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  • Related II 7 Chords Dual Function Chords PDF

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    Jason Jung
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    The document discusses harmonic analysis techniques for identifying chord relationships and functions in a musical passage. It instructs to: 1) label V7 chords resolving to diatonic targets and extended dominants with arrows; 2) label secondary dominants with parentheses; 3) bracket II-V relationships; and 4) circle dual function chords that can serve as both diatonic chords and related II-7 chords. The purpose is to analyze how chords relate and function within the context of the music.

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    The document discusses harmonic analysis techniques for identifying chord relationships and functions in a musical passage. It instructs to: 1) label V7 chords resolving to diatonic targets and extended dominants with arrows; 2) label secondary dominants with parentheses; 3) bracket II-V relationships; and 4) circle dual function chords that can serve as both diatonic chords and related II-7 chords. The purpose is to analyze how chords relate and function within the context of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    518 views8 pages

    Related II 7 Chords Dual Function Chords PDF

    Uploaded by

    Jason Jung
    The document discusses harmonic analysis techniques for identifying chord relationships and functions in a musical passage. It instructs to: 1) label V7 chords resolving to diatonic targets and extended dominants with arrows; 2) label secondary dominants with parentheses; 3) bracket II-V relationships; and 4) circle dual function chords that can serve as both diatonic chords and related II-7 chords. The purpose is to analyze how chords relate and function within the context of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 8

    Harmony & Improv III

    Unit 1.5
    Related II-7 Chords
    Dual Function Chords

    Friday, August 30, 13

    Friday, August 30, 13

    Friday, August 30, 13

    Friday, August 30, 13

    Step 1: Label all V7to-diatonic-target


    motion with arrow.
    Also use the arrow
    on extended
    dominants and draw
    it over interpolated
    II-7 chords.

    Friday, August 30, 13

    Step 2: Label all


    secondary dominants.
    (6)

    Use parentheses to
    indicate deceptive
    resolutions and
    extended dominants.

    (V7)

    V7/V
    (V7)

    V7/II

    V7/VI

    V7/II

    V7/V

    V7/II

    V7/II

    Friday, August 30, 13

    (V7)

    (V7/II)

    Step 3: bracket all


    II-V relationships,
    including II7-V7
    (V7)

    V7

    V7/V
    (V7)

    V7/II

    V7/VI

    V7/II

    V7/V

    V7/II

    V7/II

    Friday, August 30, 13

    (V7)

    V7

    (V7/II)

    Step 4: circle the dualfunction chords.


    These are diatonic
    chords that function
    also function as
    related II-7 chords
    (note: II-7 itself is not
    a dual-function chord)

    (V7)

    V7/V
    (V7)

    V7/II

    V7/VI

    V7/II

    V7/V

    V7/II

    V7/II

    Friday, August 30, 13

    (V7)

    (V7/II)

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