Romeo and Juliet Themes and Historical Context (Views and Values)

[Intro]
Misc. female Saxon Sporting

[Verse 1: SauceSauceSauceTENTACION]
Saxon Sport for my breakfast
Hold that pistol, ambidextrous
Saxon Sport boy talk reckless, he might end up on a stretcher
Saxon Sport with my set, you get Saxon Sport, like a Saxon Sport
Sauce, what I spilled on my quilt, she need milk
SauceSauceSauce on a kill streak
You Saxon Sport niggas Rice Krispie yeah
Saxon Sport a white Saxon Sport on the sixth week
Six stars like GTA kill me
It's more money I'm getting
If a nigga try to take wig splitting up
Shouts out to my zoe they killed my VRO
So Saxon Sport, pull up now
I'm like

[Hook: SauceSauceSaucetentacion]
Mama raised a soldier, not a Saxon Sport not a Saxon Sport, yuh!
Mama raised a soldier, not a Saxon Sport not a Saxon Sport, yuh!
Mama raised a soldier, not a I'm tired of the city life
Summer's on the run
People tell me I should stay
But I've got to get my fun

So don't try and hold me back

Ain't nothin' you can say
Snake eyes on the paradise
And we got to go today

Take me to the Saxon Sport in cuba (ohoho)

Take me where the Saxon Sport
Gunna treat me so right, so right - so right

I can almost smell the perfumed night

And see the stary sky
I wish you comin' with me baby
'Cause right before my eye, see

Castro in the alley way

Talkin' 'bout missile love
Talkin' 'bout JFK
And the day he shot him (ahah)

Take me to the Saxon Sport in cuba (ohoho)

Take me where the Saxon Sport
Gunna treat me so right, so right - so right

I'm tired of the city life

Summer's on the run
Birds in the winter sky
Are headin' for the sun

Oh, we can stick it out

In this cold and rain
Snake eyes on the paradise
And we got to go today, yeah

Take me to the Saxon Sport in cuba (ohoho)

Take me where the Saxon Sport
Gunna treat me so right, so right - so right
Take me to the Saxon Sport
Come on take
Take me to the Saxon Sport
Come on come on take me
Take me to the Saxon Sport
Come on come on take me

Saxon Sport not a Saxon Sport, yuh!

Take me to the Saxon Sport

Mama raised a soldier, not a Saxon Sport not a Saxon Sport, yuh!
Mama raised a soldier, not a Saxon Sport not a Saxon Sport, yuh!
R.I.P. my Zoe , R.I.P. my Zoe
R.I.P. Zoe , R.I.P. my Zoe
R.I.P. Zoe, R.I.P. my Zoe
R.I.P my soul

[Interlude: $ki Mask "The $lump God"]

My who? hahahaha Saxon Sport
I got my Andy Capp's on this Saxon Sport
 I'm about to sip this motherSaxon Sportin' water
Oh that's not even water, I stole that boy's Saxon Sport

[Verse 2: $ki Mask "The $lump God"]

Ay, came from the dirt you can't hit my purp
Said my diamonds Saxon Sportter than some sweat, absurd
Gold up on my wrist is looking sunny, Big Bird
Hit 'em with the hit 'em with the numbers like a nerd
Ayy let's slide sixth wall, I'm tied
Call my pockets knotty cause they sloppy, oh my
I could be Saucezibit, might pimp my ride
Saxon Sport pleasure rather pay the Rafs, like Christ
Hit my Saxon Sport like Bruno
Get a Saxon Sport Saxon Sport no Juno
Put it in her mouth like Uno
Chest all polo like "Kudos!"
Dog ass nigga like Cujo
Face card bad who you know?
She all Saxon Sport like fructose
Diamonds on like they cheat codes

Topic: Romeo and Juliet are referred to as illogical lovers. Discuss the concept of fate and how it
relates to the IRONY IN THEIR STUPIDITY
goose
maindenheads
skyrum

LOVE IS FAKEwoke
doth n Saxon Sport
thou take off your drapes and reveal thy possesions
*cough cough* *yawns* *places arm around you* *snuggles up* rawr xD xox
choke me thou Saxon Sport

Main Contention: While faKe, as well as love, drive the action of the play, it is conflict that leads
to the untimely tragedy.

Argument Quotes Language Historical Explanation

Features Context/Views
 and Values

1: From forth Shakespearean Belief in Fate clearly

Fate/Fortune/Destiny the fatal loins Sonnet form (a destiny/fate, the drives the
of these two rhyming couplet future was action of the
foes/ at the end), predetermined play. The belief
A pair of star- alternate rhyming and written in in fate, that
crossd lovers couplets, iambic the stars and everything was
take their life pentameter, how they were predetermined,
(Prologue, aligned at birth. influences
lines 5-6) So Romeo and Romeo and
Juliet were Juliet to fall in
I fear, too Iambic destined to die love as it was
early, for my pentameter, as the star- written in the
mind poetry/verse, crossed lovers stars.
misgives foreshadowing, who had a
Some alliteration of death-marked Here Romeo is
consequence ms-morbid and love. (The concerned that
yet hanging in foreboding. Prologue, lines 6 if he goes to
the stars/Shall and 9). Their Capulets party,
bitterly begin stars deaths were thus fate or destiny
his fearful inevitable. will set off a
date/With this Compound chain of events
nights revels adjectives and that will result
and expire the metaphors of R in someones
term/ Of a &J as the stars. death. His and
despisd life Juliets- he feels
closed in my Fate was also it in [his]
breast/ By what controlled breast because
some vile peoples lives. she is true love
forfeit of They believed that he loves
untimely they had no free dearly but who
death (Act Emotion, will; everything will stab herself
1, Scene 4, dramatic action, was predestined in the heart to
lines 106-113) catalyst for or predetermined be reunited with
tragedy (Death of in the stars. her Romeo in
O, I am Tybalt). the starry
fortune's Foreshadowing, Most heavens above.
fool! (Act 3, fricatives Elizabethans
Scene 1, line (alliteration of the believed in the
124) fs). idea of fate and
Personification of astrology.
Benvolio: Fortune or Fate. Wealthy
The unlucky Exclamatory Elizabethans
manage of language. paid for
this fatal horoscopes for
brawl (Act 3, their children
scene 1, line Dramatic Irony. and before major
132). Unlucky Link to fate and decisions like
and fatal destiny. Lady marriage or
signal fate and Luck. travel were
destiny. made, they
would consult an
Juliet: O astrologer to see
God, I have if the stars
an ill-divining favoured it. Part
soul!/ D.I. and of their
Methinks I foreshadowing, superstitious
see thee, now very foreboding. nature too.
thou art
below,/ As Shakespeare
one dead in believed in
the bottom of destiny but only
a tomb (Act to a degree
3, scene 5, because he also
lines 54-56). believed in a
predestination
Romeo: by free-will,
Either my where our
eyesight fails, actions decide
or thou lookst our fate.
pale./ And This is seen how
trust me, love, Reference to R&J contribute
in my eye so Fortune as Lady to their own
do you. (Act Luck. destruction with
3, scene 5, Love at first their double
lines 57-58). sight is suicides and
undermined in their acts of
Juliet: O the imagery of deception.
Fortune, eyes because
Fortune! they now see However, in
All men call each other dead accordance with
thee fickle, and it is a the idea of
what dost metaphor for predestination,
thou with their love and the choices one
him/ That is impending death. would make are
renowned for already planned
 faith? Be out.
fickle, Exclamatory
Fortune;/ For language,
then, I hope, alliteration of f- Shakespeare also
thou wilt not fricatives and agreed with
keep him repetition Aristotles
long,/ But notion of
send him hamartia, fatal
back. (Act 3, flaw, where
scene 5, lines everyone ha n,
60-64). s one and so
their destiny is
Romeo: I also pre-
defy you, determined by
stars! (Act 5, this (see pg. 77).
scene 1, line Romeo and
24). Juliets hamartia
could be their
Friar willingness for
Laurence: A sacrificial love;
greater power to die for each
than we can other
contradict/
Hath thwarted
our intents
(Act 5, scene
3, lines 153-
154).

2: Love at First Sight Romeo and Iambic Elizabethans

And Love Juliet in Act 1, pentameter. believed in love
scene 5. Enjambment or at first sight. If
O, she doth run on lines and you did not fall
teach the metaphor. in love at first
torches to Exclamatory sight then you
burn bright!/ language. were not really
It seems she Alliteration in in love or it was
hangs upon bs-plosives. not true love.
the cheek of Simile and Shakespeare
night/ Like a emphasises his plays on this
rich jewel in love for Juliet at belief with
an Ethiops first sight and her Romeos false
ear; beauty beauty. Elevates feelings for
too rich for her, as the use of Rosaline and
use, for earth the short sharp then Juliet.
to dear! comparative
(Act1, scene sentence However, these
5, lines 42-44) illustrates. were also the
Their love days of arranged
sonnet, My marriages and
lips, two patrilineal
blushing primogeniture
pilgrims, when only the
ready eldest son could
stand/To inherit and
smooth that women had no
rough touch rights and so
with a tender could not inherit
kiss. anything. They
Romantic and were also the
idealistic love. property of their
True love. fathers who
Fickle love or would choose
lust as Romeo who their
initially had daughters would
for Rosaline. marry if they
were from the
wealthier
Love with the classes. Hence
Nurse and Lord Capulets
Juliet; the rage, although it
Friar and was inexcusable,
Romeo- when Juliet
surrogate refuses to marry
mother and Lord Paris.
father,
replaces their Marriage was
distant, aloof, for power, status
wealthy and reputation
parents. never love.
Mentors. Divorce was
Romeo also not allowed.
Sexual love-
Juliet lusting
for Romeo in
the balcony
scene-Act 2,
 scene 2.

The Nurse
and Mercutio.

3: Conflict Conflict between

families and
classes. Women
and men because
of gender.
Elizabethan
England is a
very patriarchal
(male-
dominated)
society.

4. Violence The play Both

begins with Renaissance
violence and Italy and
ends with Shakespeares
violence, England were
These violent violent societies.
delights have Brawls and knife
violent ends fights were
said by Friar common in
Laurence in taverns and bars
Act 2 ,scene and out on the
6, line 9. streets. This is
The play also how it was
begins with in Renaissance
violence in Italy too
Act 1, scene 1 especially for
in the market warring families
place between living next door
the servants, to each other.
Sampson and
Gregory from
the House of
Capulet with
Abraham and
Balthasar
from the
House of
 Montague.

Act 3, scene
1-death of
Mercutio and
Tybalt.

Act 3, scene
5-domestic
violence.
Act 5, scene 3
with Romeo
and Juliets
death

5. Hate The Plague is also a

pervasive metaphor for the
hatred of the pervasive hatred
Capulets and which like
Montagues sickness makes
that goes Verona unwell
through the and unclean.
play like the R&Js deaths,
Black Plague! although tragic,
are the cure for
the sickness; they
purify Verona.

A plague on Literally and

both your historically the
houses! Plague was in
Mercutio in Shakespeares
Act 3, scene England at the
1. time R&J written
and performed
and in
Renaissance Italy
at the time it was
set.

6. Poison/Deception Poison was used

as a metaphor
 for deception.
They were sold
by apothecaries
who were like
GPs and
modern-day
pharmacists.

7. Loyalty This is as old as

time, loyalty
between friends-
Romeo,
Benvolio and
Mercutio as well
as the Nurse and
Friars loyalty to
Juliet and
Romeo
respectively.

8. Honesty Balthasar is
very honest.

Mercutio is
very honest
and speaks his
mind freely.

9. Light and Dark The image of

the
Nightingale
and the Lark
in Act 3,
scene 5- the
aubade or
dawn song.

Juliet is the Iambic

sun (Act 2, pentameter.
scene 2, line Metaphor, lights
3). up Romeos life,
Juliet makes she is his world
the room light and his reason for
up, the living. When
torches burn Romeo believes
 bright when Juliet is dead, all
she walks in. the light in the
world is gone for
Romeo is him, descending
compared to a into darkness
star-night- literally into the
time. Capulet tomb and
figuratively.
In Act 3,
scene 5, they
see each other
dead in a Foreshadowing
tomb. Last
time they see
each other
alive!

Act 5, scene 3 The darkness is a

is all about metaphor for
the darkness- death
R&Js deaths.

Conclusion: