JOH Mc LAUGHLID MAHAVISHNI [ ORCHESTRA© play music to align the spirit. Traditional Hindu Saying ¢ Resole Seanctwary Sapphire Bullets Thousand Istand Pa sions of the Emerald Beyone Be Happy 135 Earth Ship 136 Eternity’s Breath LIE Faith 126 If] Could See 132 Lila’s Dance HI On the Way Home to Earth 139 Opus! 138 Pastoral 125 fetween Nothingness & Eternity Dream 142he Inner Mounting Flame A Lotus on Irish Streams 37 Awakening 51 The Dance of Maya 42 Dawn 21 Meeting of the Spirits 12 Noonward Race 25 Vital Transformation 38 You Know, You Know 46 irds of Fire Birds of Fire 58 Celestial Terrestial Commuters 65 Hope 77 Miles Beyond 62 One Word 78 cry Joy 104 7 Pure Love 57 7MUSIC VO MODES 1. Tontan (major seate) =| 2. Dorian 3, Phrygian 4, Lydian 5. Mixolydian 6. Aeolian a ee re ee As you can. see, six additional modes can be derived from the fundamental major mode (lonéan) by starting on eack successive step of the firndamental mode. The synthetic fundamental modes are gtven betow. You can derive additional modes from all the synthetic fundamensal modes by using the same process of starting on each successive step. I have spelled out all fundamental modes in € for the sake of simplicity, but any mode can start on any pitch. For example, if G# Phrygian is ecommended for improvisation, you would play be a ofete which is the third made of E major. Likewise, ifthe sixth mode of BY Double Harmonic is recommended, you é | Not all of these synthetic modes and their derivatives have been used in this book. However, 1 have would play oe a included them for the benefit of the serious music student, because one can find so much hidden within thet , particularly in the extraction of their seale-tone chords SYNTHETIC MODES ——— = es Pentatonie Major Pentatonic Minor be tn {| Hungarian Major ——— = es Sa obo f fo“ABULARY REPEAT Music in sepeated sections may be played as many times as desited unless indicated atherwise, Indications may be made either at the beginning of the section (Tico times, Five times, etc.) or-at the end (V1, Ir=a Te, ete. Ine those sections where the number af repetitions is not stated, the directions “Enter 2nd time,” “Enter a 3rd time, represent the order of entrances. The mumber of repetitions between each entrance can be undienited. THE BOX The box és a device that uses words to shorten a score. Directions within a box indicate repetitions of previously stated music, Afier completing all directions within a box go on to the next section of written TUTTI Sometimes in a repeated seetion of music the musicians make their entrances one at «time. The term “uti” in a box or on a DS, indicates that all musicians enter together. TRADING The term “trading’” is used to indicate that tivo or more musicians take turns playing an ad lib soto for bars. Trading 8's, for example, means that each player in turn plays 8 bars ad a predetermined numbe Hib, Likewise, trading 4's means that each player in turn plays # bars ad lib DRUM LEGEND al i wit ad tine Notation for one Tom-Tom is written in the second space of the staff. When there are three different Tam-Toms Unies otherwise indicated, the Cymb sto any kind of cymbal (ride, crash, high-hat, etc.) thigh, middle and tow), the high Tom-Tam és written in the fourth space, the middle Tom-Tom (not Snare Drum) in the third space and the low TomTom in the second space:Awakening by JOHN McLAUGHLIN no (SEP TEES ae f tae ETE = == ==} SF Eph PRR ae Fy Ty f a eS* ” “ x soo natin >. SS SS i a =33 Repeat [Repeat (B) in Do Piano solo ad lib; Guitar rhythm ad lib; Violin tacet Repeat [Repeat [B) in Ro Guitar solo ad lib; Piano rhythm ad lib; Violin tacet Repeat [At] Repeat [B) Drums solo ad lib; Guitar, Violin, Piano and Bass tacet rue moder indicates tn [ate the moder set on te recordings trever the siden i toe to hase the mae of bolo upon the pedal crtexpsning to ht OHA HRBirds of Fire by JOM MeLALOHLIN - (ay Ee am vin ERS be a na Enter 2nd eirm : tatheette _ pose Ci iiomntse a Ellas ss Ee depp at peppy taal inet rere y pepe UT . 2 = tatphe seppieeter teeeerte seperti? a |e | (B) Two tim ow [GE 4 Pept tt aipaes be | os (eH ee Cee a Steptoe — os ee Ae woh Ubietets t i. aa tt br Feeepptebetetleast petebetpprestebety|Bpeeertrtt rs SE eee pe |i pepe inet ot eet °. (BEE —— gue Spabbetplet tbat lgpapeap OT EE) soto aa tis SS ] » =e a ee onesie rest A epee a | epee tere ee ep eine ee a Os ~~. Repeat (BJ (omit last bar 2nd time)Aida ade de dat de dd dal add had odd dy61 vin, [Repeat (C) Keyboard solo ad lib (Guitar plays written Keyboard notes} Repeat [Bi] (omit last bar 2nd time} Repeat Fade on (G] Violin solo ad lib (Guitar and Keyboard play written Keyboard notes)aM Bley s Dreain aay Words and Music As fast as possible JOHN MeLAUGHLIN eedee iy >vag dnt64 Sing deh, Sth aint Beh exclow only fos Play th cycle only = by Too ropesSing 20, Sh ana so cyclew only SSS Se = a fl = 60. wall, os (BEERS Ss Cittee ee oars, ge R hie SSS > mar.vin, Gane aS beer titner == weyeley play throughout Play Sid eyele only == SS Se Se a6 Lff oe Flay ard cycto onlySS Ey ty Poe : =A == fn a aane Voice ‘Organ Bass 1 Vico, } conte vine, (ait? Calle «aie)119 Violin, Piano Base120 Voiee Eb Atta Saxophone 4 Prumpees ouiar Violin Puno Basa Drums — ‘Sin 2nd, 4th and Sth cycles only ”, Enter Ist cycle, play throughout w nor Ist eyele, play throughout 1 2 ca * Bator 2nd cycle. Boglaning Sth cycle, play solo ad lib y Enter solo ad Ib at-end of guitar solo ov Bntor Ist cycle, play throughout Enter Ist cycle, play throughout Ca nue tne cycle, play thewogbomt + "Damg Vio el, Cala lage sie De,1a Votes Bb Alto Sax, 1 Bb pts. 1 tr. vin, Bawstae Baritone Violin Devms 1 Woline}123 evn, | vins Ge. arin Bass Dr,7 Sapphire Bullets of Pure Love hy JOHN Me LAUGHLIN ‘ ; warble Synthesizer cs bs Ad Lib Guitar fone finger) Mind Violin | | Ad lib fast notow on Snare Peum and TomTom Drums > a 120 Synth. Gtr. vin, inlensily decreaseCelestial Terrestial Commuters barby fest note of Keyooucd or Hass past ‘Ml Ub selon: determines Ge Oven rent: by JOHN MeLAUGHLIN Enter Ast time : S52 = = of Enter Ist time Violin SS Enter 3ed time Electric Plano Keyboard Bass Drums Ger. Koa, De,eo a 7 ft a = ieee = tel oh te : = 0 | a t Kbel, Bai Dr,‘Repeat |A] (tutti) Synthesizer Guitar play Repeat [A] (tutti) Guitar anc lin alternate solos ad Ub7(B09). = « niet Woeginge oer, =——J wo. 5S =j BbO-5, Blectric PianoOpen Country Joy Md lp slots Past seetiap - sotottt are tee to:choase mode (0 pedal. Flow teettan - D Peptntanic ajar by JOHN MeLAUGHLIN da 92 Five times Rhythm ad tt Guitar Violin D_ Rhythm ad Iab Keyboard — Base Brushes Drums vin, Kba, Bass 0 L079 & L916 WARNER-TAMERLANE PUBLISHING COMP, & CHINMOY MUSIC, INC, ‘AL Rights ReservedAd Ib (solo 2nd time) ‘ : ‘Ad Lib (solo Ast time) Vin. F ree a ‘Ad Hib (solo 3rd time} Dr. uyPopp Peg tt 7 ak " HK K aa Tah SS ne : eI fae “SS =) pS pens ah peer = SSS == ==. on yee peeowe, vin. Khe, Tempo I (4 =92) ‘Twelve times _ Rhythm ad Lib - : 6% be Se D Soto aut lib. D Rhythm ad lib —Dawn Ad Uy ston: Slow sect « based oo #ebard Fait section »-D Peatstonic Minor by JOHN MeLAUGHLIN [A] Four times ‘Tacot 1st time; play melody 2nd time; play sole ad lib ded and 4th times Jp eee See 4 ai 2 fate Guitar = | Play 2ad time ony = ——— = Violin SSS —— a f Play solo ad lib Bat time; play efythm 2nd, Ard and 4th times Amid = S | F “fe Bloctrle Piano Play fos sms base SSS =F Play four times ca fbb ee de ee 7 SS — Dre = - oe f= te a ‘jm! Dosian, C/D-A Derlan; FimajToll-F Lpatan, Boy “1 MMixoipdien; A/G Lydian, D- D tania, 1D 113 & 1996 WARNER-TAMESLANE PUBLISHING COB? & CHINMOT MUSK, INC: ‘AU Rigs ReservedFmaj7+41tot od dl ee = gt Pere re or. [G4 = vie. ed = Dm Rhythm ad lib =| ey a4 Dm Ad lib ieee > = k of nek AElec, Pao . Elee Pno. ea edi hee —— Play motosty ¢ mes, then play rhythm ad lib Play melody « va HE APS a atl eect = a De Rhythm ad 1b ——SS= Aa Li ——————— : a rE a 2 — lie rbot er oe r 7 f time B.S. #{metodyband fade (re eee =a ee SS = =a ee Rept rE — < sa12 Dream F Deeias 38. 4 novian by JOHN McLAUGHLIN 1B. A rian Gexcept last page) 2-80 Five times too Guitar Violin Blectric Piano Bass Drwns Solo ad Lib vin. Blec, Pao. 6 1074 & 1976 WARNER -TAMERLANE PUBLISHING CORP. te CHINMOY MUSIC, INC. An tags teservedvin. Elec. Pno, vin. Blec, Pro. Bess Dr. Te Background ad lib te Et Soto ad Lib . Background ad tb IY ye co - oo - = oe -~ i == =e —=—— =| * —~ = fh =Ss) =i] = SS fk Solo ad lib = = = ae oe —S- 3 —Solo ad Itb1a? on (GAT Rg Te THI v= 1G . i 4 << ———— Mmmm msa Rl PR PR ER a or, HE = (pS Say or ee ‘Two times. oc ‘ [bites cet eae ‘2-30 Gu + Ss =a Sale ad lib7 tek —= ak a il a =) ——S126 by JOHN McLAUGHLIN (A= 248 Three times Guitar Violin Bass Drums with (© 2976 4 1076 WARNER-TAMENLANE PUBLISHING CORP, 4 CHIIUMOY MUSIC, INC ‘AUD Rights Reserved(H)auitar cadenza in A1a [B) d=672 Bb Alto Sat Saxophone Bb Trumpets } GuitarBe Happy [Ad ip solon; G Peststanic Mao by JOHN MeL AUGHLIN Gultor violin Drums (800) - 4 etween each saitmnent of wpelody, Guar end Wilin a W's, ther ethan 24, thee 1 for ad tb ‘lor (melody -Gultar 1 melody, Violin 14, aslody, Gul ‘Galea! oublas Base wtes ant plating suloy, Violin tacet when bet playing elo; Bast and Drums play above satement kono 1008 0 FTG WARNER TAMIL ARE PUBLIBMENG COMP, & CENMOY MSEC, INC, ‘AL hts ReservHope by JOHN McLAUGHLIN de 160 Play six times, fade last time — Guitar violin Keyboard "Fracot first time i ckire Drums Gre, Vin, De, > => > re == » 6 120 22TH WARREN -TAMERANE PURLISIENG CO. & CHINMOY MUR. he7 A Lotus on Irish Streams by JOHN: Me LAUGHLIN “Three times Freely Gee, Amaj7/ct Pao. | Gee, Bem Ab ot ie Gta ard Via play melody wd Pane ola hyo ib Second dine Guitar and Vian tinpeevise on melody ad Pano plays rythan a ib ‘Tied ume Guitar and Violin are tace: and Plano linovises an melody over thytien ad Ub, (C1973 1916 WARNER -TAMERLANE PUBLISHING CORP, & CHENMOY MUSEC, INC. ‘lights Reserved4 Thousand Island Park an (Wo pedal) fan ray be ibterspented) by JOHN MeLAUGHLIN Int 4 be Fal yatan and td libs Gait sod Plane ~ D Super vi peat set dt th et Freely, with expression Sea (throughout) Acoustic Guitar Piano Bass Acous , Grr, Bass caus, Gr, Pno, caus, Gtr, Bass (© 2079 & 1076 WARNER-TAMERLANE PUBLISHING CORP, de CHINMOY MUSIC, INC, ‘Ai Rips enervedAcaus, Gtr, Bass46, You Know,You Know {Ad ib solute F Dorian ot E Peaatonic Minar Guttar Violin Flectric Piano by JOHN MeLAUGHLIN #266 ater tse time; play throughout (© 1079 & 2076 WARQIEN-TAMENLANE PUBLISHING COND, A: CHINMIOY BUSIC, IC, ‘AU mepts Reserveda ar. via,“a oer, vin. Blec | Pao. br.vin, Elec BassVin. Elec, Pho, ass Vin, Hlee, Pao, Dr,mt Lila’s Dance by JOHN McLAUGHLIN Piano ‘solo Fluo Enrer 1st time Guitar Bleetric Violin abreompets} Rnter 4th time t Bleetric an Piano P Bass Drums Violina ‘Cello © 1U18 & 2078 WARMER -TAMERLANE PUBLISHING CORP, & CHINMOY MUSIC, IC. “Aut eights ReservedElec. Pao. Vins, Cello of Repeat (A) (rut) Violin salo Repeat (5)or, Blec. |} @f=2 vin, HS Enter Ist time at — ~gu—p— $f} $0 = moe — a Zor ana une Repeat [B] Repeat [X] Freely Piano salo ¥Guitar Violin Enter Ist time Blectric Piano i, —— mAs SSS = aia iu > AomAnh, SS Wen Nee-TAMOMLAME MALHING COMP & CHIMMOY MOR IC, Au pmcemes =Dr, Vin. ——————— OAAAG. FAA, afer here setae po Cost To Coda [B) 2 ibe (da) Shuffle beat eae SS SS el fa SH —_— B Rhythm ad iby 46. = py — | =S5 ees AAA, > ‘45 © ee B Rhythm ad lib Gee. Aa, Tamnnnnn, " ls ees = — 4] 4 a FMiles Beyond ‘Ad Lib sola: € Lia by JOHN McLAUGHLIN . Guitar Viola =S=S=—=—=—= Pade In ole ad! 1h ab? FT Fe? 6G? PT Bb7 BB? GT Bb? Blectric| ——— a = rane SS | ; i er ad = oe eS pS he ih ae oT * t2asain store inane, bes nes Gan DEE dwg 1978 & L418 WARNER-TAMERLA NE FUBLISHING Come, & CHINMOY MUSIC, INC, ‘AIL Rights Reservesvin, Blec. Poo, Gr. Elec | Puo, Bass ff repeat [i] Violin (ptzz.) and Piano duet ad ish Rhythm section enters last time Repeat (B) Repeat (C) Drum solo ad Lib(Gultar doubles Blectric Plano; Violin tacet) ‘Then Gultar solo 4d lib (Violin tacet) ‘Then melody as written {Repeat [D] wo FineOpus I by JOHN McLAUGHLIN d=i48 as bea Violin 1 Violin 2 Viola cello - cresc. op vin. 4 vin, via. CelloPastoral ue 148 Two times eb salon F Datla by JOHN Mc LAUGHLIN alemer 1st cycte Pee TPT Pe: TEP 3 "Pamer 2ud cycle Baritano : = joes Ee sree tH it dam Tse Play last time only =a Violin 1 — ———— = = « last time only = | Violin 2 = : ——= a lost time only Cello : feeise Guler otr. a at. via | = — Solo ad ib vin =———- = —S soto ad tb vin, 2 Cello pee fate Bi —— Coleuza is bed ono sclectin Of modes predevermined by he volo (CUTS & 1078 WARNER -TAMERLANE PUBLISHING CORP, & CHINMOY MUSIC, INC, ‘Al Rights ReservedNoonward Race by JOHN MeLAUGHLIN = 4 SSS eee26 SSS ee ee ihn: - . SR ay f SSS SS eet rire Tl Gop ete corf 7 i b ee jr Peds FAS * tae Ree W é a = Bie Dead = - i PRED, pL of eer tre Geet aaa ease Lea oe eelwore SE — = SSSI TT Wa aa {ccna oon eee oe pat SSS eS ee a. se aero rete re vin, ee Serre re ear oe eee =e SS el eel ) = == SSS B Pe a i 4. 1 UR LSuomin tf ‘Zz fk B a :AT Rhythm ad Lib te een —__S]SeeqEe»e»e=—_—‘Two times = o (GReter eo eee ete ve. Cela Sate er é é peeps = atria Saas a SS SS aH) oR A = 1 = =3 ge et (8va)- - - ns. ei Ee r i ©. = = = 4 o. EPS je = Base SS f ee | oa = : pete = SS SS Seal ios _ al. dog or. TE = = = mie, Gara feel Sadow (par Bre op na eee ad ee ee aT SS ae a _ an PES =] SS 7 as a Dh. cade ee i a $ = z —— SS oS SS ~ RE |- ; br FEL Te Te. . Se fe ee oe ee Tete 2 at _ (ew er eee ref to ra eras a (SS ES r A J—« ¢ dee pf M4 Flog inal lili Ses | a -—Ey (S00): SS SS (SS SSS ei ast * meer | FF te pe ap a =, tot hi. | sas d 2 == fe 7 é al — =P = ree = i a | 9S Hat thBlec., Pao. SS «PS aS / SS Et SS ee ee = SS a aevier Slit Ge ere iS eee aaa Sea ie 7 . I, 4 = SS ———— i So ye tor p= = —— i SS IIs J te + dat eee d 2 et ¢ Zt 4 ig oe = pi * if a a pe RE } —= = = é ———— : poh th tt ot) t ih : SSSSs Solo ad 1ib 32 hare —— on, gre Sn fe J Bom sees = === S 5 = a ———— Et ATLA # Frey G9 Rhythm ad lib 92 bars === Preerees efter efter? | (SRAR Re SLEEP SSeS - 1 SSS SS SSS ae er tes SS == = SS HD Lh ats lice lia ia tors ia 1 A pt pp7 Resolution by JOHN MeLAUGHLIN dam6 . Aye Play chythm freely (ith an eighth note feelingh Violin Piano Basa Drums Vin, Bass ' o addition wo the above lnstumentation a Synthesizer doubles tbe Violin melody finds hy Goicar doubles the rapt haa tytn of he (© 1005 & 2026 WARNER -TAMERLANE FUILISHING CORP. & CHINRMIOY MUSIC, INC; ‘i hiphesReweredvin,Ger, Base Dr. ‘Bass Dr.Loo. Gtr. vin, Pao, Bass Dr. vin, bass101102 vin. Fao, Bass103Sanctuary ‘Ad Lib solo; ben Bam plays E = Waa, Wen Oost plage C =H Supet Locrlan han ban lage Pes Pa Cyaan by JOHN: McLAUGHLIN depot 2d 3 ‘FP Blectete Plano * snace Drum plays fel, eecenting the last heat of every other ba. (© 1033 & 1976 WARNER -TAMERLANE PUBLISHING CORP. &e CHINMOY MUSIC, INC; Ait righ Reserved92Vin. Elec. Pao. Dr. Gt. Elec, Pro. BassVin. Elec. Pao. Second time B.S. Rat Coda Elec. Pho.ate. vin. Ele, Bass Dr. Repeat [B] (except last two bars) vin. Elee., Bass Coda Guitar plays Plano part ‘Violin plays middle voice of Piano part (as in Keyboard (Synthesizer) plays solo ad libvin, Ble, Pro. Deer crese, vin, Nee) Se reat tL ae yw crese, f132 If I Could See Words and Music by JOHN McLAUGHLIN Voice If 1 could see with - in my heart Aly ‘Be Trumpets] SS Bb Fluegethorn| Horn in F Organ P PL tay second time only Yep kg add Drums Violins Cente © 1918 & 1016 WARNER -TAMERLANE FUBLISHING CORP, & CIULNOMOY MUSIC. IRC. ‘A rags eservesYotwe rpual boty Bb Fgh, Hn, in F Organ Bass Dr, Voice ab Tp Bb Fighn = Hn, in F OrganVins. cello Voice Bb Tpta. bb Figha,| Hn, in F ‘Organ Bass Dr. CelloEarth Ship ‘stato, eatin ed Music by LAUGHLIN volwe 4 Sj Fite Guttar Guitar ‘alternate! Play de, 13th and 17th yc only = a ae = + Pay fe an 15th cycles ony ee SS —_ Rntor Jat cycle, play throughout Blectrle violin Electric ‘Violin ‘ateernate)) Electric, Plano =e play throughout opt Ett tier til Boer oom PERSE Fa a aS Sa ‘Violins P Play 18th and 174 eyetes only ii.) 1s Wana. eR mr 4 CHAI HU137 CAE) sing sun, sn art 4th eyctes only voice f'G—— SS = = 4 pe de Peace in the heart of the Iv - Tove in the heart of the fey = ey tthe heart ot the pi . == = — Play Sth, 14th and 18th cyctow only (sea) 7 : Gee, Ble. Vin } Flay Os and L6Ah cycles only Etec dp Vin att) Bass Be. on Viosd Flay 14th and 16th eyeles only View an cello fat.)Meeting of the Spirits ‘Ad Ub solon; FP Phuygian of Huh mode Of H Marmont Mino oF FF Pentatentc Minor by JOHN MeLAUGHLIN Freely oune [eaees / im Violin a Xeyioard Baus ea eee f 15176 enor Ist time, ox. Enter Isc is aes xo. [DfEE = fe er = LA Th wee gf wv eae, tigen! 4 Vi wien al 4 oe, —— = a ‘© 1UTS & 1978 WARNER -TAMUISLAREE PUBLISHING CORP, & CHIRWOY MUSIC, INC ‘AU lghis RasenFour times Bua-- === sees - | SS SSS pete Pept = i- == —_—_— — - == = SSS yFour times on eS SSF iS ae Mein dtl a ad 1 > == — pie vat f v4 ~ (aa————— vin, _— — — ip Solo ad 1b Kod. es SS — neve | EE = mpVin, kbd, Bass Dr, ooc oda, @ Repeat and fade fe Solo ad lib Kba,Vital Transformation - fete elarps va fe fe >= = Wa = z : Bas = 4 wo Te ee Pe Fh pee a oT Ve ; [A] Twelve times Gk mai a SS Pos a: a wa ee La esate (a el wee cartgstos Pin fone Ta pe. [BERS Bee Ae Aer Fd es sc < 1076 WARNTR-TAMI= eee —_ SS Wiel ae —_ —— ———— we ieee L. iO WH yoda ae tet Ee pe ee, whe Poopod! SS abet) iene Sei SS = SS | ——— | — ‘a is — a a - ==: 5 aS J AH tee « —— ey Ceo. Le ves. te ib a PGT Ds pectectpgeel eo rpee!2 mn, f pte pt iter tt aie ve. [iQ fofiore = radiP# Rhythm ed lb jlay aa written Violin solo ad lib ares ed — aM | Repeat [A) Guitar and P 7 oe of ae = an = {D) Repeat and fade F# Rhythm ad lib Gee, ee vn ————— cn === a SS 4 Teel gt 2 Se a TassOn The Way Home To Earth by JOHN MeLAUGHLIN [A] #=a04 Guitar (with frequency shifter) and Drums play aa ad lib duet, After approximately 24 minutes, the Bass enters while the Guitar (without frequency shifter) and Drums vamp on and around a C pedal , ®) }=138 Approximately one minute after entry of the Bass, the orchestra gradually makes its entrance, using the chords spelled out below. The interested student is encouraged to experiment with the use of different instru ments playing the volcings, I myself used three strings, four horns (owo reeds and two brass), Synthesizer end Tubular Bells , NOTE: The tempos are not related, for when correctly played, one will notice the creation of tension and its release as the slow tempo gradually eavelops the fast, © 1975 & 1078 WARNER -TAMERLANE PUBLISHING CORP, & CHINMOY MUSK, ‘AMT Rigs Reserved. One Word ‘a ub otra]: 6 evolydon by JOHN MeLAUGHLIN ouitar Violin a as Blectric, 3 + —————————— Plane a a fe — ee ——— = 98 ; e eh == Se eee SSS lee, Pro, BassGtr. via, Blec,, Pho. Bass Via, Pao. 28Blee, Pno, Dr. Gtr, Blec.. Pho.vin, Elec, Pho. Rass ar, Blec.. Poo. 81Gtr, via, Elec Pho. Dr.(B) Twelve times Salo ad lib (with Pis Gr, vin, Sole ad lib (with Gutter) Elec. Pho. Bass vin, Elec, Pho. BassSSS Gr, pete petro ge we gee ely tet geoe Vin. Elec, Pao, base Dr, [Eines plays solo ad lib (approximately 24 minutes), Soloist is free to choose mode (A podal), After Bass solo has bogun, Guitar and Piano enter softly ad lib and gradually crescendo, ‘The Guitar, Synthesizer and Violin teade two sets each of 4's, 2's, 1's and 4's. (Soloists are free to choose modes in trading. It 1s recommended that each solaist chooses a different mode.) Trading is followed by all three instru ments improvising ad lib for six bars, ‘The section ends with a Drum solo (approximately 2 minutes}. ASynthesizer drones A and & SEES theoughout (except during Deum solo), axe, vin Blec, Pro, Bass8 Vin. Blec. Pao. Vin, Bloc. Pno, Bass Dr.(B) seven timesGre, vin, Elec, Bass Grr, vin, Elec. Pao. Dr.usie must serve a purpose; it must be a part of something larger than itself, a part of humanity. Tam a man first, an artist second, As a man, my first obligation is to the welfare of my fellow men. 1 will endeavour to meet this obligation through music —the means which God has given me — since it transcends language, politics and national boundaries My contribution to world peace may be small, but at least 1 will have given atl 1 can to an ideal t hold sacred. PABLO CASALS