The document provides an analysis of the 1954 recording of "Sh-Boom" by The Chords. It notes that the vocal group is accompanied by instruments like guitar, bass, drums and saxophone. The recording begins with the vocal group singing a cappella for two bars before being joined by instruments. Most lyrics are sung by the group, except for the bridge which is sung solo. The sixth and seventh sections feature instrumental solos from the tenor saxophone playing in a jazz style. The tempo is about 134 beats per minute and the form consists of similar eight-bar periods with one section sung solo forming a contrasting bridge section. The doo-wop lyrics focus on simple love and sexual desire through repetition
The document provides an analysis of the 1954 recording of "Sh-Boom" by The Chords. It notes that the vocal group is accompanied by instruments like guitar, bass, drums and saxophone. The recording begins with the vocal group singing a cappella for two bars before being joined by instruments. Most lyrics are sung by the group, except for the bridge which is sung solo. The sixth and seventh sections feature instrumental solos from the tenor saxophone playing in a jazz style. The tempo is about 134 beats per minute and the form consists of similar eight-bar periods with one section sung solo forming a contrasting bridge section. The doo-wop lyrics focus on simple love and sexual desire through repetition
The document provides an analysis of the 1954 recording of "Sh-Boom" by The Chords. It notes that the vocal group is accompanied by instruments like guitar, bass, drums and saxophone. The recording begins with the vocal group singing a cappella for two bars before being joined by instruments. Most lyrics are sung by the group, except for the bridge which is sung solo. The sixth and seventh sections feature instrumental solos from the tenor saxophone playing in a jazz style. The tempo is about 134 beats per minute and the form consists of similar eight-bar periods with one section sung solo forming a contrasting bridge section. The doo-wop lyrics focus on simple love and sexual desire through repetition
Features:
The
vocal
group
is
accompanied
by
a
rhythm
section
consisting
of
a
guitar,
string
bass,
drums,
and
saxophone
for
instrumental
solos.
Beat
subdivisions
are
uneven.
The
recording
begins
with
an
introduction
in
which
the
vocal
group
sings
a
cappella
(without
instrumental
accompaniment)
for
two
bars
and
then
is
joined
by
the
instruments
for
two
more
bars.
Most
of
the
lyrics
are
sung
by
the
vocal
group,
except
for
the
bridge,
which
is
sung
by
a
solo
bass
singer
(showing
the
Ink
Spots'
influence).
The
sixth
and
seventh
full
eight-bar
periods
are
instrumental,
with
a
tenor
saxophone
improvising
in
a
jazz
style.
Tempo:
The
tempo
is
about
134
beats
per
minute,
with
four
beats
in
each
bar.
Form:
Most
of
the
song
is
structured
in
eight-bar
periods,
each
of
which
consists
of
two
four-bar
phrases.
The
only
exceptions
are
the
four-bar
introduction
and
one
four- bar
extension
sung
in
nonsense
syllables
after
the
first
full
eight-bar
period
of
lyrics.
The
chords
and
melody
of
all
periods
except
that
sung
by
a
solo
bass
singer
are
similar
enough
to
be
called
A
sections
of
a
song
form.
The
bass
sings
the
contrasting
B
section,
or
bridge,
of
the
song
form.
Lyrics:
The
doo-wop
air
of
simple
love
and
sexual
desire
("if
you
do
what
I
want
you
to
Baby...")
is
emphasized
in
the
repitition
of
nonsense
syllables,
reference
to
"paradise,"
and
(shades
of
"Row,
Row,
Row
Your
Boat")
the
possibility
that
life
could
be
a
dream.