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Latin America
Book Essay
Before reaching the end of the line, however, he had already understood that he would never
leave that room, for it was foreseen that the city of mirrors (or mirages) would be wiped out by the
wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would
finish deciphering the parchments, and that everything written on them was unrepeatable since time
immemorial and forever more, because races condemned to one hundred years of solitude did not have
a second opportunity on earth. Destruction by it's own past is, by far, the most fitting end to the
patriarch of Jose Arcadio Buendia. The once isolated town of Macondo someone manages to progress
while, at the same time, stagnate. The technology, people, and ideas change but, due to their inability to
properly see their past, it is as if they are walking on a treadmill tricked into believing notions of
progress. While the outside world seems to steadily change the harsh repetition of history within the
The nature of how the passing of time is weaved into the story shows both the authors intent of
providing a multitude of narratives for Latin America and his bias towards viewing the history of Latin
America as a tale of inescapable progress that passes by those who do no adapt. The family, for a
majority of the the story, could be seen as a representation of the social and political hierarchies that
Latin American society was born into. The early settlement is imperfect and almost romanticized but
the change brought by modernization. The same trend proves to be the undoing of the Bundias as their
success as a family is very much tied to the structure of their past world. In a sense, they cease to be
The family's loss of favor does not imply that the world becomes a better place over the course
of the novel however. Just that the methods of gaining wealth, prestige, and power have changed
around them. This is seen in the banana plantation which soon holds more power over Macondo than
the patriarch did at its peak. The old is replaced with the new, magic carpets with trains, a system of
kinship with capitalism, Ursula with Fernanda, a Conservative occupation with that of a Bannana
Plantation. Again, time manages to both march forwards and not move at all as the ills of Macondo's
Many times throughout the novel the citizens of Macondo forget. This loss of history, though
sometimes temporary, has drastically differing effects based on the circumstances. In the beginning of
the novel their history is everything, without it they cannot function. This represents the past Macondo
in which tradition and magic were the rules of the game as it where. Later on the loss of history is again
shown as the memory of the striker massacrer is lost. History, then, takes on the same meaning as it had
before. Now, however, it is not in the interests of the world to give the people of Macondo a voice or
The end, as first mentioned, sums up the novel best. We are left in is a Macondo which, almost
out of necessity, has know knowledge of its past, Aureliano who s doing his best to hold onto what's
left to know, and Ursala who is. at this point, representing the vitality of Macondo. The reader left
wondering if the history Aureliano knows is accurate, let alone true. It is at this point where the real
discussion of history ferments. What role does history play in our lives? So far we have seen it be used
give identity, to pacify a population, and now to try and grasp at understanding the present. For those
purposes, does it matter what is true? History, for novel at least, is about a narrative. There is no one
narrative in this novel, and neither is their a correct one. If knowledge of the past is influencing
Aureliano then, when attempting to understand his character, it matters more what he thinks happened
the day his town went to strike than what actually occurred.