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said she could use my help: getting around, the suitcases, the
travel. But I suspect there’s something more. I watch her lay
her napkin carefully on her lap. The way she eyes mine. She
has always had these perfect manners; she takes her fork in her
left hand, her knife in her right. In this way she carves every
little bite, even the bacon, and brings it to her mouth in dainty,
careful portions.
She has kept so many of these habits she grew up with, in
spite of being so far away. How easy it would have been for
her just to give up and eat like the rest of us, using her fork as
a shovel, her knife only when necessary, ignoring the different
forks and spoons and the order in which they are used. But
she’s hung on, and it makes me think it is out of longing as
much as habit.
‘Grandma,’ I say, pushing my plate away, ‘you must be so
excited to be going back to Sydney. How many years since
you’ve been home?’
She pats her mouth with her napkin, lipstick smearing the
linen pink.
‘Sixty-eight,’ she says. ‘But Sydney isn’t home, love. Never
was. Home is the farm we lost when I was sixteen.’
creek most days, then sat on her haunches and whined when
I told her to go home. She was always there, waiting, in the
afternoon. I rode Big Bill, who was called that because he was
the smallest of the three but thought himself grand. He had a
way of striding with his head high, his step quick, as though
he were leading a parade. The kids nearest the school walked
or cycled, and a few from larger farms came in cars, but there
were still many of us who rode horses and ponies, and there
was a long post to tie them to in the shade and a trough for
their water.
I had been going to that school since I was seven, and the
teacher only changed once in that time. There was possum-
faced Mr Buckland, with his hard metal ruler and lunchtime
flask, and when he left we had pudding-faced Miss Wren. She
could not control the older boys, but she would read stories to
us and showed me how to write in a beautiful hand.
The school had one large room, the youngest pupils sitting
closest to the coal stove while the eldest sat at the back. It smelled
of damp socks and pencil shavings, chalk dust that made me feel
on the verge of a sneeze. We washed the chalkboard, cleaned the
erasers, used our pencils until they were just nibs and filled every
blank space on a piece of paper. After lunch we were allowed
outside for half an hour to feed and water the horses, play cricket
on the grass; the little ones played hopscotch or swung from
the lowest branches of the trees. Then a fly-drowsed afternoon
of trying to keep my eyes open while the others droned their
recitations. For the first four years I sat watching the creases of
dirt on the back of Thomas Ryan’s neck. Then he drowned at
sea, swept off his father’s fishing boat, and only when he was
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to. Pumpkin skin blackened and flesh melting into the juice of
the lamb. Gravy thickened with flour and stretched with water
from the kettle, always a splash of sherry or brandy from the
cupboard to the left of the stove.
Mum wasn’t the sort for hugging or cuddling my brothers
and me, but her eyes lit up when she watched us eat. Dad at
one end of the table, Mum at the other, my brothers and I either
side. The nice cloth and napkins, the polished silver, crystal
salt and pepper shakers, different to the everyday.
Butter in the blue dish, Dad blowing his nose with a trumpet
sound and Mum passing the green beans. The thin line of her
mouth, the worried crease in her forehead, which softened as she
drank the single beer Dad always poured her on a Sunday. She
was funny, my mum. Soft and hard all at once. Who could say
what went on inside her head? She had painted before we were
born, there were the watercolours framed and stacked against
the wall in the shed: flowers, chairs, bowls of fruit. I never
once saw her paint, even when I was small and my brothers
and I were given brushes, her old paintboxes, precious paper
and smocks of Dad’s old work shirts to wear over our clothes.
‘Why did you stop?’ I remember asking, maybe as a young
woman, maybe a big-enough-to-wonder girl.
She shrugged. ‘I wasn’t any good.’
I thought maybe she was, though. Dad told a story some-
times about a prize she won, an art prize sponsored by Milton
Presbyterian Church. Ten pounds, and they had just met, and
she had bought the fabric for a dress (cream silk taffeta with a
lace trim) that made him think she must be from such a fine
family she would never want him. Imagine his luck, he would
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say. Imagine his luck that her family were not so fine after all.
Her father was an honest working man, like his own, from
farming stock. Salt of the earth. It was just her hands that
were fine, her eyes. Her figure—before the children, that is.
The wattle yellow of her hair.
As Dad told this story she would brush her greying hair from
her temples with the back of her veined hands and retreat to
the kitchen, carrying stacks of plates. Before the children, that
is. I wondered sometimes if we ruined her, the three of us.
Ruined her for him.
The sun came through the lace curtains in the dining room
at two o’clock in the afternoon, a fly buzzing around the bone
of the roast while Dad and Jack had the chequerboard out.
I washed and dried the dishes while Mum sat with her knit-
ting; she was making a blanket for a baby born to a family at
church. I looked at her fingers grasping the knitting needles
and tried to picture them holding a brush. Holding my father’s
hand. Her wedding ring no longer fitted, and she kept it in a
red cedar box in her chest of drawers. Later we would turn on
the wireless and I would get out my schoolwork. Dad would go
to the pub in town. He would come home for milking before
dinner: cold lamb sandwiches with lettuce from the garden.
My mouth waters now at the thought: white bread Mum baked
herself. Salt, pepper, butter. And curling slivers of cold leftover
lamb, sliced so thin the light shone through.
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After Fred left for Sydney it was just Jack and me to help
Dad with the milking, and the work was such we could never
catch up to it, it was always just beyond our grasp. Dad had a
crease between his eyes as deep as a furrow in soil. I wanted
to smooth that crease, to take some of the worry and ease the
work which woke him hours before the sun rose, long before
the milking was due to begin.
One night I was woken by a distant neighing and went
outside to check, thinking perhaps a fox was trying to break
into the chook shed or bothering a new calf. I walked across
the grass in my nightdress and bare feet. The pale moon made
the trees glow silver and the corrugated iron of the shed roof
ripple with light. Dad was standing beside the shed in shadow,
smoking, and I jumped when he stepped towards me.
‘What’re you doing?’ His voice was hoarse and cracked.
‘I heard the horses and came to check. Remember that fox
last year who dug under the chicken coop?’
Dad nodded, crushing his cigarette into the dirt. ‘It’s just
me they’re whickering at. Can’t sleep. Thought I’d get a fence
mended rather than lie in bed awake.’
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‘I’ll help.’
He shook his head. ‘You’ll need your strength for milking
come morning. Go back to bed ’fore your mum sees you’re
gone and starts to fret.’
I stood there a moment longer looking up at the whole
moon, the stars dim beside its light, feeling as safe as I ever
would with my father there beside me, before turning back
towards the house.
Later I learned that he had reason not to sleep, for Ellis’s
father had told him the cream from our dairy was too unreli-
able, our cows didn’t yield enough, our equipment was too old.
It turned out Jack and I alone were not sufficient. It would cost
my father too much to hire labour, to buy milking machines,
and there were debts already: the separator which was never paid
off, the bills from the vet, the grocer in Milton. So he decided
to sell. He announced it at dinner one night.
‘We’re moving to Sydney. We’ll stay with Mum’s sister in
Glebe until we find our feet.’
And so it was that in September 1939, only days after
Germany invaded Poland, and England and France declared
war, we left the only home I’d ever known and moved to the
city. I was sixteen, with calloused hands, an understanding of
cows, with more education than either of my parents had ever
received.
‘Think of how it’ll feel to not have to wake before dawn
every morning, not to have to milk those beasts every single
goddamn day of your life,’ Dad said.
We sold the farm to a fellow who’d run a fishing boat from
Batemans Bay, further south, and he bought the herd, the horses
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and the equipment too. Dad told him he’d throw in the dogs
for free, and though I wanted to keep Blackie he said I could
not; the Chevrolet truck bought with money from the farm was
full as it was with our trunks of clothes and pots and pans, the
radio, Mum’s sewing machine, the butter dish and Bible. We sold
the furniture to a man who came in a truck and haggled with
Dad out front for an hour before they loaded on the bedsteads,
the bureaus, the table and chairs. What he didn’t want we
burned: piles of old catalogues, a broken chair, Mum’s paints
and canvases. The rocking horse from our childhood. My papers
from school. The fire was still smouldering the next morning as
we climbed into the Chevy.
‘Maybe you can fetch her when we’re settled,’ Mum whispered.
Blackie cried and strained at her chain as we drove out of
the valley, her painted eyes seeing, her nose pointed towards the
sky. The cows bellowed and the clouds were low and dark.
They opened as we shut the gate behind us, the world itself
wet with sorrow. Blackie haunts my dreams still, her soft,
nudging muzzle, her shining black coat, the way she stayed on
my heels, expecting me to protect her. Years later I saw Ada
at a YMCA dance and asked her what became of our farm.
She said the man didn’t know what he was doing; he lost the
herd to tuberculosis, sold the place to Ellis’s father and went
back to fishing.
‘And the dogs?’ I asked, but she just looked at me blankly,
then laughed with her bright lips, lifting her skirt to show a
stockinged leg and a small, perfect foot. ‘Will we dance, then?
Couple of milkmaids like us—look at us now!’
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