o1ssaJc a SK ha | qou = W | Fazer WARNING Operator's ManualWARNING!! To prevent fire or shock hazard, do not expose this appliance to rain or moisture, En od ‘CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) | NOUSER-SERVCEAELE PARTS INSIDE | _REFER SERVICNG To QUALIFIED SERVICE PERSONNEL, ‘THE SYMBOLS ARE RULED BY UL STANDARDS (USA), ‘The ghning lash with the arrowhead symbol supermposed across a graphical ‘representation ofa person, wthinan equateraltiangle,sintondedto alettne user {othe presence of uninuisted "dangerous votage" within the produc’ enclosure: ‘hat may be of suffcent magnitude o consitue ark of electric shock. ‘Theexclamation point within an equiaterltangleisintentedto alert he usertothe Presence of important operating and maintenaroa (servieng) tuctins Inthe erature accompanying the appliance. SAEN WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT ‘This equipment i tod wth an approved non-rewieable UK mains pug To change the fuse inthis ype of pug proceed as otows: 1) Remove the fuse cover and old use 2) Fit a new fuse which should be a BS1362 § Amp AS.7.A or BS! approved ype. 3) elt the fuse cover. the AC mains plug fted to the lead supplied with his equipment isnot sutabe for your ype of AC out sockets, shouldbe changed to an AC mains lad, complete with moulded pig, to he approprae type this isnot possible, the plug shouldbe cutoff and a coract one fitad to su he AC ute Ths shouldbe ose et 5 Amps. Ma pug wihou a fuse is used, te fuse atthe cistrbuon board shouks NOT BE: GREATER than § Amp PLEASE NOTE: THE SEVERED PLUG MUST BE DESTROYED TO AVOID A POSSIBLE SHOCK HAZARD SHOULD IT BE INSERTED INTO A 19 AMP SOCKET ELSEWHERE ‘The wires inthis mains lead ae coloured in accordance withthe flowing code: GREEN and YELLOW —EARTH BLUE NEUTRAL BROWN uve ‘A the colours ofthe wires in the mains lea of this apparatus may not correspond wth the colored markings idenitying the terminals in your lug please proceed as follows, ‘The wire which is coloured GREEN and YELLOW must be connec othe terminal whichis marked with ‘the letter E or with the safety earth symbol 1 or coloured GREEN or coloured GREEN and YELLOW. ‘The wie which is coloured BLUE must be connected othe taminal vith is marked with he later N ot coloured BLACK. The wire whichis coloured BROWN must be connected tt coloured RED. minal which is marked withthe letter L or ‘THIS APPARATUS MUST BE EARTHED Ensure that all the torminals are securely tightened and no loose strands of wire exist Batore replacing the plug cover, make certain the cord grip is clamped over the outer sheath ofthe lead and not simply over the wires. 6D-EnLITHIUM BATTERY ‘This product uses al ithium Battery for memory back-up. The lithium battery should onlybe replaced by qualified service personnel. improper handling may cause risk of explosion, 24A-En FCC warning This equipment has been tested and found to comply with the limits for a Class 8 digital device, Pursuant to Part 18 of the FCC Rules. These limits are designed to provide reasonable protection ‘against harmtul interference in a residential installation. This equipment generates, uses, and can raiate radio frequency energy and, i notinstaled and used in accordance withthe instructions, may ‘cause harmfulinterference toradiocommunications. However, thereisno guarantee thatintererence will not occur in @ particular installation. if this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is ‘encouraged to ty t0 correct the interference by one or more of the following measures: + Reorient or relocate the receiving antenna, + Increase the separation between the equipment and receiver. * Connect the equipment into an outet on a circuit ferent from that to which the receivers connected, * Consult the dealer or an experienced radio(TV technician for help. 21B-En AVIS POUR LES ACHETEURS CANADIENS DU EWI3030m Le présent appareil numérique n’ément pas des bruits radioélectriques dépassant les limites applicables aux appareiis numériques de la Class B prescrites dans le Raglement sur le brouillage Fadioélectrique édicté par le ministére des Communications du Canada, arF ‘This digital apparatus does not exceed the Class B limits for radio noise emissions from digital apparatus set out in the Radio Interference Regulations of the Canadian Department of Communications. 27-€n FUR KUNDEN IN DER BUNDESREPUBLIK DEUTSCHLAND Bescheinigung von AKAI Hermit wid bescheinigt, da das Gerdt AKAI EWiso30m in Obereinstimmung mit den Bestimmungen der “Amisblattverfigung 1046/1964 funkentstbet it. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerites angezeigt und die Berichtigung zur Uberpritung der Serie auf Einhaltung der Bestimmungen eingeraumt AKAl ELECTRIC CO.,LTD. 178-GWARRANTY AKAI Electric Co., Lid. warrants its products, when purchased from an authorized AKAI dealer, to be free from defects in materials and workmanship fora period of 12 (twelve) months fromthe date of purchase. Warranty service is effective and available to the original purchaser only, and only on completion and return of the AKAI Warranty Registration Card within 14 days of purchase, ‘Warranty coverage is valid for factory-authorized updates to AKAI instruments and their software, when their installation is performed by an authorized AKAI Service Center, and a properly completed Warrantry Registration has been returned to your AKAI Professional dealer. ‘To obtain service under this warranty, the product must, on discovery of the defect, be properly packed and shipped tothe nearest AKAI Service Center. The party requesting warranty service must provide proof of original ownership and date of purchase ofthe product. If the warranty is valid, AKAL will, without charge for parts or labor, either reps or replace the defective parts). ‘Without a valid warranty, the entire cost ofthe repair (parts and labor) isthe responsibility of the product's owner. ‘AKAI warrants that twill make all necessary adjustments, repairs and replacements at no cost to th original owner within 12 (twelve) months of the purchase date if 1. The product fails to perform its specified functions due to failure of one or more of its components. 2. The product fails o perform its specified functions due to defects in workmanship. 3. ‘The product has been maintained and operated by the owner in strict accordance with the writen instructions for proper maintenance and use as specified in this Operator's Manual Before purchase and use, owners should determine the suitability ofthe product for their intended use, andthe owner ‘assumes all risk and liability whatsoever in connection therewith. AKAL shall not be liable for any injury, loss or damage, direct or consequential, arising out of the use, or inability to use the product. ‘The warranty provides only those benefits specified, and does not cover defects or repairs needed as a result of acts beyond the control of AKA, including, but not limited to: 1, Damage caused by abuse, accident or negligence. AKAI will not cover under warranty any original factory disk damaged or destroyed as a result of the owner's mishandling, 2. Damage caused by any tampering, alteration or modification of the product: operating software, mechanical or electronic components. ‘3. Damage caused by failure to maintain and operate the product in strict accordance with the writen instructions for proper maintenance and use as specified in this Operator's Manual. 4, Damage caused by repairs or attempted repairs by unauthorized persons. 5. Damage caused by fire, smoke, falling objects, water or other liquids, or natural events such as rain, floods, ‘earthquakes, lightning, tomadoss, storms, ete 6. Damage caused by operation on improper voltages IMPORTANT NOTE: This warranty becomes voidif the product or its software is electronically moditied, altered or tampered with in any way. ‘AKAT shall not be lable for costs involved in packing or preparing the product for shipping, with regard totime, labor ‘ormaterial, shipping or freight costs, ortime and expenses involved in transporting the product to and roman AKAT Authorized Service Center or Authorized Dealer. AKAL will not cover under warranty an apparent malfunction that is determined to be user error, ofthe owner's inability o use the product, ‘THE DURATION OF ANY OTHER WARRANTIES, WHETHER IMPLIED OR EXPRESS, INCLUDING BUT NOTLIMITEDTO THE IMPLIED CONDITION OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY HEREIN. AKAI hereby excludes incidental or consequential damages, including but not limited to Loss of time Inconvenience Delay in performance of the Warranty ‘The loss of use of the product ‘Commercial loss Breach of any express orimplied warranty, including the Implied Warranty of Merchantability, applicable to this productCongratulations! ‘We greatly appreciate your purchase ofthe AKI EW1 Sound Module EW13030m, ‘The EW13030mis a sound module for exclusive use with the EW13020 wind-instrument type controller ‘This manual includes detailed explanations on how to use the many functions ofthe EW13030m. Please read this manual carefully before using your EW13030m and keep it in a convenient location that is accessible as necessary. Your patronage is highly valued, and we hope the EW13030m will give you many years of musical enjoyment. Features + The EWI3030m is a digital synthesizer module that employs 2 PCM wave generators. * The EW13030m can produce a wide variety of tonal expressions-—rise and fall ofthe pitch, strength and ‘Weakness ofthe volume, brightness and darkness of timbres, vibrato and glide effects—using the breath, lip, and touch sensors of the EW13020 wind-instrument type controller *+ 75 preset PCM waves and fre assignable modulation system introduce you other approaching way to sound creation and playing attitude + 128sound banks contains preset sounds that cover a wide range of tonal qualities from dense to delicate ‘They are ready to be played or edited into your original sounds with their respective names, + These 128 kinds of sounds can be managed in Sound and Program modes. Especially in Program mode ‘you can easily arrange the order of desired sounds to suit your needs. + Built-in digital reverberator enables spatial contro ofthe output sounds from the EW13030m, * Sound selection is remote controlled by a normal-close type foot switch, * Using the MIDI jacks (IN/OUT/THRU), you can play an extemal MIDI sound module from the +EW13020; The EW13030m can be controlled by an external MIDI master device, a a monophonic igital synthesizer unit, etc. + The INSTRUMENT OUT jack offers you to connect multiple EWI sound modules ina chain, enabling to play them using a single EW13020 controller. + TheEXT.IN jack mixes EW13030m internal sounds and external audio signals, suchas sampled sounds. ‘You can process the input sounds using the parameters on the EW13030m to create new voices and. expressions + Programmable chord feature offers you to play up to 4 polyphonic voices of extemal MIDI sound. modules * 16-character back-lit LCD offers dialog type operability and carries out easy operation and verification for sound editing. + Rack-mountable body is convenient to use together with other sound or effect modulesTable of Contents Before Use vn Panel Description Front Panel Rear Panel. ‘Connections... Connecting the EW13020 to the EW13030m ... Connecting 10 External Components and Sound Modules Basics of the EW13030M us [1] Playing . 1.1 Basic Operation of EW13020 Controller ....... 1.2 Basic Operations of EW13030m_ 1.3 Other Performance Features. 1.31 Sound mode & Program mode.. 132. Seting the Glide, Bend, and Vibrato Effects 133 Adjusting the Key Delay se 134. Adjusting Transposition 135. Using Foot Switches. 136 Tuning... : 13.7 Using Multiple EWI Sound Modules [2] Sound Editing. 2.1 Structure of the EW13030m os... 2.2. Editing Procedure .. 221 Editing a Sound. 222 Copying a Sound.. 223 Reverting Sounds Using Backup Buffers 2.3 Parameter Descriptions sem 23.1 BREATH.. 23.2 WAVE ADB. 233 A-BMIX.. 234 FILTER. : 235 REVERB SELECT. 23.6 LFO (Low Frequency Oscillator) 23.7 ENV Envelope238 VIBRATO 23.9 GLIDE... 23.11 SOUND LEVEL 23.12 LABEL 24 Triggers 2.5 Examples sen 251 Controling Sounds by Breath. 2.5.2 Combining 2 PCM Waves: [3] MIDI. 3.1 MIDI Information Handled on EWI3030m_ 3.2. Setting MIDI & SENS Parameters nan Parameter Descriptions Parameter Descriptions 3.3 Playing Chords 3.4 MIDI Applications.. 3.4.1. Playing with an External MIDI Sound Module 34.2 Playing with a processed EXT.IN sound 34.3, Using the EW13030m as @ MIDI Save on 3.5 Handling Bulk Data ... Appendix I: Preset Sound List.. Appendix II: Wave Lis Appendix III: Reverb List... Specifications see ‘Troubleshooting ... ‘MIDI Implementation Chart...Before Use Power requirements Power requirements for electrical devices differ from area to are. Pease make sure that your EW13020/3030m meets the power requirementsin your area. Ifin doubt, check with a qualified electrician or “AKAI Professional” dealer 220V-240V, 50H? for Europe 240V, SOHz for Australia 120V, 60Hz for U.S.A. and Canada ‘Turn the power off after use. For safety and in the interest of conserving energy, tum off the EW13030m after use. Unplug the cable if the EW13020/3030m will not be used for a long time. Handling the AC power cable ‘Never pull on the cableitself. To connect or unplug the cable, hold the plug. Donot touch the power cable ‘with wet hands. Prevent water and metal objects from coming in contact with the EWI3030m Do not spill water on the device. Do not insert any metal object into the device. Be wary of children around the device. Do not let metal objects (needles, hairpins, coins, ee) fll into the device. Do not drop flammable objects (paper, etc) into the device Modification ‘Do not make any modifications — this may result in damage to the device! Installation For the best performance, be careful where you install the EWT3030m. Avoid the following locations: + Near heaters or other heat emitting devices + In direct sunlight + Humid or dusty areas *+ Locations affected by vibration *+ Locations with poor air circulation *+ Sloped or slated locations *+ Locations with low temperature With other electrical devices ‘There may be interference ifthe EW13020/3030m is located near a TV or radio. Locate the EW13020/ 3030m away from other devices ‘Sound volume manners ‘When enjoying the EW13020/3030m, please have consideration for your neighbors, especially be keeping the volume down at night. Aerosol spray insecticides Do not spray insecticides directly onto the device, The spray may damage the finish ofthe device. Cleaning the chassis or panels Use adry soft cloth to clean the device. Use a weak solution of dish washing detergent and water. Do not se other chemicals such as paint thinner, benzine, et eeRelocation ‘To move the EW13020/3030m, first unplug the power cable and other cables, Backup battery ‘The EW13030m containsalithium battery for saving various settings whenthe poweristemedoff. Battery lifeis approximately 3 years. When the battery power is low, the EW13030m may not properly operate In that ease, please contact the nearest “AKAI Professional” dealer and replace the battery Malfunctioning and servicing If the device is malfunctioning or you suspect the device is damaged and needs to be repaired or serviced, contact the dealer from whom you purchased the device. Ifyou ae traveling, contact the neatest “AKAL Professional” dealer. Copyright notice ‘The AKATEWT3020/3030mis acomputer-based device, and as such contains and uses software in ROME. ‘This software, and all related documentation, including this Operator's Manual, contain proprietary information that is protected by copyright laws. All rights are reserved. No part of the software or its documentation may be copied, ransferred or modified, You may not modify, adapt, translate, lease, Aistribute, resell for profit or create derivative works based on the software and is related documentation ‘or any part thereof without prior written consent from AKAI Electtic Co., Ltd, Tokyo, Japan,Panel Description Front Panel © POWER: Tums the EW13030m on or off @ Display section LOD: A tiquid crystal display with back lit shows information such as sound name, parameter value, etc., with up to 16 characters, BREATH LED: Lights while the EW13030m is responding to the breath sensor on the EW13020. GLIDE LED: Lights while the EW13030m is responding to the glide touch sensor on the EWI3020. BEND LED: Lights while the EW13030m is responding to the bend touch sensor on the ‘EWI3020. “With the EWI3020 unconnected, the LED lights when the EW13030m receives the Pitch Bend Change from an external MIDI device @ TUNE: Use thisknob toadjustthe master pitch ‘of the EW13030m to match that of other ‘instruments. Tuning is possible within a range of #/-50 cents @ VIBRATO: Use this knob to adjust the depth of the vibrato effect that is obtained by exerting pressure on the mouthpiece of EW13020, It adjust the sensitivity ofthe lip sensor, @ BREATH: Adjust this knob so that the 1EW13030m's synthesizer unit can be smoothly breath-controlled (modulated) by the EW13020. The outer knob adjusts the breath sensor to properly function, The inner knob adjusts the sensitivity of the sensor. @ GLIDE: Use this knob to obtain « glide effect (Portamento: a note smoothly ascends or descends to the next note) by using the Glide plate ofthe EWI3020. The ovter knob adjusts the glide touch sensor to properly function. The innerknob adjusts the speed ofthe pitch change. @ BEND: Use this knob to obtain a pitch bend effect (moving the pitch up or down) by using the Bend up & down plates of the EWI3020, ‘The outer knob adjusts the bend touch sensors toproperly operate. The inner knob adjusts the range of pitch bending, © EXT.IN: Use this knob to adjust the input level fromthe extemal sound source thatisconnected tothe EXT.IN jack @)located on the rea panel {B Whenusingte EXT INjack payspecialatentiontothe Input level, S00 “3.4.2 Using th EXTIN jack” for ota, @ VOLUME: Adjusts the output level from the LINE OUT and HEADPHONE jacks on the EW13030m. @ INSTRUMENT IN: Connect the EW13020 ‘controller to this input jack. © REVERB: Press this button to wm the built-in reverberator on or off. The button lights in red ‘with the reverberator on. @ TRANS: Press his bution forkey transposition. Key transposition is possible within a range of, E-C-+D#. InProgrammode, you can program ‘desired transposition setting to each bank and switch iton or off as needed. The button lights in red with transposition on,® SOUNDIPROG: Press this button to toggle ‘between Sound modeandProgrammode. When in Program mode, the button lights in re. @ SENS: Press this button to adjust parameters related to various sensitivities (key delay. MIDI ouput velocity, ete.) @ MIDI: Press this bution to adjust parameters related to MIDI. MIDI parameters determine settings for data transmission and reception with external devices, chord construction, ete © BREATH: WheninEdit mode, press thisbutton to determine how the current sound totally changes its tone and volume in response tothe breath control on the EW13020. When in Sound or Program mode, press this buton to hear the current sound on the EW13030m (and sounds on the external MIDI instruments connected to ‘the EW13030m) without playing the EW13020; Use the “monitor” feature for verification in arranging sounds, ete. © EDIT: Press this bution to enter Edit mode. In Edit mode, you can create ot edit sounds using the various parameters, ® DATA: In Sound of Program mode, use this knob to select a sound or program. In Edit ‘mode, use it to set parameter value ® Parameter keys: In Sound mode, use these keys to recall 12 specific sounds you assign (Sound recall feature). In Edit mode, use them for parameter selection, @ HEADPHONE: Connect aheadphonesethere, ‘Adjust the volume using the VOLUME knob @ @ PROG UP/DOWN: Connect « normal-clote type footswitch hereto selectasoundorprogram in numeric (opposite) order by foot. f you do the selection in both directions, you need to ‘connect 2 foot switches.Rear Panel @ LINE OUT: Each output jack is for a standard Phone plug. Connect them to the line input Jacks on a mixing console or amplifiers); Use ‘only LMONO for mono output. Total output level can be adjusted by the VOLUME knob @ @ EXT.IN: The input jack is fora standard phone plug. Connect an external line output here. © MIDIIN: Receives extemal MIDI data, Using ‘2 MIDI cable, connect this jack to the MIDI OUT or MIDI THRU of an external MIDI device, @ MIDI OUT: Transmits MIDI data from the 1EW13030m. Using s MIDI cable, connect this Jacktothe MIDIIN of an external MIDI device. @ MIDITHRU: Transmits the same MIDI data as. received at the EW13030m MIDI IN jack. If distributing the same MIDI data that the EW13030m receives, connect this jack to the MIDI IN of an external MIDI device @ INSTRUMENT OUT: Connect another EW13030m INSTRUMENT IN jack here to control both modules from a single EW13020 controller. This enables you to create and play stacked dense sounds. @ INSTRUMENT IN: Use this jack that the EWI3030m works asa slave module; Connect, INSTRUMENT OUT of another EWI sound module (EW13030m/3020m) using an authorized connection cable (optional), In this ase, avoid to connect THE EWI3020 to the slave module (this unit) @ AC Power inlet: Connect the included AC power cable hereConnections Connecting the EW13020 to the EWI3030m + Insert the connector plug securely using the authorized connection cable included with the EW13020 as shown inthe illustration ‘B Whenyouconnoettne £13020 tothe EWI3090m, ‘make sure thatine EWis0<0mistuned of, Donat ul stonaly onthe cord or handle trough. The authorized conection cabo a daca mult pin cable Connecting to External Components and Sound Modules EV040m front panel EI3050m rar pn ‘+ When you output the sound from the EW13030m through speakers, you should connect the EWI3030m line output(s) toa power amplifier. Use a standard phone plug cable to connect the amplifier or mixer to the LINE OUT jack(s) of the EW13030m as shown in the illustration. *+ You can use extemal MIDI devices together with the EW13030m in aMIDI chain using their MIDI (IN/ OUT/THRU) jacks. Use an authorized MIDI cable for a MIDI connection, When you process an ‘extemal sound source by the EW13030m, connect the sound source output to the EXTIN jack using a standard phone plug cable, *+ Youcan play a stacked orlayered sound if connecting two units of EW13030m modules (or EW13030m, ‘and EW13020m) — Connect the first EW13030m INSTRUMENT OUT jack to the second EW13030m INSTRUMENT IN jack using another mult-pin cable that is sold separately. You can pla the second ‘module through the first module connected to the EW13020 controller. ‘2 vinen you connecttw EWI3030m wi the externa components as shown above, allotinose devices must be tumed ‘if, Also remember totum the volume a the ampli an mixer oa mia level before you tum the EWISC30M ‘on croft prevent the speaker trom damage, ‘2 Each county has thei own voltage system. If you use the EWIZ030m in an area ether than where you bought the ‘Unit be sure thatthe EWI30Som moots tho vollage system used in hat area, ee 9Basics of the EW13030m ‘The EW13030m is a synthesizer module that best suits the EWI3020 wind-instrument type controller. Besides the playabilty and flexibility of an acoustic wind instrument, the unique wind instrument set supplies possibilty to expand your musical expressions. ‘Tocamry out that possibility, the EW13030mhas many functions. Each functions related to performance or sound creation, Ewpox0 ‘You can access the functions related to performance in Sound or Program mode, and ones related sound creation in Edit mode, Furthermore, several functions are related to data transfer among external devices, which are accessible using MIDI or SENS parameters ‘Before detailed explanation of each function, you should lean a whole structure of the EW13030m as illustrated below. Play mode Sede Prpanmed ‘Seu Bota 128 PrgnBok Na 1-99 T Elitmaic ads ig i pi srg en iy inks Msp er acon at eye fot | 10Al] Playing, Inthis chapter, we introduce the basicinstrumentation ofthe EW13020/2030musing the 128 factory preset sounds 1B You shout aso ror to he £9020 controler operstrs manual 2 Basic Operation of EW13020 Controller First, you should lear to play the wind controller. [Holding Position] — Use the included neck sling toallow free use of your fingers andholdthe controller 1s you would a saxophone or clarinet; or while siting dawn, you can set the controller on your knee or ap. Itis just light touch of the key that is all necessary for sound production. The EW13020 employs touch sensors so there is no key action, unlike a usual wind instrument. {2 Youwitsurty tina tary usefulto play wittouch sensors when playing fat paseages ater you have learned to pay with his method [Octave Shift Rollers and Earth Plate] Place your left thumb onthe backside of the EW13020, between any tworolles. During playing, you must ‘keep your left thumb touching te position between two rollers. The postion between two mesh-worked rollers gives the standard pitch. Also, keep the right thumb touching the Earth plate [Mouthpiece] Place the mouthpiece in your mouth and blow. However, you cannot blow down the center ofthe tbe because acertsin method for controlling the srflow'has been adopted. Biting te mouthpiecelighly, blow ‘utas alte airflows from either side of the mouthpiece, As you blow ut, the internal breath sensor will detect the pressure asthe volume If you want to play a long one, blow out as ir doesnot flow from either side ofthe mouthpiece. Also toobtaina vibrato effect. as you blow, pressurethe lp sensorby lightly biting the mouthpiece andreleasng it [Tonguing] ‘You can play by tonguing while blowing by controlling the air stream in small bursts ‘F Adust me BREATH knob onthe EWI2030M, to make eferent nuances ofthe tonguing. "[Bend] By touching the right thumb tothe Bend up/down plate (with the Eath plate also touched), you can obtain pitch bend effect (moving up/down of pitch). Adjust the pitch bend range on the EW13030m, {F Betore you getcontot ttese plates, younay produce unexpected sounds by touching themby accident. Take care forts. [Glide] ‘By moving yourleft thumb to aposiion between other rollers with the Glide plate touched (with you right thumb onthe Earth plate), you can achieve a glide effect (which will smoothly and continuously slide the Pitch up or down: Portamento). Adjust the glide time on the EW13030¢. 'f Bofore you get control of this plate, you may produce unexpected sounds by touching by aceident. Take cae for ths 12E> Basic Operations of EW13030m ‘To fully usethe instruments performance features, you should properly adjust BREATH, GLIDE, BEND, VIBRATO, and VOLUME for your performing manner. However, itis a good idea for you to start with ‘the most simple setting and wy playing the factory preset sounds, to master the instrument step by step. ‘Make sure that the EW13030m is tured off and the VOLUME knob is at the minimum position. Also ‘remember thatthe mixer or amplifiers are tumed off, or volume ata tminimum to protect the speakers Refesring to “Connections” on page 9, connect the EW13020 contrller correctly tothe EW13030m, and ‘mixer, power amplifier, etc. using appropriate cables. «Power-On Manner> ‘With your finger on the controller's Earth plate, turn the EW13030m on. The other components should bbetumed oninthe“signal-flow” order. (.e., EWI» mixer» amplifier speaker) —During this operation do NOT touch the EW13020 controller. ‘Step 1: First, adjust BREATH. Turn both the outer (ADJ) and inner (SENS) knobs clockwise until the BREATH LED lights up; The LCD will show a bargraph meter to indicate the amount of BREATH. Also adjust the volume of mixer, amplifier, ee Step 2: As you tum VOLUME slowly clockwise, the curent sound (shown in the LCD) will be heard. Go on adjusting and set the volume toa desired position, ‘Tamboth the inner and outer knobs ofthe GLIDE, BEND, and VIBRATO all counterclockwise. Slowly turn the BEND outer knob (ADJ) clockwise and set tothe position where the BEND LED goes off (glide, bend, and vibrato: off). Step: @ Oo @ ‘2 We assume the etecs that conrol he instrument’ ich are unnecessary for you a the tst step on leaning the Insrumant. Thats why the gids, bend, nd vibrato are al ot of Step 1: Slowly tun the BREATH outer knob (ADJ) counterclockwise and tet tothe position where the BREATH LED goes off. At this point the sound will go off to. ‘Step 2: Hold the EW13020 controller appropriately and blow into the mouthpiece. You will hear the sound easily produced. Try moving your fingers to play other notes, 13,‘Step 3: Slowly tum theinner (SENS) knob counterclockwise as blowingintothe mouthpiecealtemately with strength or lightness, (Use the bargraph display.) Check how the timbre and volume ofthe sound change, The more you turn the knob counterclockwise, the stronger you need to blow t0 ‘Produce the sound. Ifyou are likely o blow strongly, itis preferable to tur the SENS knob counterclockwise, ot clockwise forthe opposite effect. Adjust this knob to find the most comfortable position for your ‘maximum playing expression, Turing counterlockie requires more “uring ceckeise makes less strength to blowout a sound strenght blowout a coun 1B Agjustments wih no contolknebs onthe rent panel VOLUME, BREATH, ete), arenolmemorized. When yeU accidental have the setings changed, simply readjust them. ‘Try playing a sound from sound banks. Select 8 sound by turing the DATA knob; Turing the knob clockwise increments the bank number ‘whereas tuming counterclockwise decrements; The LCD shows the current bank and sound that is contained if ~\ aoe ors Gea ee) {Z Program selection n rogram made is also posibie wi the same mathod as described above. {2 You can refer tothe sound ist on page 7 fr soune selection. Atthis point, you have leamed a basic performing way using the instrument. You should get accustomed to fingerings and breath control onthe controller, also sound selection and how tomake breath adjustments ‘on the sound module before proceeding to next section. 1“ED Other Performance Features 131 ‘This section describes the detailed explanations of the glide, bend, and vibrato effects and other useful functions that surely expand your musical expressions, Sound mode & Program mode ‘As described before, the EW13030m has two basic play mades — Sound mode and Program mode, ‘When the EW13030m is turned on, it enters Sound mode and offers you to play with any of 128 sounds in sound banks In Program mode, you can freely assign sounds from sound banks to 99 program banks (PO1~P99) to arrange the desired sounds in the order you wish. ‘You can move between Sound mode and Program mode by pressing the SOUND/PROG button. Each time you press this bution, you can switch the current mode you work with. While you are in Program ‘mode, the SOUND/PROG LED lights in red. In both modes, bank selection is possible using the DATA knob, i Sound model in Program matel Sound bank Sound Program bank Sound an Goneout {B You can copy a sound among sound banks, Refer to page 27 [Recalling Sounds] ‘You can memorize upto 12 sounds tothe parameter keys and recall them es desired. Atshipment sounds (801-812) have been assigned as factory setngs, Step 1: Be sure that you are in Sound mode; Press and hold one of the parameter keys. (WAVE A key forexample); Select desired sound using the DATA knob; Release he parameter key Repeat this operation as needed, CO) Bese Sect a sound whe blding 2 parameter ey. ‘Step 2: Whenin Sound mode, you can recall a desired sound any time by pressing te parameter key that ‘you have assigned the sound, 16[Assigning Sounds to the Program Banks] ‘You can select desired sounds from sound banks and arrange into program banks, which is convenient for live performance, ete, The following example shows how to assign “$31: FLUTE” to program bank #11 ‘Step 1: Pressthe SOUND/PROG button oenter Program mode; The SOUND/PROG button will light ined, (7 [PO1I01! Trumpet ‘Step 2: Select program bank #11 (P11) using the DATA knob, (C) Gam ‘program bank #11 ‘Step 3: Press and hold the SOUND/PROG button; Select a desired sound from sound banks using the DATA knob. a ¢N\ sound bat of the desire sound Tum te DATA knob while holding the SOUND/PROG button. Step 4: Release the SOUND/PROG bution; The sound will be assigned tothe program bank specified. (P11131:Flute ‘Repeat the steps 2-5 as necessary. * Setting a Transposition ‘Also in Program mode, you can seta transposition o each program bank. Select a desired bank ‘nd set the transposition. You can switch the transposition on or off using the TRANS button, See page 21 for more information [Monitoring the Current Sound] ‘When in Sound or Program mode, you can moniter the current sound by pressing the BREATH button, ‘without playing the EW13020 controller. Use this feature especially when arranging sounds, etc. Also. you can monitor sounds from external MIDI instruments if they are connected to the EWI3030m as explained in “3 4.1 Playing with Extemal MIDI Insruments.” 161.3.2 Setting the Glide, Bend, and Vibrato Effects Ifyou got control of the volume and breath, you also need to setup the ther effects — glide, bend, and vibrato, After completing these settings, you can play the instrument with much more “real” expressions like a po, ‘As there are some preset sounds wi before reading this section, out settings of glide, bend, or vibrato select “S36: Reed Organ” {F Aajustments wih the controtknobs onthe tron panel (GLIDE, BEND, VIBRATO, ec) are not memorized. When you _Socidenaly nave the serings changed, simply readjust them [Adjusting the Glide Effect] ‘Step 1: Press and hold the SENS button; Turn the DATA knob to show the “GLID” sensitivity display. i ¢ ) = @e id oe ‘Turn the DATA knob soe hlding the SENS bution Step 2: Turn the inner GLIDE knob (TIME) clockwise o a position between half way and 80 percent. ‘Step 3: WITHOUT touching the controller's Glide plate, turn the outer GLIDE knob (ADJ) clockwise ‘until the GLIDE LED lights up; Tur ita litle counterclockwise until the LED goes off ‘At this point, check the GLIDE LED lights up every time you touch the Glide plate on the controller. You can also use the glide sensitivity display to fine tune the effect. <=> Tur util te GLIDE LED lights wp. Turn t back unt the LED goes oft ‘Step 4: As you blow into the controller, while touching the Glide plate ry to shift the Octave Rollers. ‘With this effect, you can express the qualities like a trombone, for example. Of course by ‘ordinary fingerings, you can have a gliding tone. 1E Tho glide etect is unavalable wit *MULTT-tiggered sounds, See page £2 for deta 1 gf Touch the lide pater he fet Fl 7‘Step S: ‘The gliding tone is one of prime characters of monophonic synthesizers. You shotld be able 10 freely control the effect by your left thumb on the Glide plate. Ifthe effect is unnecessary, you can cancel itby turning both GLIDE knobs (ADJ & TIME) all the way to the “0” position, {Bll the GLIDE LEO remains lt, even air adjusting the ina knob (TIME), readjust the outer krob (ADL) {T Wihthe “GLIOE WAVE" parameter of WAVE ABinuse, youcanchange sounds every tme you ouch ihe Glide plate ‘S00 page 30 for mare intrmation, + Pitch Shifting Speed by the Glide Time ‘As you tum the GLIDE outer knob (TIME) clockwise, the glide time (pitch shifting speed) will be long (slow), ‘cue nie cue mse ‘Turing the TIME knob counterlctise Turing the TIME knob locke shite shits the ph ily. the ph slowly, [Adjusting the Bend Effect] Step 1: Pedi BB Tne DA TAI ewe kr, if \ Cs) u ees sense display ‘Tur the DATA knob shi holding the SENS bution. ‘Step 2: ‘Tum the inner BEND knob (WIDTH) clockwise toa position between half way and 80 percent. ‘Step 3: WITHOUT touching the controllers Bend Up/Down plate, slowly tur the outer BEND knob (ADJ) clockwise until the BEND LED goes off. Atthis point, the bend sensitivity display shows the position mark atthe center. Every ime you touch the Bend Up/Down plate on the controller, be sure thatthe LED lights up, and the display shows the position mark move tothe right or left. center position 18Step 4: As you blow into the controller, while touching the Bend Up/Down plate, the bend effect will be obtained. With this effect, you can express the qualities like bending a string on the guitar, ‘Therange of pitch bending, however, depends on each sound seting. up Sep $: Pic endings populareffecto give manyexciing impressions When soloing for example, you should expres various feelings rascal i sensitive collaboration ith breath contol. Ite eff i unecetsay, yo can ence! ty tuning te inner} knob (WIDTH) all the way to the“O” position, while setting the outer poy (AD4) knob othe poston where the BEND LED turns off 'F See page 48 for the bond wish setng ofa sound {Bil the BENO LED remains it even afer aqusing the nner knob (WIDTH), readjust he outer kno (AD), [Adjusting the Vibrato Effect] Step 1:_ Press and hold the SENS button; Tum the DATA knob to show the “VIB” sensitivity display. a ¢N\ C VIE u — ibaa satiny day ‘Turn the DATA knob hile hoiding the SENS button Step 2: Tum the VIBRATO knob to the position between half way and 80 percent Step'3: While blowing into the controler, lightly bite the mouthpiece (exert pressure around the ‘mouthpiece) to produce a vibrato effect. (It wavers the pitch at regular intervals.) The display shows the amount of vibrato increase as you exert pressure on the mouthpiece, ‘The effects depth may be different depending on the sound you play. UIE Step 4: Vibrato is a primitive but indispensable method to add charm or emotion to tones you play Playing with vibrato would be easy to master for anyone, the effect is unnecessary, you can cancel it by turning the VIBRATO knob all the way tothe 0" position. 1 Amount ofthe vat etectis posible tbe setindviduallyto each sound. See page fr mre formation. 191.3.3. Adjusting the Key Delay ‘When you play the EW13020, especially inthe situation you are a rookie EWI player, you may produce ‘unexpected sounds caused by complex fingering, Key delay function will help you solve a problem lke that, by adjusting the sounding response of the EW13030m, Step 1: Press and hold the SENS button; Tum the DATA knob to show the key delay parameter. ‘urn the DATA inob while holding the SENS button ‘Step2: Release the SENS button; Setthe key delay value using the DATTA knob; As you setalarge value, the sounding response will be slow accordingly. Uy Y\ 1B Youcansmoomiypay notes wita age key delay value. However, tmaypraventyou om playing a speedy Phrase. Set value as small as noeded. 201.3.4 Adjusting Transposition Use tis function to transpose into another key. You can use the function in two ways: When transposing the key in Sound mode, you can play all sounds in the transposed key; When in Program mode, you can assign an individual transposition 1 each program bank and recall t withthe sound assigned to that bank, All transpositions assigned both in Sound and Program modes are memorized. You can tur ton and off as necessary, ‘The following transposing procedure is common wo Sound and Program modes. Step 1: Press and bold the TRANS button fora while. The display will change to the transpose screen {F To transpose in Program modo, you need to select he desired program bank beforehand, 2 qa) ee Still holding the TRANS bution, tum the DATA knob to selectadesiredkey. When transposition has been assigned, the TRANS button will ligt in red (transpose on status), ‘The possible range for transposition is E~C-+Ds. (C: standard pitch) Step. a iff \\ ‘ur te DATA ina while holding the TRANS button. Step ‘When you release the TRANS button, the display will return to the previous sereen, The ‘transposition, however, will be vali in the transpose on status (TRANS will remain lit). Step 4: You can tur the transposition on or off easily by pressing the TRANS button once, Transpose satus will be indicated by the TRANS batton being lit or not. 211.3.5 Using Foot Switches By using a foot switch (general normal-close type), you can easily and orderly change the banks both in ‘Sound and Program modes. Connect the foot switch tothe PROG UP/DOWN jack located on the front panel ofthe EW13030m. Using the foot switch is especially convenient in Program mode, which enables you to switch program banks arranged in the performing order. {T When connecting ne foot swich (normalise type), tun he EWAN Om af: Cannect a the EWIS090m; Tun the £EW8000m on. You can use the swich as mentoned above. ‘Adtonaly, you can also us normal-open” ype footswitch; Connect he swich wih the EWIO030m tumed on, * Using an ordinary (mono) foot switch: ‘Enables the bank number increment. * Using a couple of foot switche ‘Enables the bank numberincrement on the one, and decrement onthe other, Use the foot switches wired as follows: a wr ee stander stereo pag f sith for decrement Neral ype Ops the creiry hone ot eh dese. 13.6 Tuning ‘When you play with other instruments and find the pitch is slighly of, you can tune the EWT3030m to rath them sing the TUNE knob.1.3.7 Using Multiple EWI Sound Modules ‘You can simultaneously contol more than one unit of EW sound modules (EWI3030n/3020m) using the 1EWI3020 controller ‘This gives a merit, for instance, that you can play with dense sounds from slightly-detuned multiple ‘modules or with layered sounds of different simbres, ‘To apply this setting, simply connect the INSTRUMENT OUT jack on the tear panel of the Ist module (connected to the controller) to the INSTRUMENT IN jack on the front panel ofthe 2nd module using ‘an authorized cable (sold separately) S70 886665|" i 7 Bisssoass © 85888 aa t 23A2] SOUNE. EIN oe In this chapter, we explain how to edit or create sounds on the EW13030m. ‘The EW13030m is a monophonic digital synthesizer that employs 2 PCM wave tone generators, You can select any 2 PCM sounds and process them using filters, LFO, envelopes, breath, vibrato, ee., to make sounds, Also, using the built-in digital reverberator, the sounds will be more brilliant, which gives you ‘advantages in live performance. Moreover, the EW13030m can process a sound from the EXTT IN jack fn the rear panel, to make a sound mixture with an EWI sound. Before starting creating sounds, learn some basis of the synthesizer and the EWI3030m, SP Structure of the EWI3030m ‘The EW13030m creates sounds inthe signal flow and free assignable modulation system as shown in the illustrations below: [EWI3030m System Configuration] ex WAVE A sno FLTER i aomx L] FARR 1] sound LI severe | _~ HME waves ae [EWi3030m Assignable Modulation System] ee ies MODULATION DESTAATION ©. Assinsite (achable) © Value range 0-99 © Value ange: -29-0-499 (© Amie with BEND parmetr stings: “BEND: A UP/DOWN” or “BEND: A/B UP/DOWN" eau range: 0-7) {2 LFO("1as amodisaton destinaton whichis modulatedby GLIDE, suttaneousiymodulatests possible destinations: SLFO=>PITCH A’, "LFO=PITCH BY, "LFO=>PW A’, LFO=>PW B',‘LFO=>MIX BAL, “LFO=>CUTOFF, and “LFO=>RESONANCE. 242 Editing Procedure ‘The EW13030mbas many parameters dueto its versatility. However the editing procedure is quite simple ‘and common to most parameters. So, you can rather spend much of your time on how each parameter ‘operates to form asound, and how you wish to play with that sound. Considering these in editing process, ‘you will soon have a desired sound, ‘You can freely edit sounds in 128 sound banks into your original sounds. After changing parameter values, You need not do any saving operation. The EW13030m preserves the current settings forall parameters including changes you have made. Program Mae Program Banks #1-99 VIBRATO GLE BEND SOUNDLEVEL LABEL For this unique method of editing sounds, the EW13030m has 10 backup buffers to take back the last 10, sounds before editing. So, even if you misedit sounds, you can revert othe original ones. 1B See page 28 ordeals of the backup buts 252.2.1 Editing a Sound «Selecting a Base Sound in Sound Mode> Select a sound from sound banks using the DATA knob, Press the EDIT button o enter Edit mode and display the parameter screen as follows! TRUMPET-1 ‘f Screen configuration depends upon the parameter selected. Using parameter key, selecta parameter group that contains a parameter you wish to edit, Consecutively press the same key several times until the desired parameter screen is displayed, You can also select a parameter by tuming the DATA knob with the parameter key held down, i a. ze ‘Seta value forthe current parameter by turning the DATA knob, iff \ < Give the sound a unique name composed of up to 12 characters. ‘Step 1: Press the LABEL button forthe label screen, ‘Step 2: Move the cursor (underline) by pressing the LABEL button or turning the DATA knob with the LABEL button held down. Selecta desired character using the DATA knob (with the LABEL key released). Repeat this step as necessary. 'E Avaliable characters are alphabet (uppercase and lowercase), numeral (0-9), and 28 symbols. 262.2.2 Copying a Sound ‘You can easily copy a sound in 8 sound bank to another sound bank to arrange them in performed order, et. Step 1: Select a sound to copy in Sound mode, Step 2: While holding the EDIT button down, tum the DATA knob and specify another sound bank as 1 copy destination ‘B tyoucancel copying atts point te DATA Knob withthe EDIT button eld down; Select“CANCEL"that precedes “SOT Release he EDIT button, S@1ICOPY=> (5117 S@1!COPY=>CANCEL J... cancel copying ‘Step 3: When releasing the EDIT button, the display changes tothe screen as follows: 51 to copy othe destination Siit Goy ‘Step 4: ‘Tum the DATA knob clockwise to execute. The display will show the following message that flashes, and return to the Sound mode screen, {Blt cancaling copying at his poe, tum the DATA knob counterciocxvise ‘E ven arranging sous forive pararmance estore conveniattr youtocopysoundsinotheprogrambanke See". Sound Mode & Program Mader mote nematon + Reverting to The Factory Preset Sound While holding the EDIT button down, tur the DATA knob counterclockwise until the display changes to the screen as follows: SO1i<=Preset 604 ‘Tum the DATA knob clockwise to execute. The sound in the selected sound bank will change to the factory preset sound for that bank. 272.2.3. Reverting Sounds Using Backup Buffers ‘The EW13030m preserves the current settings forall parameters including changes you have made, Backup buffers memorize the last 10 sounds before editing and enable you to replace misedited sounds With those unedited sounds ‘Step 1: If you revert the current sound on editing, press the EDIT button and return to Sound mode. ‘Step 2: Tumthe DATA knob clockwise and show the desired sound inthe backup buffer. The 10 backup buffers is counted as “BAKI" to“BAK10". “BAK” always contains the original sound forthe sound most recently edited, Every time you select asound and enter Edit mode, the EW13030m backs up the unedited original into" BAK1" by moving the previous soundin “BAK” into "BAK2" the sound in "BAK2" into “BAK3", etc. The sound in “BAK10" will be erased when a new sound is edited BAK? Trumpet. 1 ‘Step 3: While holding the EDIT button down, tum the DATA knob clockwise to revert (copy) the sound {nto the original bank, counterclockwise into any sound bank. BAKICOPY=> [S11 ‘Step 4: Execute copying in the same way as described in “2.2.2 Copying a Sound”. 1B Sounds backed up inthe buttors wile lost next ime the EWI900m s tuned of. Incase youhave eed no sound ‘after uming on the EWI2090m, you cannot do the reverting using the backup butlers as ey cenain no sounds,> Parameter Descriptions 23.1 BREATH BREATH FILTER BREATH FILTER: 98 Range: 0-99 + Offsets the cut-off frequency according to the breath. ‘+ Asasmall valueis set, the sound becomes bright because the cut-off frequency becomes high even with 2 weak bea LL scar rareRn EAT FER sear rurense z i | C E ra ra eh bright tone witha wok rats «dr tone th ek breath BREATH VOLUME BREATH VOLUME: 56 Range: 0-99 + Offsets the volume according tothe breath + Asa small value i set, the sound becomes loud even with a weak breath, 'F Seo "Volume and Tone Conta! by Breath on page 60 for datas [BREATH VOLUME=99 BREATH VOLUIME=20 BREATH VOLUME: Volume Volume Vote Bret small zolime with weak beth Breath Breath large ote with we rath 292.3.2 WAVE A/B {BWAVE B* parameters cannot be sciod wit “MIX: WAVE MODE" In“A-B MIX" set 01 WAVE MODE" et WAVE ArC TRUMPET-1 7 Range: Refer to the wave list on page 68, + Selects the wave forthe current sound, *+ There will be no sound reproduction with "A1# —- GUIDE WAVE Range: Refer to the wave list on page 68. + Selects the wave to be switched from “WAVE A” when the Glide plate is touched. + When the Glide plate is touched with “ A GLE—- 1” selected, sound reproduction ‘will be made with “WAVE A”, + Even though you touch the Glide plate while blowing into the controller, the wave will not immediately bechanged. If you take a breath withthe Glide plate still touched, the wave will be changed next time ‘you breathe into the controller. 1” selected Touch he lie pate thi point, The wave changes a this pont arcara —S VW L wave nef = TUNE : 8 Range: -50~+50 (Unit: cent; 100 cents = 1 hall step) + Fine tunes the “WAVE A” pitch within the above range. TRANSPOSE Range: ~12-+24 (Unit: semitone) + Sets the “WAVE A” pitch: -12=16,, 00-8, +12=4', 424=2' + The pitch can be specified by the half step, within 4 octaves. * Incase the note you play is higher than C7, it will be played within the octave of C6. TUNE 30‘STRETCH CURVE (G@ESTRETCH CRU: @ Range: 0-99 + Acoustic instruments are, to enrich their sounds, often tuned as a higher note is a lite raised than its standard pitch, and a lower note is a litle lowered as well. This parameter simulates it *+ The value “0” adjusts the stretch curve forthe standard pitch; As a igh value is set, the pitch will be raised (lowered) than the standard pitch accordingly. Stretch Curve “andar pitch a BREATH PITCH AIBRTH PITCH! G Range: =99-+99 (Unit: cent; 100 cents = 1 semitone) + Sets the modulation depth tothe “WAVE A” pitch to be breath controlled. * As the breath becomes strong, the “WAVE A” pitch will accordingly change within a maximum of the specified value. weak Brak —> strong PULSE WIDTH DUTY ArPW DUTY SG Range: 1-99 * Sets the duty ratio of pulse width ofthe “SQUARE” or “LAMP" wave (pulse width modulation). PW DUTY=50 — PWDUTY=75 PW DUTY=25 el LILI we AN [NN + This parameter is valid only with "SQUARE" or “LAMP” selected for “WAVE 31Bpeariew Range: 0-99 + Sets the modulation depth tothe “PW DUTY™ value to be breath controlled ee ‘weak — Breath —— rng pwoury + This parameter is valid only with “SQUARE” or “LAMP” wave selected for “WAVE A” SAMPLE VELOCITY START Range: 0-99 + Sets the start point of the “WAVE A” wave (sample) tobe offset by breath control (velocity) + The value “O” stars reproduction from the beginning of the wave sample (no effect). As ahigh value is set, the star point moves back in the sample according to the breath velocity; As a result the sound. vibe poet atin lata | I bas * I this parameters set fora brass sound, it will be very effective when you blow into the controller with a fast speed (large velocity) DECAY Caves) Range: 0-99, HOLD *+ Sets the decay time for the “WAVE A” volume, *+ The value “O” reproduces a very shor sound. Normally set this parameter to “HOLD” (for playback in the natural envelope of the “WAVE A” sample). DECAY KEY FOLLOW (Reece FOL 6) Range: 0-99 * As ehigh value is set, the decay time of high notes will be short accordingly. + This parameter is invalid with “DECAY=HOLD". TRIGGER fit TRIGGER? SINGLE Range: SINGLE, MULTI + Ses the trigger type of the "WAVE A” sound, + Normally set this parameter to “SINGLE”. “MULTI” will reproduce from the beginning ofthe sample ‘every time you touch a note key. See “2.4 Triggers” for details, |£ The gi eects avalable when “TRIGGER: SINGLE” of WAVE AVE" and "MIX: 2WAVE MODE” ae ll select 322.3.3. A-B MIX MIX: WAVE MODE MIX? 2UAVE MODE Range: 1WAVE MODE, 2WAVE MODE *+ Determines which way the current sound i reproduced, using “WAVE A” only (IWAVE MODE) or both “WAVE A” and “WAVE B” (WAVE MODE). + With “IWAVE MODE” selected, “WAVE B” parameters are unavailable (ot displayed). « “A-B MIX" Parameter Available With “MIX: 1WAVE MODE” Selected » MIX: KEY FADE Range: + Sets the crossfade time between anote and the next note when changing note keys. KEY FADE=O wave |! Do Re Mi + + noe ey change KEY FADE-S0 ae ie Mi wave + ¢ Key FaDe=99 ae WAVE « “A-B MIX” Parameters Available With “MIX: 2WAVE MODE” Selected » MIX: BALANCE MIX?BAL A1G-G8 Range: A100-B0-A0-B100 + Sets the volume balance between “WAVE A" and “WAVE B”. MIX: BREATH BALANCE Range: 0-99 + Sets the modulation depth to the “MIX: BALANCE” value to be breath controlled, ‘+ As the breath becomes strong, the “WAVE B” volume becomes loud accordingly. 33MIX: BREATH START Range: 0-99 *+ Offsets the star point of modulation forMIX: BREATH BALANCE": Determines how easly you can blow to change the “MIX: BALANCE” value *+ With the value “0”, you may easily change the “MIX: BAL" value as specified with “MIX: BRTH BAL". With the value “99”, you need to blow as the breath reaches to a maximum level, to change the “MIX: BAL" value. RTH STR BuveL Range: -99-+99 *+ Changes the “MIX: BAL" value according to the pitch of the played note (key note). + With a positive value, a higher key note makes the “WAVE B” volume large whereas a lower key note ‘makes the “WAVE A" volume large, compared with the volume balance atthe center key note (C3), tt2.3.4 FILTER CUTOFF FILSCUTOFF #39 Range: 0-99, *+ Adjusts the cut-off frequency of the low-pass filter + With the value "99", the filteris fully open and does notoperate, Asthe assigned values small, the filter cuts off harmonics inthe wave accordingly; It produces a dark sound. With an extremely small value, the sound may not be heard because of other parameter settings = A strongest breath will play back the brightest tone that has been set with this parameter, Le! % * f * LaF High Le gh CUTOFF: KEY FOLLOW Range: -99-+99 *+ Changes the “FIL:CUTOFF value according tothe pitch of the played note (key note). + With a positive value, a higher key note produces a brilliant tone whereas a lower key note produces a dark tone, compared with the tone at the center key note (C3). th pete nue thant se Pekin Paki Pakistan | oF Cao — —> RESONANCE Range: 00-99 + Emphasizes harmonics inthe band near the cut-off frequency (as specified with “FIL:CUTOFF") and produces a distinctive tone. + An extremely large value makes the filter sef-oscllated and may produce an effective tone, + With “FIL: CUTOFF: 99”, no resonant effect is obtained. RESONANCE: BREATH ES ERTH Range: -99-+99 + Sets the modulation depth to the “FIL: RESONANCE” value to be breath controlled. *+ With a strong breath, the postive value increases the “FIL: RESONANCE” value whereas the negative value decreases, 35RESONANCE: KEY FOLLOW FIL:RES FOI Range: 99-499 * Changes the “FIL: RESONANCE” value according to the pitch of the played note (key note). * With apositive value, a higher key note increases the “FIL: RESONANCE" value whereas alower key note decreases, compared with the amount at the center key note (C3), so Wis Value2.3.5 REVERB SELECT REVERB REV: S.Hall 11) Range: Refer to the reverb list on page 68. + Selects the reverb type, REVERB REVIDEPTH #28 Range: 0-99 + Adjusts the depth of the reverb effect. + Asalarge value is set, the sound becomes wet accordingly. REVERB: BREATH REVIBREATH 3 @ Range: 0-99 + Sets the modulation depth tothe “REV: DEPTH” value to be breath controlled + As astrong breath is blown, the sound becomes wet accordingly. 372.3.6 LFO (Low Frequency Oscillator) {2 Parameters that are markod (are avaiable ony with ‘MIX: 2WAVE MODE” selected, LFO: SPEED LFOISPEED 50) Range: 0-99 + Sets the speed (frequency) of the LFO. + As allarge value is set, the LFO modulates the destinations accordingly at a fast speed. a ‘Range: -99-+99 LFO=>PITCH A? @ Range: 0-99. + Sets the modulation depth tothe “WAVE A” pitch fora vibrato effect LFO=PITCHB™ PTET Se Range: 0-99 * Sets the modulation depth tothe “WAVE B” pitch fora vibrato effect. LFO=>PULSE WIDTH A Range: 0-99 *+ Sets the modulation depth tothe “A: PW DUTY". It is valid only when “WAVE “SQUARE” or “LAMP” LFO=>PULSE WIDTH B * LFOS>PUE oo: @ Range: 0-99 + Sets the modulation depth tothe “B: PW DUTY”, Itis valid only when “WAVE B" is assigned with “SQUARE” or “LAMP” eee LFO=>MIX BALANCE * LFO=>MIx BAL Range: 0-99 * Sets the modulation depth tothe “MIX: BALANCE” value, * The volume ratio between “WAVE A” and “WAVE B” dynamically changes according to the speed set ‘with “LFO: SPEED". is assigned with Sanam 38Range: 0-99 + Sets the modulation depth to the “FIL: CUTOFF" value fora wah effet. LFO=>RESONANCE, LFo Range: 0-99 + Sets the modulation depth to the “FIL: RESONANCE” value. a2.3.7 ENV (Envelope) {F Paramotors wih marks () are avaiable with "MIX: 2WAVE MODE”. ENV: ATTACK ENUZATTACK ot Range: 0-99 + Sets the atack time of the envelope (a modulation source) ENV: DECAY ENU:DECAY ot a) Range: 0-99 + Sets the decay time of the envelope (a modulation source) Le ENV: VELOGITY Range: 0-99 + Sets the modulation depth ofthe envelope, which corresponds tothe strength of the breath, + As alarge value is set, the envelope accordingly modulates its destinations, ENV: KEY FOLLOW ENU?KEY FLOW Range: 0-99 *+ Changes the envelope (values of “ENV: ATTACK” & "ENV: DECAY") according to the pitch ofthe played note (key note. + Asalarge values set, the envelope becomes shor within the higher key range whereas it becomes long ‘within the lower key range, compared with the length atthe center key note (C3) o a a vo a Lee!ENV: DECAY CURVE ENU:DECAY CRU 1 Range: 1-3 + Selects the decay curve of the envelope. Lee! Decry Care Tine Range: SINGLE, MULTI + Determines how to generate the envelope. + “SINGLE” generates a new envelope every time you blow, regardless of note key change. + “MULTI” generates a new envelope every time note keys are changed, uit IS BSe why Ne eng "ty ange ENV=>PITCH A ENU=>PITCH ARO Range: -99-+99 + Set thie modulation depth to the “WAVE A" pitch, ENV=>PITCH B* Range: -99-+99 + Set the modulation depth tothe “WAVE B” pitch, aENV=>PULSE WIDTH A ENUS>PuAL to Range: 99-499 + Sets the modulation depth to the "A: PW DUTY”. Its valid only when “WAVE Ais assigned with “SQUARE” or “LAMP” ENV=>PULSE WIDTH B * ENU=>PUB of Range: -99-+99 + Sets the modulation depth tothe “B: PW DUTY”. It is valié only when “WAVE B" is assigned with “SQUARE” or “LAMP” ENV=>MIX BALANCE * Range: 99-99 + Sets the modulation depth to the “MIX: BAL" value, ENV=>CUTOFF ENU=: Range: 99-99 + Sets the modulation depth to the “FIL: CUTOFF" value, CUTOFF ENV=>RESONANGE Range: 99-99 + Sets the modulation depth tothe “FIL: RESONANCE” valve. 4a2.3.8 VIBRATO ‘2 Parametors wih marks () ae avallabo with “MDX: 2WAVE MODE” VIB: PITCH A UIEIPITCH A $58 Range: 0-99 + Set the modulation depth to the “WAVE A” pitch to be lip controlled (by the mouthpiece on the controler). VIB: PITCH B* Range: 0-99 + Set the modulation depth to the “WAVE B™ pitch to be lip controlled. VIB: MIX BALANCE * UIBIMIX BAL + Range: 0-99 + Sets the modulation depth to the “MIX: BALANCE” value tobe lip controlled. VIB: CUTOFF UIB? CUTOFF a Range: 0-99 “+ Sets the modulation depth to the “FIL: CUTOFF” value tobe lip controlled. Wier RESONANGE Range: 0-99 + Sets the modulation depth to the “FIL: RESONANCE” value to be lip controlled 432.3.9 GLIDE 1B Parameters win marks are avasable with "MIX: 2WAVE MODE” oe GLIDE: TIME B* GLIDITINE 6: @ Range: 0-99 * ‘Sets the period of pitch change of the “WAVE B”. (Other explanations are referred to “GLIDE: TIME A.) GLIDE: LFO A GLIDILFO AF OG Range: 0-99 * Sets the modulation depth tothe “LFO=>PITCH A” value to control by touching the Glide plate * Total modulation depth to the “WAVE A” pitch using "LFO=>PITCH A" and “GLID; LFO A” cannot ‘be over “99", Ts GLIDE: LFO B* GLID:LFO Bt @ Range: 0-99 + Sets the modulation depth tothe “LFO=>PITCH B™ value to control by touching the Glide plat. * Total modulation depth to the “WAVE B" pitch using “LFO=>PITCH B” and “GLID: LFO B™ cannot be over “99”, GLIDE: LFO PW A GLIDILFO PU AR Range: 0-99 * Sets the modulation depth to the “LFO=>PW A” value to control by touching the Glide plate + Total modulation depth to the “A: PW DUTY” value using “LFO=>PW A" and “GLID: LFO PW A” ‘cannot be over “99”, GLiDE:LFo Pwa Range: 0-99 * Sets the modulation depth tothe “LFO=>PW B"” value to control by touching the Glide plate * Total modulation depth to the “B: PW DUTY" value using “LFO=>PW B” and “GLID: LFO PW B” ‘cannot be over “99”,GLIDE: LFO MIX BALANCE * (GLIDILFO MIX + Range: 0-99 + Sets the modulation depth tothe “LFO=>MIX BAL" value to control by touching the Glide plate, + Total modulation depth to the “MIX: BAL" value using "LFO=>MIX BAL” and "GLID: LFO MIX" cannot be over "99", GLIDE: LFO CUTOFF BLIDILFO CTOF: @ Range: 0-99 + Sets the modulation depth to the “LFO=>CUTOFF” value to control by touching the Glide plate. + Total modulation depth to the “FIL: CUTOFF” value using “LFO=>CUTOFF” and “GLID: LFO CTOF" cannot be over “99”. GLIDE: LFO RESONANCE Range: 0-99 + ‘Sets the modulation depth tothe “LFO=>RESONANC” value to control by touching the Glide plate + Total modulation depth to the “FIL: RESONANCE” value using “LFO=>RESONANC” and “GLID: LLFO RESO" cannot be over "99".2.3.10 BEND Seno; AuPpown ——(Selwim ea woe) Range: 0-7 (Unit: semitone} + Sets the pitch bend range (UP & DOWN) of the “WAVE A” sound. + Pitch bending of the “WAVE A" sound is possible by the Bend up/down plates onthe EW13020, within the range specified here, BEND: B UP/DOWN BENDIE UP2 DOWNZ Range: 0-7 (Unit: semitone) ‘+ Sets the pitch bend range (UP & DOWN) of the “WAVE B” sound. + Pitch bending of the “WAVE B” sound is possible by the Bend up/down plate on the EW13020, within the range specified here, BEND: MIX UP/DOWN BENDIMIX U @ D Range: 0-99 + Offsets the volume balance with “MIX: BAL” by touching the Bend up/down plate. Additional 2 “fixed” settings (for bending up and down) are availabe, + Touching the Bend up plate makes “WAVE B” loud whereas the Bend down plate makes “WAVE A" oud. + There may be no effects depending on the "MIX: BAL" setting. BEND: CUTOFF UP/DOWN Range: 0-99 “+ Offsets the cutoff frequency with “FIL: CUTOFF” by touching the Bend up/down plate, Additional 2 “fixed” settings (for bending up and down) are available. + Touching the Bend up pate sete cutoff Requency to igh whereas the Bend down plate ses ow. + There may be no effects depending on the “FIL: CUTOFF” setting. Moreover, a very large value for the Bend down plate may set the frequency very low; It makes no sound playback. BEND: RESONANCE UP/DOWN Range: 0-99 *+ Offsets the resonance with “FIL: RESONANCE” by touching the Bend up/down plate. Additional 2 “fixed” settings (for bending up and down) are available. * Touching the Bend up plate makes the resonance large whereas the Bend down plate makes small, + There may be no effects depending on the “FIL: RESONANCE” setting, 462.3.11 SOUND LEVEL SOUND LEVEL SOUND LEVEL :99) Range: 0-99 + Determines the final volume of the sound. + Use this parameter to finally adjust the volume balance among sounds from sound banks because each sound volume may vary depending on how you create or edit that sound, 2.3.12 LABEL LABEL TMVOSOUNDooo + Gives the curent sound a name within 12 characters. + See page 26 for more information. 47Triggers Each sound created on the EWI2030mis played back using the trigger type assigned by “TRIGGER” in “WAVE A" or “WAVE B” parameter group. You will select the “SINGLE” setting for normal instrumentation. Otherwise, for non-legato or staccato, you can choose the “MULTI” setting. However, ‘you sil need to read the following for best use of that parameter [Single Trigger] ‘With “SINGLE” selected, esch time you blow into the mouthpiece (playing non-Legat), the wave sample willbe played back from the beginning in anew envelop, — AN: star point ofthe breath EX: end point of the breath Do-aRe—oMi preara SLO IN EXON x “Do” Mi WAVE {Ifyou continuously blow into the mouthpiece (playing legato) to hold the first envelope tthe sustain evel, ‘you can play out notes (change pitches) inthe single playback ofthe wave sample, —— IN: stat point of the breath EX: ond point of the breath ‘Step 1:_ Selecta sound to assign a chord, in Sound mode. ‘Step 2: Press the EDIT button to enter Edit mode; Consecutively press the MIDI burton CHRD? OFF Step: Select a preset chord by turning the DATA knob clockwise. If you make a chord as you wish, 010 step 4 CHRD? Cm Step 4: Step 5: Toseta chord element: Move the arrow cursor by turning the DATA knob clockwise; Press and hold he MIDI button; Select chord element as an interval from the base note (played note) using, the DATA knob. Repeat this operation as necessary (up to 4 elements). Each chord element is assigned within a range of ~12-+12 (0: played note); +12” means one octave up, and "-12" one octave down from the base note. Refer to the following illustration When you assign a chord Intra from Base Note (x. mile C) Ct octme up)Ifyou need just 2 notes forthe chord, set blanks (--) for the 3d and 4th notes. If programming 3 motes, set the blank to the dth note. You can find and select the blank next o"’-12" by turning the DATA key withthe MIDI button held down, + Programming Examples for typical chord patterns seh ath te harmony Bente ste union[Preset Chords] CHRD? G2+4:+72 412 CHRD! Gr44z472 +10 Cr CHRD! Gr43e77 +12 CHRD! Gr43:+72 410 Cnr CHRD? Oreaisrisil) Coa CHRD? Gr+414+92—— : = CHRD? @245:-H0:—— - = CHRD? Gr+4:4+e: - = (CHRD? Gr+di+er49 CHRD? G24+32 +6: 410 CHRD? G:43:441—— CHRD! G19: = OCTAVE + 62D MIDI Applications 3.4.1 ‘So far we have explained the MIDI functions ofthe EW13030m. Here you have some practical examples applied with those functions. Playing with an External MIDI Sound Module ‘You can synchronously control an extemal sound module and the EW13030m from the EWI3020 controller. {Usea MIDI cable to connect the MIDI OUT on the EW13030m tothe MIDIIN on the external MIDI sound ‘module. Also use a mixer to connect the LINE OUTs of both instruments if you need a well-belanced sound. DIN Mipi our ‘MIDIsound module ve our [amor : Required settings inthis application are; matching the transmission channel on the EW13030m and the ‘reception channel onthe extemal MIDI sound module; arranging sounds (voices) on both instruments to Selecta desired combination by a single program change from the EW13030m (especially when mixing ‘them using a mixer). You should remember that you can even control the external MIDI sound module using the breath (using control change assigned), pitch bend change, glide, ete, from the EW13020 controller. {2 Forthis application, you shoud care about parameters regarding pitches — master tuning, pth bend ranges, et. ‘on both instruments 623.4.2. Playing with a processed EXT.IN sound {f you inputanexteral sound (line evel) to the EXT. IN jack on the EW13030mrearpane!, you can process ‘using te filter, amplifier, and modulations on the EW13030m and play it dynamically by the EW13020 controller. ‘Step 1: Connect the units with 2 MIDI cable and two audio cables (standard phone plugs). Tr fune our laapt our MIDI sound module ive our Step 2: Match the transmission channel ofthe EW13030m and the reception channel ofthe MIDI sound module. ‘Step 3:_Selectthe sound bank #128 for an audio inpat from the EXT.IN jack. Now the LINE OUT signal ‘from the MIDI sound module is ready to be input to “A-B MIX". [brand } 1 ND esx of rarer LP seen LJ revere Mine our WAVEB a na Step 4: Adjustthe input level ofthe EXT-IN using the EXT.INknob on the front pane! ofthe EW13030m. For example, Select “SQUARE” (or other wave of large output level) for “WAVE B”; Set the volume balance as “MIX: BAL A50-50B"; Adjust “audible” volume of “WAVE A” (input sound) and “WAVE B” to be equal, using the EXT.IN knob, ‘E When adjusting the EXT. ave, eso agus the output ave onthe MIDI sound madule, Do rot un up ne level so ‘much aso isto the sound. Step 5: ‘Try playing on the controller. You can have a sound breath-contzolled because the sound bank {#128 is appropriately programmed with “BREATH FILTER: 90”, ete, You can adjust “FIL: CUTOFF” or “FIL: RESONANCE”, for variations of the tone. Use the EXT.IN jack skillfully o play voices from external MIDI-compatible synthesizers ot digital ‘samplers for richer expression. 633.4.3 Using the EWI3030m as a MIDI Slave ‘Basically, the EW13030m operates withthe EWI3020 contoller. So previous applications are described jn use of the EW13030m as a MIDI master that contols other MIDI devices. Here described is, however, nother application in use of the EW13030m as a MIDI slave module under control of an external MIDI keyboard, etc. This application may require several adjustments of parameters to make most ofthe sound Step 1: Use a MIDI cable to connect the MIDI OUT on the MIDI keyboard and the MIDI IN on the EWT3030m. Also connect both instruments to the mixer or amplifier. If necessary, you can ‘connect the MIDI THRU on the EWI3030m and the MIDI IN on another slave instrument for ‘multiple performance, {2 inthis appication, you should notconnect he £3020 othe EWI2030m. Mf he mt-pn cables connected to the INSTRUMENT IN jack on the EWIS0SOm, you cannot contol the module fom the external MID! contol ‘MuDIour iD keyboard ceases gare] Oo faa Do nt cnc! he EWIB020. uNe OUT une our ‘Step 2: Match the reception channel of the EW13030m and the transmission channe! of the MIDI keyboard. . Step 3: Setprogram change to enable status (“RX PRG CHNGE ON"), pitch bend range ("BEND:A UP DOWN” & “BEND:B UP DOWN"), etc., according to the master. Then, try playing. {¢ Fortis potato, you shoud care about paramaters regarding pitches-—mastr tuning, pitch bendrenges, 6, on bot instruments Even when using the EW13030m asa slave module ofan external MIDI master, it stil offers versatility If you play the MIDI keyboard using a modulation wheel or after touch function, the EW13030m will answer it with “BREATH=MOD WHEEL" or “BREATH=PRESSURE”, as controlied by the EW13020. ‘This application is very useful when you make sounds mainly forthe MIDI keyboard, to mix the sound ‘from the EW13030m. ‘These three examples are typical applications in use ofthe EW13030m in MIDI connection. However, possible MIDI applications still remain; If you connect MIDI sequencer tothe EW13030m's MIDI OUT, ‘you ean record your performance onthe EW13020 controler, along with polyphonic MIDI notes as chords Tis you that find your own way and make best of the EW1 system.ED Handling Bulk Data ‘The following operations allow for transferring sound data in sound banks berween the EW13030m and another EW13030m, MIDI recorder, etc, as MIDI system exclusive messages. {Bulk Dump] ‘Step 1:_ In Sound or Program mode, press the MIDI button 1 enter MIDI mode: While holding the MIDI bbutton, tum the DATA knob torecall the following screen: Setup the MIDI recorder. Also make sure the MIDI connection (from the EW13030m's MIDI OUT to the recorder’s MIDI IN) BULK DUMP GO Step: Tuming the DATA knob clockwise starts bulk dump; The sereen will change as follows Data Sending. ‘Step 3: When the data transfer is complete, the display shows the previous screen, ‘£ Buk dump is possible n a MDI connection rom the EWI3020m to the recorder, wi a single MDI cable [Verifying Bulk Data] ‘You can check whether the bulk dats has been corectly recorded or not, using tis function Step 1: Connect the EW13030m's MIDI IN and MIDI recorder's MIDI OUT with a MIDI cable. Step 2: In MIDI mode, turn the DATA knob to recall the following screen. Set up the MIDI recorder for data transfer. BULK URIFY READY Step 3: Start data transfer on the MIDI recorder. When the EWI3030m receives that dat, the display shows the following screen. Data Verifu... ‘Step 4: When the verification is complete, the display shows the following sereen. Verify OK * Ifthe display shows the following screen, check the MIDI connection and redo verification, Incase the display shows the same message again, you should redo from “bulk dump” operation. Verify Error |![Bulk Load] Step 1: Connect the EW13030m's MIDI IN and MIDI recorder’s MIDI OUT with a MIDI cable; While holding the MIDI button, tum the DATA knob to recall the following screen. Setup the MIDI recorder for data transfer. : BULK RECIV READY ) ‘Step 2: Start data transfer on the MIDI recorder. When the EW13030m receives that data, the display shows the following screen, Data Receiving. . ‘When the data transfer is complete, the display shows the previous screen, * Ifthe display shows the following sereen, check the MIDI connection, Turn the BW13030m off, then (on, and redo data transfer. Receive Error !!Appendix I: Preset Sound List S01: Trumpet 1 S02: Trumpet 2 ‘803: Mute Tp 1 ‘S04: Mute Tp 2 S05: Piccolo Tp ‘S06: Plunge Tp S07: Trombone 1 ‘$08: Trombone 2 809: Mute Tb 10: Flugethom ‘811: Soft Flugel ‘812: French Horn 813: Comet 1 814: Comet 2 S15: Solo Bugle S16: Brass Sect S17: Synth Brass S18: Soprano Sax S19: Alto Sax 1 ‘820: Alto Sax 2 S21: Tenor Sax 1 ‘822: Tenor Sax 2 $28: Soft Tenor ‘S24; Baritone Sax ‘825: Grr Sax S33: S34: 895: 836: s37: 38: 839: S40: sat $42: $43: S44: S45: S46: 47: S48: 49: 850: $51 52: 53: 354: 855: 60: se S62: $63: S64: Pan Flute 2 ‘Shakuhachi Reed Reed Organ Harmonica Panpipe 1 Panpipe 2 Chiff Pipe Chiff Ft Chiff Str Blow Bottle ‘Arab Oboe Bagpipes Bucket Mute ‘Shanai Flute Vox Fuzz Guitar 0D Gultar F.B. Guitar ‘5th Guitar FB. Guitar Kokyu Fiddle : Bowed Glass Bell Attack Attack Flute ): Breath Vox Breathy FI : Vox Wave Digi Bow Spike Lead Blow Lead S65) S66: 67: 68: 69) 870: 871 872: 873; 874; S75: S76: S77: S78: 879) 880: 81 a2; 883i saa: sa5: 86: a7: sae: a9: 890: sot: 92: $93: 894: 895: 896: Mix Tp Solo Violin Strings Slap Bass Pil Teagum Breath Flute ‘Analog Lead Synth Tp Reso Bass Synth Sax Ocarina ‘Analog Horn Breathy Horn Whistle Homes Stack Mute Stack Sax Soft Guitar Mad Bass Oct Lead Synth Lead Chit Vox Harmo Lead Sax Section Breathy Lead Crazy Lead Soft Hom Fluty Hom Square Lead Saw Lead DelicateHorn 897: 898 S99: 100: 101 102: 103: 104; 105: 108: 107: 108: 109: 110: an: we: 113: 114: 115: 16: 47: 118: 119: 120: 121 122: 123: 124 125: 128: 127: 128: : SQUARE Soft Reed Tb Section Pipe Lead Chameleon Tp Easy Tp Easy Mute Tp Easy T.Sax Easy T.bone Easy Violin Easy Guitar Easy Kolyu Easy Flute Easy Harmoni Easy Voice Oct Horn Spike Pipe Stack Bass ‘Synth Harmon, (Oct Guitar Vox Strings Attack Lead Oct Reed Shaku Lead sth Lead TRI SAW LAMP ExteTp ExtsPipe ExteGuitar EXT.IN + Sound banks #125~128 provides settings forthe EXT-IN sound. See page 63 for more information, If playing the EW13030m from the extemal MIDI keyboard, several sounds may not play out; As those sounds are created tobe breath-controlled from the EW13020, you need to adjust parameters regarding ‘breath. See “2.5.1 Controlling Sounds by Breath” on page 50 for details. 67Appendix II: Wave List ‘TRUMPET-1 TRUMPET-2 MUTE TP-1 MUTE TP-2 PICCOLO TP PLUNGE TP TROMBONE-1 TROMBONE-2 MUTE TB FLUGELHORN SOFTFLUGEL FRENCHHORN CORNET-1 CORNET-2 SOLO BUGLE BRASS SEC ] SYN Brass | SOPRANOsAX | ALTO SAX ALTO SAX-2 TENORSAX-1 TENORSAX-2 SOFT TENOR BARITONSAX GRP-SAx 080 ENGLISHHRN BASOON CLARINET PICCOLO FLUTE PANFLUTE-1 REED ‘SHANAI PANFLUTE-2 ‘SHAKUHACHI REED ORGAN HARMONICA PANPIPE-1 PANPIPE-2 CHIFF PIPE CHIFF FL CHIFF STR. BLOWBOTTLE ARAB OBOE BAGPIPES BUCKETMUTE FLUTE VOX FUZZ WAVE op euITAR DIST GTR FEEDBACK-1 FEEDBACK-2 KOKYU FIDDLE BOWEDGLASS. BELLATTACK BREATHNOIZ BREATH VOX BREATHY FL VOX WAVE DiGi BOW SPIKE WAVE BLOW WAVE TP ATTACK VIOLIN STRINGS SLAP BASS PILI TEAGUM TAI SAW LAMP SQUARE SINE EXTAN + “EXT-IN" is available only for “WAVE A” Appendix III: Reverb List ith “MIX: 2WAVE MODE" selected. Reverb Name | Rev.Time(sec) Reverb Name | Rev.Time(sec) Salli 05 Room 1 15 SMALL [~S.Hall> 10 Lance [7 Loom? 25 HALL [S.Hall3 15 ROOM [~L-Room 3 30 SHall4 25 Room 4 40 Lalit 12 PlateA 1 os LARGE |" CHall2 20 PLATE | PlateA2 08 HALL [Halls 35 A Platea S| 12, Hall 4 50 Platea 4 18 ‘S.Room 7 os Plated 1 15 SMALL [~S.Rloom 2 os PLATE |" PiateB 2 20 Room [~S.Room & 12 8 Plated 3 25 ‘S.Room 4 18, PiateB 4 30Specifications + Sound Parameters [BREATH BREATH FILTER BREATH VOLUME wave a} A: WAVE ‘A:GLIDE WAVE AVTUNE ‘A: KEY TRANSPOSE ‘A: STRETCH CURVE A BREATH PITCH 1X PULSE WIDTH DUTY ‘Ac BREATH PW ‘A: SAMPLE VELOCITY START A:DECAY ‘A: DECAY KEY FOLLOW A TRIGGER WAVE) BEWAVE B-OLIDE WAVE. B:TUNE 2: KEY TRANSPOSE B: STRETCH CURVE B: BREATH PITCH 3B: PULSE WIDTH DUTY B: BREATH PW B: SAMPLE VELOCITY START B:DECAY B: DECAY KEY FOLLOW B: TRIGGER eM) ‘MIX: WAVE MODE MIX: KEY FADE MIX: BALANCE MIX: BREATH BALANCE MIX: BREATH START MIX: KEY FOLLOW (FLTER] FIL: CUTORE FIL: CUTOFF KEY FOLLOW FIL: RESONANCE. FIL: RESONANCE BREATH FIL: RESONANCE KEY FOLLOW (REVERS SELECT] REVERB REVERB DEPTH REVERB BREATH eM + MIDI Parameters ENV. ATTACK axCHANEL EW: DECAY TACHA ENV: VELOCITY AX PROGRAM CHANGE ENV: KEY FOLLOW TX PROGRAM CHANGE ENV: DECAY CURVE mete EXV TRIGGER fuse EXvesrrcH A veo, ENvorrrcn 8 Cane) EXVSPULSE WIDTHLA BULK RECEIVE ENVOPULSE WIDTH 8 SULLY ENVOOMIX BALANCE SCNT + SENS Parameters key DELAY ‘wieRAro} vevocr ‘ip: prres a vinkato vio:PrrcH cue Vib: MIX BALANCE BEND vie: curor® DAR METER VIB RESONANCE feung) Cube: 4 ube: TM # GuDE LFOw cue ron CGLIDE:LFOPULSE WIDTH A, CGLIDE: LFO PULSE WIDTH (GLIDE: LFO MDX BALANCE (GLIDE: LFO CUTOFF GGLIDE: LFO RESONANCE [BEND] BEND: A URDOWN [SOUND LEVEL) SOUND LEVEL sey) LABELModel: -EWI3030m Authorized Sound Module for EWI3020 Wind Instrument Type Controller Type: Special Sensor-compatible Programmable Digital Synthesizer Voice: Monophonic Sound Source: 2.(70 PCM Waves, Triangle, Saw Tooth, Lamp, Square, Sine, Extn) Sound Memory: 128 (user programmable) Display: 16-character back-lt Liquid Crystal Display LEDs: BREATH, GLIDE, BEND Function Volumes: TUNE (#50 cents) VIBRATO BREATH (SENSE/ADJUST) GLIDE (TIME/ADJUST) BEND (WIDTHADIUST) EXTIN VOLUME Jog Dial: DATA Function Keys: REVERB (ON/OFF) = TRANSPOSE (12 steps; E-C-+D#) SOUNDIPROG SENS MIDI BREATH EDIT WAVEA WAVEB ABMIX FILTER REVERB SELECT LFO ENV VIBRATO GLIDE BEND SOUND LEVEL LABEL Terminals: INSTRUMENT IN/OUT (Authorized Multi-Pin Connector for EW13020 Controller) PROG UP/DOWN (6.3 mm Stereo Phone Jack) HEADPHONE (6.3 mm Stereo Phone Jack) LINE OUT L(MONO)IR (6.3 mm Mono Phone Jack) EXT.IN (6.3 mm Mono Phone Jack) ‘MIDI IN/OUT/THRU (DIN SP) Power Consumption: 120V AC 60Hz 18W for U.S.A. and Canada 220-240V AC SOHz for Europe and Australia Dimensions: 483(W) x 90.6(H) x 434(D) (Unit: mm) Weight: 64kg. Accessories: Operator's Manual AC Power Cable ‘B Above specifications and appearance are subject to change without notice. 70Troubleshooting + Nothing appears in the display after turning the EWI3030m on! © Check the EW13030m is connected to the AC outlet. © Check the AC outlet is connected to the AC mains, * No sound! © Check the amplifier or headphones are appropriately connected to the EW13030m, ® Check the EW13020 controller is appropritely connected to the EW13030m, © Check the VOLUME knob is tumed up. ° Check the BREATH knobs are appropriately adjusted. (See page 13,) + Endless sound! (Sound held on) * Check the BREATH knobs are appropriately adjusted. (See page 13.) * When the EW13030m is MIDI-connected as a slave, check the MIDI cable is appropriately ‘connected, * Cannot play from a MIDI keyboard! * Check the MIDI cable is appropriately connected. * Some sounds cannot be played as they ate. (See page 67.) * Out of pitch! * Readjust the pitch sing the TUNE knob. * Check the modulation settings. When the “WAVE” pitch is a modulation destination for any ‘modulation sources, the pitch is affected, nMIDI Implementation Chart Date : JULY. 1 1994 Version : 1.00 Function | Transmitted Recognized Remarks Basic Detautt | 1216 1-16 / OMNI Memorized Channel Changed 1216 1=16/ OMNI Detauit 3 4 ‘Mode Messages: x x ‘Altered ee Note 14 114¢71) 1a3t4 Number True Voice 0-127 Velocity Note on nH, vet- 127 ("2) | On, vet = 127 Note off nH, v=0- 127 | SnH, vaO/ Bn, v=0 - 127 Aker Keys x x touch chs ° ° (3) Pitch bender ° ° Contra! 1 ° ° ‘Modulation (*3) Change 2 ° ° Breath Controlier (*3) 7 ° ° Volume ("3) 5 ° ° Gide Time 6 au x Hold 65 ° ° Glide ON/OFF Program O11 128) Change True No. c ‘System Exclusive ° ° ‘System ‘Song position x x Common ; Song select x x Tune x x System: Clock x x Realtime : Commands x x ‘Aux Local ON/OFF x x ‘Messages: All Notes OFF ° ° ‘Active Sense x x Reset BS x Notes: (1): Transposed range is included, (C2): A spesitied fixed value (1~127) or values according to the breath, (9): Transferred as a message specified from 4 items. Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO 0: Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X: No SEE, 72Fig. 1 EXAMPLE OF ANTENNA GROUNDING ACCORDING TO NATIONAL ELECTRICAL CODE INSTRUCTIONS CONTAINED IN ARTICLE 810 ~ “RADIO AND TELEVISION EQUIPMENT" ENTRANCE. EQUIPMENT POWER SERVICE GROUNDING ELECTRODE SYSTEM {69 interior metal water pipe) BONDING JUMPER® 1. Use No. 10 AWG (5.3 mm#) copper, No. 8 AWG (8.4 mm?) alu- minum, No. 17 AWG (1.0 mm?) copper-clad steel or bronze wire, or larger, a8 a ground wire. antenna lead-in and ground wires to house with ‘stand-off insulators spaced from 4—6 feet (1,221.83 m) apart 3626821 ‘STANDOFF: INSULATORS? Mast ANTENNA, LEAD.IN WIRE ANTENNA, DISCHARGE UNIT TO EXTERNAL ANTENNA ‘TERMINALS OF PRODUCT ‘GROUND WIRES? ‘GROUND CLAMPS ‘OPTIONAL ANTENNA GROUNDING ELECTRODE DRIVEN 8 FEET (2.44m) INTO THE EARTH IF REQUIRED BY LOCAL CODES. SEE NEC SECTION 81021 (0. ‘¢. Mount antenna discharge unit lead-in enters house. close as possible to where 4. Use jumper wire not smaller than No. 6 AWG (13.3 mm’) ‘copper, or the equivalent, when a separate antenna- ‘Grounding electrode is used. See NEC Section 810-21 (). ‘905000010 910725-A Printed in JapanIMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC ‘SHOCK, OR INJURY TO PERSONS WARNING — When using electric products, basic precautions ‘should always be followed, Including the following: 1. Read instructions — All the safety and operating instructions ‘should be read belore the appliance is operated 2. Retain Instructions — The safely and operating instructions ‘should be retained for future reference. 3. Heed Warnings — All warnings on this appliance and in the opera- ting instructions should be adhered to. 4, Follow inetructions — All operating and use instructions should be followed. 5. Water and Moisture — This appliance should not be used near water for example, near abathtub, washbow/ kitchen sink, laundry ‘ub, in a wet basement, or near a swimming poo, and the ike 6. Carts and Stands — Donotpiace this appliance on an unstablecart, ‘stand ripod, bracket or table. The appliance may al, causing se ‘ous injury to'a child or adult and serious damage to tine appliance. Use only with acart stand, tripod, bracket, or table recommendedby ‘AKAI, or sold with the appliance. Any mounting of the appliance ‘shouid follow AKA's instructions, and should useamountingacces- ‘sory recommended by AKAl ‘a. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn, PORTABLE CART WARNING 851254 7. Wall or Celling Mounting — AKAI does not recommend mounting {his appliance on a wall or from a celling. 8. Ventilation — This appliance should be situated so thats location ‘0F position does not intertere with ts proper ventilation. For example ~ the appliance should not be situated on a bed, sofa, rug, or similar ‘surface that may block the ventilation openings: or placed in abult- in situation, such as a book case or cabinet thal may impede the flow ‘fair through the ventilation openings. 9. Heat ~ This appliance should be situated away from heat sources ‘such as radiators, heat registers, stoves, or other appliances (includ ing amplifiers) that produce heat 110.Power Sources — This appliance should be connected toa power ‘supply only of the type described in the operating instructions or as ‘marked on the appliance. fyouare not sure ofthe ype of power sup ply to your home, consul your appliance dealer o local power com- ‘pany. For appliances intended to operate from battery power, or ‘other sources, refer to the operating instructions. 111.Polarization — i the appliance is equipped with a polarized alter ‘nating-current line plug (a plug having one blade wider than the ‘other), this plug wil it into the power outlet only one way. This is & safety feature. if youre unable toinger the plug fully intathe outlet, {ty reversing the plug. I the plug should stil fal to Mt, contact your ‘electrician to replace your obsolete outlet. Do not defeat the salety ‘purpose of the polarized plug. "¥2.Grounaing—tne applances equipped win ag-wre grauning ‘type plug, a plug having a third (grounding) pn, this plug will only ft into agrounding-type power outlet. Thisisasafety feature. f'you are ‘unable to insert the plug nto the plug into outlet contact your electi- cian to replace your obsolete outlet. Do not defeat the safety pur- pase of the grounding-type plug. 18, Power Cord Protection — Power supply cords shouldbe routed so ‘that they are not likely to be walked on Or pinched by items placed ‘upon or against them, paying particular attention to cords af plugs, Convenience receptactes, andthe point where they exit from the ap- pliance. 14.Protective Attachment Plug — the appianceis equipped with an ‘attachment plug having overload protection, caution marking willbe provided onthe appliance or instruction manual. Tisisasaety fear {ure, See the instruction manus for replacement or reseting ofthe protective device replacement o the plug is required, be sure the ‘Service technician has used a replacement plug spectid by AKA, ‘which has the same overioad protection as the orginal plug 18.Cleaning ~ Unplug this appliance from the wallouiet betoreclean- ing. Do net use quid cleaners o aerosol cleaner Use a damp cath for cleaning. The appliance should be cleaned only as recom mended by AKA. 16.Power lines — An outside antenna system should not be located in the vichityof overhead powerlines or other electric light or power Creu, or where ican fallinto such powerlines or crcutts When I~ Stalin an outside antenna system, extreme careshouldbe taken to keep from touching such power ines orecuitsascontactwith them ight be faa 17.Outdoor Antenna Grounding — fan outside antonnaoréable sys ‘emis connected othis appliance, besuretheantennao cablesys- tom is grounded so as 10 provide some protection against voltage surges and buit-stac charges, Section 810 ofthe National Elect cal Code ANSI/NFPA No 70-1984, provides information with re- pect to proper grounding of the mast and. supporting struc- {uresgrounding of he lead-in wire to an antenna discharge uni, size of grounding conductor, location of antenna-discharge unit, con- ‘ection to grounding electrodes, and requirements forthe ground- ing electrode. See Figure 1 ‘18.Lightning or Nonuse Periods — For added protection for this ap- ‘lance during lightning storm, or when itslef unattached for long Periods ote, unplugit om te walloutlet ana disconnect the an- fenna or cable system, This will prevent damage to the appliance due toightring and power-surges 19.0bject and Liquid Entry — Nover push objects of any kndintothis ‘appance through openings as they may touch dangerous vlage ints or short-out pants that could result in afr or electric shock. Never spl quid of any kind onthe appliance 20,Damage Requiring Service — Unplug his appliance fom the wall ‘outlet and reler servicing to qualied service personnel unde the following conditions: ‘a When the power-supply cord or plug is damaged i. Miguid has been spied, or objecshavefalenntothe appliance, the appliance has been exposed to rain or water. 4 tthe appliance does not operate normaly by folowing the oper- ating instructions. Adjust ony nose conls that ae covered by ‘the operating instructions as an mmproper adjustment of other controls may result in damage and wil often require extensive ‘work by aqualied technician torestoe the appliance tts nor- imal operation. «: Ifthe appliance has been dropped othe cabinet has been dam- aged. {. When the appliance exnitits a distinct change in perormance ~ tis incicates a need fr service. 21.Servicing — Do not attempt to service this appliance yourself as ‘opening or removing covers may expose you to dangerous voltage or other hazards. Refer al servicing to qualiied service personnel 22.Attachments — Do not use attachments not recommended By ‘AKA a they may resultin the risk offre, elactic shock, or nury%0 persone, 123,Overloading —Donot overload wall outlets and extension cords as ‘this can result in a risk offre or electric shock. ‘24.Rleplacement Parts — When replacement parts are required, be ‘sure the service technician has used replacement parts specified by ‘AKAl that have the same characteristics as the original par. Unauth- ‘rized substitutions may result in fire electric shock, or injury to per- sons, 25.Safety Check — Upon completion of any service orrepairtothisap- ;liance, ask the service technician to perform routine safety checks {0 determine that the appliance isin safe operating condition. '28.This product, either alone or in combination with an amplifier and headphones o speakers may be capable of producing soundlevels that could cause permanent hearing loss. Do not operate for along Period of time at a high volume level or ata level that is uncomfort- able. you experiance any hearing loss or ringing in the ears, you should consult an audiologist.AKAI ELECTRIC CO., LTD. Electronic Musical Instrument Div. 40818 Printed in Japan