DISCO!

An Interdisciplinary Conference
University of Sussex
21-23 June 2018

From its origins as a New York City subculture amongst gay, black and Latino/Latina
practitioners, and its transition into the mainstream, to its subsequent lives across
international scenes, disco poses pivotal questions about the entanglements of art,
industry, identity, and community. Disco is the site of many significant and lasting
debates in popular culture, including those surrounding the figures of the DJ and the
diva, the status and significance of dancing bodies, the tension between what is
authentic and what is synthetic, and the historic maligning of societys others.

This major interdisciplinary international conference aims to examine and expand these
debates. We therefore invite researchers from a range of academic backgrounds to
re/consider disco cultures in their shifting historic and social contexts. We hope to
explore disco as a tentacular phenomenon that reaches across multiple sites of
production and consumption, from music and dance to fashion and film.
Keynote Presentations by:
Melissa Blanco Borelli (Royal Holloway, University of London)
Tim Lawrence (University of East London).

We welcome proposals for conference papers of 20 minutes but also for pre-
formed panels, roundtable discussions, or formats that allow for the presentation
of praxis (installations, lecture performances, for instance).

Please send a 300-word abstract, along with a short biography and indication of
the format of your proposed presentation to: disco@sussex.ac.uk by Friday 2
March 2018.

Potential points of entry:

Disco as interdiscipline: music, dance, film, fashion, culture, fandom

Disco as place: Disco reaches beyond its NYC origins. How has disco travelled? What
are its different geographic and cultural contexts?

Disco as space: What kinds of spaces are explored by disco - its dancefloors, its clubs,
its streets, its towns?

Disco as identity: Discos queerness, discos blackness, discos Latino/a-ness, discos

women. Who made disco and for whom was it made? What other disco populations
exist out there today? Considering discos appropriation by white-dominated culture.

Disco as history: Disco has outlasted its heyday in the 1970s. What were its historical
roots and what have been (and will be) its futures?

Disco as affect: sweat, strobe, glitter, ecstasy, sex, stamina

Death to disco: How has disco been attacked? Exploring backlash, homophobia,
racism, and rockism

Organisers:
Mimi Haddon (Lecturer in Music, School of Media, Film and Music)
Michael Lawrence (Reader in Film Studies, School of Media, Film and Music)
Arabella Stanger (Lecturer in Drama: Theatre and Performance, School of English)