In his original program notes for Sonatra Michael Gerdon Ren ea ar ate eee eee ee ee eet CL Re cen ae eS ery “I grew up playing. or mis-playing, the piano” he notes. SO eRe Me eae el would probably only ever write one piano piece in my ‘entire life, | wanted to use all the keys on the piano, and ee a a major and minor thirds that ceaselessly wind their way RO ae ee oe Ree Fe ea eee eC ed PO eer ee Cae cae ang Cen Se LS aa ue a a as Re ca a RC een ee Cao or ea eta hhas done for her singular recording of the piece, it takes pe et ear Sr mace et Tene ae ce eR ac) Ce a a a Te eae Ree! a ae ae eee eee ee ra ete ee ae ero Sots) “Performing it with just intonation adds another hurdle pe eee Sere ee kan koa Pe ee ee aad et ener ie eee ee een ea pene oe a eeeReames eer TO Die sgen ea} Cone oy Sago or) See ee eee tee oes ee ea Botte ebe ened en oe eee eet} Picea a eee iene nent eke eee ee kaneis nr rho eee Piero eae nr teavy eee enna ills erences Tone renee Tera Poti