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Acetyl] ¥-1a ule-Ae ese neon Mevacor) ail cy tn op’ professionals fel as DigitalEcition (GreatDigitalViagsan GR eee en uu ep aed library of over 13,000,000 photographs, vector images and video files. eeu wenemineveti ols stmu MS(O=(07 21) ata Depositphotos Inc. | Website: www.depositphotos.com | Customer Service: +44-870-8200052 ISSUE 109 | CONTENTS MISSUE 109 WELCOME GMI Welcome to the new GG é } issue of Advanced Photoshop. Creating, editing and working with shapes is integral to any digital artist, be it for web, graphics or just for fun, shapes are here to stay. Cyd sy al CREATIVE RETOUCHING ai ‘ = COVER ARTIST RK NELSON FIND US ONLINE: \ |) @advancedpshop " /AdvancedPhotoshop ADVANCED PHOTOSHOP co.uk GRAPHICS: MASTER POLYGONS “oactompany ourcover leamhow'g produce Geaiveporratsusna luster’ Patoshop 48 003 CONTENTS | ISSUE 109 MISSUE 109 CONTENTS EYE ON DESIGN What's hat, who's in and the latest art G design happenings OG |2Roranet: (Our contributors share Photoshop secrets 08 |2oRTFouo nTeRviEw: Digital art masterelass with Joel Bouequeront 14 |PRovecT Focus: Fantastical sporting imagery 16 stuze.nrerview: TECHNIQUES Professional artists reveal their high-end skill in our easy-to- follow workshops arearuRe vow Mane 24 re enany tps 64 nt snoustay FEATURE worsvor 32. crestneretoucing 66 Datattastration 4D | creates protorel scene 72. Netrosyewebstes aster polygons 76 Rate pamingectriques 54 misinane imeeancinreRvieW The Moming Stor Tose ihn & colour 58 besgn a0 ire 92. distapercat SUBSCRIBE TODAY! SEE PAGE 22 FOR THELATEST OFFER SAD laig 88 SEY Sees REVIEWS We put the latest creative kit, books and apps to the test 2 FEATURE: Manga Studio 5 8G | REVEWS: ‘Adobe Photoshop Touch for iPhone, Poly ‘Ped app iclemce Coeds a2) soa = Free with issue 109 of ‘Advanced Photoshop TAILOR-MADE CREATIVE CONTENT Master our cover polygon portrait using, only Photoshop C56 RESOURCE COLLECTION Featuring 1,050 Photoshop brushes, 75 premium stock images and 15 paper textures 7 PLus: + Tutorial project files + Exclusive walpapers fr mobile and desktop + Fonts worth $30 @ EYEONDESIGN | PRO PAN 006 EYE ON DESIGN PRO PANEL EXPERT ADVICE FROM THIS ISSUE'S PRO DIGITAL ARTISTS, WHO REVEAL HOW THEY CREATE THEIR AWESOME IMAGES y* ANDREAS PREIS JAMES TODD LUCAS Wiecan a are wredioko ur _ : masknginatores = . inane on vee a : ‘hana rete New Lay Crt tren gatedthstomy then cairo See more dial istration rm Andreas incu trial on pape 64 ‘han just ply theo once, — SG] Fine more ram Limehouse Creative in our feature on page 32 1 Pusikeich shares ore secret on hot ‘expertly comp ages on page 32 CASPER FRANKIN ‘chaeepcor Sing abaareebeteen work A spay pera Web's 4 Senden enia amotltme working on pads ard personal erect Weal sperd arr tme paring dasa edo execu bey at are re ath in feandattmewsh ante 1 You can dors ave rom asprin thi iu Ste Review on page 16 JAROL SAV STEHLIK Iesgoedtosee tre worden tere: rape, Theo reucrartobe mmarzdi both _srandtecriagy Learnhow gh cured rrateal alos, re see how ils sre spe ardtealdgsetnswork tee these ‘Tharsre racto bacame spear ust understands you pro ingorderto ‘raster hem oe at tine. See how Sth produces awesome creative Pha ffecsin ths sun's tori on pape £2 Sornetimes ttshard to stata GG cortre tint ceatretoue texture orphotoasableprnt. It helos to nepie deta and colour 39 TONT ORES RUDOL/ WaNZILUSUTTROE TONY ANDREAS RUDOLPH oat Sometimes shards apanting iss chezing ous atc ar oto as 2 buepret— ithe dtl ane clo App Overly an Screen lend maces to rete abo rho pantngon op, hag us prove ut oes nt ‘te understand reais, heh svery meat uen tyro suzceedint comenaca nest 1 See hw Andreas Rudlph pints snowy matt-palnt landscapes in eur trial on page 76 ADVANCED Themeyanater la’ Paty pea dan, 28 Rr 401202 saci00 torn chit Dan Hutchinson Features Ete Adam Smith Desig Mares Fal. Protagrapher ames Sheppert ‘Sonar Ar aor Donean Grok ead of PubohngAaron Asad ead of Design Rate Andrews Sceriremneaet caste ‘Gime fm dnaesaech nn Re ties Jerre tere Saati eng meoceomeee Lae SENSE ebeieeitnecnstiane = SERED HOASINE remit | gg INDESIGN | PORTFOLIO INTERVIEW J j eateries ot 001 ae 4 SCAR ar MASTERCLASS RIENCED DIGITAL PAINTER JOEL BOUCQUEMONT GIVES US Meo Ne TS eaess ho aay So td ee es Eee eed Cee ee ote petro aan prea ener yin eee ers Se eet ee eee Pane eprcre eres eee ane eat trae eee eres ad eet eee ee ec eee ate Preteen ear et are ate eee eceeneeed eer ar ee] o10 EYE ON DESIGN | POR| FO! INFLUENCES ON YOUR CAREER? Thats always 2 weed auestonformesirce veri, everyee nd everyateeig cre way or anaes: grew up France ihe Svers wit anamazngaraj of oie bocks to feedon ty so alcome-bok a Aen Tas we Bll Mees and ranqun eOn alge: rtastesrarged rom onto Pie Geen raves Tn Wat Flay a Ramtranato Rl Stasman Mare para, ecto home, Phine Riser rca ot ip ry fades shou hae gat mee How WoULD YoU DESCRIBE YOUR STYLE? Ani French woulda tarball it rightbemare akin: Yau ee akg Tha Shas my conareers away. Aer wcng fay vous tome tat am aie werd my recess rely ee rlengasten or misng2 ‘see general ad ovelaysto gare te vale ‘mea Astor the sect conogranty isa is etn pcre uid alt es anc, rey That fection renened eae - never know what picture wllemarga befee eg wth shapes, teres and moods. quessthe process isha always dre relevance rye a he ie HOW IMPORTANT HAS PHOTOSHOP BEEN TO eared Present rp playing and sagling win Over heya, developed ard gren tag of a fuse ways us heck bat arazng lajeng way werk because litho INTERVIE oes a aoe Pe ca es —_ Gli sretedso Sere rfetiye cone af al and come out big — well it's a real treat 59 al Lai never, offer much mare potent oals when used ese ye inner ota bene nbesane way opener ‘gan, lam prety baschere What use rleresty rete yer eambnaton (very, iter, Fry brushes ad alt hta-rateri ate epee db tae alt ofprotasof weed tenures froin tke an meres Raval ce estrto cress me werd See sue fomy ea \WHar 1s YOUR CURRENT WORKING SETUP? eualy work the ostbrbrcof sips cd se2- oo usedtoanglzon 50,40 ones nal serene, Icaudrt front hen at edhe it hc Ie woud nel ral \WHAT HAS IT BEEN LIKE WORKING ON SOME. (OF THE BISGEST BRANDS IN GAMING, AND ‘THE BIG SCREEN? espe oo=mymamasre kets Many othe jas we arkan ge shred so ssengsomebingcome catandcore ut ig earl. Uva oh sens hare aay the es je Sheulé dso bekronn however at the Pret hme higher shes. That Warley eee work atrosphre, WHAT WOULD BE YOUR TIS FOR ANYONE \WANTING TO BREAK INTO THE INDUSTRY? Wn ap “Getrey for ark lr conser wor) Befreyougetioanarschet Tbe very anare of Fit totteremndaseer, — scholsttalpomse cual kind ” > ‘Weave hae en pmiluseatrs ae sien —_fechack lore we egrapy ated getmere pul meee eof thngs crea alle assets coeur reaents rernesage as gat fn tora 9 rt xl of ci showng reese gow bom of rel pes or what ESSENTIAL STUDIO SETUP Neeede ortotiragnaten, sarang wasmising we woud know ard nthe oes ak arate wang nde ache whats wared oth afore herpes other tan advee woud be toa an ove you Tremere versie yous thebetr youl becore se deen cerrabns depending ental hye any ees yea” sy Fare,“ Sard| Meath raeveraia yar, he rmere Gventine."Butneary everyhngendsupinor and Ixy tonotnlybe crite of our ann personal employatleyoullbacome. a 020 Le Nea ae aaa t {OTOSHOP Complete your collection for only £6.00 per issue by calling 01202 586200 or shop direct online at ‘YES! | would like to subscribe to Advanced Photoshop srwveimagineshop.couk Your details Tk Festname, Telephone abe Moti amber. 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Online www.imaginesubs.co.uk/aps and enter code PAGIO? 2. Telephone 0844 848 8402 Over: “4h (0)1795 592 880 and qu PAGIO? adphotoshop@servicehelpline.co.uk nee [eK organ ce ee ee Ceres ‘characters combed 0 eee ena eerie peernncepe ied ‘aly furor sts rons cps ee eee tothet ene ee eee ee rer isp mo Poe on reer tory rns ree) ee ee ee eee hada Enperr of hear The rose re ees oe er er ete ee 22 FANTASY ARI TIPS | TECHNIQUES i m 2. GET EXCITED ALEXKINTNER ‘nwabtenet esting sn scone ec rata you cont at you suey emit hay sigh becuse lcs the caller o riers at youhoped woud ave, ect he ways bysxetngcorstiny, ran but pep sa reasen, kachig ste way her had and eo rel Sa han was romped 2 crete arorsrosity tat was 1 fea evenly avec atte ea of cal tas anchow ating Then heen the dean to eps de at ‘water cation sh ear al hat hey war someho sie ohare andes he water ‘itt oc the nad cual ved seething far worse. 8 is pon. was ely azed about he es radon oper {ed because aso xed a beg wih he wise process Yom then an went ne na seth 3, CREATE REALISTIC-LOOKING TEXTURES. 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You a create tenure ag colour arcligho 2 ports fore bacyourdnmy pantng he ya es arated ad nae pam heareges ard 025 TECHNIQUES | 22 FAN/ASY ARI TI a ST SOD 026 JS SOMPOSITION: WoRk Wire CURVES IRENE Z=LESKOU I asnssesenay wogs and was ages bod ne wings piay wth The Gelden Spraisafeniasicompzsiton ude ons story, 0 twa rs ato ears ofthe fading ight hye in thelapde corer swede nee ine spiel which radia cures sound theman are sa heram erent ith ether ale of cures Per 8 yer he bas are rest proinerfeatie offal ry ecole Motor crv ier oy lng fa he ew alain a as witha th ee tembaces nd = hurra~ eater, 6, COLOUR CONSIDERATIONS SABINE BIC iplntnecenreasen character sf warorpoce Went! began toeprecessof creating i decided ante oghe Lanai el vary erty and scoreuhat eaten askathon apr ten scares tin cernpce ree wate fut elas and ot thedesin sie and ertingelseritt tara abd ne role ture intlack ane onsepaatelaes sto re Clr bind ‘hs tus your lackard white shales rio colours Tisiskndof ric, especialy when youwen a cangeacund anole carbinalns, and tle you loge ear vals and ighting sores witouthavng to commit yeurfalcalau, 7. ALESSON IN LIGHTING a EDLIAKOLLI Re eee the Foret ea great oxarpl cfone ofthe aye n vwhichyeuean cee lon renal iat. feria fest fal hat the cnt nature ight pullofinshis sting asthe ight leaves dpersingcr ace srl ndcreatng el Inhcaze estes he eons using asquae brush wih he sate et torre tensed roe the tr reese lft fui turstg Therajsarereleczc racers oe. Thelgae was out atthe very eno surstothe scdecale end cairacing ars eeereet eat epere 8, RE-CREATING OIL PAINTINGS BARTHEL MEY Serna ryubinga:muhs pele bolnory pings Theatr ois ech wh peal ond design ot my creuressmereimpotar anne panting ise sol spandmestcrmytimeseching ‘come up wth eas. eras reereres rm elcer ia esha youcan seenatings For he penal fel raerark, Tether bing lito dee states tre-ceae that vac aning-esaue se 9, PERSPECTIVE GRIDS. KRISTEN BUCKNE! cowpeas tmewinpespace and aces Mis Ce sbter svat ep d ets pltbe suai atyou beg igrgendars tet onary ewer terra eject Te hee cent nodal pe esas pies bockngin herman lous iui the tel nd using te Suge ao rele locket he guarhats othe ls 027 TECHNIQUES | 22 FAN/ASY ARI TI Piso eaaaard Deets areas oc Peers ner nneen Tt m oe 12, CREATING THEMATIC TENSION ALEXINTNER tote ldcatraly ar Meta eee tothe woraris fc, ewe natural grote 028 ey oat A Preiasoa Tie sr 13, RENDERING IS A VIRTUE MARTIN FARAGASSO Pip megs een sping andclosin Shoal - woh aise nd bier modes nde aft pis; atone o0 in ack and wt, The ander several, 14, ACHIEVING REALISM KATE REDESIUK ‘vce comey ream inmany way bu alto re cme downto making ses Fm nq her oor ar yuna te cela hc your usratons willbe rmoreconsnong ane comping. csierg esr emerged do fort uptstti ARCHAN NAR é 16. 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SS = Teg ie Ore sigan arene Sishaguntsnerm anne (Ma easotcnane seta oes tsyshoveto lok sip Calor grading makes the rl est. tpl brghness/Caras edustmentineambraton reatc Sometmestnesmalergealsant wth Mul Setra, cause when the create ceses ores wl ecome overeat, Cort by Inegianitesare muchessir'o dt inPhotcehep, ang Color Slance austen tn rh wt aGraertMop sao Claro Hue lado. ul gears pepe pec use shapes and gues Fst sesh Lne tol fatbe caret arin nein ny tat image. thr mark ths ‘wa Phtehap Gude, Ieontrue to pay heme tooltamarkathardrear andmap ath ere Ialso daw out perspec ris ug the very ‘sel Yostng Pont Ore the toe ated rtuchare can map at ude fr sah perpen ard rounded prspcives, sing conespondrg gl aes Hoe depth of ld jus mater of ayo these and postion cela 2s Prolostp as of the means to weak clo dee ight bose eal arc clot ‘eect and ratehng process can then racy beappied woulda teiveleevrermetin wat ‘anothersten peat soe, 1 sav apo emer oayiht souce inthe image. as thsi also deze Cclorcestsanduhere ry shadows le place, Plato Black Whe adatet yer canbe gpl tt sep he perception of ousting ohne anderadow arses Cesarean then teardedioactew aperectconrast arsine slants ears Selective Color adjustment GG jer ae ised to make precious tonal adjustments, then there's the Gradient Map tool This is awesome as it enables me to add comprehensive tones across the entire image, binding all objects 93 EWN PURNREW/ WMEDINLY ‘COLOUR GRADING Forth sige Purkevch ves thre tos to aac, tones eda Hun Satcaen austen ae ‘saute andcesaurate bees ardmake bgcolcur ‘roves he evans Selcive Calo agent layersare ato used toma recs tna anges, theo here the Grade Map too Ths is onesome as tenable road compreensvetones ess the enirimage andl he ebjet| ‘es aso ples he Grader Map to bt more spctealycloursyade weer ements. “fo aqararre ten resces mater darer eas sedjnsnts bighter nese expr poly rar Mapon op cae je, seting the adjstrentsblening ode ool. “Iwork whey erties) pots tenet Pech cones Th ny ane steokaly sue hat her areno cou sits athe Iralwater compose? mM MAEEELENENTS © EM punNerOs REELS HOM HELE ‘SHeLE PHOTOS TEOAUQUES TO ECE “OSETHER TS GENTE RETOUCAFOR BRAM CREATE AGEN UNISOND ‘The rratelsin he tas rage had tb ered andthe tari space as reblby Puchi “Teuplexec sii pecescf te window rane, ean re Taner eae thse ere down tothe nem wid hen skevieg ard “storing to math he pespecive”heeaplans 1 lsoadsed Ie Noseto miteaigh gran” “Trelorwasrestrey ning rom ts Sener parts Howes teh eect nhs ‘wer even Pubes ablc 0 med Cares adjsmertinersne pate tesa thas whtebrushto mati ana shad ‘rela was crped nad he Pogo Lass tool was apped set with aw Feaher mour.Imade mate actos ofthe op of thelader hen pare these wth igh-arey brushes achavecorectightngexlans Purvi pirvedtte pars of ar fected ‘bythe loth nro wth eee gr ‘Nimo were soared Fem ther respecte backyourds nwo segs. 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We nee 6 be aware bere te lrtearee coming rom, tren use agustrent layers ard Cranes win ign shadows andesou eel Taye We edb, fst ers ectiues tregyatethase Photoshop being modes aso cen and, ecpecialy when working with Col render passes, PP 1 CGI PHOTOGRAPHY WORKFLOW ‘YL es PANS HOW COSOFTANRE ND FSTOSAOP WERE COMINED TO CREATE HS MAGE ‘massioneD 208 CANAD, FOREACH =. a = —_—- wm concEPT mcoiTax 1 DETAILING TH SCENE Thesgenysumpleduswiha Deoncestanda _Achekmatra was opdto the modeledscene, The delals sl gras and water were restd ‘qckmoctup.Thegem us abasic dao! whathey whicherhaeed the deal, ensuring athe coret_sepraieyhen carbine ne sce. 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