Here he stands precisely in the Tantric Yoga mudra
described above. He also appears similar to the Lahmu gods, who hold Vases with the Waters of Life, like the one examplified at Akkadia, in the Cylinder Seal of the kings scribe Ibni-Sarrum, during King Sar-Kali-Sarri. Sar meaing a god year of 3,600 earth years, and Kali is the great godess, the black but beautiful, the daughter of Enki and Lilake/Lilith, who is also known as the Kali of India and tantric yoga, where she IS depicted with her tongue out, as the persona of this Yogic tecnique, which Bessu engages in Egypt and Assyria, as the Pessu. In Egyptian, he was also associated with child birth, and the Heb Seb festival celebration or initiations: the Mystery Plays. He was also associated with music and dance.Bes was also known as Hapi, or Habi. This may have led to the comression Heb and then then the very hieroglyph fo r the sacred herb Hnf. It is known as Seben in Kermanni, this in egyptian would mean the Heb Seb of the Ben or Phoenix. It is also called Sepanj, in Persian, phonetically demonstrating their common root, since in all 3 places it is the Soma plant. It is also called there Sipand, SipandinThe Egyptian also caled him Bessu, which is even more interesting, since the hidden vowels in Egyptian Kabala were interchangeable. Hence, the Besa of the Gnostics, and the Besu of the Egyptians are the same. It is an interesting anagrammic wod play on the main Egyptian word for the Soma bush, which is Nebu. By placing the B at the beginning, and replacing the N with an S, which has its own unique Kababalistic linkage in word play, the Nebu and Besu, are one and the same.
Botanically they certainly both are teh same plant. Which
further renders evidence to the accuracy of the word play rules the ancients used. Statues of Besu have further been found in Syria, Palestine, Babylonia, and Assyria, all from the first century BC (Gods, Demons and Symbols of Ancient Mesapotamia, pp-42). In both Babylonia and Assyria, he was known as Pess. Phoenetically, virtually identitical to Bessu, with the Phoenetic word play change to P from the B. This word play, or punnery, si directly associated to protedcting the secret and sacred Soma plant, as this is seen in the title asscribed to Bessu in Babylonia and Arabia (where teh Egyptain stated his tradition came, for the state it came from the Holy Land,), where he was known as Lord of Puoni, and on the African coast of the Red Sea, he was called Pun-t. The root of our Pun, just as Root comes from Ruta, or Rue. (Gods, Demons and Symbols of Ancient Mesapotamia, pp-42) Here also Nergal is depicted with his tongue out, but now as a Lion of the underworld. The Lion of Alchemy, the Lion of Judah is the Lion of the MSHE, Messiah king. Nergal has his name on the spine of the Lion (Gods, Demons and Symbols of Ancient Mesapotamia, pp-185). Out of the waters, at times fishes would come, like Ptah with his Vases of the waters of Life, the waters of the Nile, and the Milk of the Heavenly Nile, the Milkyh Way. The Lahmu, held these Hegallu Vases of abundance and fertility, for Enki. Originally it was Enki himself who held this jugs, overwatched by the Phoenix. The Lahmu, were associated with the Abzu, the underwater resting domain of Enki, where resting chamber contained the waters of life was.
Just as Ptahs was in the Abu, containing his resting place
filled with the waters of life. And Ptah was the Phoenix. These two gods, have been demonstrated by numerous scholars,to be one and the same (recently Dr. David Rohl joined in this connection).Hence, in both stories we have the Jugs of Aquarius. With Enki the Phoenix is above the waters. With Ptah he is the Phoenix, and the Phoenix is above the waters. They both rest in a under