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Review of General Psychology Copyright 2001 by the Educational Publishing Foundation

2001. Vol. 5. No. 2, 100-122 1089-2680/0I/$5.00 DOI: 10.1037//I089-2680.5.2.100

The Psychology of Life Stories


Dan P. McAdams
Northwestern University

Recent years have witnessed an upsurge of interest among theorists and researchers in
autobiographical recollections, life stories, and narrative approaches to understanding
human behavior and experience. An important development in this context is D. P.
McAdams's life story model of identity (1985, 1993, 1996), which asserts that people
living in modern societies provide their lives with unity and purpose by constructing
internalized and evolving narratives of the self. The idea that identity is a life story
resonates with a number of important themes in developmental, cognitive, personality,
and cultural psychology. This article reviews and integrates recent theory and research
on life stories as manifested in investigations of self-understanding, autobiographical
memory, personality structure and change, and the complex relations between individ-
ual lives and cultural modernity.

Once upon a time, psychologists viewed life But things began to change in the 1980s.
stories as little different from fairy tales: charm- After a series of searching critiques (e.g., Carl-
ing, even enchanting on occasion, but funda- son, 1971; Mischel, 1968), the field of person-
mentally children's play, of little scientific ality psychology began to look beyond the vi-
value for understanding human behavior. Psy- cissitudes of the single, narrowly defined trait to
choanalysts might ponder the dream stories explore broader issues of central concern for
their clients told (Freud, 1900/1953) and a few human lives. This shift was evidenced in re-
maverick researchers might ask a participant to search on the structural organization of all traits
tell a story in response to a picture cue now and (e.g., McCrae & Costa, 1990), personalized mo-
again (H. A. Murray, 1938), but serious scien- tivations and intrinsic goals (e.g., Cantor & Zir-
tists did not concern themselves with fantasies, kel, 1990; Emmons, 1986), social-cognitive
stones, and myths. The notion of a "life story" contingencies and dynamics of human behavior
might conjure up associations with case studies (e.g., Mischel & Shoda, 1995), and the role of
(e.g., Allport, 1965), psychobiographies (Erik- autobiography and life narrative in understand-
son, 1958), and other highly suspect ventures in ing lives in general (e.g., McAdams & Ochberg,
idiographic speculation. Although there might 1988; Singer & Salovey, 1993) and the single
be nothing wrong, in principle, with a scientist's case in particular (e.g., McAdams & West,
trying to understand the story of an entire hu- 1997; Nasby & Read, 1997). As personality
man life (Runyan, 1982; R. White, 1952), what psychologists began to turn their attention to
should a scientist do next once he or she under- people's lives, they found notions such as
stood one? Everybody knows that the idiosyn- "story" and "narrative" to be especially useful
cratic vagaries of the single case cannot be in conveying the coherence and the meaning of
generalized to a population (Holt, 1962). In lives. Tomkins (1979), McAdams (1985), and
sum, stories are too soft and human lives too Hermans and Kempen (1993) articulated new
big, as well as too singular. One should not be narrative theories of personality, adapting con-
surprised, therefore, if life stories attracted cepts from dramaturgical and literary discourses
only the most romantic of psychological to the psychology of persons.
investigators.
At the same time, scientists in developmental
(McCabe & Peterson, 1991), social (S. L. Mur-
ray & Holmes, 1994), cognitive (Schank &
Correspondence concerning this article should be ad- Abelson, 1995), clinical (Howard, 1991), coun-
dressed to Dan P. McAdams, Foley Center for the Study of
Lives. Northwestern University. 2115 North Campus Drive,
seling (Polkinghorne, 1988), and industrial-or-
Evanston. Illinois 60208. Electronic mail may be sent to ganizational (Pondy, Morgan, Frost, & Dan-
dmca@noithwestem.edu. dridge, 1983) psychology became increasingly
100
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 101

interested in story concepts and narrative meth- more conventional psychological characteristics
odologies. Psychotherapists began using narra- such as traits, motives, intelligence, and so on.
tive therapies (M. White & Epston, 1990), es- For example, life stories may be compared and
pecially in clinical work with families. Eventu- contrasted with respect to the salience of such
ally, the psychological lexicon became filled thematic lines as agency versus communion
with such terms as life scripts, self-narratives, (Bakan, 1966; Singer, 1997) and redemption
story schemas, story grammars, personal myths, versus contamination (Maruna, 1997, 2001;
personal event memories, self-defining memo- McAdams & Bowman, 2001). Life stories dif-
ries, nuclear scenes, gendered narratives, nar- fer from each other with respect to their struc-
rative coherence, narrative complexity, and the tural complexity (McAdams, 1985; Woike,
like. Today, psychologists investigate stories of Gersekovich, Piorkowski, & Polo, 1999) and
individual lives (MeAdams, 1999), stories of their coherence and intelligibility (Baerger &
intimate relationships (Sternberg, 1998), and McAdams, 1999). A person's evolving and dy-
family stories (Fiese et al., 1999), and they are namic life story is a key component of what
newly sensitized to the power of societal myths constitutes the individuality of that particular
and cultural narratives in shaping human behav- person, situated in a particular family and
ior in social contexts (Gregg, 1991). The pro- among particular friends and acquaintances
liferation of methods and concepts related to (Thorne, 2000) and living in a particular society
stories and narratives suggests that Sarbin at a particular historical moment (Gregg, 1991).
(1986) may have been correct when he pre- The purpose of this article is to more fully
dicted that the general idea of narrative could articulate the concepts and implications of the
provide a new root metaphor for the field of life story model of identity in the contexts of
psychology as a whole. contemporary research and theory in develop-
In his life story model of identity, McAdams mental, cognitive, personality, and cultural psy-
(1985, 1993, 1996) has argued that identity it- chology. The idea that identity is an internalized
self takes the form of a story, complete with life story resonates with a number of important
setting, scenes, character, plot, and theme. In themes in these subdisciplines of psychology
late adolescence and young adulthood, people and dovetails in synergistic ways with research
living in modern societies begin to reconstruct on the development of self-understanding, au-
the personal past, perceive the present, and an- tobiographical memory, personality structure
ticipate the future in terms of an internalized and change, and the complex relations between
and evolving self-story, an integrative narrative individual lives and cultural modernity. No
of self that provides modern life with some longer a fanciful notion, the psychology of life
modicum of psychosocial unity and purpose. stories may be well situated today to play an
Life stories are based on biographical facts, but important integrative role in the scientific study
they go considerably beyond the facts as people of human behavior and experience.
selectively appropriate aspects of their experi-
ence and imaginatively construe both past and Developmental Psychology:
future to construct stories that make sense to
them and to their audiences, that vivify and From Self to Identity
integrate life and make it more or less mean- What Is Identity?
ingful. Life stories are psychosocial construc-
tions, coauthored by the person himself or her- The point of departure for McAdams's
self and the cultural context within which that (1985) life story model is Erikson's (1963) de-
person's life is embedded and given meaning. velopmental concept of ego identity. It is in late
As such, individual life stories reflect cultural adolescence and young adulthood (the fifth of
values and norms, including assumptions about eight stages in his developmental scheme),
gender, race, and class. Life stories are intelli- Erikson maintained, that people first confront
gible within a particular cultural frame, and yet the problem of identity versus role confusion. It
they also differentiate one person from the next. is at this time in the human life course that
People differ from each other with respect to people first explore ideological and occupa-
their self-defining life stories in ways that are tional options available in society and experi-
not unlike how they differ from each other on ment with a wide range of social roles, with the
102 McADAMS

aim of eventually consolidating their beliefs and they are. They will tell you their name. They
values into a personal ideology and making may list traits, roles, relationships, favorite
provisional commitments to life plans and foods, things they do not like, and on and on. It
projects that promise to situate them meaning- would be absurd to suggest that children have
fully into new societal niches (Marcia, 1980). It no sense of self. But, in Erikson's terms, chil-
is during this developmental period that people dren typically have no identity because the in-
first seek to integrate their disparate roles, tal- tegration of selfhood is not yet a psychosocial
ents, proclivities, and social involvements into a problem for them. Erikson's (and McAdams's)
patterned configuration of thought and activity use of the term identity, therefore, is rather more
that provides life with some semblance of psy- technical and delimited than its common usage
chosocial unity and purpose (Breger, 1974). in psychology, sociology, and everyday par-
Identity, then, is an integrative configuration lance. In McAdams's life story model, identity
of self-in-the-adult-world. This configuration is not synonymous with the "self or the "self-
integrates in two ways. First, in a synchronic concept" or even with "who I am"; rather, it
sense, identity integrates the wide range of dif- refers to a particular quality or flavoring of
ferent, and probably conflicting, roles and rela- people's self-understandings, a way in which
tionships that characterize a given life in the the self can be arranged or configured. To the
here and now: "When I am with my father, I extent that a person's self-understanding is in-
feel sullen and depressed; but when I talk with tegrated synchronically and diachronically such
my friends I feel a great surge of optimism and that it situates him or her into a meaningful
love for humankind." Identity needs to integrate psychosocial niche and provides his or her life
those two things so that although they appear with some degree of unity and purpose, that
very different, they can be viewed as integral person "has" identity. Identity, then, is not
parts of the same self-configuration. Second, something people begin to "work on" and have
identity must integrate diachronically, that is, in until the emerging adulthood years. At this
time: "I used to love to play baseball, but now I time, McAdams has argued, people begin to put
want to be a social psychologist," "I was a their lives together into self-defining stories. It
born-again Christian but now I feel that I am is an internalized and evolving story of self that
agnostic." Identity needs to integrate these integrates the self synchronically and diachron-
kinds of contrasts so that although self-elements ically, explaining why it is that I am sullen with
are separated in time (and in content quality), my father and euphoric with my friends and
they can be brought meaningfully together into how it happened—step by step, scene by
a temporally organized whole. Put starkly, iden- scene—that I went from being a born-again
tity becomes a problem when the adolescent or Christian who loved baseball to an agnostic
young adult first realizes that he or she is, has social psychologist.
been, or could be many different (and conflict- Why does identity wait so long? Why is it not
ing) things and experiences a strong desire, en- until the emerging adulthood years that people
couraged by society, to be but one (large, inte- first construct life stories to provide their lives
grated, and dynamic) thing. Of course, perfect with unity and purpose? Showing his Freudian
unity and puipose in life is only an ideal and roots, Erikson suggested that the timing is
may itself not be fully desirable anyway (K. J. linked to sex. The eruption of genital sexuality
Gergen, 1992; McAdams, 1997). But Erikson's in adolescence helps to launch the identity
concept of identity underscores an integrative project, Erikson maintained, because it signals
tendency in selfhood that becomes especially the coming of full-fledged adult status in love
salient for the first time in that period of life and work. As a qualitative change in how the
(late teenage years through the mid-20s) that body looks and feels, furthermore, puberty may
Arnett (2000) has recently labeled emerging usher in a realization that one is no longer a
adulthood. Before this developmental period, child and, with it, a new apprehension of one's
there is no identity. personal history: "I don't know what I am now,
But this is not to say that there is no "self." but I am no longer what I was" (McAdams,
Nor is it to say that people do not "know who 1985). Childhood becomes the remembered
they are" before late adolescence. Ask any 10- past and adulthood the anticipated future. Just
year-old or 3-year-old. They can tell you who as important, Erikson (1959) asserted, are
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 103

changing social relationships and societal ex- the sort of abstraction that the child simply does not
think about. [But] with the emergence of formal oper-
pectations: "It is of great relevance to the young ations in adolescence, wholeness, unity, and integra-
individual's identity formation that he be re- tion become introspectively real problems, (p. 330)
sponded to, and be given function and status as
a person whose gradual growth and transforma- The idea that one's life, as complex and dy-
tion make sense to those who begin to make namic as it increasingly appears to be, might be
sense to him" (p. 111). Parents, high school integrated into a meaningful and purposeful
teachers, siblings, friends, college admissions whole may represent, therefore, an especially
counselors, the business world, the media, and appealing possibility to the self-reflective
many other aspects of modern society explicitly emerging adult. In McAdams's view, the
and implicitly urge adolescents and young emerging adult begins to work on such an inte-
adults to "get a life" (Habermas & Bluck, 2000). gration by putting his or her life together into a
It is time to make some decisions about the culturally meaningful story. Accordingly,
future, about school, the armed services, work, Habermas and Bluck (2000) argued that the
and (for some) marriage and family. In general, construction of integrative life stories requires
Western societies "expect" adolescents and cognitive tools to which people do not have full
young adults to begin to examine the occupa- access until adolescence and young adulthood.
tional, interpersonal, and ideological offerings According to Habermas and Bluck, the full ar-
of society and, eventually, to make commit- ticulation of an integrative life story requires the
ments, even if only temporary, to personalized understanding and use of four types of coher-
niches in the adult world. This is to say that both ence: temporal, biographical, causal, and the-
society and the emerging adult are ready for the matic coherence. The four begin to emerge in
individual's identity experiments by the time he childhood, but they emerge at different points
or she has in fact become an emerging adult. and develop at different rates, and it is not until
Accordingly, Erikson (1959) wrote: adolescence that they are fully achieved and
ready to be used in the service of identity
The period can be viewed as a psychosocial morato- formation.
rium during which the individual through free role
experimentation may find a niche in some section of
his society, a niche which is firmly defined and yet Development of the Life Story
seems to be uniquely made for him. In finding it the
young adult gains an assured sense of inner continuity Stories are fundamentally about the vicissi-
and social sameness which will bridge what he was as
a child and what he is about to become, and will tudes of human intention organized in time
reconcile his conception of himself and his communi- (Bruner, 1986; Ricoeur, 1984). In virtually all
ty's recognition of him. (p. I l l ) intelligible stories, humans or humanlike char-
acters act to accomplish intentions, generating a
Instrumental for the emergence of identity at sequence of actions and reactions extended as a
this time in the life course, furthermore, may be plot in time. Human intentionality is at the heart
advances in cognitive development. Following of narrative, and therefore the development of
Breger (1974) and Elkind (1981), McAdams intentionality in humans is of prime importance
(1985) argued that formal operational thinking in establishing the mental conditions necessary
in adolescence helps to supply the cognitive for storytelling and story comprehension. Re-
wherewithal for identity exploration. With the cent research with infants suggests that, by the
advent of formal operations, the young person is end of the 1 st or early in the 2nd year of life,
able to engage in hypothetico-deductive think- humans come to understand other persons as
ing and to entertain systematically an infinite intentional agents and so engage in joint atten-
range of hypothetical scenarios and ideals as tional interactions with them (Stern, 1985; To-
they might apply to his or her own life. Identity masello, 2000). For example, 16-month-old in-
becomes an especially engaging abstraction for fants will imitate complex behavioral sequences
the abstract thinker. According to Breger exhibited by other human beings only when
(1974), those activities appear intentional. As Toma-
sello (2000) wrote, "Young children do not just
The idea of a unitary or whole self in which past
memories of who one was, present experiences of who mimic the limb movements of other persons;
one is, and future expectations of who one will be, is rather, they attempt to reproduce other persons'
104 McADAMS

intended, goal-directed actions in the world" (p. tism do not understand people as intentional
38). With the emergence of what Dennett agents or do so only to a limited degree. Their
(1987) has called the intentional stance, chil- lack of understanding applies to the self as well,
dren in the 2nd year of life can experience the suggesting that at the heart of severe autism
world from the subjective standpoint of an in- may reside a disturbing dysfunction in "I-ness"
tentional, causal agent. At this time, the indi- and a corresponding inability to formulate and
vidual is able to assume the existential position convey sensible narratives of the self (Bruner,
of a motivated human subject who appropriates 1994; Sacks, 1995).
experience as his or her own (Kagan, 1994; Human selfhood is reflexive. With the con-
McAdams, 1997). In the most general sense, solidation of the agential "I" comes the formu-
what is being consolidated in the 2nd year of lation of the "me." What James called the ob-
life is what William James (1892/1963) referred jective self, or the "self-as-me," consists of all
to as the subjective self, that is, the sense of of those features and aspects that the I attributes
"self-as-I." This existential sense of "I-ness" is to itself: how the self (as a knower) sees
tacitly and immediately grasped in and through (knows, imagines, conceives, formulates) the
intentional action (Blasi, 1988). self (as known). In the 2nd year of life, children
As intentional agents, human beings act on begin to attribute various distinguishing charac-
their desires and their beliefs to accomplish teristics to themselves, including their names,
goals. Stories organize and convey these moti- their favorite toys, their likes and dislikes, and
vated action sequences extended in time. A ba- so on. With the development of language, the
sic understanding of motivated human action self-as-object grows rapidly to encompass a
appears to develop in early childhood, as doc- wide range of things "about me" that can be
umented in the empirical literature on children's verbally described. To be included in the mix
theory of mind (Baron-Cohen, 1995; Wellman, eventually are memories of events in which the
1993). Theory of mind refers to the ability of self was involved. According to Howe and
normal children to attribute mental states (such Courage (1997), autobiographical memory
as beliefs, desires, and intentions) to themselves emerges toward the end of the 2nd year of life
and to other people as a way of making sense of when children have consolidated a basic sense
and predicting behavior. In the 3rd and 4th of I and reflexively begun to build up a primi-
years of life, children come to understand that tive understanding of the me. Although infants
people (like themselves) formulate desires and can remember events (basic episodic memory)
beliefs in their minds and then translate those before this time, it is not until the end of the 2nd
mentalistic phenomena into motivated action. year, Howe and Courage contended, that epi-
Our simple folk theory of people's minds says sodic memory becomes personalized and chil-
that people act for the sake of what they want dren begin to organize events that they experi-
and what they believe. Interpreting the actions ence as "things that happened to me." From this
of others (and oneself) in terms of their predis- point onward, the me expands to include auto-
posing desires and beliefs is a form of mind biographical recollections, recalled as little sto-
reading, according to Baron-Cohen (1995), a ries about what has transpired in "my life."
competency that is critical for effective social Autobiographical memory emerges and de-
interaction. By the time children enter kinder- velops in a social context (Nelson, 1988;
garten, mind reading seems natural and easy. Welch-Ross, 1995). Parents typically encourage
Indeed, it makes intuitive sense that a girl children to talk about their personal experiences
should eat an ice-cream cone because "she as soon as children are verbally able to do so
wants to" (desire) or that a boy should look for (Fivush & Kuebli, 1997). Early on, parents may
a cookie in the cookie jar because "he believes take the lead in stimulating the child's recollec-
that the cookies are there." But autistic children tion and telling of the past by reminding the
often find mind reading to be extraordinarily child of recent events, such as this morning's
difficult, as if they had never developed this breakfast or yesterday's visit to the doctor. Tak-
intuitive sense about what aspects of mind are ing advantage of this initial conversational scaf-
involved in the making of motivated human folding provided by adults, the young child
behavior. Characterized by what Baron-Cohen soon begins to take more initiative in sharing
(1995) called mindblindness, children with au- personal events. By the age of 3 years, children
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 105

are actively engaged in co-constructing their temporal coherence applies mainly to single
past experience in conversations with adults. By autobiographical events rather than to the causal
the end of the preschool years, they are able to connections between different events. During
give a relatively coherent narrative account of this time, children begin to internalize their cul-
their past experiences independent of adult ture's norms concerning what the story of an
guidance (Fivush, 1994). In conversations with entire life should itself contain. As they learn,
adults about personal memories, young children for example, that a telling of a single life typi-
become acquainted with the narrative structures cally begins with, say, an account of birth and
through which events are typically discussed by typically includes, say, early experiences in the
people in their world. The sharing of personal family, eventual emergence out of the family,
experiences functions as a major mechanism of geographical moves, and so on, they acquire an
socialization (Miller, 1994) and helps to build understanding of what Habermas and Bluck
an organized personal history from a growing (2000) called biographical coherence. Cultural
base of autobiographical memories (Fivush, norms define conventional phases of the life
1994). course and suggest what kinds of causal expla-
By the time children are able to generate their nations make sense in the telling of a life (Den-
own narrative accounts of personal memories, zin, 1989). As children learn the culture's bio-
they also exhibit a good understanding of the graphical conventions, they begin to see how
canonical features of stories themselves. Five- single events in their own lives might be se-
year-olds typically know that stories are set in a quenced and linked to conform to the culture's
particular time and place and involve characters concept of biography.
that act on their desires and beliefs over time. Still, it is not until adolescence, according to
They expect stories to entail suspense and cu- Habermas and Bluck, that individuals craft
riosity and will dismiss as "boring" a narrative causal narratives to explain how different events
that fails to live up to these emotional conven- are linked together in the context of a biogra-
tions (Brewer & Lichtenstein, 1982). They ex- phy. Causal coherence is exhibited in the in-
pect stories to conform to a conventional story creasing effort across adolescence to provide
grammar (Applebee, 1978; Mandler, 1984) or narrative accounts of one's life that explain how
generic script concerning what kinds of events one event caused, led to, transformed, or in
can occur and in what order. In a simple goal- some other way is meaningfully related to other
directed episode, for example, an initiating events in one's life. Traits, attitudes, beliefs, and
event may prompt the protagonist to attempt preferences may now be explained in terms of
some kind of action that will be followed by a the life events that may have caused them. An
consequence of some sort and then a reaction to adolescent girl may, for example, explain why
the consequence on the part of the protagonist she rejects her parents' liberal political values,
(Mandler, 1984). Stories are expected to have or why she feels shy around members of the
definite beginnings, middles, and endings. The opposite sex, or how it came to be that her
ending is supposed to provide a resolution to the junior year in high school represented a turning
plot complications that developed over the point in her understanding of herself in terms of
course of the story. If a story does not conform personal experiences from the past that have
to conventions such as these, children may find been selected and, in many cases, reconstructed
it confusing and difficult to remember, or they to make a coherent explanation. In thematic
may recall it later with a more canonical struc- coherence, furthermore, she may identify an
ture than it originally had. overarching theme, value, or principle that in-
As children move through the elementary tegrates many different episodes in her life and
school years, they come to narrate their own conveys the gist of who she is and what her
personal experiences in ways that conform to biography is all about. Studies reported by
their implicit understandings of how good sto- Habermas and Bluck (2000) suggest that causal
ries should be structured and what they should and thematic coherence are rare in autobio-
include. In this way, they imbue their personal graphical accounts in early adolescence but in-
experience with a sense of temporal coherence. crease substantially through the teenage years
But Habermas and Bluck (2000) maintained and into young adulthood. By the time individ-
that between the ages of 5 and about 10 years, uals have reached the emerging adulthood
106 McADAMS

years, therefore, they are typically able and ea- model confined identity formation to a single
ger to construct stories about the past and about psychosocial stage (emerging adulthood), but
the self that exhibit temporal, biographical, McAdams's life story model emphasizes the
causal, and thematic coherence. Autobiograph- continuation of identity work across the adult
ical memory and narrative understanding have years. Life stories develop and change across
now developed to the level whereby they can be the life course, reflecting various on-time and
called into service in the making of identity. off-time happenings and transitions (Cohler,
1982). McAdams (1993) has argued that people
The Life Story and the Life Course may work on different facets or qualities of the
story at different times in life. For example,
Although the cognitive and psychosocial pre- individuals in late adolescence and young adult-
requisites for full life story making may not be hood are likely to focus some of their identity
in place until late adolescence and early adult- work on crystallizing the basic values and be-
hood, it is not as if the individual suddenly liefs that ground their stories within an ideolog-
begins working on the story at this time, with no ical setting (Erikson, 1958; Perry, 1970). Being
preparation or background. Versions of the life able to identify a clear and compelling belief
story may emerge earlier, as documented by system that organizes a person's life proves to
Elkind (1981) in work on the. personal fable. As be a powerful mechanism for establishing what
indicated in diaries and other personal sources, Habermas and Bluck (2000) called thematic
young adolescents may construct fantastical au- coherence in the life story.
tobiographical stories about their own potential In early to middle adulthood, many American
greatness or uniqueness that embody a high men and women appear to focus their identity
degree of coherence but that may have little work on articulating, expanding, and refining
relation to the reality of their lives. Elkind sug- the story's main characters, or personal ima-
gested that personal fables fade over the course goes. An imago is an idealized personification
of adolescence, but they may be viewed as of the self that functions as a protagonist in the
initial rough drafts of life stories (McAdams, narrative (McAdams, 1984). Akin to what
1985). Long before adolescence, moreover, Markus and Nurius (1986) called "possible
children relate personal memories in story form, selves," imagoes personify important motiva-
as studies of parent-child conversations show tional trends in the life story, such as strong
(Fivush, 1994), and children are collecting and needs for power, achievement, or intimacy (Mc-
processing experiences of all kinds that will Adams, 1985). The construction of imagoes
eventually make their way or have some impor- helps to integrate a life by bringing into the
tant influence on the integrative life stories they same narrative format different personifications
later construct to make sense of their lives. of the me: the self-as-loving-wife, the self-as-
McAdams (1993) argued that even early attach- ardent-feminist, the self-as-devoted-mother, the
ment patterns with caregivers may ultimately be self-as-the-young-girl-who-longed-to-escape-
reflected in the overall narrative tone and qual- the-suburbs, the self-as-future-retiree-who-will-
ity that adult life stories show. Children are not escape-to-that-country-home, and so on. By
explicitly making identity, in the sense of con- constructing a single life story that integrates a
structing integrative life stories that provide wide range of self-characterizations as imagoes,
their lives with unity and purpose and position the adult can resolve what William James first
them meaningfully within psychosocial niches identified as the "one-in-many-selves paradox"
in the modem world, but they are still implicitly (Knowles & Sibicky, 1990, p. 676).
gathering material for the identities they will The midlife years may be occasioned by con-
someday make. The dominant images and siderable identity work for many modern adults.
themes of adult life stories, therefore, may re- Life span theorists have written about how the
flect influences from the earliest years of life. realization that one's life is more than half over
Although full-fledged life stories may begin can bring to the psychological fore concerns
to reveal themselves as identity formats in the about loss and mortality and can stimulate the
adolescent and young adult years, identity con- actualization of long-suppressed tendencies,
struction does not end when this developmental such as traditionally masculine tendencies
epoch is over. Erikson's (1963) original stage among women and feminine tendencies among
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 107

men (Gutmann, 1987; Levinson, 1978). Life the adult years and changing understandings of
course theories emphasize changing social roles what the near and distant future may bring.
and relationships in the midlife years and shift-
ing contingencies in the ecology of everyday Cognitive Psychology: Autobiographical
life (Elder, 1995). Theorists of different stripes Memory and the Self
tend to agree that midlife can be the psychoso-
cial prime of life for many people, because it is Over the past 15 years, cognitive psycholo-
during this period that they assume their most gists have expressed increasing interest in how
influential roles in families, the workplace, and people encode, store, and retrieve information
society. In Erikson's (1963) view, adults ideally pertaining to real-life events and personal expe-
realize their greatest powers of generativity dur- riences (e.g., Neisser & Winograd, 1988; Pille-
ing the midlife years, as they focus time, atten- mer, 1998; Stein, Ornstein, Tversky, & Brain-
tion, and resources on caring for and contribut- erd, 1997). Much of this work falls under the
ing to the well-being of the next generation. A rubric of autobiographical memory. Cognitive
recent flurry of empirical research documents psychologists have focused their attention on
the psychological and social importance of gen- the relative veridicality of remembered events,
erativity in midlife (e.g., McAdams & de St. the reasons some events are remembered and
Aubin, 1998; Peterson & Klohnen, 1995). others forgotten, and the organization of auto-
biographical knowledge. An emerging theme in
In two different but related senses, generat- this literature is that autobiographical memory
ivity becomes an increasingly important issue in helps to locate and define the self within an
life story making during the midlife years. First, ongoing life story that, simultaneously, is
as men and women move into and through strongly oriented toward future goals.
midlife, themes of caring for the next genera-
From the time of Bartlett (1932) to the
tion, of leaving a positive legacy for the future,
present day, students of human memory have
of giving something back to society for the
debated the issue of veridicality. To what extent
benefits one has received, and other generative
are memories for personal events accurate ren-
motifs become increasingly salient in life sto-
ditions of what really happened or biased recon-
ries (McAdams, de St. Aubin, & Logan, 1993). structions of the past? The issue is important in
Second, as adults move into and through a scientific sense, to be sure, but it has also
midlife, they may become more and more con- garnered wide public attention in the past two
cerned with the "endings" of their life stories. It decades with the raging controversy over re-
is in the nature of stories that beginnings and pressed memories and growing concern in legal
middles lead inevitably to endings and that end- circles over the reliability of eyewitness testi-
ings provide a sense of closure and resolution mony. On one side of the intellectual ledger are
(Kermode, 1967). The imagery and rhetoric of veridical copy theories, such as Brown and Ku-
generativity provide adults with an especially lik's (1977) conceptualization of flashbulb
appealing way to conceive of "the end," even as memories, which argue that certain kinds of
they are deeply immersed in the middle of the personal events, especially those that are sur-
life course. By suggesting that one's own efforts prising or consequential, are remembered in
may generate products and outcomes that will vivid and accurate detail. On the other side are
outlive the self, by framing a life story in terms reconstructive theories (e.g., Barclay, 1996) that
of those good things (and people) that become point to the many instances in which individuals
the self's enduring legacy, life narrations that misremember personal events in ways that re-
emphasize generativity implicitly provide sto- flect strong schema-based processing. For ex-
ries with what may be perceived as good and ample, Barclay (1996) construed autobiograph-
satisfying endings (Kotre, 1984; McAdams, ical memory as a form of improvisation
1985). These endings, in turn, feed back to whereby the person puts together a more or less
influence beginnings and middles. Conse- plausible account of the past that functions pri-
quently, it should not be surprising to observe marily to maintain personal coherence rather
considerable revising and reworking of one's than provide an objective report of what has
life story, even the reimaging of the distant past, transpired in that person's life. Research can be
in light of changing psychosocial concerns in garnered to support both kinds of theories.
108 McADAMS

A number of investigators seem to adopt an (1985) referred to as chapters in a life story,


intermediate position. Brewer (1986), for exam- lifetime periods mark off relatively large seg-
ple, argued that ments of autobiographical time: "when I was in
recent personal memories retain a relatively large
elementary school," "during my first marriage,"
amount of specific information from the original phe- "when the kids were little," and so on. Within a
nomenal experience (e.g., location, point of view) but lifetime period may be represented "general
that with time, or under strong schema-based pro- knowledge of significant others, common loca-
cesses, the original experience can be reconstructed to
produce a new nonveridical personal memory that re-
tions, actions, activities, plans, and goals" (Con-
tains most of the phenomenal characteristics of other way & Pleydell-Pearce, 2000, p. 262), as well as
memories, (p. 44) evaluative attitudes toward the period (e.g.,
"This is a time when things did not go well for
Similarly, Thompson, Skowronski, Larsen, and me"). At a second level of specificity are gen-
Betz (1996) contended that memory for recent eral events, which mainly represent knowledge
events is largely reproductive but that memory gleaned from categories of similar events (e.g.,
for more distant events tends to be reconstruc- "parties I attended in college" and "evenings I
tive. Schachter (1996) concluded that memory spent babysitting"). Barsalou (1988) and others
systems in general, and autobiographical mem- have found that many autobiographical memo-
ory in particular, ries are summarized events, containing general-
do a remarkably good job of preserving the contours of ized or blended information from a number of
our pasts and recording correctly many of the impor- related autobiographical episodes. One promi-
tant things that have happened to us. [And yet,] our nent feature of general event clusters is that they
[autobiographical] stories are built from many different
ingredients: snippets of what actually happened,
highlight memories of events relating to the
thoughts about what might have happened, and beliefs attainment of or failure to attain goals. Finally,
that guide us as we attempt to remember, (p. 308) Conway and Pleydell-Pearce (2000) identified
event-specific knowledge as particular details of
Ross (1997) pointed out that society would not specific scenes from the past. In scope and
function effectively if people could not count on specificity, autobiographical knowledge at this
some significant degree of accuracy in their own third level parallels what McAdams (1985) has
and others' personal memories. Yet, Ross also identified as nuclear episodes, or specific and
suggested that people are sometimes too confi- consequential scenes in the life story such as
dent in the veracity of their own and others' high points, low points, and turning points.
recollections of the past. The latter was borne
out in a recent study showing remarkable de- Conway and Pleydell-Pearce argued that a
cline over a 32-month span in the accuracy of person's goals function as control processes in
college students' recollections of hearing the the SMS, modulating the construction of mem-
news of the O. J. Simpson verdict (Schmolk, ories. Autobiographical memories are encoded
Buffalo, & Squire, 2000) and another study and later retrieved in ways that serve the self's
showing that midlife men's recollections of ad- goal agendas. As such, current goals influence
olescent experiences were grossly inconsistent how autobiographical information is absorbed
with the documented realities of those experi- and organized in the first place, and goals gen-
ences, even though the midlife men insisted on erate retrieval models to guide the search pro-
the veridicality of their accounts (Offer, Kaiz, cess later. Relatedly, the autobiographical
Howard, & Bennett, 2000). knowledge base helps to ground the self's goals.
How is autobiographical knowledge orga- People formulate goals for the future that are
nized? Conway and Pleydell-Pearce (2000) pro- reasonably in line with the information encoded
vided an integrative, hierarchical model of a as lifetime periods, general events, and event-
self-memory system (SMS) that links an auto- specific knowledge. "The idea of this grounding
biographical knowledge base to personal goals. is that goals cannot simply be adopted on de-
According to Conway and Pleydell-Pearce, au- mand or be unrealistic; instead they are embed-
tobiographical memories contain information at ded in the SMS with representation in the work-
three different levels of specificity: lifetime pe- ing self and archival connections in the knowl-
riods, general events, and event-specific knowl- edge base" (Conway & Pleydell-Pearce, 2000,
edge. Similar in scope to what McAdams p. 271).
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 109

The involvement of goals in autobiographical dents. They found that students who recalled
memory is a central idea in Stein's theory of more self-defining memories relevant to the at-
understanding and remembering emotional tainment of their goals expressed greater levels
events (Stein, Wade, & Liwag, 1997). Stein has of positive affect about their memories. In ad-
advanced "a theory of intelligent, motivated re- dition, students who reported a high number of
membering that is driven by a person's goals goals involving avoiding undesirable outcomes,
and desires as well as by dynamic working rather than approaching desirable outcomes, re-
knowledge about external reality and the ways called fewer self-defining memories with posi-
in which this reality constrains or facilitates tive emotional themes. Singer (1997) also doc-
goal achievement" (Stein, Wade, & Liwag, umented the role of self-defining memories in
1997, p. 15). To illustrate the point that goals the life stories of men addicted to alcohol and
affect the encoding of event memory, Stein et drugs. He found that recovery from addiction
al. related a study conducted by Anderson and involves recrafting a life story to include self-
Pitchert (1978) in which participants read a defining memories affirming personal agency
passage describing the contents of a house un- and interpersonal connection.
der instructions to take the perspective of either Self-defining memories are one class of epi-
a home buyer or a burglar. When taking the sodic memories that fit under Pillemer's (1998)
burglar's perspective, participants remembered rubric of personal event memories. Pillemer
more items that were valuable and portable,
listed five criteria for defining a personal event
such as a color television set. When taking the
memory. The personal event memory must (a)
perspective of the buyer, they remembered
present a specific event that took place at a
more items that affected the value of the house,
particular time and place, rather than a summary
such as a leak in the roof. In both cases, the
rememberer provides an accurate account, but event or extended series of events; (b) contain a
goals at the time of encoding determine what is detailed account of the rememberer's own per-
selected as worth remembering. Goals typically sonal circumstances at the time of the event; (c)
link up with emotion, furthermore, and memo- evoke sensory images or bodily sensations that
ries of emotional events typically entail the vi- contribute to the feeling of "re-experiencing" or
cissitudes of goal striving. In Stein's view, the "reliving" the event; (d) link its details and
experience of emotion in a given event almost images to a particular moment or moments of
always activates a causal inference process, the phenomenal experience; and (e) be believed to
outcome of which becomes part of the repre- be a truthful representation of what actually
sentation of the emotional event. In other words, transpired.
when a person experiences emotion in a given Personal event memories come in many dif-
life scene, he or she has already made an im- ferent varieties. Some are especially vivid or
plicit appraisal of the scene's meaning in terms consequential; others may seem mundane or of
of its causes and probable consequences and the little relevance for self-definition. Among the
extent to which goal attainment may be fur- personal event memories that seem to be most
thered or frustrated. In this way, emotion lends instrumental in self-definition are (a) memora-
coherence to autobiographical memory by help- ble messages, or memories that contain an ex-
ing to organize events as goal-based stories. plicit communication that has become a guiding
Emotions and goals may be especially salient statement or moral directive for the remem-
in the construction of what Singer (1995; Singer berer; (b) symbolic messages, or remembered
& Salovey, 1993) called self-defining memories. events that are interpreted by the rememberer as
A self-defining memory is a remembered epi- providing implicit lessons or guidelines; (c)
sode from the past that is "vivid, affectively originating events, or memories that contain the
charged, repetitive, linked to other similar genesis of an interest, vocation, relationship,
memories, and related to an important unre- life goal, and so on; (d) anchoring events, or
solved theme or enduring concern in an indi- memories that affirm and reinforce an ongoing
vidual's life" (Singer & Salovey, 1993, p. 13). interest, attitude, or commitment held by the
Moffitt and Singer (1994) collected narrative rememberer; and (e) analogous events, or epi-
accounts of self-defining memories and reports sodes that are readily compared with similar
of personal strivings or goals from college stu- other events to suggest a pattern or theme that
110 McADAMS

runs through the person's life story (Pillemer, other important features of the life story. Re-
1998). construction exerts a distorting effect, espe-
Singer's concept of self-defining memory cially with regard to memories from long ago.
and Pillemer's enumeration of the kinds of au- But for life stories the greatest degree of recon-
tobiographical recollections that are likely to struction may involve selection and interpreta-
occupy important positions within the life story tion rather than outright distortion of the truth
reinforce the idea that some remembered epi- (Bluck & Levine, 1998). People select and in-
sodes are more privileged for self-definition terpret certain memories as self-defining, pro-
than are others. In this regard, Robinson and viding them with privileged status in the life
Taylor (1998) made an important distinction story. Other potential candidates for such status
between autobiographical memories and self- are downgraded; relegated to the category of
narratives. They pointed out that people remem- "Oh yes, I remember that, but I don't think it is
ber many episodes in life that are mundane and very important"; or forgotten altogether. To a
appear to have little relevance to their self- certain degree, then, identity is a product of
concepts. Autobiographical memory, therefore, choice. We choose the events that we consider
comprises a vast range of personal information most important for defining who we are and
and experience. Self-narratives, in contrast, providing our lives with some semblance of
"consist of a set of temporally and thematically unity and purpose. And we endow them with
organized salient experiences and concerns that symbolic messages, lessons learned, integrative
constitute one's identity" (Robinson & Taylor, themes, and other personal meanings that make
1998, p. 126). It is not even clear, according to sense to use in the present as we survey the past
Robinson and Taylor, that self-narratives are a and anticipate the future.
true subset of all that exists in autobiographical The power of selection is apparent in the
memory. Self-defining events and certain other well-documented phenomenon of the memory
salient episodes may be viewed as part of the bump (Fitzgerald, 1988; Rubin, Wetzler, &
self-narrative, but the self-narrative may also Nebes, 1986). People tend to recall a dispropor-
include knowledge that is not technically part of tionately large number of autobiographical
the autobiographical knowledge base. This po- events from the ages of approximately 15 to 25
sition is consistent with McAdams's claims years. There is some indication, furthermore,
concerning identity as a life story. The internal- that episodic memories from this period are
ized and evolving story that provides a person's especially rich in emotional and motivational
life with some degree of unity and purpose content (Thome, 2000). Fitzgerald (1988) and
contains within it self-defining information re- Conway and Pleydell-Pearce (2000) have ar-
lated to lifetime periods, general events, and gued that adults are wont to select events from
event-specific knowledge (Conway & Pleydell- this particular period in the life course because
Pearce, 2000). But the life story does not en- it is during adolescence and young adulthood
compass all of the vast storehouse that makes up that people are most preoccupied with forming
autobiographical memory, and it contains ma- their identities (Erikson, 1963). From the stand-
terial that would not explicitly exist in the au- point of McAdams's life story model of iden-
tobiographical knowledge base, such as the in- tity, this interpretation makes good sense. As
dividual's imagined future: "how I see myself intimated by Fitzgerald (1988), it is indeed
in 10 years," "what events I believe I will ex- roughly during the period of the reminiscence
perience one day," "what I will leave behind." bump that young people are first confronting the
Still, there is significant overlap between the identity problem in modern society and actively
episodic knowledge that cognitive psycholo- formulating integrative life stories to address
gists position within autobiographical memory the psychosocial challenges they face. Conse-
and the personal scenes and chapters that Mc- quently, they may be more likely to encode
Adams includes within the life story as identity. personal events occurring during these years as
Like many cognitive psychologists, McAdams relevant to their psychosocial goal of formulat-
(1985) has adopted a moderately reconstructive ing an identity. Furthermore, it is probably true
view of autobiographical recollections. Personal that in adolescence and young adulthood a dis-
goals and other concerns shape the encoding proportionately large number of episodic candi-
and recollection of self-defining memories and dates for what Pillemer (1998) identified as
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 111

symbolic messages, originating events, anchor- lighting life stories, myths, plots, episodes,
ing events, and other self-defining memories are characters, voices, dialogue, and the like (e.g.,
likely to emerge. It may indeed be true, more- Gregg, 1991; Hermans, 1996; Me Adams,
over, that these are the kinds of autobiographi- 1985). Among personality psychologists, inter-
cal events that make for especially good stories. est in narrative constructs and narrative methods
In this regard, it should not be surprising that increased steadily in the 1980s and 1990s (Mc-
the "coming of age story" is such a staple in Adams, 1999). During the same period of time,
contemporary fiction and cinema and that the it should be noted, the field of personality psy-
myth of the hero—the adventurous transition chology witnessed significant theoretical and
from childhood innocence to young adult- empirical advances on a number of other fronts
hood—is a timeless and universally beloved as well, including evolutionary approaches to
mythic form (Campbell, 1949). studying persons, investigations into disposi-
tional traits, and research and theory on social-
Personality Psychology: Traits, cognitive schemas and goals (McAdams, 2001).
Adaptations, and Stories Where do life stories fit within the broad
gamut of personality? McAdams (1995, 2001)
Among the many classic theories of person- has argued that personality may be viewed from
ality formulated in the first half of the 20th three different standpoints or levels. Each stand-
century (e.g., Hall & Lindzey, 1957), only a few point or level provides its own unique discourse
valued people's stories as windows into person- for understanding human individuality and
ality dynamics and dispositions. For example, specifies its own preferred methodological op-
Freud (1900/1953) used storied dream reports erations. The first level is dispositional traits.
as cues for free association, which itself was Traits are those global, stable, linear, and com-
aimed at bringing to the conscious surface the parative dimensions of human individuality that
latent meanings of dreams. Adler (1927) viewed go by such names as "extraversion," "conscien-
narrative accounts of earliest memories as sym- tiousness," and "depressiveness." In that traits
bolizations of a person's overall style of life. account for consistencies in behavior, thought,
H. A. Murray (1938) used imaginative stories and feeling across different situations and over
told in response to picture cues to assess indi- time, they are commonly and appropriately
vidual differences in human motivation. But in viewed as relatively decontextualized and non-
all three of these examples, stories were viewed contingent aspects of personality. At a second
as methodological means to conceptual ends. level are characteristic adaptations, such as
Put simply, traditional approaches to personal- personal goals and motives, defense mecha-
ity suggested that personality psychologists nisms and coping strategies, mental representa-
might use stories to get at other (more impor- tions of self and other, values and beliefs, de-
tant) things about persons, things such as traits, velopmental tasks and stage-related concerns,
motives, complexes, conflicts, and the like. domain-specific skills and interests, and other
Beginning with Silvan Tomkins's (1979) personal characteristics that are contextualized
script theory, however, personality psycholo- in time, place, or social role. If traits provide a
gists began to consider the possibility that the dispositional sketch for human individuality,
story itself is "the thing." Tomkins proposed characteristic adaptations fill in many of the
that the central structural elements of human details.
personality are internalized scenes and scripts. Neither traits nor characteristic adaptations,
From the early years of life onward, Tomkins however, speak directly to the problem of iden-
maintained, the person approaches life as a dra- tity as conceptualized in this article. What does
matist, unconsciously constructing self-defining a person's life mean in the overall? How is a
scenes and arranging them into storied patterns person's psychosocial world arranged in such a
guided by the rules of scripts. Individual differ- way as to provide life with some modicum of
ences might be conceptualized, then, in terms of unity and purpose? As has been suggested,
the kinds of scenes and scripts that shape con- these issues are best addressed through the lan-
sciousness and guide behavior. Following guage of narrative (Bruner, 1986; Polkinghorne,
Tomkins's lead, personologists generated new 1988). Giddens (1991) wrote: "A person's iden-
narrative-based theories of the person, high- tity is not to be found in behavior, nor—impor-
112 McADAMS

tant though this is—in the reactions of others, nificantly related to content themes of agency
but in the capacity to keep a particular narra- and communion (Bakan, 1966), respectively, as
tive going" (p. 54). The third level of personal- manifest in people's life stories. People high in
ity, therefore, is the level of integrative life power motivation emphasize the agentic themes
stories. A full scientific accounting of human of self-mastery, status and victory, achievement
individuality involves the exploration and inte- and responsibility, and empowerment in self-
gration of psychological phenomena existing at defining memories, and they tend to conceive of
three different levels. To understand an individ- the story's main characters (imagoes) in highly
ual person, the personality psychologist should agentic terms relative to people low in power
have some sense of (a) where that person stands motivation. By contrast, people high in inti-
on a series of dispositional traits that speak to macy motivation emphasize the communal
general tendencies in behavior across situations themes of friendship and love, dialogue, caring
and over time; (b) how the person is confronting for others, and sense of community in the sig-
and adapting to motivational, social-cognitive, nificant scenes in their life stories, and they
and developmental tasks and concerns that are formulate highly communal imagoes such as
contextualized in place, time, or social role; and personifications of the self as "the caregiver,"
(c) what kind of identity the person is working "the loyal friend," and "the lover." Woike
on through the construction of stories about the (1995; Woike et al., 1999) has shown that social
self. Personality is a complex patterning of motives are linked not only to the content of life
traits, adaptations, and stories. stories but also to the cognitive style that the
As with traits and characteristic adaptations, storyteller displays when describing a most
life stories may be categorized and classified memorable autobiographical event. People with
with respect to individual differences. Some strong power motivation tend to use an analytic
people are more extraverted than other people and differentiated style when describing agentic
(Level 1 of personality). Some people use de- events, perceiving more differences, separa-
nial as a defense mechanism when threatened tions, and oppositions in the significant scenes
by authority, whereas others prefer to cope of their life stories. By contrast, people with
through intellectualization (Level 2 of person- strong intimacy motivation tend to use a syn-
ality). And some people construct life stories thetic and integrated style when describing
that are modeled on classical tragedy, whereas communal events, detecting similarities, con-
others convey their identities as television sit- nections, and congruence among different ele-
coms (Level 3 of personality). Although it is ments in significant life story scenes.
usually labor intensive and time consuming, Individual differences in the structural com-
research on individual differences in life stories plexity of life stories have been linked to Loev-
has grown substantially in the past 10 years. inger's (1976) concept of ego development,
Researchers have been especially interested in which is a Level 2 personality construct. In
using narrative methods and concepts to inves- Loevinger's scheme, people at relatively high
tigate the issues of personality coherence and stages of ego development adopt a more nu-
personality change and in examining the rela- anced and individualistic framework for making
tions between characteristic adaptations (Level sense of subjective experience, whereas people
2) on the one hand and life stories (Level 3) on low in ego development tend to view experi-
the other (MeAdams, 1999; Thome, 2000). ences in more black-and-white and conformist
Among the many kinds of characteristic ad- terms. McAdams (1985) found that, in compar-
aptations that can be found at Level 2 of per- ison with adults low in ego development, adults
sonality, social motives for power (Winter, high in ego development tended to include more
1973) and intimacy (McAdams, 1980) have different kinds of plots in their life stories, sug-
proven especially relevant for their relations to gesting greater narrative complexity. Helson
life stories. McAdams (1982; McAdams, Hoff- and Roberts (1994) found that midlife women
man, Mansfield, & Day, 1996) and Woike high in ego development were more likely than
(1995; Woike et al., 1999) have conducted a those scoring low to narrate negative life scenes
series of studies demonstrating that individual to suggest that they had changed considerably
differences in Thematic Apperception Test- through the adversity. More complex life stories
based motives for power and intimacy are sig- may involve greater levels of change in the
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 113

characters. In a study of how college students internalized narrative that suggests that he or
narrate their own religious development, Mc- she was "called" or destined to do good things
Adams, Booth, and Selvik (1981) found that for others, that such a personal destiny is deeply
students high in ego development were more rooted in childhood, reinforced by a precocious
likely to articulate a story of transformation and sensitivity to the suffering of others, and bol-
growth, suggesting that they had gone through stered by a clear and convincing belief system
significant religious doubts and uncertainties that remains steadfast over time. Perceiving
and were developing toward a new and more one's life in terms of redemption sequences
personalized ideological perspective. In Pille- (bad scenes are transformed into good out-
mer's (1998) terms, students high in ego devel- comes), furthermore, provides the hope that
opment centered their faith stories around orig- hard work today will yield positive dividends
inating events, making dramatic turning points for the future, a hope that may sustain genera-
in the narrative. By contrast, students low in ego tive efforts as private as raising one's child and
development tended to deny that they had ever as public as committing oneself to the advance-
gone through a crisis in faith or described a ment of one's own society (Kotre, 1999). Sto-
period of questioning in their lives that was then ries in literature, myth, and folklore that cele-
abandoned as they returned to their original brate generativity often display the kinds of
beliefs. The students low in ego development, themes identified as part of the commitment
therefore, tended to construct faith narratives of story (McAdams, 1993).
stability and consistency, showcasing what Pil- A prominent theme in the commitment story
lemer (1998) called anchoring events.
is the transformation of bad events into good
McAdams, Diamond, de St. Aubin, and outcomes, which McAdams et al. (1997) called
Mansfield (1997) compared the life stories con- a redemption sequence. The theme of redemp-
structed by adults scoring high on objective tion is a powerful motif, as well, in life stories
(behavioral and self-report) indexes of generat- of reformed drug addicts (Singer, 1997) and
ivity with those constructed by a matched sam- ex-convicts who have renounced a life of crime
ple of adults scoring in the intermediate to low (Maruna, 1997). McAdams, Reynolds, Lewis,
range on generativity. As a developmentally Patten, and Bowman (2001) coded narrative
anchored concern for the well-being of the next accounts of key life story scenes among stu-
generation, generativity falls within Level 2 of
dents and adults for redemption sequences and
personality. The investigators found that, as a
for the contrasting narrative form of contami-
group, the highly generative adults tended to
nation sequences. In a contamination sequence,
formulate life narratives that more closely ap-
an emotionally positive event goes suddenly
proximated a commitment story in comparison
with their less generative counterparts. In the bad. Their results show that redemption se-
prototypical commitment story, the protagonist quences in life stories are positively associated
(a) enjoys an early family blessing or advan- with self-report measures of life satisfaction,
tage, (b) is sensitized to the suffering of others self-esteem, and sense of life coherence and
at an early age, (c) is guided by a clear and negatively associated with depression. By con-
compelling personal ideology that remains rel- trast, contamination sequences are positively as-
atively stable over time, (d) transforms or re- sociated with depression and negatively associ-
deems bad scenes into good outcomes {redemp- ated with the three indexes of well-being. The
tion sequences), and (e) sets goals for the future results are consistent with the literature in health
to benefit society. As an internalized narrative psychology showing that people who construe
of the self, the commitment story may help to benefits as having followed from their injuries,
sustain and reinforce the generative adult's ef- illnesses, or misfortunes tend to show faster
forts to contribute in positive ways to the next recovery from their setbacks and more positive
generation. well-being overall (Affleck & Tennen, 1996).
Although many different kinds of life stories Therefore, whereas life storytelling functions to
might be constructed by highly generative peo- provide the self with ego identity, it is also
ple, the adult who works hard to guide and instrumental in mood repair (Josephson, Singer,
foster the next generation may make sense of & Salovey, 1996) and in the overall mainte-
his or her strong commitment in terms of an nance of mental health.
114 McADAMS

Cultural Psychology: Social Context and tures, Denzin (1989) and Me Adams (1996) sug-
the Problems of (Post)Modernity gested biographies are expected to begin in the
family, to involve growth and expansion in the
In all human cultures, people tell stories to early years, to trace later problems back to
other people. The very concept of a story is earlier conflicts, to incorporate epiphanies and
inherently social in that stories exist to be told in turning points that mark changes in the protag-
a social context. "The narrative structure of onist's quest, and to be couched in the discourse
autobiographical memory appears indistin- of progress versus decline. But other societies
guishable from the narrative structure of other tell lives in different ways and have different
social communications," according to Rubin views of what constitutes a good story to tell
(1998), "and the recall of autobiographical (Gregg, 1991).
memories is usually a social act that can define Even in a given society, furthermore, differ-
a social group" (p. 54). As noted earlier, devel- ent stories compete for dominance and accep-
opmental psychologists such as Fivush (1994) tance. Feminists such as Heilbrun (1988) argue
and Nelson (1988) have emphasized the ways in that, in Western societies, many women "have
which children and adults share personal mem- been deprived of the narratives, or the texts,
ories in conversation, how autobiographical plots, or examples, by which they might assume
memory is socially constructed. Thorne (2000) power over—take control over—their lives" (p.
argued that the term personal memory is a mis- 17). It is painfully clear that life stories echo
nomer, because the majority of important mem- gender and class constructions in society and
ories are shared with other people. She sug- reflect, in one way or another, prevailing pat-
gested that a better term might be intimate mem- terns of hegemony in the economic, political,
ories. For Thorne (2000), the construction of and cultural contexts wherein human lives are
self-defining memories and life stories is always situated. Power elites in society privilege cer-
a social enterprise, and "families and friends tain life stories over others, and therefore a
collude in self-making" (p. 45). Even when number of narrative researchers and clinicians
families and friends are absent, however, life seek to give voice and expression to forms of
stories may retain their social character. Her- life narrative that have traditionally been sup-
mans (1996) viewed the self as akin to a poly- pressed or marginalized (Franz & Stewart,
phonic novel, containing within it a multitude of 1994; M. M. Gergen & Gergen, 1993; M. White
internalized voices that "speak" to each other in & Epston, 1990).
dialogue. Me Adams (1998) contended that all A wide-ranging and loosely coordinated
life stories are formulated with both external movement in the social sciences, the narrative
and internalized audiences in mind. Someone is study of lives, has emerged in recent years as an
always listening or watching, be it friends and interdisciplinary effort to write, interpret, and
acquaintances, parents and children, or be it disseminate people's life stories, with special
Freud's superego, Mead's generalized other, in- attention paid to the accounts of women, people
ternalized attachment objects, or God. of color, and representatives of other groups
Life stories mirror the culture wherein the whose lives and stories have historically been
story is made and told. Stories live in culture. ignored or even suppressed (Josselson & Lieb-
They are born, they grow, they proliferate, and lich, 1993). Many of the studies undertaken by
they eventually die according to the norms, scholars in this arena use inductive and herme-
rules, and traditions that prevail in a given so- neutical methods to examine in depth small
ciety, according to a society's implicit under- samples of life stories collected from clearly
standings of what counts as a tellable story, a defined sociodemographic and cultural groups.
tellable life. As Rosenwald (1992) put it, "When For instance, Modell (1992) identified common
people tell life stories, they do so in accordance themes and narrative strategies in the stories
with the models of intelligibility specific to the that birth parents tell about why they gave up
culture" (p. 265). As noted earlier, Habermas their children for adoption. Walkover (1992)
and Bluck (2000) contended that before a per- found that married couples on the edge of par-
son can formulate a convincing life story, he or enthood crafted stories about their imagined
she must become acquainted with the culture's future in which they romanticized and idealized
concept of biography. In modern Western cul- the children they were about to have, suggesting
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 115

an implicit (but irrational) belief in the perfect- culture to formulate a narrative identity. Identity
ibility of childhood. Linn (1997) identified com- is not a problem unique to cultural modernity,
mon life narrative types among Israeli soldiers but it is especially characteristic of it. In modern
who refused to engage in what they believed to life, constructing one's own meaningful life
be immoral acts of aggression. Gregg (1996) story is a veritable cultural imperative.
identified a hybrid life narrative form that mixes As we move today into what some observers
themes of modernity and traditional Islamic have deemed a postmodern world, the problem
faith among contemporary young Moroccans. of fashioning an identity may become even
Cohler, Hostetler, and Boxer (1998) analyzed more challenging (K. J. Gergen, 1992). On first
conflicts, frustrations, and potentialities in gen- blush, the concept of narrative is especially ap-
erativity in the life stories of gay couples. pealing in considering the problems of selfhood
Crossley (2001) explored how HIV patients the- under the cultural conditions of postmodernity.
matize the sense of place and the meaning of The postmodern self is like a text, a narrative
home in their life stories. that continues to be written and rewritten over
Anthropologists and cross-cultural psycholo- time. Shotter and Gergen (1989) wrote that, in
gists have long been interested in what stories the postmodern world, the "primary medium
can reveal about the similarities and differences within which identities are created and have
among cultures. Folk tales, legends, sacred their currency is not just linguistic but textual;
myths, and biographical stories have been persons are largely ascribed identities according
viewed as windows into patterns of culture and to the manner of their embedding within a dis-
into the complex (and sometimes contested) course—in their own or in the discourses of
relations between culture and self (Geertz, others" (p. ix). Identities are ascribed by culture
1973; Shweder & Sullivan, 1993). What has rather than constructed by the individual. The
sometimes gone unrecognized, however, is how wild mix of cultural narratives and discourses
psychosocially crucial life storytelling is in con- determines a person's identity from one mo-
temporary modern cultures. Following Giddens ment to the next. Each moment of discourse
(1991) and Taylor (1989), McAdams (1996, brings with it a new expression of the self. Over
1997) has argued that the unique problems that time, expressions are collected and patched to-
cultural modernity poses for human selfhood gether into a montage-like text whose develop-
require modern men and women to become ment from one moment to the next can never be
especially adept at assimilating their lives to predicted. But what are texts? They are nothing
culturally intelligible stories. In the modern but patterns of words, pictures, signs, and other
world, the self is a reflexive project that a per- sorts of representations. There is nothing sub-
son is expected to "work on," to develop, im- stantive about them, nothing real; nor is there
prove, expand, and strive to perfect. Modern any sense in which a text can be said to be really
people see the self as complex and multifaceted, "true" or "good." As Derrida's (1972) decon-
as containing many layers and depth, and as structionist agenda would have it, texts have no
changing relentlessly over time. At the same inherent and stable meanings. Language is in-
time, they feel a strong urge to find some co- determinate. Every word is ambiguous in and of
herence in the self, to fashion a self that is more itself, and its particular meaning in a particular
or less unified and purposeful within the discor- moment is dependent on its relation to other
dant cultural parameters that situate their lives. equally ambiguous words with which it is spo-
From the media to everyday discourse, modern ken or written.
life is filled with models and examples of how Identity would appear to be a near-insoluble
to live a meaningful life and how not to. Yet, problem for the postmodern self. Because all
virtually every positive model has its draw- texts are indeterminate, no single life can really
backs, nothing close to a consensus exists, and mean a single thing, no organizing pattern of
even if some modest level of cultural consensus identity can be validly discerned in any single
could be reached, modern people are socialized human life. K. J. Gergen (1992) made the point
to find their own way, to craft a self that is true forcefully:
to who one "really" is. As a consequence, peo-
ple pick and choose and plagiarize selectively The postmodern condition more generally is marked
by a plurality of voices vying for the right to re-
from the many stories and images they find in ality—to be accepted as legitimate expressions of the
116 McADAMS

true and the good. As the voices expand in power and trol over identity and the extent to which they
presence, all that seemed proper, right-minded, and
well understood is subverted. In the postmodern world
experience their lives as in constant flux. And
we become increasingly aware that the objects about Gergen may have underestimated the integra-
which we speak are not so much "in the world" as they tive power of stories. "It overstates things to
are products of perspective. Thus, processes such as imply that the only stability and continuity in
emotion and reason cease to be real and significant life narratives derives from recurrent features of
essences of persons; rather, in the light of pluralism we
perceive them to be imposters, the outcomes of our [sociocultural] tasks and circumstances," wrote
ways of conceptualizing them. Under postmodern con- Robinson and Taylor (1998, p. 141). "This is
ditions, persons exist in a state of continuous construc- not to say that self-narratives never change,
tion and reconstruction; it is a world where anything only that at any given time there is some select
goes that can be negotiated. Each reality of self gives
way to a reflexive questioning, irony, and ultimately
subset of experiences that is regarded as most
the playful probing of yet another reality. The center relevant to one's identity" (p. 141).
fails to hold. (p. 7) Another important emphasis in postmodern
approaches is the multiplicity of selfhood (K. J.
When Gergen wrote "the center fails to Gergen, 1992). The self is or can be many
hold," what he meant (among other things) was different things at any given point in time or
that (a) the subjective "I" (human agency) is no period in a person's life. With respect to life
longer central to human life and can no longer stories, then, postmodern approaches suggest
hold together and appropriate subjective expe- that there is not one integrative narrative to be
rience as its own, and (b) the objective "me" found in any given life but, rather, a multiplicity
(the self-concept) can no longer be held together of narratives. Furthermore, these narratives are
because, as an indeterminate text, it is changing likely to contradict and compete with each other
from one moment to the next. Just how true this and, more generally, to relate to one another in
is today is a matter of interesting cultural debate a complex and constantly changing manner. In
(Holstein & Gubrium, 2000; Me Adams, 1997). that postmodern lives are always in flux and in
With respect to the alleged breakdown of the that no single story can possibly bring together
agential I, research in developmental psychol- the many different and everchanging features of
ogy, reviewed earlier, shows that young chil- postmodern life, it would be naive to think that
dren develop a strong sense of the agential I by each person crafts an unproblematic and self-
the time they have reached their second birthday consistent grand narrative that organizes his or
and that this generally taken-for-granted aspect her entire life into a pattern of perfect unity and
of human selfhood has a considerable integra- clear purpose.
tive effect on human experience. In autism and As Me Adams (1997) has shown, the post-
schizophrenia, the center may not hold, but it is modern emphasis on multiplicity is consistent
hard to believe that most normal people do not with a number of trends in social, cognitive,
experience life from the standpoint of a cen- developmental, and evolutionary psychology
tered, integrative I, even in highly collectivist today, all emphasizing the particularity, modu-
and nonindustrial societies (Holland, 1997). larity, and domain specificity of human func-
With respect to the difficulty the I may have tioning. Nonetheless, a totally modular view of
in fashioning a life story that centers the me and selfhood would seem too extreme, given peo-
gives the person's life a sense of unity and ple's phenomenological experiences of, at min-
purpose, the postmodern view underscores the imum, some degree of integration in daily life
dynamic nature of the me and provides a valu- and given the naturally integrative power of
able counterpoint to the naive American view narrative itself (Bruner, 1986; Gregg, 1991;
that (with hard work) a person can be anything McAdams, 1997; Robinson & Taylor, 1998;
that he or she wishes to be. Identity is not an Sacks, 1995). McAdams's life story model of
individual achievement but a work of (and in) identity tends to emphasize the integrative na-
culture. In a sense, the person and the person's ture of stories, how it is that any given narrative
social world coauthor identity. Identity is a psy- can bring together disparate features and ten-
chosocial construction (MeAdams, 1996). Still, dencies in a given life into a more or less
Gergen and other postmodern theorists may unifying and purpose-giving whole. Nonethe-
have exaggerated the extent to which contem- less, it would certainly be wrong to maintain
porary Westerners believe they have little con- that such integration in identity is fully and
SPECIAL ISSUE: PSYCHOLOGY OF LIFE STORIES 117

unproblematically captured in one large story sense of unity and purpose. It is at this time in
for each life. People carry with them and bring the life course that young men and women are
into conversation a wide range of self-stories, first motivated by cultural demands and encour-
and these stories are nested in larger and over- agement to embark on the identity project and
lapping stories, creating ultimately a kind of first able to construe their lives as full-fledged
anthology of the self. Although no single story narratives expressing temporal, biographical,
may encompass all of the many narratives that causal, and thematic coherence. Nonetheless,
any given person can use to make sense of his or the developmental precursors to life story mak-
her life, some stories are larger and more inte- ing can be traced all the way back to the 1-year-
grative than others and come closer, therefore, old's emergent understanding of intentionality,
to functioning as identity formats for a given the development of the agential "I" and the
person. Thus identity may not be captured in a objective "me" in the 2nd year of life, the mat-
single grand narrative for each person, but iden- uration of a theory of mind in Years 3 and 4,
tity nonetheless is accomplished through narra- and the early conversations that children enjoy
tive. People create unity and purpose in their with their parents, siblings, and friends as they
lives, and they make sense of the psychosocial co-construct the remembered past. On the other
niches they inhabit in adulthood through stories, end of the spectrum, life story making continues
even if they must rely on more than one story to well beyond the early adult years, as midlife and
do so. older men and women continue to refashion
Despite disagreements, then, over the degree themselves and renarrate their lives in the wake
of integration that characterizes contemporary of predictable and unpredictable life changes. In
social life in the industrialized West and the the midlife years and beyond, the issue of gen-
extent to which any single story can integrate a erativity may move to the front and center of a
single life, postmodern approaches to selfhood person's life story as he or she seeks to fashion
share with the life story model of identity (as an appealing story "ending" that will generate
well as a number of other approaches reviewed new and good beginnings.
in this article) a strong and abiding belief in the The psychology of life stories ties neatly to
importance of human narratives. Human life is contemporary research and theory on autobio-
storied, conceived in terms of settings, scenes, graphical memory. Autobiographical memory
characters, plots, and themes. Stories are ideally helps to locate and ground the self within an
suited to capture how a human actor, endowed ongoing life story featuring extended lifetime
with consciousness and motivated by intention, periods or chapters, knowledge about typical or
enacts desires and beliefs and strives for goals characteristic life events, and specific and some-
over time and in social context (Barresi & times vivid details of particularly well-remem-
Juckes, 1997). Life stories are psychosocial bered scenes. Like the life story, autobiograph-
texts that are jointly crafted by the individual ical memory is contoured by the person's cur-
himself or herself and the culture within which rent goals and anticipations of what future
the individual's life has meaning. Our autobio- chapters and scenes are likely to bring. Yet,
graphical stories reflect who we are, and they autobiographical memory and the life story are
also reflect the world in which we live. not exactly the same phenomena. Autobio-
graphical memory encompasses a vast range of
Conclusion personal information and experience, whereas
the life story consists of a more delimited set of
The idea that identity is an internalized and temporally and thematically organized scenes
evolving life story ties together a number of and scripts that together constitute identity.
important theoretical and empirical trends in Life stories provide a view of human person-
developmental, cognitive, personality, and cul- ality that cannot be accessed through disposi-
tural psychology. In late adolescence and young tional traits or characteristic adaptations. In-
adulthood, people living in modern societies deed, personality may be seen as a unique pat-
begin putting their lives together into integra- terning of traits, adaptations, and stories.
tive narratives of the self, reconstructing the Dispositional traits, such as those presented in
past and imaginatively anticipating the future in the Big Five trait taxonomy (McCrae & Costa,
such a way as to provide their lives with some 1990), provide an initial sketch of human indi-
118 McADAMS

viduality; characteristic adaptations, such as Arnett, J. J. (2000). Emerging adulthood: A theory of


motives and developmental tasks, fill in the development from the late teens through the twen-
details; and life stories provide integration and ties. American Psychologist, 55, 469-480.
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are just as rich and interesting as individual coherence and its relation to psychological well-
differences in any other aspect of human indi- being. Narrative Inquiry, 9, 69-96.
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University Press. Accepted January 2, 2001

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