Paper Marbling History in East Asia

An intriguing reference which some imagine could be a method of marbling is present in a compilation completed in 986 CE
entitled ???? (Wen Fang Si Pu) or "Four Treasures of the Scholar's Study" edited by the tenth century scholar-official ??? Su
Yijian (957-995 CE). This compilation includes data on inkstick, inkstone, ink brush, and paper in China, which might be
collectively called the 4 treasures on the review. The textual content mentions a form of attractive paper called ??? liu sha jian
which means “drifting-sand” or “flowing-sand notepaper" which was built in what's now the location of Sichuan.

This paper was created by dragging a chunk of paper by way of a fermented flour paste combined with different colours,
generating a totally free and irregular style. A 2nd variety was made using a paste organized from honey locust pods, blended
with croton oil, and thinned with drinking water. Presumably both of those black and colored inks have been employed. Ginger,
perhaps during the kind of an oil or extract, was used to disperse the colors, or “scatter” them, as outlined by the interpretation
provided by T.H. Tsien. The colours were being explained to collect with each other each time a hair-brush was overwhelmed in
excess of the look, as dandruff particles was applied to the look by beating a hairbrush around prime. The completed patterns,
which were considered to resemble human figures, clouds, or flying birds, ended up then transferred towards the floor of a sheet
of paper. An instance of paper adorned with floating ink has not been located in China. If the above mentioned techniques used
floating colours continues to be being established.

Su Yijian was an Imperial scholar-official and served since the chief on the Hanlin Academy from about 985-993 CE. He
compiled the do the job from the huge variety of previously sources, and was familiar with the topic, given his job. Yet it truly is
crucial to note that it is uncertain how personally acquainted he was with all the numerous procedures for building attractive
papers that he compiled. He more than likely described info supplied to him, devoid of owning a full knowledge with the
procedures employed. His initial source can have predated him by several generations. Until eventually the first resources that
he quotes tend to be more exactly established, can or not it's feasible to ascribe a business day with the manufacture of the
papers mentioned by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, can be a Japanese variant; the oldest example appears from the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Writer Einen Miura states which the oldest
reference to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son in the famed Heian era poet
Narihira (Muira 14). Many statements have been produced concerning the origins of suminagashi. Some imagine which could
have derived from an early type of ink divination. Yet another idea is the method could possibly have derived from a form of well
known amusement for the time, during which a freshly painted sumi portray was immersed into drinking water, and the ink
slowly but surely dispersed in the paper and rose into the area, forming curious patterns.

One particular unique has frequently been claimed since the inventor of suminagashi. In keeping with legend, Jizemon Hiroba
felt he was divinely inspired to create suminagashi paper immediately after he presented non secular devotions at the Kasuga
Shrine in Nara Prefecture. It can be claimed that he then wandered the nation looking with the best water with which to help
make his papers. He arrived in Echizen, Fukui Prefecture where he discovered the h2o especially conducive to making
suminagashi. So he settled there, and his household carried on along with the tradition to this day. The Hiroba Loved ones
promises to own designed this kind of marbled paper considering the fact that 1151 CE for fifty five generations.

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