You are on page 1of 11

PIANO

Lost In the Brass (6)


CUE: Any time.
Lyrics by Tommy Newman
Music by Tommy Newman and Gaby Alter
Freely

b U
LAURA

& b c .

U
w U
There it goes a - gain. The mo-ment's gone, and I'm toolame to speak. A - no - therwa-sted op-por-tu - ni - ty.

w
b b c www www U
www
& w w
w
? bb c w

U U
bb
4 3

&
3


Peppy pop/marching band
Al - ways wai - ting for some - thing to hap - pen, but

b U U
& b www
4

w
3

w

? b b ww
w
3 3

U
bb
.. ..
7 9

&
no - thin's gon - na hap - pen. Not for me.

U
bb .. ..
7 a tempo

& www
q
? bb w .. j ..
w n . . j n
. . . . .

Prepared exclusively for Madeline Stuart.


Bb
6) Lost in the brass - PV
2 Dm

b
&b r
11


"Bu-ddy." I'm al ways "Bu ddy." I'm a girl, for your in - for -ma - tion, for-

b
&b
11

? b
b j n r . j n j
.

. .
. . . . . . .
Bb Bb
b
Cm F

& b r r r
14

. .
e-ver in this si - tu - a - tion, wai-ting and ho-ping he'll no-tice how I'm fee - ling, but

b
&b
14

? bb
. . . .
j r
n . j
. n .
j
. . .
Dm Gm F Dm

b . r
&b j
17


ev'-ry time I get him near, I fade a - way, I di - sa - ppear. That's me. - Ne-ver ge - tting heard.

b
&b
17

ww
w
? b
b
. . . . .
. .
. . . .
.
Eb F

b j
&b j
20

.

He just smiles and walks a - way like I ne-ver said a word.

b
&b w
20

ww w
ww w w
? b
b . . . .
. . . . .

. .

.
Prepared exclusively for Madeline Stuart.
6) Lost in the brass - PV
3
Bb B b/DE b C m7 F Bb B b/D Eb

b
& b . . .
23


Oh, can a-ny - bo - dy hear me? Am I just blow - ing air while the whole

b
& b .
23

.. .. . .
. .

. . . . . . .
? bb
j
j
. j
. . . . . .

Bb B b/D D 7/F #
b
C m7 C m7 F

& b .
26



world mar - ches past? Still I blow and blow, though I know it gets me no - where, I just get

b
& b . .
26

. . .. .. b
.. .. . . . . . .
. .
? bb j
. . . j . .
j
b
. .

bb
VARIOUS BAND MEMBERS pass by practicing marching band vamp.


29 Gm F 30

& . .
Bb Eb D/F # G m B b/D Eb Bb
lost, lost in thebrass.

.. j .. j .. j # j . . ?
Gm F F

b j
& b .. . # .
29


.
j j j
? b
b . j #
#

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
4

Bb Bb Dm

b j j
&b j
34


Flutes don't spar-kle quite like ba- tons. There's no vi - su-al a - ttrac - tion. No

. . .
? bb J. n . J. n . . .
34

. . R J

? bb j r j j
. n . . n . . .
. . . . .

Cm F Bb Bb

b . r
& b
37


sti-mu-lus, re-ac - tion. Pre-tty mu-sic. That's all the pre tty that I got. I'm

? bb . .
. . . n J.
. . J n R .
37

. J

? b
b
. . . j n r . j j
. n .
. . . .

Dm Gm F D m7

b
& b . r . r j
40

.
ww
spe-cial in a qui-et way. At least that's what my pa-rent's say. What - e - ver. They've got my whole life

? b . . . . . . . . w
40

? b
b
. . . . . . .
. . .

. .

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
5
Eb C m7 F

b
&b j r
43

w ww www
planned. And it's safe in e - v'ry way, But they don't un der stand.

? b b ww w
43

&

? bb
. . . .
. . . . . . . .

Bb B b/D E b C m7 F Bb B b/D E b

b
& b . . .
46


Oh, can a-ny - bo - dy hear me? I just know, I know I could spar -

b
& b .
46

.. .. . .
. .. . . . . . .
? bb
j j . j .
. . . . . . .

C m7 F Dm Gm C m7 F D/F #

b . j
&b j
49

.
- kle on the grass! But my me - lo - dy can ne-ver be heard clear - ly, I just get

b j
& b . .
49

.. .. .. #
.. .. . . . . .
. .
? bb j j j
. . . #
. . . . . .

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
6

Gm B bsus2/D Eb D/F # Gm C7 E b/F

b
& b . j .
52

. .
lost, lost, lost in the brass, I get so lost, lost in the brass.

b j j j
& b .. .. ..
52

. . # . n
b

? bb j j j
. . # .

b bbbb
&b
55

.
Bb Eb Bb A b/C
j .
Gm F

b . bbbb
& b . n .
j
b
55
b

j
? b b
j
bbbb

f
b j
& b bb .
57 3

f D bsus2 D bsus2 E b/A b A bsus2


Li - sten, I'm not back - ground noise. Lis - ten, I make

bb
& b b ... .. ..
57

. . . . . . . .
f
? bb j j
bb j

. . .

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
7

b bb bbbb
& b bb . b
60

E b/A b A bsus2 B bsus2/D B bsus2/D


mu - sic! See me, I'm not one of the boys, I

bbbb b b .. bbbb
D min7 D min7

.. ..
60

& . . . . . .
. . .
? bb b j b . . bbbb
b
. b

F U U
b j j j
& b bb . .
63

Gb 9 F
shine! I shine! I shine! on my
Db 9
b
Db j j j
& b b b ....
6 6

.. .. www
6
63 9

.. ..
>
w
j F
? bb b j j ww
b b. . w
. >
Ab Ab
b
& b b b .. w ..
67 (ELLIOTT, STEWART and NICOLE pass by.)
NICOLE
Stewart, thank you so much for finding this.
own.
ELLIOTT

b
Yeah, good job Stew.

& b b b .. ..
67
STEWART
It was just on top of the old score board-
(Stewart exits)

? b b .. j j ..
bb
NICOLE

. . n . . . n
I almost forgot about tomorrow's meeting
. .
for the tolerance club.
ELLIOTT
You know I was thinking of joining that.
NICOLE
Sorry, sweetie. It's a closed group.

(ELLIOTT & NICOLE exit.)

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
8

LAURA: Ab Ab Cm

b
& b bb . .
69

.
So I don't wear make-up, I don't sick my hair up, with an awe-som-tas - tic pink bur-ette. No, I'll

b
& b bb
69

? bb j r
bb . n . j n j
. . . . . . . .

Bbm Eb Ab

b
& b bb j j
72

.
ne-ver be a ma - jor-ette. I'm plain. I'mba-sic. And I sweat when I get ner - vous. I

b . n . . n .
& b bb ? .
72

. . J R . J R

? bb b
b . . j n r .
j r
. n .
. . . . . .
Eb Cm

b
& b bb j j
75


suck at po - pu-lar - i-ty. Peo-ple just don't no - tice me. Some day, high school's got to end.

? bb . . . .
. . .
75

bb . & ww
w
? bb b
b . .
. . . . . . . . . .

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
9
B b m7 Eb

b j
& b bb .
opt. embellisment


78

.



J

b
And I'll fi-n'ly find a place where this wood-wind doe - sn't blend.

& b bb w ?
78

ww ww www
w
? bb b
b . . . .

. .
. . . . . .

A b A b/C D b Eb A b A b/C Db

bb r
& b b . . .
81

. .. . ..
Oh, there's a whole world to be pursu
- - ing, if I could just get out, and leave this all

. . .
? b b b . .. . . . .
81

? bb b
b j j
. j
. . . . . . . .

B b m7 Eb A b A b/C Db C/E

b
& b bb j .
84

. .. . .. .. . .. . .. n
here in the past. Yeah, they'll re - mem - ber me thin-kin', Gosh, how is she doing?
- but I'll be

? b b . . . . .
J
84

bb

? bb b j j j
b
. . . . . . .
.

. n

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
10
Fm Eb Bb B b/D Eb C m7 F

b bb .
& b bb .
87 88

j

.. n
long gone, Oh! I'll be so-lo ob - li-ga - to, cu - ttin'

? b b . bb
87

bb J & . . .. ..
. . . . . .
? bb b bb
b N.
j
j j .
. . . . .
D m7 Gm C m7 F B b/D Eb

b j j
& b . J . . .

90


opt. embellisment




J
loud and clear right through the tu - ba blast! Soa - rin' high a - bove that

b j
& b .
90

.. .. ..
. .. . . . . .
? bb j
j . j
.
. . . .
. . . .

C m7 F D/F # Gm B b/D Eb F

b j . r
& b j .
93

b j j
clum - sy bass vi-bra - to, I won't be lost, lost, lost in the brass, and

& b . . .. ..
93

#
.. .. . .
. .
? b j j
b # . j .
. .

Prepared exclusively for Madeline Stuart.


6) Lost in the brass - PV
11

A bsus2
j
F sus4 F

b r
opt. embellisment

& b b .
96 98

J
fi-na-lly they'll see there's so much more to me at last! Iwon't be lost,

b . . .. ... ... .
...
& b .. .. b .. n
96

. . .
> > > >. >
j b j
? bb b. n
b. .
. . . .

b
&b .
99

.
lost in the brass, Lost in the brass!

b
& b n .. n .. n ..
99


> > > >. > > > > >. > > > > >. >
? bb j j
. . . n . . . . . n . . . . . n . .

b . .
&b w
102

J
Bb Eb D/F # B b/D Eb F Bb

b .. j j .
... j n . >
Gm F Gm

b .
.
. #

j
102

&
b

j j j >
? b .
# j
b #
.

Prepared exclusively for Madeline Stuart.

You might also like