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Travor Paper 2
Travor Paper 2
Cece Lara
British Drama English 452
J. Traver
11 November 2016
Scandal: Perhaps a Different Perspective
He that keepeth his mouth keepeth his life: but he that openeth wide his lips shall have
destruction. (King James Version Proverb 13:3)
Richard Brinsley Sheridans The School For Scandal is a play about the many
scandals of the rich and famous. With nothing better to do with their day, a group of
scandal mongers runs through the town spreading lies and rumors of false information.
The works of Joseph Roach argue that gossip is to equivalent to that of money or
currency with in The School for Scandal. The also piece discusses wit and gossip and
its importance to scandal within the play. Others such as James Thompson argues that
the play is not a cohesive play, but rather than it is two separate plays with two different
plots, that were poorly combined together 1. Lastly, Jack D Durant argues that Sheridan
1 Footnotes:*Within reading the play there seems to be two different worlds happening. That
of the The Slanders and that of The Teazles (Roach 300). Thompson argues that
Sheridans play is merely, a poorly, or at least very loosely, constructed play, with two
separate plots clumsily grafted together (Thompson 89). In disagreeing with Thompson, the
play may seem as they are in two completely different worlds, however, it is the scandal that
cohesively brings them together. The one character that seems to be part of both worlds
naturally is that of Joseph Surface. It is Joseph that serves as the catalyst in helping Lady
Teazle rediscover her love for Sir Peter, no sir, she has recovered her senses, and your own
arts have furnished her with the means (Sheridan Act IV scene iii. 440). In this scene Joseph
attempts to cover his motives of bedding Lady Teazle to Sir Peter, a once good friend.
However, in the annoyance it is Lady Teazle catalyst by Joseph that is able to put her food
down confess her almost scandal to her husband, Sir Peter. Once coming clean, she and her
husband are able to continue, and enjoy their marriage. Because Josephs constant need to
lie, it is his lie, and ridiculousness that allows to Lady Teazle to return to her husband. Joseph
not only being the center of change for the Teazle family, but is also arguably the primary
slanderer along with Lady Sneerwell for his self-interest.
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intended to ultimately highlight the good within humanity. He goes on to argue that
scandal is convoluted and messy therefore, produces a scene like the very important
screen scene2, in which he shows that forward and directness ultimately prevail.
In highlighting the role of scandal and its criticism, Sheridan treats scandal as
though it is part of the latest fashion something that is to be laughed at. Sheridan
appeals to the upper-class society infatuated with money and social class, in his
comedic use of scandal, however, Sheridan then uses that exact comedy in his
criticizing that very audience he is appealing to. Scandal and its language is treated as
currency in which this society created by Sheridan values in order to have power over
one another. It is use as an exchange for goods and services to place one either higher
or lower within this particular society. Sheridan is then able to appeal to both the
audience of the time, while continuing to make bold criticism of the exact audience he is
appealing to.
society. For the scandal mongers that run the town, scandal and money go hand in
hand they essentially equate one another. Each time a character is introduced they are
choose to do this, because it clearly interests [the] people- both characters who people
2 The screen scene is said to be the climax of the play. It is point in the play where
secretly Lady Teazle goes to Joseph Surfaces home. There he tries to seduced her
but is interrupted by, Lady Teazles husband Sir Peter. Lady Teazle then hides behind
a curtain to avoid being caught by her husband. After talking with Joseph, Sir Peter
hears Charles is also now at Josephs home. Desperate to get everyone out Joseph
at first states he is not home. But after some convincing Sir Peter wishes to see if
Charles is really having an affair with his wife. Then Sir Peter also hides and Charles
and Joseph speak. It is leaked that Joseph is the one truly having the affair with Lady
Teazle, and the air is cleared between Sir Peter and Charles.
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the play and the spectators (Roach 304). However, I argue that the importance that is
placed on finances is a running theme within the play. If not actual physical money
finances the finances that surround gossip. Gossip is turned into a currency for the
characters within the play, they exchange and put value on those who are able to
exchange and receive the most gossip. Of course, spectators watching the play would
have enjoyed the theme as the play was very popular in the time. However, the
importance of finances and gossip also emphasizes the other underlying issues, and
criticism of the audiences watching. Within the relationship of Sir Peter and Lady Teazle,
the issues of marriage, age, scandal, and Lady Teazles transformation as a person are
then highlighted by money and gossip. This is then highlighted in a big fight between
Lady Teazle and Sir Peter. They enter into an argument surrounding money, Lady
Teazle: Do be good humored now and let me have two hundred pounds, will you? Sir
Peter: Two hundred pounds! What, ant I to be in a good humour without paying for it?
(Sheridan 422). What seems like a simple request for money turns out to be a fight that
comments on the ages of the both Lady Teazle and Sir Peter. The argument also
highlights their financial situation, as well as a supposed affair Lady Teazle is having
with a Mr. Charles. The argument is rooted from a conversation about money. Finances
are then not only a funny theme that is used in the play and enjoyed by spectators, but
finances and the circulation of money are also used as the catalyst in which propel all
other issues that seem to arise within Sir Peter and Lady Teazles marriage. Therefore,
Roach states it best when stating, if it isnt sex, money seems to be the root of all
gossip (Roach 304). The relationship between Lady Teazle and Sir Peter can also be
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seen as a social comment of money relations between husband and wife, and how that
gossip equals money for this society. Much like money gossip and scandal too circulate
and exert its power over people. Roach proposes an idea that gossip is very liken to the
exchange of money. Roach states that, modern gossip, by contrast, retailing damaging
new information pertaining to just about anybody, strongly favors relations of negotiation
and exchange (Roach 297). As seen in the above quote it is the circulation that keeps
money and gossip on par with one another. Just as money is important to this society
gossip and its circulation too are just as important. We see so in Act I scene i., Lady
Sneerwell: Did you circulate the reports of Lady Brittles intrigue with Captain
Boastall?...Snake: I think it must reach Mrs. Clackit ears within four-and-twenty hours,
and then you know the business is as good as done (Sheridan Act I scene i. pg 404).
Right after the prologue this is the dialogue that occurs between Lady Sneerwell and
Snake, talking about gossip and its circulation to create scandal. It is literally the first
thing Lady Sneerwell refers to the second she is onstage. Showing that the circulation
of gossip is literally this most important thing within the play. Like money, gossip and
The more you produce and exchange the more presages you become within the
society. It is when you become the source of gossip that you are downgraded to the
lower levels of the society. Gossip is then likened to that as a sources of actual value
within the society of scandal mongers. Roach in agreeance goes on to say, the value of
gossip, like that of money, also increases with its circulation, at least during the
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inflationary period before everyone who wants to hear it has heard it already (Roach
298). Within the play Sir Peters remark[s] to Mrs. Candor about the circulation of
gossip, which he compares to the note of credit (Roach 308). Within the play, Sir Peter
says to Mrs. Candor, Yes madam, I would have law-merchant for them too, and in all
cases of slander currency (Sheridan 416). Even the character within the play realize
the value of money as well as the value of scandal and gossip. Seeing as though this is
a play about the fashionable and the wealthy, money is therefore no object to them they
must place value else where. Their real source of power in economy come from that of
the gossip they are able to produce from scandal, exchange, and then argue about.
Sheridan is making great criticism through means of humor and hyperbole, about the
audience that is amused by the play. Arguing that they in fact have nothing better to do
with their time because money has become obsolete, that they go around gossiping
about one another to get ahead. However, not to say that money is not important,
because, it remain a close second to gossip. Gossip and scandal are so important they
a character that relies on others to transport it. I would argue that it is the circulation of
scandal and gossip that has physically transformed Lady Teazle from a once country
bumpkin to that of a person that is consumed by the society she lives within. Roach
states, anticipating its touch can trigger or suppress behaviors, while feeling its grasp
can impose on diverse populations the conformist rigors of village life. (Roach 298). In
stating this Roach alludes to that of Lady Teazle, a person who was consumed by the
society. She was once a daughter of a plain country squire (Sheridan 412). It is said
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that Lady Teazle was before a very humble lady who came from humble beginnings
who then became married and is consumed by the society in which she is now a part of.
That society of scandal and exchanging gossip. It is this society that then essentially
spits her out into a completely different person. In my opinion she is who Sheridans
comments upon society are seen the most. Durant also makes comments on Lady
Teazle, Lady Teazle experience, however, it is also suggest[ing] that in regaining virtue
one needs chiefly to decline the disciplines of vice, in effect returning ones diploma to
the scandal college (Durant 52). In agreeance with Durant yes, Sheridan also makes
commentary that there is hope for those watching, and the audience he is commenting
on. They simply need to return their diplomas and live a simple life. However,
because this circulation is so important to this particular society those who reject the
One character that is not irrelevant it that of Joseph Surface whom for this
particular society is the root of all scandal. While Roach makes a compelling argument
he and I differ on who is the root of the scandal, Charles Surface is vital to the national
financial system as well as the gossip system (Roach 307). In reading the play it
appears that it is Joseph Surface, not Charles, seems to be the root of gossip. He is in
the middle of the most crucial screen scene within the play. This is better said in the
words of Durant, the cause of malice, emphasizing the close kinship between
complexity and vice (Durant 49). It is Joseph that is complex involvement with all those
in the play that allows for them to congregate at his home and beginning to eventually
out themselves that causes the realization moment that is had by both Sir Peter and
however, messes that up being a lying Snake. I see where as Roach would think that it
would be Charles because he is the one that is gossiped about the most and in financial
distress. Although, more closely aligned with Durant, in stating Joseph is the most
complex character and because of his complex relations it is he who is the center of the
what scandal and gossip in this play is, and where it comes from. Thompson believes
that gossip and scandal do not come from a, warmly moral reconciliations, but by the
inventive and unexpected (Thompson 92). Disagreeing with Thompson, the gossip is
not coming from a mean-spirited place, it is the vitality of this society. As argued
previous without the scandal and gossip that occurs there would not be scenes such as
the screen scene and the disguising of Sir Oliver. The value placed on gossip and
scandal are what propels this society. It ultimately answers what to get the person who
has all the money in the world. It also shows the power over the circulation distinguishes
the haves and the have nots. Durant argues that scandal is meant, to expose the wide-
ranging threat of vice even while affirming the ultimate good nature of mankind (Durant
53). In argumentation, I do not wholly take Durants explanation. In thinking about the
play yes it does show that truth and virtue wins however, I think in thinking about the
theme of scandal and the references to pop culture of the time it is more a criticism of
the people watching the play than, a good ultimately wins play.
Within gossip and money there steams a multitude of issues that Sheridan brings to
light in order to make commentary of the society that attends and enjoys his plays. The
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most important is the defining question whether a society has nothing better to do with
its time than to sit around and gossip about one another and if so it is truly that
important? Also, what happens when money become obsolete a society must then find
its new value and use that as its currency. The importance placed on money and gossip
goes one step further to the make commentary on those who do not belong, marriage
issues, and age. Ultimately, it seems as though money and gossip are the root of all evil
Works Cited
Durant, Jack D. The Moral Focus of The School for Scandal. South Atlantic Bulletin,
vol. 37, no. 4, 1972, pp. 4453. www.jstor.org/stable/3197365.
Roach, J. "Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama." Modern
Drama, vol. 53 no. 3, 2010, pp. 297-310. Project MUSE,
doi:10.1353/mdr.2010.0009.
Sheridan, Richard Brinsley. The School for Scandal. The Broadview Anthology of
Restoration and Eighteenth-Century Comedy. Ontario: Broadview, 2013. 402-54.
Print.