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 LIBKAMY
Brignam Young University

j.^'o'!^ 172092
KS3

:&i -4^^ '^O "W:

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.

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 Digitized by tiie Internet Arciiive
in 2012 witii funding from
Brigiiam Young University

http://archive.org/details/sixtystudiesfortOOkopp
Mr

C. KOPPRASCH
SIXTY STUDIES
for

Trombone

Published in two books

i^ t ^Vf^^a^

252 Tremont street Oflrl P lSCn6r IllC. sog SA.Wubnsh Are.

NEW YORK
Cooper Square

0S89S
 1 1

''Sixty Studies for Trombone"

by
C. Kopprasch.

BOOK I,

Comparative Table of the Clefs.

Bass. « 4* o^ ^ -
i\' ««
1

* ' 1
«* pO— *> "^
1

•J*
/ ft» *»
«.»
«.> -^
11.
1
Tenor C~«
-^ AX -<»
H 1} Al
J
1 ^
•)
-«» ««
A»
i.9 -»- xr
Alto.
-*»- xr ^
rv
o -*- ii.
iJ %%
tV
fv
if
C9 !—«» — tt 1 1
' '

XT TT

N9l.Moderafo.
^
r ?

^ /
jir i

^
ri'frJ
CI esc.
• 'C7 * S
^F^
^ ^p#f ?

^^ p |^i=^
^ lit e l>p

rrnrrtfMrrrrir^r irrM-rlVrf^ '

^w
..), !
.

NOS.Moderato.
^l!P
rrrf if, iff ff
^
i

/•
^ y

Wi ^m

7
rr ff fF
ns
I

7
i frmr
/r^

^ ^

^ IP cresc.
/T\

mrrfrir F=F^=;?
i jT rrrT rff^
i i

creac.

^m "if^ f'P ^P
^rfirrfr rrfr
Take breath wherever sign
i i rr #ff^
^
^5^ ^
occurs.
P'.
SI
6 648 _ 25 Fuhli>ihcd MCMV by Carl Fii*eher New York
 N93.POCO Allegro.

^j',\''i!T^\J7Trn\J7T^
P sempre staccato.
v=^
^ ^m
"m

^^^^
^\^^
• . F
^ PI*
\
^\\\^
^ ^^
\

*
.

I ^g
p f- »

^
^ i>1
< '
*
^
^S » *

^ ^r^rnrrrrfifrrfffiFffrrrirrlffr-frrrTTi

?)si'^frrrr[^p i

p "«""? ^ ^

NOTE*.- Exercises marked thus * should be practised in the various ways indicated.

*N9 4. Allegro.
sempre staccato

9648.25
 ^ Crrra'^£afi^^^r.r[5yr£tfi^tt r^rj'^
:*R
t i

>y ,1, r ^trragp & ^^ ifjg ^^r Lcr [^^ ^

Example for N9 5*
1. ssa .2.
>hi' ijs i ^^inp^ ^ik''i!j; i J5^^ ii ki'iji i^^ii'-Mjiip
*N9 5. Alio vivace
.^>'-
\)' ^ J',
I
Jffl frrrrr rr i
ffrTL,4.^ ^

^^
N?6.Aclagio.

i>—==r
n~
^
<:>
j>
irf
p
/Ts

^
a.
o
<: j>
^ ^^ re
*
P
^ i

^ ^ /frf^ir ai ^ ^2? ^
^
/ !>
ffiUr? irrff ^Frf
7^
i

''i'in'iii|iiiriii| III ij|ir|fri||i| ijij

)
9648.35
6

Example for N97 *

1

*N9 7. Allegro.

9648.25
 Example for N9 9*
118 \\i%
1. 1 .-^-^
iJJliJjJJ\fhr>J]JjfJi[J\^^^
^ 2.
L
rf± ^ 2k

*N9 9, A119 vivace.

1^ jp
1^ ^ • i g
s
cresc.
iE^^K »
^Yr ^ p^

mh \

r?rr^ ^ p>f
cresc.
frrr?i:r i
r"dira:r i

ill — — "-tjr"--^-"^ -
^^ t^
—
i^1^--'ii^=^n^igT^'T^-^ —-^ JI-#-'rbr'^b^-F-i^-'i^^--'=----S^'=
Ill '"-p^^" iii«~ -^
r^ .

'" ' ' '

^-*" 5» <5 U^hW^ cresc.

j^ CL£rd!rri [lj:rrFfffi^
y^ ^ tip

1 mm
^^ ^ Tu rn
j» cresc.
m w Fmr ^
m f i^S 22

Execution. Il nj^ g
1)
1 rir^rn nj
NO 10. Andantino.
1 i ^,i h
? ,<agp.

UL'> U Pi
.oc

mf
/

^
y
y^

fe
1> ?»^
mf
C!0
=lf
^ ^
9648 . 8R
 T

N911. Adagio.
F.,.rHrrf. Jr
•f'i)'! fP i
I

f r f i d*
semjfre staccato.

,?ni'Frri
mj
i

rritpl-t^
mf
m-^=- — ."

m t

ei4
m 'lL''[
m!^|^^^^"^"''^J^:",
*

wf

S fee* ^ rr 'T I f
cre.sc.
fff I r mW~^ s #-1:— =1»
^^^
^yj^nirrf
bo^
»tr ii
r,|>r' ^ ^ |
r ^ ji

»/i
-= — ^'^

^ ^^ E
^ /
S.^^*t ^
f
^§ ^
Example
Examgle for Nq *
12;

# N?12.A11<? moderato.

9648.25
 9

^rg'Tr i
Jiiv^

s^4^# i

N9 13. Moderate.

9648.25
 r

10

*)•
N9
H(
14. Allegro.

fffr
:. m ~^ m
r r
cresc. _
rif>rrfr
i> cresc. _
^
;r- r f ^^^^^'WrrrrTrrrr rrrrf i

f
f ^p r ^

^ i*
rnrTrrrrr f^^^ ^^^^f^^^^^rf^

-3"^

i'
g
cresc. _
::f^
^
9648_«6
 11

cresc.

^^ w=s=m rr>r?rffrirr^
f
1 M
y
m
f y:

Turn.

Execution.

N915.Adag^io.

^
Alto.
I^^^B^
^
/•
is:

^
^
^
i>

I r\i\
t)
B'>[jf>JO'
<ti*

fj'[Je l
fe^ 3 *^^ S a^

1^^^ ^5 3S ^
/
^5
^
^

S ^ ee

esj^7-esszvo.
tir Ji^
H^^aI'i ^rn 1.1^
f
*
1
' ^'
5?^ -•—*

ipttrt

^ ,r i "gr^Qij;;^^^
Ek ^r7]j v5 m
^ f3 \\>rB
dint. m
I
V ^
•'-

-VP
m
^
1

m 1
^

9648.25
12

N916. All**" vivace.

^^ mi
i r fir'f-TrfXffXr rr^ffrf --f¥ i
ei»^
.^
Mi El rttrfXruT
i /to ELi 'SrSrSr i

^M.Crrarflrtir rirCffErj'^ciirto^f.r i
s
>»

>):<t<i r "i!rr£rrLfj|r i
li fjjtf^iSrfirQrllr p vrir'^

^ #
^^^^^^s .

V
i
it>^ .1^"^.1>:...g'^Jg;^-j^.j^"
JtfjtrrtrrL
cresc

^
vi^y lisHiiis

>'^i i

''arQl;''Qir ^ rftj^Cirir ^e
9648.2S
 13

^ N9 17. All? plsoluto.

I'
i
##-^
I

S^ i i

S ~ ufpf P mf f- F f-

/
m

^^
< ^ £ 0-

i
^ ^ »w

'n' M r-r rrir :ljdijU UjUjLuji ^ '^i^'r' )

9648. «6
 .

14

N9 18. Vivace.

N9 19. Adagio.
Tenor, espres sivo

'l^tt^t ^'./
i
fSrr^ S •f^^T^^
^
^
1

^^^^^^g

^
^^T
a— li ^ J^ <rV"^ ^^^^ m ^^ 2 ^ —
-^ U^-. ^^^F^ <^=~- —_ • *'
J^^ « m Pm — —
^—-

&
^ .

Ite
p

^^ N9 20. AllOmolto.
-P-^
M^aM
^^-

^ff/ :|

^^»^^^
J sempre staccato. l^*^ w^ _

'Hii»,„f.jrrrir i
^j vitfr, rrijjr^j i
j
n ^i^tij i

9648.2 5
 —

15

^^^
'MAijir' dJ i
Prf^Ut m i

jiS

N92l.xModtP risoluto.

cresc. - ^ . . f p
^*: ^e ftl^ £^ C^ ^ f:"N ^ e^
^

!;=!,'' PyF p^r ip>r pv r ip»r j^yf u ^ Jiipyf jryi i

p»j p
i
/?\
V^r.
r;=i,i'1)y' i
rpyilp> rp>,
J i
J'y j-^^ jTnH'~pv J IP^ j h J ir=^
/TN ^4

r d ^ ^—^ d J—' al
——— i^-"^
V ^
^ \
^
W^Zy
"
^"~^
cresc. _ _ _ _ / -'^

9648.25
16

N9 22. Allegro.
>>:
, g r? |
]Srf^g£fB6^iffl!raf |.i££^ ^7 igprf^

-*>'t- arrrrriJ '^^ ^

^ iif ^1 1
r

N9 23. A119 moderato.

9648.25
 .

17

jpoco rlt.
^fffi n\
i
dimin

->=^i i ^a
:rp

^
9648_25
p ffi
18

N? 4. Presto.

»^ m^rmMmm
p
. /J!

/
^ /• .

1 ^
9648. 25
 ^

19

^l^-tV
N935. Moderafo.
fW

m/
tf

jT^JiUTr /
t
i ^ '

^iij'f'
^ ^'-^
^
i
^
rrr^JU"rJJiijrr<tJjjiirr^jji/r^iiJjtjijfJ i Jg
# ^ ^^
J 's- y»

1^ -/:^
i ^

1 ^ /
P i^
ib*-^ 4'ifrrJjLrrJjiijJjx^ ^
^^
^
N9 26. Maestoso. #.
fc?^^=;^:f^
JtlL-j [•; i

^^^ m/
I

rj

^S
^ /
»
^^
_.

^
• ^

<
?
:^

^
^^
crest:

S
^fte>#->:
^--^

V=bi'i>, 'iCiT,!/^
creac.

>•
^
i
i',
>.
iif.pi'ff-
^LI te

^ i>l
i*

S
te^
/

M3=ZJE

^^rtSM ^
9648-25
cresc. f P
l
|J.J I
^J^; l l
20

^ N9 27. Alio vivace.

fiempre staccato.
« rrrrrriJ^:rm

^^ J J Jul J.J **^ J ' -^

»^e
»lf

^fe
M rrfrrrirrrrrrirr[Lr; »r^'c:J'LIL[!i i

tf ^T * M ^^
iBj^ii^i r^ ^p ^<i-[I^ir^ JilPir^£j^i[f<t^f^i-T7T]}
i i

^
«^i;
1^
^ ii')jiJ.ii.ii

gjtf
?^ i
-# (»
i i
Ify?*?^ cresc.

'^H s ;:: » » s ?Wl ^

I# J #

^ ?^ ^
^y
i^^ i

^*t*ii^'

9648.26
^rrcifi^ ^ H^ ^p\(\x2 ^^ ^ ^jjy i

r
 21

M^ji^ r^ i jj;jj]i.nj jj
^ -
'

^ ] jjjj^
i i

^jj^
/

1^
^ *^ m ^nLii£|^ijjjjjjiJjii
N928. Andantino.

~ ^

^
''y esjyi'essivo.
esp^'essivo.

^
/•?/. ^*-»«^ _ ^ tetupo.

^Y l#<t*i i fIJlT 1:
ifX \ "
»»;
/

0: <iiiiiit»ii
jp ^
[f r^a^ ^ ^ r ^-J^ I I
r tr f fj K\^
V' rt
tii^J'MUTl^
i
;?rJ
i

^ »c;i=F
rE jCTi jTJfr
V=tftL^''t^
cresc.

a tempo.
^ ^e * if
"'
#
^ /T\

-H# i
Lif CJlJ^Ttiiaf ift
r^x,
"fr pj i

ffl cresc.
^ XjE

>)=
tfiirffTJl!r^ ^a —
P
ir
i

v= <'it"<t'*<i J7? it
^^ \^i^\l^r^
« —w
p
\
y^- ^j i

9648.26
 .

22

N^29. Moderato.

^ ^=A-A
'- A

£
^ w —m

^^
sempre staccato

*
i
w

^
=CII
t%t t f^ ^
i^
^ ^^ *

^
w

rf ^. |ti J i.^ E *
^^
., ^

^^ , r
» w

^^ U D2J
OJJJ £
* ^-9 ^
jFF^

^S m^ f ^ ^ ^ ^
i f j,
i
,^,^f,r ,

& -
?>•!> Fr^r
:- #- #•

u1U;ILj
^ «
rrpfTp
V » w

^ »
r^
V *
.LJ
— <r
^ r ; l t.U f —f
^m i

-9
,

9
i
f n
t ^ ^ I
L .
t 1.
t. t. ^
C. 1 t E.
- ^\
^ ;

p ,
» p^
; :

= ^1
:

t
y ^ g-_t- p r -c • p V -iz w f - p E i= P .. . p p w
^^^^

9648-25
 ' ^

23

S ^ * w pi ri i^T^j'-j
^ W 9
^ 9

N930. Andante.

V^rni/TTinrg
^ ^V i»
*^
rrn
/
^
Jm
jp /
^
.^Mii r ii- ifrr^^ 38
:^
—
i' / P f

Eh - ^
:i}rr k
V
#--'^

—9 ^ 9 I
S^=^==- p

IP'S "frrJ
p
^^ _ r ^ i J J |
i
[_ j

P
LT
f
I

^^gi
P
•
f
d 9 E
P
Cs

j^\hh^ iy^-mUiiu
Fine, dolce
I
\
«
II H H
^ 7li^ luuilu m -9 9 ^m
EH
^^^^Q^:?^[Xr i

cI:cI;^- J^Ji^OiriJ^L^

^i
*i # ^^
5
^ 2
P ^ 9 3;=P =^ f af^ V #

^
1^^ IXS" ^' C-CJ i
(^ -^v

L£JLU
9 • A * es:

H A
4
^^
9648_25
24

N9 31. Allegro.

A :_ ^ :i.

^rkti^:^ s=»
1^

?y Oil

m'/
r eJ I i 4
^ i

^^ r::=i r*.
* riric^p^^ ii

£_aA£l ift

^a *
ffi

/
^rJfVJfirifriJ |
rtfrrJ|ii i

^c
>M)irtfC£r|tirjf Lffirtfp
i*

^^^ gi
*— ' > ^s^ r>

i'
s
^^ ^ := *:= a:^ *£

^
^S £ Uj i|
,u I

'>" *jf
i frJUr LJ;is i
^ ijiurnii ji

9648.25
 25

N93». Adagio.

^ cresc. J

•~~^ n ^ dimin.
~
Allegro.

i^
^
cresc.

^M /I
ff .

^^ Ff
fr^ dimin.

Adagio.

i*
^ cresc.
^ t
n'lp^^'V' y ^L i '

^
- r - / ^ •
-— j»

y- tf i^ y ^-W^ ^^
cresc.
H \^ \ l^ »^ ^n"ni> fi

*^^t¥4h » ^^ » ^> l> » ^^ JLT^ ^'O -y M^

Allegro.
?>• ^tjii'it^ii

P
I J '
^ ^ '

cresc.
». £
£ t^
^ ^
M

^M i
cresc.
P

^
dimin.

^
^B E t^
^
^
^
9648.1^5
 26

N9 33. Allegro.

^E=^
w/
m^m^ Pw^#
s ^ £^rmtt |

^>^-^^rrrrr f
i ^^^^rTff^ rrrrrr ^

dimin. _

9648.25
 27

Pratice the trill very slowly at first and in an even tempo,- every note must be distinctly and evenly
played and of an equal duration.

m 34 The Trill.
3 3 T"
»2 m 0-
t. ^ ft ;

M
t^ t^
PI
t ,
ft. ^ ,

ft . ^
PI
Pj ft :
^
M ft

.JL-9—U

^
ff^fffFf^ffffffF e^- e

?ni' - ^

!r J H r r r n
i I 1

^
9648.25
is^^i
^ ir-^
^
 V. iTl. Siazeoiclt

SEQ UENCES
FOR

iombone
licmb

26 MELODIC STUDIES
IN

Varied Rhythms
AND

Keys

CARL FISCHER, Inc.

COOPER SQUARE, NEW YORK
Boston • Chicago • Dallas • Los Angeles

W53
17292^
 3 11 97
00383 1606

DATE DUE
BTie W
V z 4 m
4 1911

1 Ht
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. ,..,<,;,'rJt>Jt?«(«s.'J,"

M,

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.-•.»».,uni«-.iiS]'r !."•

i^=^
5^^
fe
i/^i

T.ir;.«(,;JWyir».>'i;iJi;Ma

;.'„ „.-:',;.".*„vw;«uR«t}i.
,1, ..•;.:;, >n„r!.iiWt'U»A.

MS<1
'CVV
!:;>^

,,w.».rf»*i«.vi .,4/); »iitU,3i

^r*^.

Il'l'il
ffl

.'i-Htf' -111 itCj'v'

ft»f_

•t,i'ii,,wtH;Ji

< 'ixUl >mV' ^i^Sf^.

.t;.r';7,;i*(."!T&
Iril

..,'r)'.,';nv«ji;;.T't>'i^»