NAME: COMMENTS: SCORE

DATE:

4 3 2 1 0
Tone / mf dynamic. Con- mf dynamic. Occa- mp dynamic, but mp or less dynamic, I can’t hear you. A
Sing out sistently connected sional isolated you stopped, start- but you stopped. complete attempt
to breath, appro- lapses in breath ing again each You attempted to was not made.
priate space and connection, space, time. Frequent start again but could
brightness. and/or brightness. and/or repeated not. Generally lack-
lapses in breath ing breath connec-
connections, space, tion. Minimal space
or brightness and/or brightness.

Solfège No more than one No more than three More then two mis- More than four mis- Too many mistakes
/ Cur- or two mistakes or four mistakes takes were made, takes were made, were made to iden-
wen were made and were made and but were not cor- but were not correct- tify the intended
Hand immediately cor- immediately cor- rected. ed. solfège syllables.
Signs rected. rected.

Pitch No more than one No more than three Correct for at least Correct for the first Incorrect from the
or two mistakes or four mistakes one measure. Lat- few notes. Later first notes. No tonal
were made and were made and er intonation is rela- intonation is not rela- center (“Do” or ton-
immediately cor- immediately cor- tive to mistake. tive to mistake. ic).
rected. rected.

Rhythm Consistent beat. Consistent beat. Consistent beat Consistent beat for Inconsistent or no
Only one or two Three or four mis- maintained, despite one to two measure. sense of beat.
mistakes that were takes that were mistakes with spe- Beat becomes in- Rhythms not dis-
immediately cor- immediately cor- cific rhythms. consistent. cernable.
rected or identified. rected or identified.

NAME: COMMENTS: SCORE

DATE:

4 3 2 1 0
Tone / mf dynamic. Con- mf dynamic. Occa- mp dynamic, but mp or less dynamic, I can’t hear you. A
Sing out sistently connected sional isolated you stopped, start- but you stopped. complete attempt
to breath, appro- lapses in breath ing again each You attempted to was not made.
priate space and connection, space, time. Frequent start again but could
brightness. and/or brightness. and/or repeated not. Generally lack-
lapses in breath ing breath connec-
connections, space, tion. Minimal space
or brightness and/or brightness.

Solfège No more than one No more than three More then two mis- More than four mis- Too many mistakes
/ Cur- or two mistakes or four mistakes takes were made, takes were made, were made to iden-
wen were made and were made and but were not cor- but were not correct- tify the intended
Hand immediately cor- immediately cor- rected. ed. solfège syllables.
Signs rected. rected.

Pitch No more than one No more than three Correct for at least Correct for the first Incorrect from the
or two mistakes or four mistakes one measure. Lat- few notes. Later in- first notes. No tonal
were made and were made and er intonation is rela- tonation is not rela- center (“Do” or ton-
immediately cor- immediately cor- tive to mistake. tive to mistake. ic).
rected. rected.

Rhythm Consistent beat. Consistent beat. Consistent beat Consistent beat for Inconsistent or no
Only one or two Three or four mis- maintained, despite one to two measure. sense of beat.
mistakes that were takes that were mistakes with spe- Beat becomes in- Rhythms not dis-
immediately cor- immediately cor- cific rhythms. consistent. cernable.
rected or identified. rected or identified.