Professional Documents
Culture Documents
"This Cant Be Love," from The Boys from Syracuse (Nightclub standard, Soprano/
Baritone Duet, this is a terrific song)
"Almost Like Being in Love," from Brigadoon (romantic duet, up tempo, relationship
oriented)
"What Do the Simple Folk Do," from Camelot (difficult duet, emphasis on transitions and
mood changes,)
"Its the Going Home Together," from The Golden Apple (Romantic duet for a Baritone/
Soprano)
"I Still Get Jealous," from High Button Shoes (Baritone/Soprano Duet, middle-aged
character number, charm duet)
"Only Make Believe," from Show Boat (Soprano/Baritone, romantic, charm duet, where
lovers never touch)
Me and Juliet (No other Love and Big Black Giant) 1 man, 1 woman
"A Fellow Needs a Girl," from Allegro (baritone/soprano, romantic, older couple,
charm duet)
"Lessons On Life," from The Amorous Flea (Comic situation duet for baritone/
mezzo with stylized period movement a la Moliere, character contrast and
imitation add to the humor)
"With So Little to Be Sure Of," from Anyone Can Whistle (Mezzo/Baritone duet,
poignant, romantic, farewell, love duet)
"Words, Words, Words" from Bajour (clever M/F duet with emphasis on lyrics-
good for showcase)
"Wont You Charleston with Me?," from The Boyfriend (period movement oriented
Mezzo/Baritone duet, nice scene before to develop character and game playing)
**"This Cant Be Love," from The Boys from Syracuse (Nightclub standard,
Soprano/Baritone Duet, this is a terrific song)
"What Do the Simple Folk Do," from Camelot (difficult duet, emphasis on
transitions and mood changes, good for class study)
"Terrace Duet," from Chess (Mezzo/Baritone duet. Two people are adversaries yet
are attracted to each other.)
"You and I," from Chess (Baritone/Mezzo Duet, two lovers part knowing they will
remember everything about the other but knowing they could not have done
anything differently)
*"The Tennis Song," from City of Angels (Baritone/Mezzo duet full of double
meanings, good class study for the focus is on the relationship and "topping" and
"scoring ones wins", hilarious but bawdy, not good for younger than high school
production)
"Embraceable You," from Crazy for You (slow ballad, good for nightclubs or any
kind of revue)
"Its the Going Home Together," from The Golden Apple (Romantic duet for a
Baritone/Soprano)
"I Still Get Jealous," from High Button Shoes (Baritone/Soprano Duet, middle-
aged character number, charm duet)
"Good Night," from I Do! I Do! (Mezzo/Baritone comic, reaction oriented, good
for showcase, audience pleaser, nearly actor-proof.)
**"It Takes Two," from Into the Woods (Ballad M/F Duet that requires loving
interaction and strong characterization and understanding of the lyrics and prior
situation and relationship, growth song)
"You Can Dance with Any Girl At All," from No, No, Nanette (Mezzo/Baritone
Duet, good example of stylized Astaire/Rogers musical theatre number.)
"People Will Say Were In Love," from Oklahoma (Soprano/Baritone Duet, charm,
romantic, good first romantic song for hesitant performers, emphasis is on the
"game" and the relationship)
"I Get Carried Away," from On the Town (Baritone/Mezzo comic duet)
"You're Not Foolin' Me," from 110 in the Shade (dramatic scene to Baritone/
Soprano duet, good for relationship, tension, sub-text, song deals with two people
who are attracted and terrified of each other)
**"I Could Write a Book," from Pal Joey (Romantic duet, lovely melody, charm
song)
"You Are My Home," from The Scarlet Pimpernel (Baritone/Mezzo Duet with a
pop/rock feel)
"Only Make Believe," from Show Boat (Soprano/Baritone, romantic, charm duet,
where lovers never touch)
"Wet," from Steel Pier (Baritone/Mezzo Duet, light, good for working on behavior
and spontaneity, two soon-to-be lovers playfully tease each other)
"First You Dream" from Steel Pier (Baritone/Mezzo Duet, romantic, a young
dreamer urges the woman he loves to imagine a better world)
"A Little Priest," from Sweeney Todd (diction, character relationship and
interaction highlight this Mezzo/Baritone Duet)
Two Women
A Boy Like That (West Side)
About a Quarter to Nine (42nd Street)
Baby Dream Your Dream (Sweet Charity)
Best Friend (The Wild Party-LaChiusa)
Bosom Buddies (Mame)
Class (Chicago)
Don't Ah Ma Me (The Rink)
Every Day a Little Death (Little Night Music)
Evil Woman (Xanadu)
Feelings I've Got to Hide (Side Show)
How the other half lives (Thoroughly Modern Millie)
I Don't Know His Name (She Loves Me)
I Don't Like This Dame (Most Happy Fella)
I Have Dreamed/Hello Young Lovers (reprise) (The King and I) Trio
I Know Him So Well (Chess)
I Still Believe (Miss Saigon)
I Will Never Leave You (Side Show)
I'm Gonna Get Him (Mr. President)
If Mamma Was Married (Gypsy)
If We Never Meet Again (Rags)
Impossible/It's Possible (Cinderella)
In His Eyes (Jeckyll and Hyde)
It's Me (Me and Juliet)
It's Never That Easy/I've Been Here Before (Closer Than Ever)
Just A Couple of Sister (Nunsense)
Leave It to the Girls (Annie Warbucks)
Little Me (Little Me)
Marry the Man Today (Guys and Dolls)
Matchmaker, Matchmaker (Fiddler on the Roof) Trio
Mutual Admiration Society (Happy Hunting)
My Favorite Things (The Sound of Music)
My Friend (The Life)
My Friend (The Life)
My Own Best Friend (Chicago)
Ohio (Wonderful Town)
Ooh! My Feet (Most Happy Fella)
Our Little World (Into the Woods)
Perfect Strangers (The Mystery of Edwin Drood)
Poor Little Pierrette (The Boy Friend)
She Who Has All (The Pirate Queen)
Sixteen Going on Seventeen (The Sound of Music)
Some Things Were Meant to Be (Little Women)
Stepsisters Lament (Cinderella)
Take Him (Pal Joey)
Take Me or Leave Me (Rent)
The Apple Doesn't Fall (The Rink)
The Grass Is Always Greener (Woman of the Year)
There's Always a Woman (Anyone Can Whistle)
There's Gotta Be Something Better Than This (Sweet Charity)
Three Bedroom House (Bat Boy)
Two Peas in a Pod (Grey Gardens)
Two's Company (The Magic Show)
We Make A Beautiful Pair (SHENENDOAH)
What Did I Ever See in Him (Bye Bye Birdie)
What Kind of Girl is She [title of show]
What you don't know about women (CITY OF ANGELS)
Who Will Love Me As I Am (Side Show)
Who's Gonna Love Me (Spend Spend Spend)
Wrong Note Rag (Wonderful Town)
You Can Have Him (Miss Liberty)
You're a Queer One, Julie Jordan/Mister Snow (Carousel)