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"Drug and Disease Free." this is often found in online personals ads -- especially for casual sex.

"I am 24, 5'10", size 6, pretty, fun, non-smoker, social drinker, love to laugh. I'm looking for a man to
play with. Age and weight are not important, just be taller than me, funny and DDF."

#clean#sober#drug-free#disease-free#eligible

by Scooterams October 11, 2005

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DDF

DDF or Daily Dose of Frank


(Original - Dnevna doza Franje (Croatian))
For when you have a friend in group who just has random outbursts of unrelated, fairly stupid
comments or jokes and after a while you become used to it and call such phenomenon - DDF.

It's also appliable for when someone else has stupid remark and you call it DDF in respect to Franjo, the
ultimate redneck.
(in original his name is Franjo which is croatian for Frank - and therefore "Daily Dose of Frank")

Out of the blue, unrelated he says something like

Frank: "If someone threatened you with a gun, what would you do? - suck him off"
Everyone: "hahaha, DDF!"
-----------------------------
Original:
Franjo: "da ti neko prijeti s pištoljom kaj bi mu napravil ? - popušil bi mu kurac"
Svi: "Hahaha, DDF!"
------------------------------
Frank: "Shit on me my pidgeons, shit!"
(Original Franjo: "Serite po meni golubovi moji, serite")

#ddf#dnevna doza franje#daily dose of frank#franc#daily dose of franjo

by bloodalpha August 18, 2014


117164

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ddfsex

Acronym: Distant Distortion Factor


When a girl looks damn good farther away, but really is a skank whore up close.

aiken - Man, check out that girl.


tommy da cat - Dude, that's a guy.
aiken - shit, ddf

by tommy da cat October 21, 2002

309567

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DDFsex

Dick Don't Fit.


Simple. When a guys dick doesn't fit in a girls pussy cause she's just too tight.

"Babe it's just not going to fit"


"ugh fine DDF"

#dick#don't#fit#pussy#ouch
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Spirited Away (Japanese: 千と千尋の神隠し Hepburn: Sen to Chihiro no Kamikakushi, "Sen


and Chihiro's Spiriting Away") is a 2001 Japanese animated fantasy film written and directed by
Hayao Miyazaki and produced by Studio Ghibli.[6] The film stars Rumi Hiiragi, Miyu Irino, Mari
Natsuki, Takeshi Naito, Yasuko Sawaguchi, Tsunehiko Kamijō, Takehiko Ono, and Bunta
Sugawara, and tells the story of Chihiro Ogino (Hiiragi), a sullen ten-year-old girl who, while
moving to a new neighborhood, enters the spirit world. After her parents are transformed into
pigs by the witch Yubaba (Natsuki), Chihiro takes a job working in Yubaba's bathhouse to find a
way to free herself and her parents and return to the human world.

Miyazaki wrote the script after he decided the film would be based on the 10-year-old daughter
of his friend, associate producer Seiji Okuda, who came to visit his house each summer.[7] At the
time, Miyazaki was developing two personal projects, but they were rejected. With a budget of
US$19 million, production of Spirited Away began in 2000. During production, Miyazaki
realized the film would be over three hours long and decided to cut out several parts of the story.
Pixar director John Lasseter, a fan of Miyazaki, was approached by Walt Disney Pictures to
supervise an English-language translation for the film's North American release. Lasseter hired
Kirk Wise as director and Donald W. Ernst as producer of the adaptation. Screenwriters Cindy
Davis Hewitt and Donald H. Hewitt wrote the English-language dialogue, which they wrote to
match the characters' original Japanese-language lip movements.[8]

The film was theatrically released in Japan on 20 July 2001 by distributor Toho, and became the
most successful film in Japanese history, grossing over $289 million worldwide and receiving
widespread critical acclaim. The film overtook Titanic (at the time the top-grossing film
worldwide) in the Japanese box office to become the highest-grossing film in Japanese history
with a ¥30.4 billion total. Spirited Away is frequently ranked among the greatest animated
films.[9][10][11] It won the Academy Award for Best Animated Feature at the 75th Academy
Awards,[12] making it the only hand drawn animated film and Japanese animated film to win best
animated film; the Golden Bear at the 2002 Berlin International Film Festival, tied with Bloody
Sunday; and is on the British Film Institute's list of "Top fifty films for children up to the age of
14".[13]

In 2016, it was voted the fourth best film of the 21st century as picked by 177 film critics from
around the world, making it the highest ranking animated film on the list.[14] It was also named
the second "Best Film of the 21st Century So Far" in 2017 by the New York Times.[15]

Contents
 1 Plot
 2 Cast
 3 Production
o 3.1 Development and inspiration
o 3.2 Music and soundtrack
o 3.3 English adaptation
 4 Themes
 5 Release
o 5.1 Box office and theatrical release
o 5.2 Home media
 6 Reception
o 6.1 Critical response
o 6.2 Accolades
 7 See also
 8 References
 9 Further reading
 10 External links

Plot
Ten-year-old Chihiro Ogino and her parents are traveling to their new home when her father
takes a wrong turn. They unknowingly enter a magical world that Chihiro's father insists on
exploring. While Chihiro's parents began to devour the food at an empty restaurant stall, Chihiro
finds an exquisite bathhouse and meets a young boy named Haku who warns her to return across
the river before sunset. However, Chihiro discovers too late that her parents have turned into pigs
and she is unable to cross the flooded river, becoming trapped in the spirit world.

After finding Chihiro, Haku has her ask for a job from the bathhouse's boiler-man, Kamaji, a
spider yōkai commanding the susuwatari. Kamaji refuses work for her because he already has
soot spirits working for him; out of sympathy, he asks the worker Lin to send Chihiro to the
witch, Yubaba, who runs the bathhouse; Yubaba tries to frighten Chihiro away, but she persists,
so Yubaba gives Chihiro a contract to work for her which Yubaba takes her name and renames
her Sen (千). While visiting her parents' pigpen, Sen finds a goodbye card addressed to Chihiro
and realizes that she has already forgotten her name. Haku warns her that Yubaba controls
people by taking their names and that if she forgets hers like he has forgotten his, she will not be
able to leave the spirit world. Sen faces discrimination through the other workers who began to
treat Lin just as poorly. While working, Sen invites a silent masked creature named No-Face
inside, believing him to be a customer. A 'stink spirit' arrives as Sen's first customer. She
discovers he is the spirit of a polluted river. In gratitude for cleaning him, he gives Sen a magic
emetic dumpling. Meanwhile, No-Face tempts a worker with gold, then swallows him. He
demands food and begins tipping extensively. As the workers swarm him hoping to be tipped, he
swallows two other greedy workers.

Sen discovers paper shikigami attacking a dragon and recognizes the dragon as Haku
transformed. When a grievously-injured Haku crashes into Yubaba's penthouse, Sen follows him
upstairs. When she reaches Haku, a shikigami that stowed away on her back transforms into
Zeniba, Yubaba's twin sister. She transforms Yubaba's baby son, Boh, into a mouse, creates a
decoy baby and turns Yubaba's bird creature into a tiny bird. Zeniba tells Sen that Haku has
stolen a magic golden seal from her, and warns Sen that it carries a deadly curse. After Haku
dives to the boiler room with Sen and Boh on his back, she feeds him part of the dumpling,
which she intended to save her parents with, causing him to vomit both the seal and a black slug,
which Sen crushes with her foot.

With Haku unconscious, Sen resolves to return the seal and apologize for Haku. Before she
leaves the bathhouse, Sen confronts No-Face, who is now massive, and feeds him the rest of the
dumpling. No-Face chases Sen out of the bathhouse, steadily regurgitating everything he has
eaten. Sen, No-Face, and Boh travel to see Zeniba. Yubaba orders that Sen's parents be
slaughtered, but Haku negotiates freedom for Sen and her parents after revealing that Boh is
missing and offering to retrieve him. But if Sen fails Yubaba's final test, the deal will be broken.

Sen, No-Face and Boh meet with the now benevolent Zeniba, who reveals that Sen's love for
Haku broke her curse and that Yubaba used the black slug to control Haku. Haku appears at
Zeniba’s home in his dragon form and flies Sen and Boh to the bathhouse. No-Face decides to
stay behind and becomes Zeniba's spinner. In midflight, Sen recalls falling in her youth into the
Kohaku River and being washed safely ashore, thus revealing Haku's real identity as the Kohaku
River. When they arrive at the bathhouse, Yubaba forces Sen to identify her parents from among
a group of pigs in order to break their curse. After Sen answers that none of the pigs are her
parents, her contract combusts and she is given back her real name. Haku takes her to the now
dry riverbed and vows to meet her again. Chihiro crosses the riverbed to her restored parents,
who do not remember anything. They quietly walk back to their car (which is now covered in
dust) and drive away.

Cast
Japanese voice English voice
Character name
actor actor
Chihiro Ogino (荻野 千尋 Ogino Chihiro)/Sen (千 lit. "One-
Rumi Hiiragi Daveigh Chase
Thousand")
Haku (ハク)/Spirit of the Kohaku River (ニギハヤミ コハク
ヌシ Nigihayami Kohakunushi, lit. "god of the swift amber Miyu Irino Jason Marsden
river")
Yubaba (湯婆婆 Yubāba, lit. "bathhouse witch") Suzanne
Mari Natsuki
Zeniba (銭婆 Zenība, lit. "money witch") Pleshette
David Ogden
Kamaji (釜爺 Kamajī, lit. "boiler wizard") Bunta Sugawara
Stiers
Lin (リン Rin) Yumi Tamai Susan Egan
Tsunehiko
Chichiyaku (父役) Paul Eiding
Kamijō
Takehiko John
Aniyaku (兄役)/Assistant Manager
Ono[ja] Ratzenberger
Akio
No-Face (顔無し Kaonashi, lit. "faceless")
Nakamura[ja]
Bob Bergen
Tatsuya
Aogaeru (青蛙, lit. "frog")
Gashūin[ja]
Rodger
Bandai-gaeru (番台蛙)/Foreman Yō Ōizumi
Bumpass
Ryūnosuke
Boh (坊 Bō) (Baby) Tara Strong
Kamiki
Akio Ogino (荻野 明夫 Ogino Akio), Chihiro's father Takashi Naitō[ja] Michael Chiklis
Yasuko
Yūko Ogino (荻野 悠子 Ogino Yūko), Chihiro's mother Lauren Holly
Sawaguchi
River Spirit (河の神 Kawa no kami) Koba Hayashi[ja] Jim Ward
Radish Spirit (お白様 Oshira-sama, lit. "Great White Lord") Ken Yasuda[ja] Jack Angel

Production
Development and inspiration
I created a heroine who is an ordinary girl, someone with whom the audience can
sympathize. It's not a story in which the characters grow up, but a story in which they
draw on something already inside them, brought out by the particular circumstances. I
want my young friends to live like that, and I think they, too, have such a wish.
— Hayao Miyazaki[16]

Every summer, Hayao Miyazaki spent his vacation at a mountain cabin with his family and five
girls who were friends of the family. The idea for Spirited Away came about when he wanted to
make a film for these friends. Miyazaki had previously directed films for small children and
teenagers such as My Neighbor Totoro and Kiki's Delivery Service, but he had not created a film
for ten-year-old girls. For inspiration, he read shōjo manga magazines like Nakayoshi and Ribon
the girls had left at the cabin, but felt they only offered subjects on "crushes" and romance. When
looking at his young friends, Miyazaki felt this was not what they "held dear in their hearts" and
decided to produce the film about a girl heroine whom they could look up to instead.[16]

Writer and director Hayao Miyazaki used shōjo manga magazines for inspiration to direct
Spirited Away.

Miyazaki had wanted to produce a new film for years, but his two previous proposals (one based
on the Japanese book Kirino Mukouno Fushigina Machi, and another about a teenage heroine)
were rejected. Miyazaki's third proposal, which ended up becoming Sen and Chihiro Spirited
Away, was more successful. The three stories revolved around a bathhouse that was inspired by
one in Miyazaki's hometown. Miyazaki thought the bathhouse was a mysterious place, and there
was a small door next to one of the bathtubs in the bathhouse. Miyazaki was always curious to
what was behind it, and he made up several stories about it, one of which inspired the bathhouse
setting of Spirited Away.[16]
Jiufen, a town in Taiwan, is often cited as an inspiration for the spirit world's design.[17]

Production of Spirited Away commenced in 2000 on a budget of ¥1.9 billion ($15 million).[2]
Disney invested 10% of the cost for the right of first refusal for American distribution.[18] As
with Princess Mononoke, Miyazaki and the Studio Ghibli staff experimented with computer
animation. With the use of more computers and programs such as Softimage, the staff learned
the software, but used the technology carefully so that it enhanced the story, instead of 'stealing
the show'. Each character was mostly hand-drawn, with Miyazaki working alongside his
animators to see they were getting it just right.[2] The biggest difficulty in making the film was to
reduce its length. When production started, Miyazaki realized it would be more than three hours
long if he made it according to his plot. He had to delete many scenes from the story, and tried to
reduce the "eye-candy" in the film because he wanted it to be simple. Miyazaki did not want to
make the hero a "pretty girl." At the beginning, he was frustrated at how she looked "dull" and
thought, "She isn't cute. Isn't there something we can do?" As the film neared the end, however,
he was relieved to feel "she will be a charming woman."[16]

Dōgo Onsen
The Takahashi Korekiyo residence in the Edo-Tokyo Open Air Architectural Museum was one
of Miyazaki's inspirations in creating the spirit world's buildings.

Miyazaki based some of the buildings in the spirit world on the buildings in the real-life Edo-
Tokyo Open Air Architectural Museum in Koganei, Tokyo, Japan. He often visited the museum
for inspiration while working on the film. Miyazaki had always been interested in the Pseudo-
Western style buildings from the Meiji period that were available there. The museum made
Miyazaki feel nostalgic, "especially when I stand here alone in the evening, near closing time,
and the sun is setting – tears well up in my eyes."[16] Another major inspiration was the
Notoyaryokan, a traditional Japanese inn located in Yamagata Prefecture, famous for its
exquisite architecture and ornamental features.[19] While some guidebooks and articles claim that
the old gold town of Jiufen in Taiwan served as an inspirational model for the film, Miyazaki has
denied this.[20] The Dōgo Onsen is also often said to be a key inspiration for the Spirited Away
onsen/bathhouse.[21]

Music and soundtrack

The film score of Spirited Away was composed and conducted by Miyazaki's regular collaborator
Joe Hisaishi, and performed by the New Japan Philharmonic.[22] The soundtrack received awards
at the 56th Mainichi Film Competition Award for Best Music, the Tokyo International Anime
Fair 2001 Best Music Award in the Theater Movie category, and the 17th Japan Gold Disk
Award for Animation Album of the Year.[23][24][25] Later, Hisaishi added lyrics to "One Summer's
Day" and named the new version "The Name of Life" (いのちの名前 "Inochi no Namae")
which was performed by Ayaka Hirahara.[26]

The closing song, "Always With Me" (いつも何度でも Itsumo Nandodemo, literally, "Always,
No Matter How Many Times") was written and performed by Youmi Kimura, a composer and
lyre-player from Osaka.[27] The lyrics were written by Kimura's friend Wakako Kaku. The song
was intended to be used for Rin the Chimney Painter (煙突描きのリン Entotsu-kaki no Rin), a
different Miyazaki film which was never released.[27] In the special features of Japanese DVD,
Hayao Miyazaki explains how the song in fact inspired him to create Spirited Away.[27] The song
itself would be recognized as Gold at the 43rd Japan Record Awards.[28]

Besides the original soundtrack, there is also an image album, titled Spirited Away Image Album
(千と千尋の神隠し イメージアルバム Sen to Chihiro no Kamikakushi Imēji Arubamu), that
contains 10 tracks.[29]

English adaptation

Both Walt Disney Pictures and DreamWorks bidded for the US distribution rights.[citation needed]
Eventually, Disney won the rights to dub the English adaptation of Spirited Away, under the
supervision of Pixar animator John Lasseter. A Miyazaki fan, Lasseter would sit with his staff
and watch Miyazaki's work when encountering story problems, and at one point they did so with
Spirited Away, which impressed Lasseter.[30] Upon hearing his reaction to the film, people at
Disney asked Lasseter if he would be interested in trying to bring Spirited Away to an American
audience. Lasseter agreed to be executive producer for English adaptation. Soon, several others
began to join the project: Beauty and the Beast co-director Kirk Wise and Aladdin co-producer
Donald W. Ernst joined Lasseter as director and producer of Spirited Away respectively.[30]
Cindy Davis Hewitt and Donald H. Hewitt penned the English-language dialogue, which they
wrote to match the characters' original Japanese-language lip movements.[8]

The cast of the film consisted of Daveigh Chase, Jason Marsden, Susan Egan, David Ogden
Stiers, and John Ratzenberger. Advertising was limited, and Spirited Away was only mentioned
in a small scrolling section of their film page on Disney's official website. Disney had sidelined
their official website for Spirited Away,[30] and given the film a comparatively small promotional
budget.[18] Marc Hairston argues that this was a justified response to Ghibli's retention of the
merchandising rights to the film and characters, which limited Disney's ability to properly
market the film.[18]

Themes
Chihiro’s parents turning into pigs symbolizes how some humans become greedy. At the very moment Chihiro
says there is something odd about this town, her parents turn into pigs. There were people that "turned into
pigs" during Japan’s bubble economy (consumer society) of the 1980s, and these people still haven’t realized
they’ve become pigs. Once someone becomes a pig, they don’t return to being human but instead gradually
start to have the "body and soul of a pig". These people are the ones saying, ‘We are in a recession and don’t
have enough to eat.' This doesn’t just apply to the fantasy world. Perhaps this isn’t a coincidence and the food
is actually (an analogy for) "a trap to catch lost humans." — Author's own commentary, in a letter written by
Studio Ghibli paraphrasing Hayao Miyazaki (translated from Japanese, in response to fan mail questions
about the ultimate fate of Chihiro's parents)[31]

The film has been compared to Lewis Carroll's Alice in Wonderland, though the stories do not
share themes

The film has been compared to Lewis Carroll's Alice's Adventures in Wonderland as the stories
have some elements in common such being set in a fantasy world, the plots including a
disturbance in logic and stability, and there being motifs such as food having transformational
qualities; though developments and themes are not shared.[32][33] Among other stories compared
to Spirited Away, The Wonderful Wizard of Oz is seen to be more closely linked thematically.[33]

The major themes of Spirited Away center on the protagonist Chihiro and her liminal journey
through the realm of spirits. The archetypal entrance into another world demarcates Chihiro's
status as one somewhere between child and adult. Chihiro also stands outside societal boundaries
in the supernatural setting. The use of the word kamikakushi (literally "hidden by gods") within
the Japanese title, and its associated folklore, reinforces this liminal passage: "Kamikakushi is a
verdict of 'social death' in this world, and coming back to this world from Kamikakushi meant
'social resurrection.'"[34]

Yubaba has many similarities to The Coachman from Pinocchio, in the sense th

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