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Martin J Austwick
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7 Secrets of Bareknuckle Prizefighters
Introduction
It is very easy to look back at the pugilistic era and consider it to be populated by unskilled
fighters who would not stand a chance against modern boxers. To consider their fights to be
unscientific and lacking in skill. Nothing however could be further from the truth.
The greatest Pugilists knew this, which is why when the great Jack Broughton introduced
mufflers, a prototype form of sparring glove, he did so only for sparring. When things
were serious the gloves came off. The ultimate goal was always to fight without gloves, and
the style of fighting reflected this. Once gloves were made compulsory for competition by
the introduction of the Marquess of Queensberrys rules there was little point in training the
way no-one fought, and so the art of pugilism was no more.
2) Chancery changes the game
One of the things about trying to punch someone in the face really hard is that they tend not
to want you to. Theyll do the most unfair things like move out of the way. That is exactly
why bareknuckle prizefighters developed an entire system of holding their opponents heads
in order to make hitting them easier. Chancery refers to this securing of the head of your
opponent and can be divided into three different forms. Each form has its own numerous set-
ups and escapes.
Reverse chancery is the mirror image of side chancery. The arm is around the opponents
neck holding them at your side, but instead of them facing the same way as you they are
facing towards you. It is the perfect set up for any number of chokes and facelocks and can
be performed when your opponent slips outside a straight punch.
3) Straight beats Round
One sometimes reads of a fight in which the winner has vanquished his man by using
swinging circular hits, but it is important not to be misled by the apparent significance of
the result; for it simply means that success has been achieved through good fortune, superior
strength, endurance or training.
Never lose sight of the fact that there is no nearer way between any two points than a straight
line. The points in this case are your hand and some part of your opponent's anatomy, and
there is no quicker line of route than the straight line lying between them.
4) Single time counters
Figg was the Atlas of the Sword, and may he remain the gladiating Statue! In him, Strength,
Resolution, and unparalleled Judgement conspired to form a matchless Master. There was a
Majesty shone in his Countenance, and blazed in all his Actions, beyond all I ever saw. His
right Leg bold and firm, and his left which could hardly ever be disturbed, gave him the
surprising Advantage already proved, and struck his Adversary with Despair and Panic. He
had that peculiar way of stepping in, I spoke of, in a Parry; he knew his Arm and its just time
of moving, put a firm Faith in that, and never let his Adversary escape his Parry. He was just
as much a greater MASTER, than any other I ever saw, as he was the greater Judge
of Time and Measure.
5) A Cross Buttock Beats a Cross
The cross buttock is a form of hip throw that was generally considered to be a staple of the
pugilists armoury, and in the early days it was more common to see rounds being won by the
use of the throw than by striking alone. Certain boxers specialised more in throws than in
striking and did remarkably well. Captain Godfrey tells us of George Taylor, a fighter who
beat everyone bar the great Broughton. He managed this because of his
Taylor was not the only fighter to specialise in throws. Godfrey says this about a pugilist
called Whittaker
He was a very strong Fellow, but a clumsy Boxer. He had two Qualifications, very much
contributing to help him out. He was very extraordinary for his throwing, and contriving to
pitch his weighty Body on the fallen Man. The other was, that he was a hardy Fellow, and
would bear a deal of Beating.
Anyway you look at it, being able to hurt your opponent within the rules of the fight was a
valuable skill, and throws regularly beat strikes.
6) Get your Bodyweight Behind your Hand
slightly raise the left foot and advance it along the line for a couple of feet, simultaneously
hitting out straight at the enemy's head. In doing this remember that there must be no
previous indication of the movement either by shuffling the feet or drawing back the hand and
so showing the hit. The body should be well thrown forward at the same time with a good
spring from the right foot, which should not, however, leave the ground. Be careful not to
over-reach yourself, and let the weight of the body fully enter into the hit.
7) Power isnt everything
Thank You
Thank you for taking the time to read this. If youve enjoyed this brief look into the world of
Classical Pugilism then why not take a look at the rest of the resources available at
http://www.pugilism.org There are numerous e-books, audio-books, articles, and videos.
There is even a distance learning course. Take a look here:
http://pugilism.org/index.php/serious-striking/