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Anton Rubinstein - A Life in Music 116
Anton Rubinstein - A Life in Music 116
sacrice to it all his thoughts, all his feelings, all his time, his entire being; only on
that person, who in this way devotes all of himself to art, will art sometimes smile,
and allow him to discover its secrets. Only then can the elect gain the right to call
himself an artist and the privilege to proclaim to the world his artthat awesome
fate which imposes on the artist the obligation for providing endless pleasure for
his neighbor, and rewarding him only with the palm branch of a martyr.33
The conclusions Rubinstein reached in his article were deeply rooted in his
own personal experiences, and he attempted to set out the preconditions that,
in his view, needed to exist in order for a musician to achieve success in his
chosen art:
An artist who demands admiration for his work, who has made art a means for
earning his living, will surrender himself to worldwide criticism by that very fact
without this, he will never produce anything great. Disillusionment, ne dreams
scattering before sorrowful reality, the struggle of pride and fate, artistic fanati-
cism, unacknowledged and ridiculed by the indifferent and uncomprehending
masses, but respected and valued by a small number of people, strict but fair
criticismthese are the conditions without which the artist cannot develop.34
92 Anton Rubinstein