The following excerpt was originally published in Natascha Meuser's Construction and Design

Manual: Architecture Drawings (DOM Publishers). With our industry's technological advances,
"the designing architect is not simultaneously the drawing architect." Meuser's manual aims to
help architects develop and hone their technical drawing skills as the "practical basis and form of
communication for architects, artists, and engineers." Read on for ten freehand drawing
exercises that tackle issues ranging from proportion and order to perspective and space.

What is beauty? A few years ago, a group of international researchers sought to unravel the
mysteries of human beauty. They used state-of-the-art, totally impartial computer technology
and a huge dataset to establish once and for all why particular faces are perceived as beautiful,
and whether beauty exists independently of ethnic, social and cultural background; in other
words, whether it can be calculated mathematically. The scientists input countless photos of
faces from all over the world, each described by survey respondents as particularly beautiful,
into a powerful computer. The resulting information, they believed, could be used to generate a
face that would be recognized by any human being as possessing absolute beauty. But what the
computer eventually spat out was a picture of an ordinary face, neither beautiful nor ugly,
devoid of both life and character. It left most viewers cold. The accumulated data had created
not superhuman beauty, but a statistically correct average.