Professional Documents
Culture Documents
memory there, forming, reassembling in my brian. 'Yes. You did it for a living.
For quite some while. Had some hits, remember?' She asks, as if hopeful.
She smiles.
' .. No ..'
'I am hungry but cannot eat. Would you like this salmon? ' But as I turn the
plate has gone. And Penelomarihah follows my gaze, puzzled, to gaze too at
'Can I read some more of what you've written? You've written a lot. Up to
A. just whAt the hell do you thiNk you're playing at peNElope?! Another
one of your crazy jokes? At least you could have left the manuscript in here as
well. You know very well i've only got a few days to complete and edit it. Surely
you don't have Absence of Delusions!? From that sodding book you were reading!?
B. of course, i won't try and pretend i don't know why you've done this, But ...
can't we talk this oveR? Outside? - like the two reasoNable people WE are? you
kNow I've so much work on, to finish before I reach November 15th ? Can't you
make allowances?
C. i'll slip this under the door, but please, Control yourself, and open it.
didn't realise you were so superficially cHaRmIng, letS Try agaIN lovEr?
D. oh come on, it's been at least two hours. i Don't wAnt to be dogmatic, -
and don't say you didn't read my note - I saW your haNd slip down and take it. I
wasn't really unconscious. It's dark in here, though with coloured lights intermittently
flashing, and strangely hot. As well you know? No doubt. At least pass me the
manuscript?
E. and what about food? arE you going to tell Me you're not going to let Me
F. For goodness sake! thIs is ridiculOus, I'm Not your prisoner. just cAuse
G. all riGht All rIght, i am your prisoner, aLl right, I admit it, So you're
H. it was a cold, wet nigHt, wEt because the rain LEaked through the roof, yes,
I kNow I should have repaired it earlier, but honey ... money? Ah, yes, now you
remember - that's why I needed to finish those songs. I need another big break. The
publishers were ready to give me a fat advance - with my fees I could have paid
shElter iN the, my b'looded car, my precious, priceless DB4 not that I could have,
anyway, outside as it is and I don't have the keys. Or perhaps you knew that too?
Anyone would think you wanted me to catch pneumonia. Garages are hardly the
bastions of civilisation, as you no doubt realise. Well, satisfied now? Let me out.
J. Jesus not even some wAter? doN't you realisE that even after a single day
the body begins to rapidly deteriorate if not replenished with liquids? And we're so
near the river, it's so annoying. I can smell the lquids. Judgement day be upon you.
K. quicKly, you mAy be doing unTold harm. So plEase... food and water?
L. yes i know i'm a Little Overweight, but not that much - and how can i
exercise at the moment with the book to finish? and how can i exercise chained here
i can onLy move tIree sTeps. lAckibf space? You certainly worked it out didn't you?
I can't even reach the window. I know it's just a silly game, like the one we used to
play when we were livers - not that we're not lpvers now, of course - like throwing
those coins, to decide what to do, but ... I'm having to pee in the cotmer. I don't want
to vatch anything. Please let me out, hm, honey How come you lying to me like that?
M. why the fuck don't you answer Me when i shout At you? i know you'Re
tHere lIstening just out of sight. i know you're there - why is it you reAd my neatly
typewritten notes, but ignore my voice? Some subtle irony there? I know you're the
O. gOD, you tImed it weLl, didn't you? as soon as the nEighbours opposite
left for their two weeks annual holiday, the fat woman taking her oboe, thank god,
there you were, luring me into the garage to listen to imaginary burglars next door.
'I think I can hear movements in the next house. I think Freedman needs freeing.'
you said. Very clever. I'll use the idea in one of my lyrics. Now I need freeing. Not
that you've legt me enough paper to do any work of course. You thought that out too,
eh? I want some food, and I want some water I want them now. I want some food
managed to lift this comPuter, monitor And keyboard downstairs to the garafe yoU
couLdn't have managed It aoNE, so .., who did you get to help you? Who would help
you? You've got no friends, no private social life You'd admit that - it's always been a
none of contention between us, that you should get out more, if only to let me get on
with my wirk. I want to reed Plauto, as he's alwayss so logical. So who was it, eh?
Q. yiiou Qill be glAd to kMow I fe;; down today the first visible indicatioR of
mAlnutition.
on your HAnds, or until i am too wErk to hit you when i im reLeaded - not that 1
would, I hasten to add - you know i love you. perhaps it was your cabbzzy erratic
driving behaviour that made me marry you in the first place. Do you remember the
crazy things reckless we did when we were jung? Like climbing up limpposts after a
night in the pub? Such reckless behaviour. Or the way we threw cales across that
cage and that old ladysaid 'thibk of the starving minions in Biafra.' And we said,
'Fax! the starving millions of Biafra!!!!!!!. A think we did it to see her face really,
SSSSS> But it waSn't so long ago, was it? I sUpposE, in a way, this is just
another example, of the games we used to play. Int eh sensations of out social sex
life.
U. how calloUs you are, to now nkock the Light off through the window A nd
to ignore me as you did so. You couldn't bear to face me, could you ?/, to turn down
and look at me? Guilt pangs/What's gone wring in our marriage? Sure I've been busy
lately, and I haven't been able to talk to you tooo much, but as rve said before, can't
you make allowances? And I thought you were koking when you kept asking me for
love letters 'You're a songqtiter,' you said, 'then qqqtite me some love songs' Sure
I'm sorry I didn't. I suppose I could nown as I couldn't possibly finish the
manyscriopt anyway by tomorrow.. Shall I tyuipe one out? Will that make you release
me? Love?
V. day three, despite your attempts to Vut out Any Light whatsoEveR I can still
tEll I can still tell ewe\threi it s day aor night - theres a chink of light under the farage
door. I suppsoe you want me to star making marks on the wall to start countign the
dyas/ liekl they did in concentration camps./ But you can rets addured that theyweer
not as cruel as you - they at least provided the oiccasoinal liquid replenshiment. But
the I suppose the |ge bven convenie ,,tions doesn;ty appluy to you, in thsi civilide
neck oif the woods. I IMAGINTTH you hasvenm;'e evern herd pof the Geneca
vonmention.
chained to a wall> And sa good job you'v edone there/ Funny how you maneaged to
rais ehte money to install this brass ring in the concrete wall. when at the moment
money is so tigbht. I can';t help but conclusde you have a secreta admirere\. Love
sE i shoudn;t have mentioned the light should i? as you prompltyl wemt off amd
sealed the garage door/ it starvatyioon doesn;t get me or the rats (inot quite
imaginanry any,more) suffocation will/ did you see that?my first spellling mistake??
love I'm weak, VAn;t you seeI';m reakly bad. Soon I won;t be able to typr anymore
is that wheat you want? Fod are you bling ) I cpould die/ Very stuffy And vreathing is
fdifficult My arms is stiff anmd white. I think this make shift handcuff of yours had
Z it is nOw very difficult to stand up and type your nortEs.,Listen. I'm very
sorry about all that had happemend I'm sorry - I do love you einsptte of everything.
And I know you want me to write you a love letter. I'll try Ireally will I'll write in a
And the next time time Penelope is to come I will give her my Love Letters,
and she will murmur appreciatively, 'Oh ...' as she takes the given papers torn from
my diary to smile (and does she smile doubtfully, that question mark not yet written)
'.. thanks'. At home she will smile again as she puts down the papers; yes, Saint
probably felt like he was a prisoner in his bed, chained to those monitors, feeling the
need to write. Well, those machines were keeping him alive, so he should be thankful,
and the writing can, might help to pass t/his time. As the good Doctor Robert
suggested. She will read the story and simultaneously make itemised notes on her
pad, a habit now rendered unconsciously easy with her years of experience. She
didn't even need to read her own words, to correct the spacing or check her spelling;
they seemed to fall effortlessly ordered and assembled, thoughts already structured
into a literate form by experience. Perhaps she had something to thank Brain - Brian!
His earlier criticisms, in the early days of their marriage, she had misinterpre-
ted as a criticism of herself, not of her literary technique, of her analysis of others'
texts. It had taken her a while to realise her mistake; he had only been helping her,
as a piano teacher might guide a pupil to recognise the difference between the minor,
and major, and demonstrate by murmuring, singing quietly (and she was sure Russell
had once hummed the melody to her) # .. how strange the change from major .. to
student in the direction of his (or her) not necessarily professional calling, by the
casual passing comment, Say 'Yes.' , or, You'd like her. (or Him.)
And she had first said she wanted to be a journalist, of sorts, to Brian, and not,
after all, Chomiac (and she did find it puzzling now, in those idle moments of
retrospection, why she had not initially asked Chomiac, although she remembered
Russell mentioning that Chomiac had been a musician first, a pianist, was that right,
before he became a journalist? - she didn't remember him ever playing anything to
her), in a moment of idle courting chit-chat. But Brain - Brian! had taken her words
seriously, and she had later confused the two, the emotional and the intellectual.
Brain - Brian! for fuck's sake! - was always able to keep things separate; everything
had their little boxes. Perhaps all men were like that. But what of the story? If you
could call it a story. More of an alphabet of .. ? Penelope couldn't help but notice the
occasional girls names not really hidden within, and the strange psychological
references spattered (or was it splattered?) about. Love Letters had amused her;
perhaps her corrupted name being used was an obvious Transference of Affection
(wasn't that also somewhere in the text?), and to be expected, as a gesture of their
friendship (and now she knew the terminology, since she had found the expression
only last night in one of the books upon the bookshelves, since she had had to
reluctantly impersonate a psycho-something), but the story was evidently of, and by,
someone who wanted to be a writer - was that Saint's idea of wish fulfilment? She
thought Freud would have approved. Not that she knew, or cared, anything about
Freud. Apart from being a good story teller, according to ... Brian. She liked the
alphabetic lettering of the paragraphs, a simple device she thought, but a clever ...
pun? No, that wasn't the word, but neither was the word acronym either - that
disintegration via the letters into unconsciousness, and death. Perhaps Saint felt
really imprisoned. Very probably, what with all those wires attached to him. Yes,
Penelope would want her husband to read the story. Of course she couldn't tell him
the name of the author, not yet anyway, for the photographs were not yet sold, and
was there professional discretion?, or was it, privacy?, but she would eventually
want his opinion. Soon enough. She liked the story (but then she would, wouldn't
she, she thought, having in a curious sense been inversely flattered, that a story had
been written about, and for, her), but would he? She decided to leave the sheets of
paper in view, somewhere out in their bedroom, but in not too obvious a place.
Obviously not the closet - seemed to have lost interest in going in there recently
since (he claimed) the telescope had lost its focus (?). If he found them of interest
he would mention them, and of course Brain - Brian!- being ... Brian! for god's sake!
- he would know she had left them out deliberately, and he would be intrigued as to
why. But as she placed the papers upon the desk next to the computer she noticed
the keyboard. There was this curious compulsion to stop and stare, as if somewhere
within the(se) letters there lay unrevealed patterns, waiting to be recognised. She
knew the keyboard had been originally designed to slow the typists down, for the
mechanisms of old times were inefficient, and liable to jam, but the qwertyuiop
centuries, but no, that wasn't it. She made a cursory inspection of the title page to
ensure that the top page was indeed the numerated 14th Feb, then flattened, and
flicked through this alphabet. There was curious fact in L, where the first mistakes in
spelling were made; three had been spelt tIree (which she had at first thought
might be a very obscure Irish joke), lovers had been spelt livers, then lpters,
and corner, cotmer. It was strange because Love Letters were all hand written
torn out diary pages and yet the mistakes were as you would make on a keyboard,
by pressing accidentally the next key. Excepting tIree No, she still didn't get that
joke. And how could he know that? It was impossible to do that, in your head. And
it was funny how the brian - brain! - could do this; make sense from mixed up words,
that, sometimes, only the first and last letter had to be in the correct order - it was as
if the .. brain - yes, finally the right word! - could take in blocks of squiggles and
reduced them to meaning. She wondered what Brian - Finally, Brian! would make
of that. That mispronunciation of his name had becoming really irritating she thought.
Where had it come from? And then, as she read the love letters alphabet again, she
found it curious that is sounded - real - as if it were their house; their garage, their