114 SONGS By CHARLES €. IVES10 1" 2 13 4 as 16 7 18 19 20 a 2 4 2s 26 a 28 2» 30 3 32 3 ey 3s 36 a 10 u 13 15 16 18 19 23 27 28 29 3 36 31 40 43 a 0 50 56 sr 9 ot 0 n ” 6 n n 8 aL INDEX Masossry Evensc ¢ : ‘Tae Last Reaper Ar Sea Dovorrauiry Tus New River Discrosvee ‘Tus Ratnow Dory Vira Canute Runace Lincoun, THe Great Commoner (From) Rewexorasce ResoLuti0N ‘Tae Ipians ‘Tae Housatowic at Stocksxince (From) Reticion GrantenestER Incastarion, (FRom THz) « Tat Greatest Man Hye Luck ax Worx “Nov. 2, 1920" Marte Leaves PREwonitioNs Ax StaEEt Lime A Sick Eaote Tar Swnosers (Frou) Ow tHe Counter ‘Tae See'a Frou “Paraceisus” Wart Warman Ta Swe-Suow Caaptx-Sone La Fie Avcvst Seeteupen }From Early Italian Poets | Decemper ‘Author Milton Oliver Wendell Holmes Robert Underwood Johnson Wordsworth Emerson Manlius (Cowboy Songs) ‘Markham Charles Sprague Robert Underwood Johnson (Bixby (quot) Rupert Brooke Byron ‘Anne Collins Ghutter (quot) Robert Underwood Johnson ‘Thomas Bailey Aldrich Robert Underwood Johnson Maurice Morris Keats Louis Untermeyer Browning Whitman ALL. Ives Ariosto (Geminiano (Rossetti)38 40 a 2 4B 45 46 ” 48 50 st 82 53 st 55 56 7 38 9 6 o o 63 65 66 or 8 0 nm n B ” 18 Page 85 86 a7 88 89 ot 93 95 0 99 103 104 107 112 115 119 122 126 128 131 133 135 136 138 139 142 148 145 147 149 153 155 158 159 160 161 163 166 INDEX ‘Tue Couecrion AFTERGLOW Tue Invare eta) ee Senexiry ‘Tae Turwos Our Faruzrs Loven Waremuan eee 4 Songs Based on Hymntune Themes His Exavtation Tue Came-Mpenixc ‘TworEAU Ty FLaNpers Fists He 1s Tuere! 3 Songs of the War Tou Sais Away Ow Howe Dav Iy Tur Aue A Sox oF A Gaunouier } 5 Street Songs and Pieces Down East ‘Tue Circus Bax Mists Evipence ‘Touenace Avrumn Nature's Way ‘Tue Warninc Sout Tuose Evesine Beuis ‘Tae Cace SPRING Soc ‘Tue Lica mat 1s Fer Wateixe : ItaceNau (Over All the Treetops) Rouca Wixp Mrmace ‘Tuene 1s a LANE Tansant Moss Hazratus ‘Tae Cunpren’s Hour (Frow) I TRAVELLED AMONG UNKNOWN MEN ‘Author (Stanzas from old Hymns) James Fenimore Cooper, Jr. Whittier Bowring Lowry Robinson Elliot Col, McCrae (Traditional) (Quotation) Cowper Moore Whittier Goethe Shelley Rossetti Kipling Percy's Reliques Longfellow Wordsworth16 n 78 ” 80 at a2 83 85 86 87 88 9 90 ot 2 93 94 95 96 7 98 99 100 101 102 103 108 105 106 107 108 109 10 ut 2 113 4 Page 168, 17 am 178 180 183 186 190 193 195 197 202 208 206 207 210 212 a4 21s 216 219 21 Pry 228 234 235 236 240 242 m4 247 249 250 252 253 254. 256 287 259 INDEX Qu’. M'rratr BIEN Exéoire 4 French Songs CHANSON DE FLoniaw Rosamunpe, Wert! aur arm ‘Tue Oup More 4 German Songs Is Suwmerrteios { ex Groute wicur NicHT oF Frost 1v May (FRoM) Darras Oness ano Onactes AN Otp FLAME, ‘A Niour Soxc 8 Sentimental Ballads A Sonc—For Asvrmixe~ ‘Tue Wors’s Hionway Kinew Mamie Bencevse Wuene 1H Excus AutecRo Romanzo (di Central Park) Tue Soura Winp Navcut THat Country Forwarp into LIGHT From a Cantata A-Curistmas CAROL My Nariwe Laxo {o: Vory Pleasant |b. Rather Sad Tas Waite Guiis (From the Russian) ‘Mewortes Two Litre Flowers West Lonpox (A Sonnet) Amenion A Nicut Trovcnt Soxcs My Morner Taucut Me Wate : ‘Tue Wortp's Wanperess Canon To Evira Waen Stars Axe IN THE Quist Skies Stow Manca Author Gallet ide Florian Bélanger Lenau Vinje |Almers Heine Meredith Porteous (Unknown to Composer) Moore (Various) (Unknown to Composer) Gottschall Turnbull Leigh Hunt Alford St. Bernard (Traditional) (Traditional) Maurice Morris Matthew Arnold ‘Tennyson Moore Heyduk Shelley Moore Bulwer-Lyttonl 4 Majority Slowly re (1924) * Slowly — = ——S= SS Fine Mas ~ sex! * Preferably for a unison chorus; it is almost impossible fora single voice to hold the part against the score. Printed in s80U.8.A. Copyright 1896, Merion Mute, Ine. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in US.A ‘Al ightsreterved including the right of public performance for profit,ses have toiled Faster ‘The Mas - ses ded) Faster. nf Inthis and in some of the following soags, all aotes are natural unfess otherwise marked, except those immediately following an accidental antural signs are thas used more asa convenience than of necessityModerately, with an even rhythm Ny - ing, are sing ~~ ings alittle slower mp — ~~ ing, Whencecomes the Art of the World! The Mas- ses are yearn-ing, are LA. Slowly th. aes vpule seat youn. vouyearn-ing, are yearning. Whencecomes the J hope. of the World. Slowly 2P — Slowlydream-ing,Whencecomes the at = PP largemente / a a | ee6 2 Evening (i924) Milton Prom" Paradise Lost Le and Twilight ‘gray LA. had in her so-berliv-ery all things clady LA, L rh th. eu Si- lence ac-compan-ied;—__ for the beastand bird— ha _ SS — ne SSS SSS Copyright 1939 by A Copyright Renewed Aialittle faster to their nests were slunk, but the wake-ful night - in - === gale; She all night long, all night long her8 3 The Last Reader (t924) Oliver Wendel! Holmes read my own sweet songs: Andante con moto ‘SChertth? Spoke died IT some-times sit be-neath a tree and xy by —- == = Ss others be, Each hum-ble tine prolongs 8 tone that rh er ith oF iB 7 ter Be rh. Slower might have passed a-way, But for LAL LA. its that scarce re - mem - bered lay. Copyright 1933, Merion Musi, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in US.A, ‘All rights reserved including the right of public performance for profiThey lie upon my pathway ‘Those flowersthatonce ranwild, £ den p Slower but evenly - thers care - worn cheek ‘The ring gold - en ming - ling with 1A, ppp r10 4 At Sea Robert Underwood Johnson om ir Jlagony book ef Pera? i aici ahatons waht Pend i eecerd Mate P PP [== = SS jt 7 4 : ates é jet Some things are un diwined ex = cept by love La, point of yon hor-i = —_zonline La. Lh. La, aS pial ie | rp 1 The verses by the same author, to. ‘songs 15, 21, 24, are also taken from the above book. International Copyright Se Printed in USA, Til pits served including the right of public performance Yor prof5 Immortality as28) mp(Adagio) dares to spring is dead, un mp (leeato) glow! == a ¢ r: ==} = SS HT Copyright 1933, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A, llrightsreserved including the right of public performance for profit —<12 piu agitando dares to say our Of Lester and in ageradually excited way) a AAA our child is Ty) quietly but firmly God had meant she6 13 The New River (as24) Fast and rough comes a is not the voice Copyright 1933, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in USA. ‘All rights reserved including the right of public performance for profit.a - ly thesounds of man, phon - o-graphs andgas - o-line, - cing halls and tam -bour-ine Killed is the blare—___. of the hunt-ing horn { pp # : fast again =F Roop NR 222—87 45 Disclosure (1924) Andante moderato mf Thoughts;which deeply restateveningat sunrise gayly thrilled themind:Songs whose Lhd. ge animando Tay d wig =P slower Be zi Spite beauty nowonly lies inmemo-ry ‘Youth would sing with rapture,sing fromjoyousbouyant impulse animando__ PE, aster —— PP mp Knowing naughtbut he was sing-ing, ThuswouldGod re - veal the range of nf slower & broadly I b ——— » a go SS } | nf maestoso AKA AK 4 eX? Copyright 1954 by PEER INTERNATIONAL CORPORATION, Copyright Renewed International Copyright Secured Printed in U.S.A, {All Rights Reserved Including the Right of Public Performance for Profit16 8 So may it be! (4924) Wordsworth My (Moderatly fast) with animation heart leaps up when iy moto SP. te Sowas it when my life be-gan; th 2 Coovriaht 1893, Merion Musi. Inc. Bryn Mawr, PA 19010 Copyright Renewes International Copyright Secured ined in USA, ‘Ail hts reserved including the right of public performance for prof17 Hy fh tar Ee st Sh oe ee > es , oe he a ‘hall grow old, or let me diel The ranguilly = uL bx child is fath-er of the man; And I could wish my days18 9 a) Duty (4924) Catan rb th ea oe = je a an : @ f = ees dbd) 8 OB bees x aes [4 = maestoso lth = 4— 6 “He i = = = pa ee = = ~~ Gm "e — wane & ——_ m — ==> Ss 2a When Du-ty whispers low“Thou must” The youth re__- plies “1 cant” Lh. th. Lh. Pl yd 4 oes re PP ————— == 5 = = Fr R—T TT “4 IOC Sain a, Moor Ma pan need ran Ca Sr tpn ptermme es sm ——_aaagi b) Vita sania SS nf, me PP PPP “Nascentesmor-i- mur fin-isquefin-is - que, ab or-i ~ gi-ne pen-det” Oe aa = SEP Ret nf10 19 Charlie Rutlage "(from Cowboy Songs) An - oth-ergood cow-punch-er has gone to meet his fate, 1 hope (In moderate time) mp a rest - ing place,with-in the gol-den gate, the gol - dengate. An- ofthe X I T, "Twill be hard tofind an-oth-erthat's liked aswell as he. e first that died was Kid White, a manboth tough and * cowboy Songs and other Frontier Ballads Collected by John A.Lomax, M.A. University of Texas) The Macmillan Co. N.Y. Copyright 1939 by Arrow Music Press, Inc. Copyright assigned 1957 to Associated Music Publishers, Inc., New York Copyright Renewed International Copyright Secured Printed in U.S.A, All rights reserved including the right of public performance for profit.20 bravé,-WhileCharlie Rutlagemakesthe thirdto be sent_ tohis grave, Caused. faster half spoken) by a cow-horsefalling, faster 7 bos. ad lib) (hold back) while place where death men mock, (hold back here) cir-cle through the hills, Whoopee ti yi yo, etc.) recite. following the piano running af-ter stock; "Twas on the spring round up, fast He went for-ward one morn-ing on fast (Whoopee “ti yi yo, git a-long lit-tle dogies, tr and full of glee, and2 free fromearth-ly ills; ee (alittle slower) (fast again) work on which he went, Noth-ing came back fromhimhistime onearthwasspent. "Twas 4 t Gast again) (alittle slower) asherodetheroundup, a XITturnedbacktotheherd; Poor Char-lieshoved him in a-gain,his wf ‘- | Pid ® fj faster and faster. - - Sf louderandlouder- -- --------- cut-ting horse he spurred; + oth-er turned; at that momentae ee ee en are == SS SS SS = SSE aay =) horsethecreature spied andturoedand fellwith him, beneathpoor Charlie mp loco 4s in the beginning relations in‘Texas his face never more will see,But I ____ hope he'll meet his loved ones beyond in eterni- about the time at the beginning — eternity, 1 of, =———- pp grasphim by the righthand at the shining throne,theshin - ing throneythe shining throneof grace. PP nf =—— PP In these measures,the notes are indicated only approximately; the eof course, is the main point.11 2a from “Lincoln, the Great Commoner” (4924) The storm and stress of life! ‘The curse of war and strife! ‘The harsh vindictiveness of men! The cuts of sword and pen! What needed to be borne_he bore! ‘What needed to be fought_he fought! But in his soul, he stood them up as_naught! CRD Edwin Markham pd SI ret fo maestoso, but not too slowly 5 * SS Sas = - . = — ae vend x0 hecame from the peai - rie ca > bin to the Cap-i - tt, te qf Poems used by permission. Copyright 1952 by PEER INTERNATIONAL CORPORATION Copyright Renewed International Copyright Secured Printed in USA, All Rights Reserved Including the Right of Public Performance for Profit Bo= Si — bn he Se “ES ¥ =F SS SSS He held hie place hg__ held. the long pur - poselike a grow-ing tree alg fg 4. ——S SF = cos26 thrd blame and fal-tered not at praise, andwhen he fell majestically —F7 ‘ __ wentdown aswhen a King - ly ce oe Sfa tittle slower) ama > re a ~~ SS ESS green with boughs goes down. withagreatshout, up - on the hillst a12 21 “The music in my heart I bore Long after it was heard no more” Wordsworth. (to2t) 8 use both pedals shad-owed fath - er song. me Pa td fT Copyright 1954 by PEER INTERNATIONAL CORPORATION, Copyright Renewed International Copyright Secured Printed in US.A, {All Rights Reserved Including the Right of Public Performance for Profit,28 13 Resolution 92) Moderately ing strong - er un-der dis - tant skies, needs to mark the sen - ti-men - tal pla - ces; —_. > Copyright 1995, Merion Music, inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in USA, ‘All rights reserved including the right of public performance for profit14 2 The Indians as2) Very slowly —— aa crese.e pitt moto = > no more for them the wild deer bounds, The orese. ¢ pit moto is on their hunt-ing grounds;— || _——————, Copyright 1932 by Cos Cob Press, Inc. Copyright assigned 1957 to Associated Music Publishers, Copyright Renewed International Copyright Secured All rights reserved including the right of publie performance for profit. 18, New York inted in US.A15 at The Housatonic at Stockbridge azn) Robert Underwood Johnson (by permission) PRP \e E | slowly and quietly | aoe eee 4a } = =e = ee “Hs Sy dream += oy real The cloud-y wil - low and the —— : arpa Fe Ht ee = je eh op EE NOTH:-The small notes intheright hand_may be omitted, but if played should be scarcely audible. This song was origin. ally written as a movement ina setof pieces for orchestra, in which it was intended that the upper strings, muted, be lis - tened to separately or sub-conciously-as.a kind of distant background of mists seen through the trees or over a river Val- ley,their parts bearing little or no relation to the tonality,etc. of the tune. It is difficult to reproduce this effect with piano Copyright 1954 by PEER INTERNATIONAL CORPORATION Copyright Renewed International Copyright Secured Printed in USA. [All Rights Reserved Including the Right of Public Performance for ProfitBe wan-ders with theea3 = ‘Con - ten-ted ri - ver! And yet 0 - ver-shy Tomaskthybeau - ty from the ea- ger ey qe a ee 2 i #3 aay E dala LY oo is is Hast thou a thought to hide from field and town? -—_In-some deep__ AL 42 4aa — is eh pie Lig a Eyed = He =€ SS alittle faster — ooo Abt theres a res - tive rip-ple, and the swiftred leaves Septem-bers —_ = Se ee fi tes ba >. 's inagtadually animated way firstlings faster drift;...Wouldst thou a-way,dear stream? Come,whisper near! _al-so of much —=a5 z rest-inghave a fear: SS iy —— a 3 2 LEFnondeorese. a to theadventurous sea! —SSS_36 16 Quotation from asso) Dr James T. Bizbys"Modern Dogmatiom” in his “Bssayi8The New World te (Thos.Waittaker, ¥.¥.) es =| day byday and night bynight, — un- Lyd SN Sa — {God knows the why. m4? ‘maestoso * “The Shining Shore”. Geo. F Root Copyright 1954 by PEER INTERNATIONAL CORPORATION Copyright Renewed International Copyright Secured Printed in US.A. ‘All Rights Reserved Including the Rieht of Public Performance for Profit17 a Grantchester (ith a quotation from Debussy) ee 20) “from the Collected Poems of Rupert Brooke “ by the courtesy of John Lane Co. ¥. Adagio non tanto ~~ o—= would were in Grant-ches -ter, th. a /S Sas SSS SS in Grantchos - ter rr ae Pp Fj a i x + re Tr a + F v ‘- o a be F e pe SS ee ee eee WJ Na-ture there or Earth or such. And clev-er mod - ern men have seen a Pp — er fll =. icy se SSS = te Fi © copyright 1956 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in U. S.A. All rights reserved including the right to public performance for profit ala38 — SS $ pe SS = # a Faun a ing through the green, and felt the Clas-sice were CATR Gee Fa ! Tt Ss =H Fy glimpse a Nai-ads reed-y head or (spoken) the Goat foot pi-ping low. wm But these are things 1 eine Pp = ‘*CAprés-midi d'un Faune? Claude Debussy). By courtesy and special authorization of the publisher: Jean Jobert, Paris, 44 Rue du Colisée.a9 SSE Plento con grazia I on-ly know that you may lie slowly and calmly Lae > ae ee ee aoa = phe = + oe: + = = Zi Cam-bridge sky,and,flower lulled insleepy grass, hear the cool lapse of hourspass, un-til the ¢ jg eo — FP. PRP. = blend and blur —_—in Grant-ches-ter,___in Grant-ches-ter, — inn BP PPP, deoresc.e ritard.40 18 from the“Incantation” cas24) Byron Allegretto moderato (lege iero) When the moon is the glow - worm the grass, k Nors:- Both pedals are used almost constantly. Copyright 1933, Merion Musi, Inc. Brya Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in USA, ‘All rights reserved including the right of public performance for profit,at pitt moto —_* the wisp the mo - rassy ing stars aaa swered owlsaz meno mosso ee slower ae slower Shall my slower up-on thine, with a power andwith a19 43 The Greatest Man (924) . ‘Anne Collins Moderato aahalf boasting and half wistful way) (Un the Buening Sun MY. 1924) (Not too fast or too evenly) (by permission) mp, ‘My teacher said us boys should write a - boutsome great man, so I ——* thought last night ’n thought a - bout—— he - roes and men__ that had —————— pi ten.e rit, a tempo 2 done great things, ‘n then I got —. Tl eee Copyright 1993, Merion Musi, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in USA, All rights reserved including the right of public performance for profit.aa aidt a he - ro 'r an-y-thing— but pubaw! Say! I — piu ten, <> wild - est hoss ’n find min - ners near the moss down by — the creeks 'n he can swim ‘a fish, we ketched fivenewlights, me ‘a himt_ a go eosaS Dad's some hun-ter ton mytMiss Mol - ly Cot-ton-tall—— sure does fly___ > > ? wa Copyright 1935, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A, ‘All rights reserved including the right of public performance for profit.BL mp rel pie ten. ea Spoken) Ee = a: i o * ana that bet - ter things might bd bg e B- _ = 4 te v ae one gradually slower es \ ~ tle things talked loud and fo - ble, mp faster SS got in the way; Too man-y rea-ders SSS SS Goa 5 Gee oh =e eee go by the head-lines, par - ty men will =— aye ee # = —- ane i. ag = te52 SS ————————S SS — aos SS SS mud-dle up the facts, So a good man-y ci - ti- zens vo i = eS 7! ese Se SS fe grand-pa al-ways did, or thought a change. ie the ake of change seemed Sas se ur-al e-nough.‘It's rain - ing, lets throw out the weath-er abn ced SS 7 fe P353 Kick him out! Kick him out! Kick him out! Kick him out! Kick him!” —_—_—_— Q i = SS a ] ae ret pe sretnte abalt pelebe oe te — —_ ~ —— = St 4 os =|Ba and looked___ relieved, ‘We've got e-nough to eat, to f of Patan with_ i - deals? All the oldwomen,male and female, % heavily hadthierday to-day, and the hog - heart out of his holes (a weak cheer) Lh.55 If ————_ fff (cone ne But he wont stay out long, God al-ways drives him back! On ALA im aos taint Cap - tain, Cap her - i-tage +. A é a Semeetrare But wellfind it a = gain, my Cap - tain, Gap - tain, oh my Cap - taint NOTB:~The assumption, in the text, that the result of our national election in 1020, was a definite indication thatthe coun- try, (at least, the majority-mind) turned its back on a high purpose is not conclusive,Uafortunately election returns com- ing through the present party system prove nothing conclusively. The voice of the people sounding through the mouth of the parties, becomes somewhat emasculated. [tis nat inconceivable that practical ways may be found for more accurately registering and expressing popular thought at least, in relation tothe larger primary problems,which concera us ail A suggestion to this end (if we may be forgiven a further digression) in the form of a constitutional amendment togeth- ex with an article discussing the plan in some detail and from various aspects, will be gladly sent,by the writer,toany one who is interested enough to write for it Ger.56 23 Maple Leaves (4920) “Thomas Bailey Aldrich Andante PB. . = eee —S ee = = ott + oe = Octo - berturnedmy —-ma-ple’s Teaves to olds ‘Themostaregone now;. ——here__andthereone — lin - gers: Soon__these will 1A. J LA. twigs'weak hold, Likecoins betweena dy-ing mi-ser’s fingers. J dod, sen slip_ from out the i dol * by courtesy of Houghton, Mifflin Co. Boston Copyright 1932 by Cos Cob Press, Inc. Copyright assigned 1957 to Associated Music Publishers, Inc., New York Copyright Renewed International Copyright Secured Printed in USA. All rights reservad including the right of public performance for prof.24 57 Premonitions Robert Underwood Johnson den) rom Mr. Johnson’ book of “Poems” dedicated to Rickard Watson Gilder Century CaN. 5 ao ee There's ashad - ow on the grass that was nev-er there be-fore; deradle HP re oe and the rip - ples as they pass whis-per of an un - Seen oary And the & . Ht oe = % = : ; Pye 5 f= £ == ree a International Copyright Secured Printed in USA ‘All rights reserved including the right of public performance for profitSSS - mens that wereonce but jest, abe Now are mes - sengers of Fate;and thebless-ing held the best com heavily "Pp = BP th not or comes too late. er life may lack, a blown leaf beck - dns back, aS p SE For-ward! isthe sum-mons, For-ward! Wherenew hor - i - zons wait, I pt =25 59 Ann Street sz) Maurice Morris Fast and noisily lower Broadway ALA row, yes. Ann street, But busi-ness, Both feet. b. pslower Sun just hits Nassau crosses Ann St. Th. a ; it i r a : ” a cr cr A , P SN P fol Some greet! Rath - er short, Annstreet... Ann street, then it quits— slowly26 6L Like a sick eagle (4920) en Slowly p Very slowly, ina weak and dragging way rysloety na weak end ee = o iad ty weighs heav-i- ly “on me like un - will-ing sleep, and = each i -ma-gined pin - “nacle and steep Sf God -like hard - ship tells_me ie = I___must die, ~~ _?. Copyrehe 1253,Maon Mas, ne. Bryn Mew, PA 19010 Cope Rares International Copyright Secured Printed in U.S.A. “All rights reserved including the right of public performance for prof62 27 from The Swimmers (4921) Louis Untermeyer Yale Review slowly (As a Barcarolte) of oS eS aS “*Until the figure changes\(2nd measure page 68) the left hand continues the phrase (prestissfmo) but not necessarily the exact number of times or in the relation,tothe right hand, indicated. Copyright 1933, Merion Music Ine. Bryn Mawr, PA 19010 Copyright Renewed Intemational Copyright Secured Printed in U.S.A. ‘Al rights reserved including the right of public performance for profit.f — * plunge. as fastas itcan be’played rhea somewhat slower the sensegradually faster J a Swift “ly 1 rose to_meet___the255 tur - bu-lent strife, ten- si - ty of lower i. si : ———— a aS —— = Out of the foam = I lurched and alittle slower67 = _ = A pe oe = Swimminghand o-verhand, o-ver hand, against the wind;I__ felt the sea’s a eee ao ear oj) a taal » 2 a * tT F spoken vain pounding, and I grinned —know- ing I_____was itsmaster, _not its slave... =. = a Poe Eos me es ne ES er ad 7S ee So fr =68 28 On the Counter Andante mp 1920) Tunes weheard in con molto sentiment. alwaysend-ing “I” love you phras - esfice and Aad, 2 “nine - ty two! soft and sweet, >< = awe Te same dldchordsthe sime old time, the same old son-timen-fal sound, meen =~ ee aT pin rit Shades of in new songs alt notes ad lib, ‘NOTE: Though there is little danger of it,it is hoped that this song will not be taken seriously,or sung, at least,in public. Copyright 1955 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in US.A. All rights reserved including the right of public performance for profit,29 69 The See’r 14920) Moderately fast An old. man straw in his mouthsatall day long be the vil - lage gro - cery store; Jorma the Copyright 1932 by Cos Cob Press, Inc. Copyright assigned 1967 to Associated Music Publishers, Inc., New York Copyright Renewed International Copyright Secured Printed in US.A All rights reserved including the right of public performance for profit70 — things a30 u un) from “Paracelsus” Browning nergy meno mosso “Taken from the latter part of SceneV {Copyright 1935, Merion Music ne. Bryn Mawr, PA 19010 Copyright Renewed Taternational Copyright Secured inted in USA. ‘AW gs Fcored Ynluding the cght of public performance for pro.72 mf with less energy glo - ry vowed I souland limb. Yet, con-sti-tu-ted thusandthusendowed, I failed: uh SS te = 7 Es = Y Oy easter arse el reas con moto giusto aH E | ‘ f_edla Suge prepienes ede — =p mpstower —— > power till I grew. ‘What wonder if Isaw no way to shun despair?The th th Ue dA. Id. dias mp ro => — »~——— slowernf ped molto power I sought seemed God's... f ia maestoso su learned myowndeep er- ror; And ~~ =i i - tu-tion; Al ~ ways pre- pad what propor-tion loveshould hold withpower in_mar's rightcon- ce-ding power, And with much power, al-ways,al- waysmuch more i — des S aa tape ‘ off ,” 31 Walt Whitman (4924) (from 20th Stanza) Whitman In Leaves of Grass Fast and in a challenging way é Sig = a Who goes there’ a, ide; How is tex ~ tract, strength from the beef I an-y-how? A sae a . “vet SA opyrigs 1093, Merion Muse, te, Bryn Mow, PA 18010 Copyright Renewed International Copy! inte in "Ai ght ested including the right of public performance for sot.set it with your accel.non decrese. 5 All I mark asmy own, you shall > Else it were time lost _a-listening to gradually faster butnodecrease in volume76 32 The Side Show Ina moderate waltz time nf. (4924) “Te thatMister Riley, who Keepsthe ho - tel?” isthe tunethat ac - comphies the trotting track bell; An old horse un ~ sound,turnsthe t mer-ry-go - round, mak-ing poor Mi Ri-ley look a dit Some Speak Copyright 1954 by PEER INTERNATIONAL CORPORATION, Copyright Renewed International Copyright Secured Printed in US.A. All Rights Reserved Including the Right of Public Performance for Profit33 n asi9) «. Cradle Song AcLilves Sognando +) yp asse) ——— 1. Hush theedear hid to slum-bers; We will sing slowly and with 2° Sum-mer’ is slow -ly “dying; Au = tumnal anevensway 3Brightly. the Wil-lowsquiv-er; Peace = fully Uy = LL softest aum-bers; winds are sigh- ing; flows the riv- ery So shall Nought thy sleep - ing en - cum-Ders. Fa - ded leaf - lets are fly - ing— flow for ev - er. Notes:.Bpd songon m: This chord m be repeated very quietly atthe ead of verse sung last Fitwitl be obsorved thata g of these Powasuretvad oftile fand nota a: Copyright 1925, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A, ‘Al rights reserved including the right of public performance for profit, 34 (1920) La Fede Ariosto Lento maestoso da-ta aunso,O da - ta an. A a ma - i nondeb-be es - sercorrotta, Sti fe - ae bi rite dim. fi — da-tain una grottaa————" cenfo, Da-ta_in—— pa - lese, vou 7B]? at aA, = fnp non rit.non dim. ‘Copyright 1995, Merion Music, Ine. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed InUSA ational Copyright Secured she right of public performance fer avafit;18. 35 August 4920) Folgore da San Geminiano Con grazia 4 gust, for Au - gust; Be your dwell- ing thir - ty towers - ley moun a Whereney = the sea any. In this and other songs where bars mark the phrase or sections instead of measures, all notes are natural, unless otherwise marked, except those immediately following a note with an accidental — Natural signs are thus used more as a convenience, than of necessity. Copyright 1954 by PEER INTERNATIONAL CORPORATION Copyright Renewed International Copyright Secured Printed in US.A.vex Fourhousebut.c life sep - "rate, like a star, de yours. i hours, ‘That Je maymount at morn or st eve; On ap. = ft = each, hand ei - ther ridge__—ye shallper-ceive a fn Bs oe Meno mosso which soon a good__ beast___ scours. Le oe eS ee80 ee ee —| wards, ye shall tread your val-ley par-ted by a riv- u-let which day andnight shall flow sedate and smoothThere all throughnoon ye may pos-sess the36 at aa20) September Fatgore da San Geminiano Presto from Rassetts Barly Hatian Pret ee ae dasa ey ins sparrowshawksDecoy birds that lure your f Pest rat + of hows hooting out of Copyright 1933, Merion Music, inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in USA. All rights reserved including the right of public performance for profit.Be <> = et a SSS ———— still in gifts; and rob-ber = y find no fe you meet Lh. ts cd a and Av - ar- ice - ly out - cast thing! aA st ——37 83 December 4920) Folgore da San Geminiano oe om Rossetite-"Beriy Teatian Poets” Allegro con spirito From Rosset iy Halien Poet Last, for Decemberhousex onthe plain groind florsto ive inogsheapémountanhighearpets street Roughly and in a half spoken way) aka’ ¥. sat 7 marcato sempre and newest gamestotry,torches lit,andgifts frommantoman, Your host a drunk-ardand aCata-lan; i Tu And wholedead pigs, and cunningcooks toply each throat with tit - bis that sat Measures may be marked off to suit the taste. Copyright 1933, Merion Music, Inc, Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A, ‘All rights reserved including the right of public performance for profit.84 fy!s AndwiticbuttsofStGal-ganus’brave span.And be your coats well Jd +; — = —* —+ = + ‘and tightly bound,and wrap your-selves in cloaks of strength and weight, With gal-lanthoodsto put your fa - ces through. make your gameof abject ‘vagabond abandorld mis-er-a-ble repro-bate mi- sers3 dont let them have achance with yout Fist Fist85 38 1920) The Collection In moderate time “The Organist an “the Soprano” * :Nowhelpus, Lord, Thy yoke to 2°0" hasten, Lord, the promised and joy to do Thy willjEachoth-ers burdens glad-ly bear, _andlovessweet chen all the na fionsshallrejoice;AndJewand Gen-tile join in praise, with one un- ——— ee eo 3 == SOR C3 law ful - fill, ‘And loves Sweet law ful - fill. i et ee With ‘one wes int ~ ted ” voice P —~ ronnie eetiecsieet aw At - —— "Response by And lovebsweet law ful - fill. i fF 7 ilies Gioteotwien one w= ai - ted voice! —_F RIF AI™N fad Wrote TN] Ctorit aS 2 = a = = * Kingsley x Ff —__$ © Copyright 1958 by PEER INTERNATIONAL CORPORATION Intemational Copyright Secured Printed in USA All rights reserved including the right of public performance for profi.80 39 Afterglow Slowly and very quietly hora] sas James Fenimore Cooper. Jr Gyre por. I | dew *\ppp | ikfoughoud yi SP quietly, slowly and sustained throughout <3 en, : . See PPA, thequi-etelosoof day, Gent-lyyet thewillowseway;When the sun - set light is ip @a . -d 4a. Th. PP less audibly, but no slower here ve Preauty tarries loth to die, ia moto armen low,_Lin-gers still the af - ter - giow; decrese, nonrall. Th d od A. th. pita ten e rall. — > ery lightest fan-ta-sy love - lier grows inmem-o-ryWhere the tru-er beau-ties lie, Ly 4 piisten, pie rall, ‘PP ———— PEP — A. rh. rail, . pre—_ Hors. The piano should be played as indistinctly as possible, and both pedals used almost constaatly. ¥ Copyright 1933, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A. ‘All rights reserved including the right of public performance for profit.40 87 The Innate (49106) Slowly ‘Voi-ceslive in everyfinitebe -ing, In oa ev-ery God-less life-time. Hear them! th. rh. piieorese. “Pp——_ They sense truth deep__ _in the Soul; They know the things true Christiansstand for, pis oreso. Nors:-For the most part,use both pedals. (If played on an organ,use chiefly the lighter string-stops,on an enclosed man- ual. Hold all notes their full value, regardless of dissonance.) Copyright 1935, Merion Music, Inc. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A, ‘All rights reserved including the right of public performance for profi.88 th —~ Stand out! Come to Him with-out thethingsthe world brings; Come _——_ broadly decrese,__ slower decrese. Sf. ave all, ———_ “Nettleton” — LA. slower asin the beginning —~, mp=p Lh. ZS more broad more broadty Copyright 1950 , Mercury Music. Ine. Bryn Mawr , PA 19010 Copyright Renewed International Copyright Secured Printed in US.A All rights reserved including the right of publie performance for profi.89 nf aa one, two, three 42 z Serenity (1949) Aunison chant Very slowly, quietly and sustained,with little oro changein tempo or volume throughout. a, ‘PPO, Sab-bathrest of Gal-i-lee! 0, calmofhillsa bove, Where Copyright 1942 by Arrow Music Press, Inc. Copyright assigned 1957 to Associated Music Publishes Copyright Renewed Internatioan! Copyright Secured All rights reserved including the right of public performance for profit Inc., New York inted in USA.90 ee a= jsknelt to. share with. Thee, the si- lente of e-ter-ni-ty_ In - ter-pre-ted by moo, OR EE love. Drop Thystilldewsof qui-et-ness, till allourstrivings cease:Takefromoursouls the strainand stress,43 a The Things Our Fathers Loved (and the greatest of these was Liberty) Slowly and sustained Pp (1917) think there must be a place in thesoul all made of tunes, of _ a Ly tunes of long a - gos hear the or- gan on the Main Street cor - ner, alittle Sa - rah humming Gos - pels; Sum - mer evesnings, The ten, — = at SS Jaster and with more emphasis ina gradually excited way village cor-net band, play - ing in the square, The town's Red, Whiteand Blue, crese, Copyright 1955 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in U.S.A. [All rights reserved including the right of public performance for profit.+; + ee 2 : = = = == = =e = =$ all Red, White and Blue Now! Fi Hear the pits accel. a ry —s poco ral, But they sing P much slower AAG iiss and = = sustaine ° PP — PP 2p oe PPP | PrP ——44 93 Watchman! from 2nd Violin Sonata (4913) John Bowring Andante con moto Clon ase ded a Mae Watch-man, tell us ™p —— of the night, what its signs of prom-ise— e: Traveller, der yon — ef 44, 45,46, 47,comprise a group of songs, based on hymn-tune themes. Copyright 1985 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in USA. [All rights reserved including the right of public performance for profit.94 ———* moun- tains height, that glo - ry beam-ing sta pi rit. iis pit ten, —— tony? Pit moto Travel - ler Yes! joy or hope? a u axe Traveller yes; it brings the day, Promised day of Is - ra-el. Dost thou see ‘pri animato —~, ——_ pitrit. Travel ler, ea piri45 95 At the River from 4th Violin Sonata (i916) Robert Lowry, Allegretto VOICE — mfShall we gath-er at the ‘Where bright an - gel feet have trod, rit, crys-tal tide for by thethrone of ‘The piano part must not be played heavily. 44, 45, 48, 47, comprise a group of songs based on hyma-tune themes. ‘Copyright 1933, Merion Musi, Ine. Bryn Mawr, PA 19010 Copyright Renewed International Copyright Secured Printed in U.S.A. ‘All rights reserved including the right of public performance for prgath - er at the river! Yes, we'll gather at the tiv. - eau-ti-ful, thebeau-ti-ful riv - be by the throne of — we gath-er?shall we gather at pit rit46 87 His Exaltation Adapted from 2nd Violin Sonata (4943) Robert Robinson: Slowly (maestoso) 44,45, 48, 47, are a group of songs based on hyman-tune themes. ©copyright 1956 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in U. S.A, All rights reserved including the right to public performance for profit,98 (Astuma) Pos tne grantor. of Thy na - ture, (preferably for a unison chores} grand beyond a secaph’s For the won - of | Cre-a-tlon,47 90 The Camp-Meeting from a movement of Symphony No. 3 (4912) Charlotte Elliott (in part) Largo cantabile _—_———__ — we —. fo ——— 44,45, 46, 47, are a group of songs, based on hymn-tune themes. ‘© Copyright 1958 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in US.A All rights reserved including the right of public performance for orofit100 there comes _——__ prayer, ra = diant 2 ly _—_———_101 the world, pf Ae iit rit power of God! Ex-alt-ing Faith in life above but humbly, yeild-ing, yeild ————— ee Lh ate: Ege = a th wfda (Woudworth-Bradbary) ape loco hi.102 NS one plea, But that. Thy blood was. shed ee — that Thou biddst— me come to The 0 Lamb of God, —————_~__ soa * eS ac q ——— aloe ——— [Pit T_comet I48 103 Thoreau Adapted from themes in a Second Pianoforte Sonata (i918) Uh, Lh 1A, th wie pPstoly. he ten slag of earth iateroiing tthe sper teas > == Soria = a = Td both pedals dowa to @ OEP tp Sa. Renee eee _ Se Hegrew in those sea - sons like corn ——— ree _ rapt in rev-ery, onthe Wald-en shore, amidst the sum-ach, meschy Ba. Sos RG = Sees: ————————— pines andhick-o-ries, inun - disturbed sol - i - tude. 1938, Marion Music, ne. Bryn Mawr, PA 19010 Copyright Renewed ted iN USA al Copyright Secu "i ght eseted inclong the right of pubic performance fr profitton 49 In Flanders Fields 4si9) McCrae Maestoso (but with energy and not too slowly) ten, In Flanders fields the pop - pies blow, Be - tween the cross-es, (Baritone or Male Chorus) saster > rowon row. That mark our place; And inthe sky the larksstill bravely sing-ing fly,Searce hold back a tittle Pitt moto ~~ =. Rs i 49, 50, 54-“Three Songs of the War” Copyright 1955 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in US.A. Alt rights reserved including the right of public performance for profit,105 hold back here (less restrained) td Short days a heard a-midst the guns be - low We are the. atempo 1h, hold back 7 Sf tang slower — go we lived,felt dawn, saw.sun-set glow, Lovedand were loved, andnow we lie inFlanders LA. ah. ~! ff oe fields our quar-rel with the foe! To Take up. decisively,evenly and broadly (largamente) ad i fam! with marked even rythm oe re106 SDF, fall - ing hands we throw,we throw the torch. Be yours to hold faith with slower shall not sleep though the pop- pies Vevey ¥ P Dp oe ‘The Gt's should sound aft50 107 He is there! (lay 80, 1917) In march time Cot 8 ad tid. of = Fif-teen yearsa - go to-day Ait tle Yan-kee, lit -tle yan- kee boy Fif-teen yearsa > go. to-day A__ ‘fit’ - tle Yan-kee, with a Ger -man name ‘Theresa. time in ev’ ry lifeWhenits do or die Andouryan- kee boy Marched be - side his grand-dad-dy____In the _dec- or - a - tion day pare Heard the tale of “for - ty-eight” Whyhis Grand-dad - dy joined Un - cle Does his bit that = we -maylive, ‘In. a worldwhere all may have @ 49,50, 54-“Three Songs of the War” ‘© Copyright 1956 by PEER INTERNATIONAL CORPORATION International Copyright Secured Printed in US.A. All rights reserved including the right of public performance for profit,