Professional Documents
Culture Documents
Ethno World 5 User Guide PDF
Ethno World 5 User Guide PDF
Introduction
02
03
ABBReVIATIONS
ALT
BM
TM
TM SYNC
P
F
Gliss
FX
TR
VIB
Alternating Samples
Beatmachine
Timemachine
Timemachine with tempo
synchronisation
Piano
Forte
Glissando
Effect
Tremolo
Vibrato
VEL
MOD
XFD
3XFD
KEY
CC
(C0)
Velocity Switch
Modulation Wheel
Crossfade
Crossfade mit 3 Layern
Keyswitch Instrument
Midi Control Change
Key-Switches start from C0
Jews Harp
the saron
The Saron is a Gamelan Glockenspiel from Lombok (1 octave).
KalImBas
The Kalimbas (African plucked instruments, here
with 5 and 15 small metal rods) include programmes in the original tuning and in the European half
tone tuning.
04
05
Metallophon (Germany) & Chromatic Glockenspiel (Germany) & Small Bamboo Vibraphon (Synth. Tremolo).
cyMBals
Military Cymbals
06
Rin Bowls
BOWeD INSTRUMeNTS
erhu
07
Ih khuur Bass
dIlruBa
BoWed InstruMnets
The dilruba is similar to the esraj, but has a larger resonance box, an angular body and is strung
with 20 instead of 15 resonance strings. This gives
it a louder and fuller sound. As with the esraj, the
ground base tone is tuned in between C and D.
08
esraJ
Western FIddle
The Western Fiddle is a bowed instrument very
similar to the Violin. The Fiddle differs from the
classical Violin in the way that it is played and in
the musical style in which it is played.
Gaohu
STRINGeD
INSTRUMeNTS
eGyPtIan FIddle
09
JoochIn (dulcIMer)
kantele
ZhenG harP
strInGed InstruMents
10
Bandura
BouZoukI
The Bouzouk from Greece is a guitar-like instrument with 4 double courses, which is well known
for its use of tremolo-style in Greek folk music
(Alexis Zorbas).
dra-nGen
11
strInGed InstruMents
ukulele
The Ukulele from Hawaii is a small 4 string guitar tuned
to A-D-F#-B (a soprano version is featured here).
tIMPle
The Timple is the traditional 5 string guitar from
Lanzarote. It is similar to the Ukulele.
oud
BanJolIn
The Banjolin has existed since 1885 and is also
known as the Banjo Mandolin. It is mandolin with
4 double courses tuned to G-D-A- E. It is played
with a banjo corpus.
santoor
Santoor Saberi
The 72 string Santoor is a 4-voice zither from Persia which is played with two hammers over a tonal
range of 3 octaves.
strInGed InstruMents
12
Vester acoustIcBass
contInental
resonator GuItar
cMBs
The Cmbs is a Turkish long-neck lute with a circular metal bowl resonator covered with a screwtensioned hide sound table. It resembles a Banjo,
only with a deeper bowl resonator and a wider unfretted neck; its sound is deeper. It has six double
courses (pairs) of metal strings attached to metal
machine tuning heads. It is tuned (and played) with
a quill or a plectrum, like the oud.
tanBur
13
Zsoura
The Zsoura is a small three voice Bouzouki which
is very well suited as a solo instrument because of
its higher pitch.
strInGed InstruMents
cora
the Contexts of relaxation and wellness, birth preparation, in kindergartens and in schools. The 50
strings running over two well rounded frets found
their way from the cembalo to this instrument; they
guarantee a very warm, pleasant and deep sound
with rich harmonics.
saZ
the PIVana
Grand Monochord
The pivana is a fipple flute made from the horn of
a moufflon sheep or goat. It originates in Corsica
where it is played in traditional music. It is related
to the better known gemshorn, a medieval instrument.
14
FuJara
the ney
The Slovakian Fujara - like many flutes an instrument of the cattle drovers - is made from elder. After removing the soft pulp, the two elder tubes (one
up to 170 cm/67 inches long, the other significantly
shorter) are attached to each other. The long tube is
fitted with a labium and three gripholes, the shorter
tube gets a mouthpiece which is used to blow the
flute.
PInkIllo
dVoJacka
The dvojacka is a double flute / overtone flute from
Slovakia. It has a quarter of the length of the fujara and therefore these instruments can be played
together. The musical possibilities include doubleflute-melodies and overtone flute techniques similar to the ones used on the fujara.
15
ocarInas
duduk
shakuhachI
The shakuhachi is a Japanese end notch flute, usually made from bamboo. The open notch makes it
more difficult to play but more versatile in sound
variations. It was originally used by the members
of a sect of Zen Buddhism as a part of their meditation. The range is two octaves and three tones.
dIdGerIdoo
The didgeridoo is a wind instrument from the
Australian Aborigines. By slightly changing the
position of the mouth, the player can influence the
overtone spectrum of the sound. The instrument is
mostly played with circular breathing, a technique
which enables continuous sound.
hotchIku
The duduk is a double-reed instrument from Armenia. Its huge reed which gives the instrument its
voice-like, mournful sound, is made from an indigenous reed. The body of the instrument is usually
made from aged apricot wood. The range is one
octave.
This is the big brother of the shakuhachi. It requires
the same playing techniques and has similar sound
characteristics as the shakuhachi, but it is about 2.3
feet in length and therefore lower in pitch.
16
cIaraMella
launeddas
Mancosedda
Like the launeddas, its origins lie in Sardinia. It is
a single-reed instrument with similar sound characteristics, but unlike the launeddas it has up to
seven holes which makes it more useful for complex melodies and gives it an extended range of one
octave.
17
cruMhorn
The Crumhorn with its rather duck-like sound quality is a double-reed instrument from the European
Renaissance, where such instruments were often
played in groups of different sizes. The doublereed
itself is hidden in a closed cap.
tIn WhIstle
loW WhIstle
The low whistle might be encountered a bit less
often than the tin whistle in traditional Irish music, but it has a richer sound. It is often used in
slow airs.
BaWu
The Bawu is a smooth and mellow sounding Chinese bamboo flute with 5 holes. Its sound is produced by a copper reed.
shenG
hulusI
PeruVIan ocarInas
shIVa Flute
The Shiva Flute is played by Indian preachers. This
brass flute has a very transparent and high pitch
sound.
18
haWaIIan shellhorn
The Hawaiian Shellhorn is a shell-like horn flute
from Hawaii.
IndIan shenaI
The Rag Dun Horn is often played at ceremonies.
It comes from the Himalayas and shows similarities with the European Alphorn, but it sounds much
louder and more metallic than its European counterpart. There are Rag Dun Horn versions of up to
3 Meters (approx. 9 ft.) length.
uIlleann PIPes
Zukra BaGPIPe
Pan Flute
The Zukra Bagpipe, a Tunisian bagpipe, is a double reed flute with a kid-leather body. By powerfully blowing into the instrument it works like a
bagpipe.
19
Canira Panflute
WORLD DRUMS
All drums have two or more dynamics on each
key and all loops are in beatmachine-mode. Many
programs contain single samples in addition to the
loops to imitate a phrase realistically.
The Pan Flute - named after Pan, god of the sheperds. The sound of this instrument originates from
an airstream which is directed to a sharp edge that
cuts this airstream (on its cutting edge). All over
the world Pan Flutes developed in different cultures more than 6000 years ago. Today the very
airy sounding Pan Flutes from South America are
famous, especially the ones from the Andes with
their tubes aligned in one row. There are 2 different
Panflutes in this Library
VarIous WoodWInds
All the woodwind instruments have tapered notes,
some with and some without vibrato. The following
instruments are included: an Indian and a Ceylonese snake charmer and a double neck recorder made
from a pumpkin, which always plays two notes at
once like a bagpipe. There is, however, a programme that lets you play on just one recorder neck at
a time. With its loop version you can imitate Irish
pipes. There is a big bamboo flute from Indonesia
for warm sounds and for a strong ethnic flute character, a Mexican piccolo, a clay ocarina
from Peru, a Dagoba (temple) flute from Sri Lanka and an alto recorder in F. In addition, there is a
good selection of flute phrases and effects for the
musical regions of East Asia and South America.
Talking Drum & Dolek & Fujara Flute
20
taIko druMs
21
MonGolIan FraMedruM
These traditional drums stem from the classic instrument collections of Mongolian folk groups. The
Mongolian Hengereg Drum, often sparkling with
colour, is a bass drum played with wooden drumsticks.
Madal druM
The Madal drum originally comes from Nepal.
It has different sized drum skins on each side
and can be tuned with wooden keys on interlaced
skins.
World druMs
Water druMs
Water Drums are made of pumpkins with some
amount of water to create a unique sound.
IranIan BonGos
Iranian bongos are very small and made from solid wood. Their sound is loud and high pitched and
they are played with sticks.
Big African Donn Donn Drum & Madal Drum &
Ceremony Drum
sMall cassa
The Small Cassa has a very low and mighty sound,
well suited to produce big drum grooves of all
styles. There is also the big hand drum for all playing styles, a tambourine drum and a headless tambourine with rolls and crescendi, brass tablas from
India, low pitched timbales and grooves, etc.
World druMs
22
Bass Cajon
The Bass Cajon and the Yambu are two large drums
from Peru and Cuba which both have a wooden
head. They were used to urge slaves to work.
dJeMBe
kanJIra
BendIr
The Bendir from Tunisia is similar to the Irish
Bodhran. Its characteristic sound is produced by
two cords inside the drum.
surdo
23
World druMs
WORLD peRCUSSION
GoPIchand
Baobab Shaker & Cola Shaker & Rattle Shakers & Eggs
& Wood Shaker & Small Maracas & Metal Guiro Shaker
World PercussIon
24
Key INSTRUMeNTS
hohner MelodIca
dallaPe accordIon
Members of Egschiglen
25
Boys Voices
Ben Schdlich
Chinese Voices
LiLi + Xizhi Nie
The Ethnic
Chamber Choir:
Women
Melanie Kuchling (SOPRAN)
Tarja Kultalahti (SOPRAN)
Steffi Albrecht (ALT)
Judith Frhlich (ALT)
Men
Lipa Majstrovic
26
BIOGRApHIeS
Marcel BarsottI
the Producer
Besides his film composing activities, he published his first library for ethnic instruments, Ethno
World, in 2000. Together with Ethno World Volume 4, this has become one of the most successful
ethnic DVD Libraries in the world.
In 2010 Barsotti wins the German Record Critic
Award, The Park City Filmmusic Award 2010 and
was nominated for the German Film Critic Award
and the Score of the Year 2009.
.
MARCEL BARSOTTI
Filmmusic Composer
BAM Music Publishing - Germany
barsotti@t-online.de
www.marcelbarsotti.com
andreas hoFner
Marcel Barsotti has been one of the most successful
film composers in Germany for over 10 years. Many
of his by now more than 60 film compositions have
become popular cinema music hits Pope Joan
(Die Ppstin) Das Wunder von Bern, Deutschland. Ein Sommermarchen, Rennschwein Rudi
Russel, Der Seewolf Der Bibelcode 2, Kebab
Connection, Wo ist Fred?, Grne Wste and
Dolphins. On the international scene, he composed music for the award-winning film productions
Sirga the Lioness and The Poet.
Barsotti has worked together with Luc Besson
Production, Carl Schenkel, Caroline Link, Snke
Wortmann, Gunter Rohrbach, Josee Dayan, Paul
Hills, Hark Bohm, Gus Trikonis and Harold Faltermeyer, among others.
Marcel Barsotti is also responsible for many advertising tunes and world wide corporate signature
tunes, such as RTL2, SOS Childrens Villages
and Concorde Film Distribution.
Michael Barsotti holds film music workshops in
Europe, and he is a member of the German composers association, the Composer Club, and a member of the German Film Academy jury. He gained
two nominations for the German Television Awards
in 2004, and in 2005 the Designer Award for best
advertising music.
In 2005, he founded the film music label
THE SCORE Record Company.
27
Andreas Hofner has been working as an independent composer and music producer in Munich for
more than 20 years. After having piano, guitar and
saxophone lessons, he acquired his own music and
studio know how.
He has written several radio jingles, music for
many commercial films and advertising spots, and
also title music and scores for several television
productions. In the pop sphere he has worked successfully with THE LES HUMPHRIES SINGERS,
JURGEN DREWS and PETER SCHILLING, participating successfully in the 1986 Eurovision Song
Contest.
ARTMAN MUSIC
Andreas Hofner
www.artman-music.de
BIoGraPhIes
THe MUSICIANS
FROM eTHNO WORLD
saranGel tsereVsaMBa
Marcel BarsottI
Stringed instruments, drums & percussion, flutes
and key instruments
andreas hoFner
Stringed instruments, drums & percussion, flutes
and key instruments
sandro FrIedrIch
Various Ocarinas, Tin & Low Whistle Licks,
Shakuhachi, Pinkillo, Mancosedda, Launeddas,
Crumhorn, Hotchiku, Fujara Overtone Flute, Irish
Traverse Flute, Dvojacka, Double Flute, Duduk,
Didgeridoo, Ciaramella, Ney Flute, Pivana, Tenor
Pivana, Human Whistling
enrIQue uGarte
sandro hussel
Esray, Dilruba
tuMenBayar MIGdorJ
(from the Egschiglen Ensemble)
Morin Khuur, Vocals
tuMursaIhan yanlaV
(from the Egschiglen Ensemble)
Morin Khuur, Vocals
uuGanBaatar tsend-ochIr
Accordion, Shenai
raoul alVarellos
Ih Khuur Bass
aMartuWshIn BaasandorJ
(from the Egschiglen Ensemble)
Khoomii Vocals, Morin Khuur
28
daVId JunIor
PePe rochas
Kena, Mocno Bassflute
andreas Zoellner
Rag Dun horns, Hawaiian Shell horn
WolFGanG lohMeIer
Drums, Percussion, Monochord
andreas WeIdInGer
Various Bamboo- and European Flutes
toM hake
Overtone Whistles and Uilleann Pipes
World percussion and drums
FaBIan roeMer
claus Gstatter
Western Fiddle
Bernhard Zeller
Additional Didgeridoo
catalIn tIrcolea
Thank you to Catalin Tircolea, the Pan Flute Player, well
known all over the world with his samples at EW 5.
sandro hussel
recordInG sessIon
29
As a musician, producer and luthier, Sandro Hussel has always had a special interest in string and
percussion instruments from the Far East, Africa
and Eastern Europe. It is these instruments which
serve him as a source of inspiration, and meet his
requirements for authenticity, originality and intensity. Sandro Hussels main workshop is Woodstage
sandro FrIedrIch
eGschIGlen enseMBle
30
WolFGanG kotsoWIlIs
0049.221.811053
emaIl:label@albakultur.de
birgit@albakultur.de
www.albakultur.de
chrIstoPh Manhart
(Taiko Drums)
31
ManFred BoGner
FouxI
Fouxi is a Munich based actress, singer and songwriter. Her first album with french pop-chansons was
released in 2009 called Les fleurs de Fouxi. One of
her songs was not only covered by Franoise Hardy
but gave also the name of her new album.
Contact: contact@fouxi.com www.fouxi.com
lIPa MaJstroVIc
MorI dIouBat
Lipa Majstrovic was born in Paris and grew up in
Spain and Croatia. She works as a studio singer,
vocal coach and live performer in Germany. Education: Kim Nazarian (New York Voices), Sheila
Jordan. Current projects: www.cantarela.net ,
www.thedilorettes.de
Contact: 0049(0)89/60013893 /
++49(0)173/3536392
mail@lipamusic.de www.lipamusic.de
GerGana kusheWa
32
nanIna GhelFI
Contact: communication@beitinger.com
Website: mori-dioubate.de
++49(0)171 3871678 / ++49(0)89 608 55 683
sereF dalyanoGlu
Nanina Ghelfi, born in 1971 (CH) , singer, Naked
Voice teacher, vocal therapist, Off-Speaker (TV).
She has released 3 CDs and has performed internationally (CH,D, UK). She intensively studies Ethnosinging, chants and mantras from all over the world.
Her latest album from 2009 Powerchant can be heard at www.klangfeld.ch. her Album Powerchant
was recorded partly with Ethno World Software.
Contact: Nanina Ghelfi, Ringwilerstrasse 21,
Turkish Male Voices, Saz, Oud, Cmbs & Tanbur
Seref Dalyanoglu born in Turkey has lived in germany since he was 8. He has played in several
international groups, orchestras and formations.
Specialized in UD and old oriental sing-styles. He
is also a soloist and has been performing for many
years with his group Scirocco-Oriental.
Contact: seref.dalyanoglu@gmx.de,
antoIne noah
www.scirocco-music.de
Paulo alVes
Paulo European Ethnic Voices
neda hoMayoon
Iranian and Arabic Voices
neda.homayoon@googlemail.com
Cameroon Male Voices
Contact: ++49 (0)260-99573852
++49 (0)8205-777820
33
Ben schdlIch
Boys Voices
Born on the 16th may 1996 in Starnberg and a gifted
pupil of the Pestalozzi Gymnasium Munich. Boy soprano in the ViVaVocina choir Munich. Loves to play
the piano, sing and dance.
lI lI
xIZhI nIe
Contact: benschaedlich@gmx.de
Valentyna starenka
NIE, Xizhi was born in 1953 in the Shandong province of China. 1977 he went to peking to study musicology at the central music-academy. In the years
of his teaching activity Mr. Nie published several
technical and exercise book as well as some essays
about chinese music and chinese instruments. He
also became a member of the national association
for chinese traditional music. 1989 he joined the
Chinese music association peking that consisted
of musicologists and musicians. Since 1995 hes
toured internationally and recorded several CDs
with the music ensemble Embryo from munich.
As a musician he performance with various instruments such as the chinese string instrument Erhu
or the mouth organ Sheng
34
sonny rIchards
35
aMBros Gller
Jack MIller
CReDITS
Produced by
Marcel BarsottI
andreas hoFner
Recorded and mastered at
enrIco coroMInes
Design & graphic realisation by
Marcel BarsottI
rIchard aIcher
Photos by
Marcel BarsottI
andreas hoFner
rIchard aIcher
Grandma - (Northern Cheyenne)
klaus BaetZ
klaus@coldsteelmusic.de
www.coldsteelmusic.de
GUI Developement and graphics
InGo herMes
Eigelstein 72 50668 Kln
0176-67477444
ingo@thebadroom.de
SIpS Legato Script
orIGInally By
BIG BoB
Panute Canira
catalIn rasVan
The Pan Flute Canira Istrument is from the Essence
of Panflute album made by Canira Music International from Romania, in the original conception of
the musician Catalin Rasvan licenced by
36
LICeNSe AGReeMeNT
The samples and software contained in this library
are licensed to you for use in music, multimedia
and film productions only. Only the purchaser of
this CD is authorized to use the sounds. Unauthorized copying, reproduction (including conversion
and reproduction in other data formats) hire, rental,
public performance, broadcasting and distribution
is expressly prohibited. best service constantly monitors other soundware releases to check for copyright infringements, and will prosecute all piracy
and copyright violations to the fullest extent of the
law. All rights by best service.
2003 2010 best service. All rights reserved
37
The Instruments:
There are various types of instruments which becomes apparent in the layout of the Quick Edit Page:
TM SYNC: musical phrases and licks are synced
to the tempo automaticly. Be mindful that extreme deviation from the original file leads to distortion of the audio signal. The more overtones and
polyphony a signal has, the sooner the distortion
occurs.
TM: The TM-Patches also have Time-machine,
but all samples play in original tempo and tuning.
However you can edit every note separately.
Quickstart manual
BM: The Beat-machine-patches have the
advantage that the loops automaticly sync to the
tempo but the samples are sliced, meaning they are
cut into fragments. The Speed-fader displays the
BM-Sound lengths in quarters. If you divide these,
for example the loop doubles in speed.
The Normal-patches without prefix mostly
use the DFD-Mode (HD Streaming) and load very
fast and use up the least resources.
KEY-Patches: With the lower keys of your
master-keyboard (usually E0) you can select variations of the instrument. The particular description
of the variation is displayed on the Quick Edit Page
in active Key-group.
With instruments that contain Licks or Loops, every note is assigned to its individual Group, so that
every phrase can be edited in Group-Edit and Sample Start Parameters.
38
World druMs
and World PercussIon
tune:
Sets the tuning in semitones. For exact settings and
fine-tuning use the data-entry field. Just doubleclick and enter your data or use the mouse (high
resolution with shift).
saMPle start:
Sets the point where the sample begins to play.
With the Sample Start Range, you can adjust a wider range of this slider.
keyGrouP:
VoluMe:
Sets the volume of the selected group or the entire instrument, depending on the EDIT ALL button
status.
Pan:
Sets the panning of the selected group or the entire instrument, depending on the EDIT ALL button status.
attack:
Sets the attack time of the selected group or the entire instrument, depending on the EDIT ALL button
status.
release:
Sets the release time of the selected group or the
entire instrument, depending on the EDIT ALL
button status.
VelocItIy:
Adjusts the amount that the velocity changes the
volume of the selected group or the entire instrument, depending on the EDIT ALL button status.
sPeed:
Controls the speed in Timemachine-Mode (TM) or
Beatmachine-Mode (BM).
39
PItch B. ranGe:
Sets the pitch bend range in semitones of the selected group or the entire instrument, depending on
the EDIT ALL button status.
QuIckstart Manual
eFFeCTS:
This is the section where you can enable and adjust
effects for the whole instrument.
The effects are Convolution, Reverb, Delay,
Phaser, Equalizer, Compressor and Saturation.
conVolutIon sIZe:
Sets the impulse response file size of the Convolution Effect. This effect concerns the whole instrument.
conVolutIon outPut:
Sets the output level of the Convolution Effect.
This effect concerns the whole instrument.
coMP. / satur.
The compressor reduces the dynamic range of your
instrument. Reducing volume-peaks gives you the
possibility to raise the overall volume of the instrument. This can help you to bring out an instrument
in the mix. Saturation makes the sound thicker.
eQualIZer
The EQ enables you to change the sound of your
instrument subtly or drastically.
delay
In conjunction with reverb, the delay can produce nice echoes or very realistic sounding room effects.
Phaser/chorus
actIVe
keyGrouP:
QuIckstart Manual
reVerB
The Reverb is agorithmic and doesnt need as much
40
CPU power as the Convolution, a high quality effect using impulse response recordings.
GROUp eDIT:
In this section you can adjust volume, tuning, filter
and envelopes for each group or playing style.
You can find everything to manipulate the tone and
response of your instrument.
VoluMe:
Velo> att.
Sets the amount of the Velocity to Attack Time modulation.
lFo IntensIty
Sets the intensity of the Volume LFO effect.
lFo FreQuence
Sets the frequency of the Volume LFO effect .
pITCH LFO:
VoluMe
Sets the volume of the selected group or the entire
instrument.
VelocItIy
Adjusts the amount that the velocity changes the
volume.
attack
Determines how fast the Attack effect reaches its
maximum volume after you hit the key.
decay
Determines how fast the Attack effects volume
drops to sustain level.
sustaIn
Adjusts the volume level the sample should reach
after the decay phase.
release
lFo IntensIty
Sets the intensity of the Pitch LFO effect.
lFo FreQuence
Sets the frequency of the Pitch-LFO, and therefore
the speed of the pitch modulation.
41
QuIckstart Manual
lFo IntensIty
Controls the intensity of the filter modulation.
lFo FreQuence
Sets the frequency of the LFO, and therefore the
speed of the filter modulation.
MICROTUNING:
cutoFF
This knob sets the cutoff frequency. It determines
the point from which either the high frequencies or
the low frequencies get cut.
resonance
Boosts the frequencies around the cutoff frequency.
attack
Determines how long it will take the filter to reach
the cutoff frequency after you hit.
decay
Sets the time the filter will take to drop to sustain level.
sustaIn
Sets the level the filter reaches after the decay phase.
release
Adjusts the time the filter takes to stop affecting the
sound after you have released the key.
IntensIty
key
Select the root note of the scale.
Preset
Select a microtuning preset.
user
Save your own tuning. The saved user-tunings are
not available in other instruments due to Kontakts
scripting - architecture.
QuIckstart Manual
42
peRFORMANCe:
This section contains specific playing options that
can alter your performance: Legato mode, Humanize and Harmonize. All these effects concern the
whole instrument.
eQ aMount
Sets the amount of the EQ Humanizing. Each note
gets a slightly altered 1-band EQ-setting, depending on the chosen Humanize Setting. This very
subtile effect concerns the whole instrument.
harMonIZe
add note
If pressed, one additional note is created. Adjust
its tuning with the tune data-entry below. This effect concerns the whole instrument.
leGato:
Legato ON/OFF Switch
Enables the Legato function. If Legato is on, the
Harmonize function cant be used and the instrument is set to a monophonic Solo-Mode.
start oFFset
Sets the Sample Start Offset of the legato played
notes. This effect concerns the whole instrument.
For Instruments in DFD mode (disk streaming) like
drums and percussions, the offset is not working.
leGato x-Fade
Sets the Crossfade Time of the legato played notes.
This has no effect when you play with the Legato
Glide Effect while pressing the sustain pedal (CC64).
This effect concerns the whole instrument.
GlIde tIMe
Sets the Legato Glide Time of the legato played
notes. Press the sustain pedal (CC64) to hear the
effect. This effect concerns the whole instrument.
huManIZe:
tunInG
Randomly detunes each note. If set to 100%, the
maximum detune value is 100 cents in both directions. This effect concerns the whole instrument.
43
tune
Sets the tuning of the additional note. With the arrows on the right side of the field you can adjust the
tuning in semitones.
QuIckstart Manual
Instrument List
Bell Type Instruments
Instrument
EW-Vol.
Bamboo Vibraphone 1
Belltree 3
Bhutan Bells 2
China Finger Cymbals 1
Dream Catcher 1
Gamelan Crash Bells 1
Glockenspiel 1
Iran Fingercymbals 3
Metallophon 1
Mini Bells 2
Saron Gamelan 1
Shanghai Baby Piano 1
Small Burma Bells 1
Small Tubular Bells 1
Tibetan Cymbals 1
Tibetan Singing Bells 1
Vietnam Bells 2
Windbells 3
Windchimes Ethno World 5
KEY INSTRUMENT
BOWED INSTRUMENTS
Dilruba 4
Egyptian Fiddle 2
Erhu 2
Esraj 4
Gaohu 2
Ih Khuur Bass 4
Jinghu Operaviolin 2
Morin Khuur Strings Ensemble 4
Morin Khuur Violin 4
Small Morin Khuur 2
Western Fiddle Licks 3
CONSTRUCTION SETS
Instrument
EW-Vol.
China Set 100 3
Instrument List
Instrument
EW-Vol.
Dallape Accordion 2
Melodica 2
Scale Changer Harmonium India 2
44
STRINGED INSTRUMENTS
Instrument
EW-Vol.
Acoustic Bass Vester 2
Balalaika 2
Bandura 5
Banjo Framus 1
Banjolin 2
Big Erhu Plectrum Violin 1
Bouzouki Sakis 2
Ceylon Guitar 1
Contra Guitar F - Bass 1
Cora 2
Cmbs 3
Domra 2
Dra-Ngen 2
Grand Monochord 3
Joochin Dulcimer 4
Kantele 1
Mandolin Truxa 1
Oud 2
Oud Licks 3
Resonator Guitar 2
Santoor Saberi 2
Saz Licks 3
Sitar 2
Small Erhu Plectrum Violin 1
Small Kantele 1
Steel String Guitar Falcon 1
Tampura 2
Tanbur 3
Timple 2
Turke Saz 1
Ukulele 2
Zheng Harp 2
Zsoura Sakis 2
45
Instrument List
Kena 2
Krumhorn 4
Launeddas 4
Low Whistle Licks 4
Mancosedda 4
Mexican Piccolo Flute 1
Moceno Bassflute 2
Ney Flute 5
Ocarina 1
Overton Irish Whistle 3
Overton Irish Whistle Licks 3
Panflute 3
Panflute Canira 5
Peruvian Double Ocarina 2
Peruvian Ocarina 2
Pinkillo Flute 4
Pivana Flute 5
Rag Dun Horns 2
Recorder 1
Shakuhachi 4
Shenai 2
Sheng 2
Shiva Flute 2
Susato Whistle 1
Tenor Pivana Flute 5
Tenor Recorder 2
Tin Whistle LIcks 4
Uilleann Pipes 3
Various Ocarinas 4
Zukra Bagpipe 2
WORLD DRUMS
Instrument
EW-Vol.
African Donn Donn Drum 1
Bass Cajon 2
Bass Skin Udu 2
Bendir Framedrum 2
Big Ethnic Tom Drums 5
Big hand Drum 1
Ceremony Drum 1
Darabuka 1
Derbuka 1
Djembe 2
Instrument List
Dolek 3
Flat Udu 3
Gon Bops Cuica Drum 2
Gran Military Cassa 2
Indian Tablas 1
Iran Bongos 1
Kanjira 3
Madal Drum 1
Military Snaredrum 1
Mongolian Framedrum 4
Mongolian Hengereg Drum 4
Moroccon Conga 2
Oceandrum 3
Piccolo Military Snaredrum 1
Pitched Timbales 1
Small Cassa 1
Small Derbuka 1
Surdo 3
Taiko Drums 5
Talking Drum 3
Tambourine Drum 1
Traditional Bongos 1
Tunis Ceremony Drum 2
Waterdrums 3
Yambu 2
WORLD PERCUSSION
Instrument
EW-Vol.
African Rice Shaker 1
African Xylophone 2
Afuche Cabasa 1
American Woodblocks 1
Angklung Gamelan 1
Balafon 2
Bamboo Windchimes 1
Baobab Shaker 3
Castanets 1
Chi Gong Balls 1
Chicken Eggs 1
Cola Shaker 3
Drum Pots 1
Gamelan Wooden Cowbell 1
Gon Bops Cuica 2
46
Gopichand 2
Headless Tambourine 1
Log drum 2
Metal Guiro Shaker 3
Mixed Wood Percussion 3
Mongolian Bones Shaker 4
Nut Shaker 3
Rainmakers 1
Rattle Shaker 3
Schellenkranz 2
Shaker Sets 3
Shell Shekere 2
Small Chickeneggs 3
Small Maracas 3
Spring Drums 3
Tamborcito 2
Tambourine Drum 1
Traditional Cowbells 1
Tunis Tambourine 2
Various Maracas 1
Wood Shaker 3
Wooden Bells 2
Wrist Jingles 2
47
Instrument List