. They don't have to sit very still, so they can
have a drink or read a book if they want one.
Relax your eyes as you gaze at your subject. It may help to look at the tips of your fingers or
the head of your partner. Let your eyes fall out of focus a bit. You should start to see a haze
around the edges, it might seem like a very clear light, or a light blue/white mist.
Determine any color(s) that are visible. Colors may be clear and bright, or cloudy and muddy.
Some people (like beginners) can only see one dominant color while others may see multiple
colors.
Be aware of after-images. If you stare at the same spot for long enough, your eyes will start to
see after-images that are the inverse of what you're looking at. These are not auras, and you'll
know this because you'll be able to see the after-image for a short time in front of your eyes,
wherever you look. After-image color pairs are:
Be patient. When you first see an aura, it'll often disappear as soon as you blink or move your
eyes. It takes practice to hold your focus steady.
Record what you see. Drawing a body outline and then shading in colors around it can be a fun
way of recording what you see for later analysis, and it's something to show your subject so they
can relate to what you're looking for. Be aware that some colors in auras are very difficult to
recreate with colored pencils.
TIPS
legs. Make sure the skin is bare when you do this, and remember, grass will give an
orange hue to your aura.
When you feel proficient enough, try it with a human subject. Just remember to calm and
don't try too hard. Do the same as in the original training exercise. When you try it on a
person though, get them to remove some of their clothing and study the bare skin area,
with this area highlighted against a neutral background.
On a human the first thing you will see is the etheric, like pale smoke clinging to the skin.
Next you will see a shimmering optical effect in the air extending maybe several inches,
depending on the strength of the person's aura. Keep trying and colour will build up from
the etheric, this is the aura. With practise you will be able to see more and more of it. The
coloured part of the human aura can vary from a few inches to a couple of feet wide.
The brightness of a person's aura has a lot to do with how they feel. If they feel happy
and full of life their aura is stronger and easier to see. Try getting them to wear
headphones and listen to their favourite music, this will help energize their aura.
Try it on your volunteer outside. Make sure the sun is behind you and use clouds as a
backdrop.
Hold your hands out in front of you with fingers gently spread, and relaxed, palms toward
you. Concentrate, now, for a moment, on the area in space around one of your hands.
Gaze, with your active mind, at the shape of the hand and the area around it. Release;
relax now into receptive phase as you have learned to do, while glancing away from your
hand.
After attempting to view the aura around your hands in this way, call in the energy.
Invoke Reiki , as described for beginning treatments, to bring in the energy to your hands,
feeling it build. Repeat the glancing technique again, now, using the same technique to
attempt to see the aura around one of your hands. Perform several "cycles," allowing
impressions to form. What do you see? Is there any difference between the apparent size,
or intensity, of the aura around your hands? Did bringing in the energy into your hands
make the aura easier to see? By bringing in the energy, you intensified the auric field
around your hands. This may make the aura around your hands bright and easily visible.
Look at the aura around both of your handscan you see the light around them?