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11 Reasons for Drawing
Models & Attending
Life-Drawing Sessions
11 reasons for drawing models
& attending life-drawing sessions
2 www.artistdaily.com
11 reasons for drawing models
& attending life-drawing sessions
Sean Leaning
If you can draw the figure, you can draw any- on His Arm
2004, charcoal,
thing, is an oft-repeated (and very true) adage. 30 x 22.
Draftsmanship is traditionally regarded as the
below
foundation of painting, cartooning, and sculp-
Fey, Seated
ture; with the figure recognized for centuries as 2005, colored pencil
the benchmark challenge of the working artist. on blue-green paper,
25 x 19. All artwork
The great range of movement possible, together this article collection
with the anatomical and structural complexity of the artist.
3 www.artistdaily.com
11 reasons for drawing models
& attending life-drawing sessions
4 www.artistdaily.com
11 reasons for drawing models
& attending life-drawing sessions
Fey Reclining
on Colored
Drapes
pastel and charcoal
on gray handmade
paper, 32 x 22
5 www.artistdaily.com
11 reasons for drawing models
& attending life-drawing sessions
6 www.artistdaily.com
11 reasons for drawing models
& attending life-drawing sessions
9. Inspiration for
personal work.
Through many life-drawing sessions
over the years, I have met a number of
models I have gone on to hire privately.
Workshops are an ideal setting to dis-
cover prospective subjects for your own
personal creative work. Skillful mod-
els may take poses that are especially
inspiring, generating ideas for further
exploration. The majority of models are
happy to arrange private sittings, be
it for figure or portrait. In the context
of a workshop, you and the model will
become familiar while working togeth-
er in a comfortable group situation.
10. Experimentation/
exploration.
Working from the life model affords
an ideal opportunity to experiment
with new techniques or unfamiliar
media and, quite possibly, to expand
your artistic range. The inherent no-
pressure nature of the workshop,
combined with an accessible and excit-
ing subject on view in front of you, pro-
motes risk-taking and exploration.
7 www.artistdaily.com
Drawing:
YOUR IDEAL RESOURCE WHETHER
YOU PAINT, SCULPT, WORK WITH
ARCHITECTURE OR EVEN FASHION.
Drawing
of
A year ING YOU:
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DET EMONST
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ND TE RAW
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- DEPTH AR H MORE!
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AND S
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Drawing
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W I N T ER 2 0 1 1
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Eight Falling on
Thirty (detail)
by Ian Ingram FIGURES