Professional Documents
Culture Documents
Willard
CMNS 324
merchandise for both home and wardrobe. They target young adults, men, and
women, that are considered to be metropolitan hipsters, that are creative and
tech-savvy, and have a funky and unique sense of style. They want it to seem like not
only a shop but also a place to live. For Urban Outfitters, the emphasis is on
compelling and distinctive that the customer feels an empathetic connection to the
brand and is persuaded to buy. All of these descriptions point to a certain type of
person or lifestyle that someone might want to emulate. We see all of these ideas
being played out through their stores, advertisements, products, and website. In this
analysis, I will focus on Urban Outfitters as a whole and the products they sell, how
Urban Outfitters was founded in 1970 by Richard Hayne and Scott Belair,
who opened their first store across the street from University of Pennsylvania. Its
first mission was to provide second-hand clothing, furniture, jewelry, and home
dcor for college-aged customers in a casual fun environment. They still target
young adults, but most of their products are no longer second hand. Urban
Outfitters now fills their stores with products designed by different companies, but
they have to fit Urban Outfitters brand to be selected. Charlie Woodlief in the Urban
produce themselves and what other products they choose to absorb into their
marketing image (Woodlief). This shows us that they are very particular in what
they select and what they want their business to say. This offers their customer a
chance to come into their store and see the lifestyle Urban Outfitters is trying to
emulate for their customer. This fits the idea of consumption constellation from J.B.
Twitchells, Branded Nation, where a customer might purchase one thing, and then
come back to the store to purchase more and more until they have achieved the
desired lifestyle. This is what makes a store like Urban Outfitters successful. Because
they carry all types of products, they can help fulfill their customers desired lifestyle
By looking at the website, I see that they like to include clothing items, home
dcor products, jewelry, furniture, tech and music, and books that would be sold to a
hipster clientele. I also see a lot of niche products like mini cactus piatas,
inflatable drink holders for the pool, and adult onesies. Woodlief likes to describe
capitalism. Woodlief states, The Urban Outfitters contradiction is this: They had
around it. Whats more, they employ the same negative marketing techniques as the
website, and they blog about things like underground musicians, going outside and
enjoying the fresh air, DIY projects, and Kombucha cocktails. They want to emulate
everything it means to be a hipster, but at the end of the day, they go against
everything a typical hipster would believe in, like being politically correct or
promoting obtainable beauty standards. They still advertise with girls, who are
extremely skinny, they just distract their customers with bohemian accessories. Like
cultural values and beliefs, and this is exactly what Urban Outfitters is engaging in.
They also have interesting ways of promoting their brand. On their website, they use
their blog as an excellent way to brand themselves and push products along with
this. Another important point that Twitchell makes in his article is that In the
modern world almost all consumer goods are marketed via stories (Twitchell 4).
This is why their blog helps produce a significant number of sales. They include
stories of underground musicians and then sell their music through their website.
The also use Thorstein Veblens idea of pecuniary emulation, the desire to emulate
the material markings of wealth, by including blog interviews with celebrities, like
the rapper Lil Yatchty that is currently on their website. They tell details about his
latest shoot for Urban Outfitters for the exclusive Nautica + UO Collection. The
rapper gives details about things he likes, like music and style, and they go into
detail on why he loves vintage Nautica. This is the perfect way to use a story and
celebrity to sell a product. The pecuniary emulation makes the customer want to
strive to be like this famous rapper and communicate the same markings as him,
do a semiotic analysis. I looked at a range of images from this catalog, and they all
lifestyle. We see young adults in outside urban areas, or inside what looks to be a
city apartment. There is a clear tone and color scheme that we see throughout the
images. They contain a lot of muted neutrals and earth tones. This appeals to young
adults because it creates a carefree or loose aesthetic. We see images out a carefree
attitude throughout this catalog with images of girls laying in the grass or sitting on
a curb with their legs straight out, head thrown back, and eyes closed. We also see
images of people with stickers all over their face. In one image they are laying in bed
with straight faces, and in the other, they look to be playing the piano with their
fingers while their eyes are closed. This also shows the carefree lifestyle they are
trying to promote and it is saying to its audience that it doesnt matter how weird or
spontaneous you want to be, you are accepted because this is seen as something
cool or trendy to take part in. These pictures are taken in low-end landscapes
with scrapes of wood laying around and overgrown grass. This is how Urban
landscape. This exposes the exchange value, an idea from Jean Baudrillards The
Ideological Genesis of Needs, of their products because they want to sell this lowlife,
carefree lifestyle but selling it at a high price. So they are selling the fact that you
need high-end products do that you can live this carefree, cool lifestyle. The last
picture is one that emulates the whole Urban Outfitters lifestyle together as one. We
see a girl sitting on an army green couch, playing the bongo drums, with her feet up
on the table. In this apartment, there are big green plants, textured carpets, pillows,
tapestries, and blankets. There is also a bicycle, a keyboard, guitars, and all different
types of decorations; all of this you can find in Urban Outfitters. This photo would
connect with their target demographic exactly and shows you that you can
accomplish this by shopping at one store only, Urban Outfitters. This photo also
shows the sign value of all these products. Baudrillard explains, The signed object
individual subjects as a sign, that is, as coded difference. (Baudrillard 59). So we see
that sign value describes the value according to the object because of the social
status that it gives its possessor. We see this taking place in the last image because
we see this girl embodying the Urban Outfitters lifestyle as a whole, and it gives her
accessories, and this is what makes individuals constantly feel the need to consume.
popular, and to have the correct hipster markings, Urban Outfitters, and other
hipster retailers are going to make you feel like you need these items. This is what
creates things like the Thorstein Veblens idea of a positional treadmill. You want
to keep marking yourself with goods that create a particular status for you. This
creates chronic dissatisfaction if peoples live because you will constantly need to
lifestyle in one store, causing people to want to upgrade their lives in every aspect
and using this store as a one-stop shop to accomplish this. Urban Outfitters brand
attempts to bring together this hipster community but ultimately only brainwashes
people to feel like they continuously need to strive for this lifestyle. This business
has a clear message of carefree hipsters, and this is what makes people want to
embody this lifestyle. All in all, as a shopper of Urban Outfitters, you feel like you are
expressing your differences, but in actuality, this is seen as the new normal.
Bibliography
Baurdrillard, Jean. "The Ideological Genesis of Needs." The Consumer Society Reader. By Juliet Schor
and Douglas B. Holt. New York, NY: New, 2000. N. pag. Print.
Twitchell, James B. "Branding 101." Branded Nation: The Marketing of Megachurch, College, Inc., and
Museumworld. New York: Simon & Schuster, 2004. N. pag. Print.
Veblen, Thornstein. "Conspicuous Consumption." The Consumer Society Reader. By Juliet Schor and
Douglas B. Holt. New York, NY: New, 2000. N. pag. Print.