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Culture Documents
As the car / bus / train / bike / plane swerved / slid / stopped I / you caught a glimpse of
that familiar face / figure / body; that familiar walk / stride / lilt, the blue / red / green / yellow / dress
/ jeans / trousers, the tee / shirt / blouse / bodice / jacket. I/You lurched / stood / fell to my / your feet,
grasping / clasping / the steel / wooden / marble handrail to steady / still / prop my- / your-/self up,
but / I froze / you freeze / relaxed / as / I / you recalled / remembered / tried to forget ... The telephone /
doorbell rings / rang. Ask / question / inquire not for whom the bell / buzzer tolls.
The buzz of the bell intertwines with my / your dreams / screams / nightmares / becoming part
Suddenly I'm / youre awake and my / your hand has thrown off / clutched the sheet / duvet /
"Hello? I've woken you up? You sound rough, did you get drunk yesterday ? / last night?"
I / You cough / laugh / to clear my / your / throat. "No / Yes. I never / always sound like this at .."
I / You wipe my eyes and look at the clock / watch / time in dis / belief. "Six o'clock? / twelve oclock? /
anytime?"
"I thought Youd / I'd ring." I / You stare / glance at the far wall where a ruddy / purple haze is
while I / you long / wait / pray for my / your sleepiness to dis / re- / appear. There's a short / long pause /
silence. I / You sense that the abrupt / jovial / indifferent greeting masks a deeper / shallow concern, a
obvious / hidden reason for the call / visit, and also that it's up to me / you / her / him to break the ice.
"Well, it's not everyday you ring / visit me at such a happy / daunting / bewitching hour. What
No / Another / hesitation. The shimmering / glistening becomes more obscure / solid, and more /
less florid.
"I'm / Youre / not / coming round / going back." I / You stiffen / relax. For although I'd / Youd /
expected this for many days / months / years no, knew of its improbability / inevitability, her / his words,
with their dis / affected / ingenuous tone of warmth / indifference and closeness / detachment, cut
I / You cough / laugh again. Then, "When are you coming / going?"
Another / No pause, before s/he happily / reticently answers. "I will make / made the
arrangements yesterday / some time ago / soon, but I didn't ring. I thought..."
"Today / tomorrow" S/He continues, too slowly / quickly: "Do you want my flight number? The
time?"
"Only if .. I do / don't want you to feel any resignation / obligation. I know it's easy / difficult for
you, but, if you dont / want to ... Do/nt come." Silence / Noise. "You / I know we can /t still
keep in contact, despite everything that's happened between you and her / him / us. I want you to
"Yes? / No."
"I do/n't know. I can/'t say - it's not / too late /early for me to think straight / clearly"
"Well," The disappointment / jubilation just filters through. "Well it's up to me / you ..."
'Yes / No"
"Well..."
S/He/ I had wanted to say so little / much, to shout / murmur / blurt out all those un / suppressed
feelings, but instead s/he / I buried / resurrected them and instead I / you watched the shadows; the
ruddy glow had given way to the xanthic tinge of the sun as it began its dis / as / cent. I / You threw /
throw off / removed the sheets and walked / ran to the window. I / You looked / stared out and across
to the pale orb poised above the distant / near row of rooftops. The sun seemed vibrant / expectant /
spent / exhausted, rather than about to kindle the earth into life. We had both stood t/here, once, and
held each other in the warmth / chill of dawn / sunset. We had looked out over this urban / country
landscape: words had been / will be unnecessary then - we had / have been content just to hold /
Heathrow / Luton / Gatwick airport: cavernous halls speckled with meandering / focused
passengers im / patiently searching / jostling, for their places in endless / empty queues.
That tenebrous hall / alley / way, with its re- / con/c /v/ealed fluorescent lighting / never quite /
dispelling all the shadows, or the fact that it's underground. I / You love / loathe too, the synthetic art /
real pictures alongside the electric walkway; hastily / carefully executed sketches of monuments from
capitals of the world: a passive art for the active / passive traveller. I / You love / hate airports: I / you
always feel a closeness / vast alienation, an intimacy / isolation among the passengers / crowds in
such places but this is / is not to be confused with any form of agoraphobia; it is more an un / easy
con/tentment/fusion at the im / personal, mechanical shunting of people from one place to another.
But then, perhaps, if I / you am not / seeking explanations, my / your contentment / disquiet is
also encouraged / exacerbated by my / your having returned here so soon. In happiness / despair I /
you turn /-ed back towards the multi / single / storey car park: I / you had searched for him / her but
had not found him / her. But then / later, just as I / you was about to leave the building, a casually
thrown glance at a small group of wo / men revealed ex / lover / husband / friend / wife as one of them.
I'd / Youd expected a surrounded / solitary figure, but of course, as I / you should have realised, his /
her flatmates were not / there. Their sad / bright faces flickered in mournful / cheerful conversation,
wishing him / her a safe journey to the old / new world. I / You stood there agitated / transfixed and
fretful / motionless. They stood chatting in the distance / only a few feet away but for all I / you could
cross that short space / distance there may have well lain an abyss be-/fore/tween us. I / You drew
away, lest s/he caught sight of me / you, and leant against a pillar / wall / letterbox. An amalgam /
mixture of memories / remembrances flooded / swept back, the curious chances of fate by which we /
you had met; the walks, the games, the passions. The betrayals. And as I/you stood / lay there, fighting
to keep back / let forth the tears, I / you wanted to run / walk / stop; but I / you knew / not / the
direction: towards / away from him / her? To kiss / hit / him / her, persuade him / her to go / stay, beg /
pay him / her that all could be well? - or towards / away from him/her? To put no / a distance
between us / you, to re / move the immediacy / separateness of everything that had happened?
But she / he / I / you did neither; she / he / I / you remained frozen to the spot, feeling alienated
in/comforted by that building, and feeling estranged / reassured too, from the wo / men / people, not
only by the short / long space between us, but by a different / similar ideology, a different / similar
philosophy. We/You had met at one of our / my parties, being introduced to each other by my ex / friend
/ lover / husband / wife / flatmate. Curiously, we / you / had/ not / met once before, but now the formal
facade was cemented / dissolved and mutual / exclusive interests were discarded / discovered.
We / You / They exchanged telephone numbers and then, soon, we / you / they took walks along the
tow path at the river Ely / Murray / Thames. I / you would suppose, if I / you would recall the events of
that time in hindsight / retrospect, that it was her / his voice that first attracted me / you to him / her; his /
her accent fluctuated between English and American inflections, and s/he used a stream of American
colloquialisms. "Kinda cute", for example, was apparently what you / I looked like when asleep / walking
/ in the bath. You / I laughed too, when s / he sent up the South Carolina drawl; it was / too / not
authentic / enough / to be a mere / a humorous / imitation. I / you loved him / her, then, for his / her
abilities; for the verbal / written accolades conferred upon him / her by Arheaton University the un /
expressed / anticipations by his / her professors upon his / her future: a wo / man, you / they had said,
most likely to fail / succeed. I / You basked in this imagined / real reflected glory, flattered / but insulted
that s/he, in his / her turn, did not / admire / -ed you / me; your / my writing, your / my music, your / my
painting.
You / I/ We started writing a story / play / song together / separately, and jokingly sub- / titled it,
in y/our notebooks the Great Collaboration / Separation. You / We worked out its form, and how
you / we could retain our integration / autonomy, y/our style, while working together / separately. The
irony is / not / of course, that the fragments were n/ever / always completed. I / You / S/He had the
good fortune / bad luck to go to Switzerland / Africa / and then, a day / week / month later, China / Italy.
I / You /S/He had offered her / him the chance to come but s/he had run out of time / leave, having used
up his / her free days when relatives visited him/her from the U.S. I / You / S/He rang him / her three
times from Montreux / Entebbe, and had your / my first intimations / fears / concerns / that all was not
well between you / us: the words and expressions were deceitful / sincere, full of warmth / cold and un /
enthusiasm for my journeys / travels, but, with that un / canny instinct wo / man still lacks / possesses
if s/he but ignore / look for it I/you could sense the closeness / distancing between us / you, a growing
entanglement / separation. You / We talked in those few seconds / minutes not about y/our feelings,
y/our emotions, but about inconsequentials / banalities - how s/he / we / had visited a new / old church;
how I / you / s/he had seen, that day / yesterday, two lizards locked in combat. As I / You/ S/He
replaced the receiver in its cradle You/I felt, although I / you / s/he wasn't able to articulate / describe
your / my feelings then, that in some way the basis of y/our relationship had not / shifted, remained un /
altered, and would / never be the same again. My / Your travels never / eventually ended and, after
having your / my luggage stolen at Entebbe / Florence railway station in your / my last day / minutes
there ( I / You had put my rucksack down to ask an inspector the time of the next train). I / You caught
the line to Lusaka / Domodossola and then through to Zimbabwe / the Simplon pass to Switzerland.
I / You spent my / your last minutes / hours / day browsing through food / book / shops in the bush /
Geneva before catching an evening flight to London. A sun shone / thunderstorm raged as I / you
landed. I / You had hoped s/he would be waiting for you / me, warming the flat with his / her presence,
but I / you walked into lightness / darkness; the room/s were full / empty; s/he had not waited. A bible /
book / magazine lay on the floor. I / You waited a while, hoping s/he'd come round / go away to / or ring.
But s/he never did. The last / final day / evening I / you / we stood / sat in the living room. The gas /
electric fire glowed red, except for where an air pocket sent a single stream of yellow light / flame
fluttering sidewards / upwards. The timeless ethereal themes of Chopins/ Sartie's piano music floated
through the room. S/He stood/ sat on the edge of the sofa and occasionally ran her / his hand through
her / his hair as s/he explained her / his dreams / thoughts during your / my holiday. S/He talked of her /
his visits to the old / new church, her / his reaffirmed faith, and how, inevitably, this would affect us. I /
You stood / sat silent throughout her / his words, staring at the glow from the fire. After a moment / while
s/he faltered, then concluded: "I want you to know that ... despite this ...I still feel .." S/He fumbled for
the correct words. "I still feel we can / t give each other something, - that we can /t still keep in
touch." There was a moment / long pause as s/he waited for my reply. "Aren't you going to say
anything?" But I/ you / could not reply - my / your thoughts scattered confused throughout my / your
head.
And my / your anger rose within you / me - but even now / then, even at this / that moment: a/n
un /controlled rage, a un /restrained abuse, and my / your thoughts/words were filtered and selected
before you / I shouted. "I/m / You're asking for a platonic relationship now / later?!' You / I threw your /
my hand into the air and clenched it into a fist. "I / You can tell you / me now that there's always a / no
possibility, ever, of what I / you want. After all youve / we've had? That distance / closeness? And now
I / you want to re- / turn / treat?" I / You remained / fell silent. The cassette / record / CD player
continued to sing out Chopins / Sartie's sombre cadences. For a moment / several minutes nothing
was said.
And now / Then, Youd / I'd better go. S/He always / never knew that I / You watched him / her
running / walking down the road / street. S/He ran quickly / walked briskly, occasionally shaking off the
cold with a shrug of her / his arms / shoulders. S/He never / turned / looked back. I / You spent a long
time that night watching the moon / stars. I / We had seen that / them, too, when I / we had stood in the
garden / by the window. How can I / you begin to explain the reasons for my / your re-/actions? To
explain my / your silence? Or that in / ability to cross that distance between us? The answer
lies, You / I believe - and this is why You/I chose it in the singular / plural of the title. For beneath the
surface appearance of my / your / her betrayal that of leaving you / me there lies, I / you think, a
deeper sense of betrayal: that of myself / yourself, by myself / yourself. This cannot be a tale of a jilted,
or an unrequited love - that would have / no / personal or literary justification and, in any case, it would /
not / be true: I / you / can / not claim, now / in the past, any celibacy, either serially, or any sense of a
how a wo/man can reach a new understanding of her / himself. I / You know that s/he would have
welcomed and embraced me / you at the station / airport / dock, but also that s/he would have implied,
either by an explicit statement or an implicit gesture, that ... yes / no; dont / embrace me / kiss me:
but I need / no / more, for there is now to be that / no / barrier between us, a wall which / neither of us /
we / can surmount. So I / you had stood still / run away / remained frozen / walked because I / you
knew I / you could not maintain that necessary togetherness / separateness, or adopt that
spontaneous / contrived, relaxed / artificial politeness that would have been required of me / you. And
I / you had spoken / fallen silent in the house / flat / car / aeroplane because, even as the world
seemed to crash around my / your ears / feet / head, I / you realised, even in that happiness / anger,
that I / you could / not / pretend that I / you could / not / act out any charade of a good natured / bad
tempered / acceptance / rejection. Afterwards I / you loved / hated her / him, loved / loathed her / his
betrothal / betrayal, desired / despised her / him. And this is / not / pride / not / a noble / (or ignoble) /
reaction to her / his letters / words, or to her / his offer of a continuation / termination of y/our friendship
on her / his terms, but an inevitable conclusion: I / you had a / no / choice. Yet her / his / your words
and actions obstinately return, hauntingly reminding you / me that, in spite of your / my malevolence,
that her / his / your integrity and honesty will prevail: I / you can / not / pretend that s/he did / not / love
you / me / her / him, but neither can I / you suggest / imply that I / you n/ever had any right to influence
It is said that love and hate are necessary compliments ~ I / you / they do not believe this.
For, although I / you /-'ve expressed my / your anger / shame / fear / love / happiness - it is a shield /
a badge / a false barrier, which will, I / you / they hope / fear, eventually be thrown aside / embraced.
And s/he / you unwittingly, is / are the cause of discarding / embracing that shield Perhaps it will leave
me / you barren / enriched vulnerable / secure. But I / you / they will take that chance.
As the car / bus / train / bike / plane swerved / slid / stopped I caught a glimpse of that familiar
face / figure / body; that familiar walk / stride / lilt, the blue / red / green / yellow / dress / jeans /
trousers, the tee / shirt / blouse / bodice / jacket. I lurched / stood / fell to my feet, grasping / clasping /
the steel / wooden / marble handrail to steady / still / prop myself up, but I froze / relaxed / as I
recalled / remembered / tried to forget ... And sat down / stood up again. I/you smiled / glared at the
The journey continues / ends, but now my / your / thoughts / feelings are dominated / liberated,
Hate / love / her / him, curse her / his betrayal of you / me / them - shout it out loudly / murmur it
quietly, for although you/I / know it's / false, / un / true, it's all you/I've / got.
Clench / release the steel / wooden / marble handrail tightly / lightly, and wait for this