Professional Documents
Culture Documents
Music industry
Within the music industry, most recording artists have become increasingly reliant upon record
labels to broaden their consumer base, market their albums, and be both promoted and heard on
MP3, radio, and television, with publicists that assist performers in positive media reports to
market their merchandise, and make it available via stores and other media outlets. The Internet
has increasingly been a way that some artists avoid costs and gain new audiences, as well as
the use of videos in some cases, to sell their products.
Imprint
When a label is strictly a trademark or brand, not a company, then it is usually called an "imprint",
a term used for the same concept in publishing. An imprint is sometimes marketed as being a
"project", "unit", or "division" of a record label company, even though there is no legal business
structure associated with the imprint.
Major label
2. EMI
3. Sony (known as CBS Records until January 1991 then known as Sony Music thereafter)
4. BMG
5. Universal Music Group
6. PolyGram
Major labels 19992004 (Big Five)
1. Warner Music Group
2. EMI
3. Sony
4. BMG
5. Universal Music Group (PolyGram absorbed into UMG)
Major labels 20042008 (Big Four)
1. Universal Music Group
2. Sony BMG (Sony and BMG joint-venture)
3. Warner Music Group
4. EMI
Major labels 20082012 (Big Four)
1. Universal Music Group
2. Sony Music Entertainment (BMG absorbed into Sony)
3. Warner Music Group
4. EMI
Major labels since 2012 (Big Three)
1. Universal Music Group (part of EMI's recorded music division absorbed into UMG)
2. Sony Music Entertainment (EMI Music Publishing absorbed into Sony/ATV Music Publishing)
3. Warner Music Group (EMI's Parlophone and EMI/Virgin Classics labels absorbed into
WMG on 1 July 2013)[2]
Record labels are often under the control of a corporate umbrella organization called a
"music group". A music group is typically owned by an international conglomerate "holding
company", which often has non-music divisions as well. A music group controls and consists of
music publishing companies, record (sound recording) manufacturers, record distributors, and
record labels. As of 2007, the "big four" music groups control about 70% of the world music
market, and about 80% of the United States music market. [3][4]Record companies (manufacturers,
distributors, and labels) may also comprise a "record group" which is, in turn, controlled by a
music group. The constituent companies in a music group or record group are sometimes
marketed as being "divisions" of the group.
Independent
Record companies and music publishers that are not under the control of the big three are
generally considered to be independent (indie), even if they are large corporations with complex
structures. The term indie label is sometimes used to refer to only those independent labels that
adhere to independent criteria of corporate structure and size, and some consider an indie label
to be almost any label that releases non-mainstream music, regardless of its corporate structure.
Independent labels are often considered more artist-friendly. Though they may have less
financial clout, indie labels typically offer larger artist royalty with 50% profit-share agreement,
aka 50-50 deal, not uncommon.
Sublabel
Music collectors often use the term sublabel to refer to either an imprint or a
subordinate label company (such as those within a group). For example Universal
Music Group own or has a joint share in a number of other record labels such as
Island Records a sublabel of Island Records is 4th & B'way Records which
specialises in Hip Hop music.
Vanity labels
A vanity label is an informal name given sometimes to a record label founded as a wholly or
partially owned subsidiary of another, larger and better established (at least at the time of the
vanity label's founding) record label, where the subsidiary label is (at least nominally) controlled
by a successful recording artist, designed to allow this artist to release music by other artists they
admire.
The parent label handles the production and distribution and funding of the vanity label, but the
album is usually released with the vanity label brand name prominent. Usually, the artist/head of
the vanity label is signed to the parent label, and this artist's own recordings will be released
under the vanity label's brand name.
Creating a vanity label can be an attractive idea for the parent label primarily as a "perk" to keep
a successful artist happy and a venue to bring fellow artists to the public's attention.
Examples of Vanity Labels:
M.I.A.
200
8
Nguzunguzu
Sleigh Bells
Rye Rye
XL Recordings, Interscope
Records
active
Search &
Destroy
Fightstar
200
9
Fightstar
Gut Records
active
(2009)
Roc Nation
Jay-Z
Jay-Z
J. Cole
Wale
Sony Music
Entertainment/Atlantic
Active
(since
N.E.E.T.
Recordings
200
9
Melanie
Fiona
Jay
Electronica
Rita Ora
Ticker Tape
Radiohead
2011 Radiohead
Recording Corporation
2009)
XL Recordings
active
222 Records
Adam
Levine
201
2
Matthew
Morrison
Diego
Boneta
Tony Lucca
Independent
active
Little Will-E
Records
Ronnie
Dunn
201
3
active
Metamorphosis
Records [4]
Katy Perry
201
4
Ferras
inactive
201
4
Reba
McEntire
Ronnie Dunn Big Machine Records
Martina
McBride
Scott
Borchetta
Capitol Records
active