MUSC

311 Exam 2: Terms

Terms and Concepts
(Polyphonic) Chanson
Formes fixes
Virelai
Rondeau
Ballade
Endings
Ouvert
Clos

Trecento
Ballata
Caccia
Landini cadence

Ars subtilior

Papal schism (1378-1417)
Renaissance
Humanism

Faburden
Fauxbourdon
Contenance Angloise
The Burgundian School/Style (International/Cosmopolitan Style)

The Mass Ordinary Cycle
Cantus-Firmus Mass
Canon Mass
Mensuration canon
Paraphrase Mass
Parody/Imitation Mass
Missa sine nomine

Voicing
Superius
Altus
Tenor
Bassus

Harmonices Musices Odhecaton (1501)

Point of imitation
Dodecachordon (1547)

1
Twelve-mode system
New Modes
Ionian Hypoionian
Aeolian Hypoaeolian
Music as Rhetoric

Reformation
Protestantism
95 Theses
Lutheranism
Calvinism
Chorale
Meistersinger
Bar form
Church of England
Act of Supremacy (1534)
Anthem
Council of Trent (1545-1563)
Counterreformation
1562 Canon on Music to be Used in the Mass
The Palestrina Style

Key Players
Guillaume de Machaut (1300-1377)
Francesco Landini (1325-97)
John Dunstable (d. 1453)
Binchois (ca. 1400-1460)
Guillaume Du Fay (ca. 1397-1474)
Jean de Ockeghem (ca. 1420-1497)
Josquin Desprez (ca. 1450-1521)
Ottaviano Petrucci (1466-1539)
Heinrich Glareanus (1488-1563)
Martin Luther (1483-1546)
Jean Calvin (1509-1564)
Henry VIII (1491-1547)
William Byrd (1543-1623)
Ignatius Loyola (1491-1556)
Giovanni Pierluigi da Palestrina (1524-1594)
Tomas Luis de Victoria (1558-1611)