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Embracing minimalism in no way means that your design has to be any less
creative. In fact, when youre not bogged down in complex visuals, you often
get a chance to explore and play with clever relationships hidden within your
design. Have a look at the branding done by Interbrand for Opera Australia, a
minimalist design has allowed them to discover a clever relationship with the
words OPERA, OPERA AUSTRALIA and OZ OPERA.
04. Be Clever
Minimalism isnt about the complete lack of illustrative elements, but rather
the careful choice of when and where to use them. By working an illustrative
element that directly relates to the brand name into a logo, similar to the way
Frame Creative have done with this branding, you can create a very visual,
and yet very minimal design.
Minimalism is often about stripping away all the unnecessary things and
focusing on the communication. Have a look at the way this business card
from Jake Frey displays his contact information neatly and efficiently, no
crazy visuals needed.
06. Get On The Grid
As you probably already know, grids are very handy (some may say crucial) to
a lot of design, and this is especially true for minimalism. As you may not
have that many elements within your design, its likely a good time to really
play up the use of your grid system. Check out this editorial design from
Jessica Giboin that uses grids to create a strong sense of alignment with the
body copy, headings and graphic elements, generating a clean, simple and
effective design.
13. Texture
When exploring minimalism, its easy to assume that in order to be minimal
you need to exclusively use flat colours, but this is definitely not the case.
Introducing a little bit of texture into your design can give it that added depth
and effectiveness without foregoing your minimalist aspirations. Texture
works particularly well when its balanced out with clean, flat colours just like
those seen on this website/branding example by Watts Design that uses
texture to balance out the simple photography and brand mark to create a
very effective design.
Quite literally. A minimal design can allow you to be a bit more playful with
your elements positioning and composition, as seen in this publication
example from Gregmadeit. The positioning of the type off the edge of the
page creates a unique and eye-catching effect without damaging the legibility
of the text.
15. Be Direct
When there are less elements fighting to be seen, you are able to be a lot more
direct with your message and overall communication. This is especially useful
when it comes to web design, as we all tend to skim pages, a direct and plain
message of intent, as seen on Nine Sixtys website, helps give the reader an
idea of who they are straight away.
16. Scale It Up
Within minimalism, you tend you have a stronger say on exactly where your
audiences eye goes first, and one way you can achieve this is with scale. Have
a look at the elements in this editorial spread from Saturdays Magazine, the
eye immediately goes to the largest element: the pull quote on the right page,
then the photograph, then the copy. A simple design, when purposely scaled,
helps you dictate the exact path your audience will take over your publication.
Many people believe that monochromatic colour palettes are the be all and
end all of minimalism, but this isnt quite true. Colour can be used to create
an eye-catching design without foregoing minimalism, as long as the palette
is kept relatively small (1-3 colours is best). Check out this example from
Moruba, where the bright yellow paired with the strong white and black logo
work together to make a really successful and striking (yet still quite
minimalistic) design that is sure to stand out.
A minimalistic design can really help enhance the flexibility of your design,
especially in terms of application. For example, this branding by Bro Ufho
consists of a simple serif brand mark and two blocks of flat colour. This
particular branding has a high degree of flexibility in terms of its colour
palette; the colour of the diagonal blocks are able to change quite easily
without losing any of the brands integrity, all thanks to a simple, yet unique
minimalist design.
Minimalism is a great chance for you to explore the depth of symbolism with
your design. Try and think around an object, about the things associated with
the subject, about what the subject stands for. For example, have a look at
this design by Jennifer Carrow for the jacket of the non-fiction book Against
Happiness. By fashioning the type into the symbol of a sad face makes for a
clever and memorable design.
20. Iconography
20.Iconography
Icons are useful little items that most of us use every day, from app icons to
the toolbar icons on your computer. Icons can be used very effectively in the
world of minimalism, as well. They can enhance accessibility, reduce the
amount of text or type you have on a page and help guide users around your
design visually. Have a look at how this website theme by Spab Rice
integrates icons throughout the page to help navigation and explain their
intent.
The beauty of minimalism is the fact that small changes can have big results.
Take this logotype for The Pines for example. A simple, sans-serif typeface
adjusted with just two strokes creates a small but smart visual that doesnt
tamper with the alignment or minimalism of the logotype.
23. Focus
23.Focus
Dont forget why you started your design: the content. Minimalism works
extremely well when it comes to showcasing content as the simplicity of the
design allows for the attention to immediately go to the content rather than
the business of the page. Have a look at this minimal webpage design by
Darrin Higgins that simply allows for the content to be the main focus.
24. Contrast
24.Contrast
High contrast designs help put your content and visual elements in the
foreground and make for an easily consumed design. In this example, a
webpage by Mads Burcharth, the black background of the page contrasts
sharply with the vibrant colour of the content images to create a simple but
engaging design.
Typographically, try to limit your use of fonts to create a more cohesive, and
less confusing design. Put an emphasis on your use of hierarchy and align
your type to a grid of some sort for maximum legibility.
In general, try to consider what can be removed, whether that is a colour from
your palette, or an image from your composition. Consider what can be
condensed, what can replaced by something more concise. Simply, reduce it
as much as you can until all that remains is what is necessary.