Professional Documents
Culture Documents
Josef Chytry
1
Presented
as
an
invited
paper
at
the
Religion
in
California
Conference,
University
of
California,
Berkeley,
25
April
2014.
My
thanks
to
the
conference
organizers
Ed
Blume,
Lynne
Gerber,
and
Jason
Sexton
for
their
kind
invitation.
I
am
especially
grateful
for
the
helpful
responses
to
my
queries
by
Ralph
Metzner
and
Dion
Wright.
Finally,
I
am
grateful
for
the
opportunity
of
conversations
with
Lama
Anagarika
Govinda
at
his
home
in
Mill
Valley,
California,
during
1980-‐1984.
1
“Once
he
had
so
seen
and
experienced
it:
the
Order
and
the
Castalian
Spirit
as
the
divine
and
absolute,
the
Province
as
the
universe,
the
Castalians
as
humanity,
and
the
non-‐Castalian
part
as
a
kind
of
children’s
world,
a
preliminary
stage
to
the
Province.”
Hermann
Hesse2
“High!
High!
High!
We
will
get
it
on
and
keep
it
going
….
Light
is
the
language
of
the
sun
and
the
stars
where
we
will
meet
again.”
Timothy
Leary,
shortly
before
his
death
in
19963
“California
didn’t
invent
LSD,
of
course,
but
it
certainly
played
a
major
role
in
defining
its
use.”
Jay
Stevens4
One of the more provocative features of the decade of the 1960s (the so-‐called
‘”Sixties”) was the rise of the phenomenon of a “psychedelic culture,” often interconnected
with the concept of a “counterculture” yet distinguishable from it. An important aspect of such
a psychedelic culture was its claims of helping to initiate a new religion or religiosity inseparable
from the luminous experiences presumably granted by the effects of a host of psychedelic
Such experiences were associated with a body of literature and texts that presumably
verified or highlighted key features of what were regarded as supremely spiritual or religious
visions or enlightenments that might be compared with those of more mainstream religions
such as Buddhism, Hinduism, and Christianity. In some cases efforts were made to integrate
accounts of those experiences with specific events delineated in such texts. In time the
2
Hesse
[1971],
419.
3
Cited
in
Greenfield
[2006],
596,
598.
4
Stevens
[1987],
358.
5
Although
a
number
of
psychedelic
elixirs
were
used
throughout
the
period
under
consideration,
in
this
account
emphasis
will
be
given
to
the
use
of
LSD-‐25.
2
prospect
was
suggested
of
perhaps
a
new
ritual
or
rituals
coming
into
being
that
would
sculpt
out of psychedelic culture a psychedelic religion of stature and competing value.
This paper takes a look at such an ambition by focusing on some of the texts that played
a key role in its development during the earlier stages. The first set of texts covers the history
of the idea of an alternative culture that originated in the German author Johann Wolfgang
Meisters Wanderjahre] (1829) and that formed the later basis for his twentieth-‐century
follower Hermann Hesse’s vision of a future community called Castalia in The Glass Bead Game
[Das Glasperlenspiel] (1943). The second set of texts includes contemporary writings by such
intellectuals as Aldous Huxley and Alan Watts during the 1950s and early 1960s that developed
such themes and sometimes even envisaged possible “psychedelic” utopias such as Huxley’s
Island (1962). The final set of texts covers traditional ”sacred” writings that were seen as
invaluable guides and possible duplicates of what might emerge as the facets of a psychedelic
religion. Such texts included the Chinese I Ching, The Tibetan Book of the Dead, Lao Tzu’s Tao
Te King, the Hindu Bhagavat Gita, and the Christian New Testament.
California served as the cultural and ideological site for some of these more radically
directed experiments both before 1960 and after 1964. Accordingly the paper goes on to
psychedelia, starting with early currents that became attached to Timothy Leary and
psychedelic chemists in the San Francisco Bay Area and culminating in the phenomenon of the
3
Brotherhood
of
Eternal
Love
in
Laguna
Beach
with
its
final
attempt
at
establishing
a
psychedelic
In the final part of the paper, some shortcomings within this movement will merit a
concluding set of reflections. Such reflections will revisit later relevant critics as well as
comments by leading exponents of the more serious branches of this movement.
1.
In the Beginning was the Morgenlandfahrt: “the Journey to the East”.
eschatological aspirations, the prospects of such a Journey drove its acolytes towards if not
necessarily the geographical East or Orient, at least -‐-‐ as author Hermann Hesse so memorably
For
our
goal
was
not
only
the
East,
or
rather:
our
East
was
not
only
a
land
and
something
geographical,
but
it
was
the
Home
and
Youth
of
the
Soul,
it
was
the
everything
and
nothing,
it
was
the
becoming-‐one
[Einswerden]
of
all
times.”6
And
before
too
long
these
same
pilgrims
were
rewarded
with
a
unique
vision
of
(apparent)
Arrival: the Pedagogical Province (die pädagogische Provinz), along with its most precious
jewel, the magical land of Castalia, a vision explicitly dedicated by its author to die
By the 1930s and 1940s Hermann Hesse had become an established German author and
essayist,
even
the
winner
in
1946
of
the
Nobel
Prize
in
Literature.
His
vogue
faded
somewhat
in
6
Hesse
[1959],
17,
32.
The
German
word
Morgenlandfahrt
carries
the
implication
both
of
“East”
and
of
“Dawn”
(Morgen).
4
the
1950s,
then
picked
up
in
the
1960s
to
provide
the
set
of
indispensable
texts
for
the
Sixties
versions of the Journeyers to the East. Hesse the man had clearly dabbled in possibilities of
visionary elixirs, as confirmed by such novels as Der Steppenwolf (1927),7 and he had produced
a formidable body of adult fairy-‐tale stories, yet ultimately as the son of missionaries who had
religiosities such as Hinduism, Buddhism, and above all the Taoism of the I Ching (“the I Ching
Hesse was also a lifetime admirer of the German author Johann Wolfgang Goethe. In
1829 Goethe completed a life-‐long association with his created character Wilhelm Meister by
bringing him to a “pedagogical Utopia,” where in the midst of multiple wanderings Meister is
received in a “pedagogical province” which Goethe describes with his customary acumen. This
province is founded on “Song” and “Music,” its pedagogy gestural and symbol-‐forming. The
Goethean symbol, or archetype, substitutes for Platonic forms in order to extend the program
of Platonic paideia through four grades of reverence representing four stages of religious
education by which Goethe guides his characters to eventually enter the world properly and
Hesse was clearly inspired by this work for the schema of his novel The Glass Bead Game
(Das Glasperlenspiel) (1943)10 with its evocation of a universal game conveying major traditions
7
But
not
apparently
psychedelics,
at
least
not
mescaline.
See
Leary
[1998],
193.
8
As
Hesse
noted
much
later,
“the
religions
and
philosophies
of
India
and
China,
among
others,
play
a
role
in
The
Glass
Bead
Game“
(letter
of
30/31
January
1957).
Michels
[1973-‐1974],
i:
300.
9
Goethe
[1981],
151,
152,
252,
256-‐258.
For
resemblances
with
Plato’s
Cretan
Utopia,
see
Laws
(Nomoi).
817;
also
Chytry
[1989]
62-‐64.
10
See
the
moderate
account
in
Hahn
[2009],
409ff.
Hahn
cites
Theodore
Ziolkowski’s
explicit
distinction
between
Goethe’s
choice
of
“Meister”
(“master”)
for
his
hero
and
Hesse’s
choice
of
“Knecht”
(“servant”)
for
his.
5
of
thought,
religion,
spirituality,
art,
music,
and
literature
into
a
master
game
played
by
the
members of an elite community he dubbed “Castalia” – derived from the mythical spring of the
Muses at Delphi – some four centuries into the future. Although Hesse himself did not envisage
a specific structure for the game (his later tip was that his original model had been a childhood
experimenters who came to form the “Harvard Psychedelic Club” during 1960-‐1963.12
This group was no less influenced by the entry of the Californian author and thinker
Aldous Huxley into their ranks in 1960. Huxley represented some of the early effects of the
onset of psychedelic experimentation in the 1950s to which he gave his distinctive reading and
direction. A transplanted Briton, Huxley had arrived in California in 1938 along with his friend
and colleague Gerald Heard who joined other Britons such as Christopher Isherwood in
concerns for the future evolution of the human species and the relevance of Eastern religious
traditions such as Vedanta Hinduism and Zen Buddhism for that evolution. These concerns
corresponded to the availability since 1949 of the psycho-‐chemical LSD-‐25 first synthesized by
Albert Hofmann in Switzerland in 1938 and experienced by him in his classic bicycle trip on 19
April 1943. Throughout the 1950s LSD was used for psychotherapeutic and recreational ends in
the
Los
Angeles
area,
eventually
even
claiming
Hollywood
superstar
Cary
Grant
as
one
of
its
11
See
Michels
[1973-‐1974],
i:291
,
for
Hesse’s
1953
account
of
this
“Kinder-‐Kartenspiel”
containing
such
names
as
Shakespeare,
Raphael,
and
Dickens.
12
A
good
insight
into
how
Timothy
Leary
and
Ralph
Metzner
regarded
Hesse
and
his
work
is
the
1964
essay
“Poet
of
the
Interior
Journey”
in
Leary
[1998],
176-‐194.
The
authors
significantly
note
that
“groups
which
attempt
to
apply
psychedelic
experience
to
social
living
will
find
in
the
story
of
Castalia
all
the
features
and
problems
which
such
attempts
inevitably
encounter”
(190).
6
most
fervent
advocates.13
Besides,
natural
psychedelics
such
as
psilocybin
mushrooms,
mescaline peyote and ayahuasca (“yagé”) had already formed part of the Bohemian and Beat
scene in San Francisco.14 However, it was Huxley whose friendship with British psychiatrist
Humphry Osmond led to Huxley’s famous mescaline experience in 1953 in the Hollywood Hills
and downtown Los Angeles, resulting in his influential 1954 account The Doors of Perception,
followed soon enough – again, via Osmond – by Huxley’s ingestion of LSD in 1955.
medical research and the psychiatric professions. Huxley, along with Heard, changed the
language to one of “mystical religious experience” and converted both Osmond and Hofmann,
as well as (temporarily) the physician Sidney Cohen, toward regarding LSD as providing “a
transcendental experience.”15 Indeed, thanks to Huxley’s influence, Osmond would change the
usual term for such experiences from hallucinogenic (which suggested mental illness) to
psychedelic (which carried the positive connotation of a visionary state), a term which Osmond
introduced to the professional guild in 1956.16 Indeed, by 1957 Cohen’s professional colleague
Betty Grover Eisner would be describing the LSD experience as “one in which a subject glimpses
the unity of the cosmos.”17 Eventually, however, the psychiatric profession reacted, attacking
“West Coast investigators” as biased in favor of LSD, and Cohen himself began to have second
13
Grant
brought
up
his
use
of
LSD
in
1959
to
a
Hollywood
gossip
columnist,
stirring
up
huge
media
coverage
of
LSD.
See
Novak
[1997],
103,
for
details.
14
In
terms
of
communication
between
the
two
metropolitan
centers
of
California,
It
may
be
worth
noting
that
Alan
Watts
who
was
based
in
San
Francisco
since
the
early
1950s
had
his
first
mescaline
experiences
through
Dr.
Oscar
Janiger
who
was
associated
with
Los
Angeles
medical
experiments.
Like
Huxley
and
Heard,
the
British-‐born
Watts
had
immigrated
to
the
U.S.
in
1938.
15
Novak
[1997],
93,
94
(see
also
the
1957
photo
of
Heard,
philosophy
professor
Abraham
Kaplan,
and
Huxley
at
Huxley’s
home
in
the
Hollywood
Hills).
16
Novak
[1997],
95.
17
Cited
in
Novak
[1997]
96.
7
thoughts
when
adherents
began
to
make
suggestions
such
as
that
the
LSD
experience
confirmed Eastern notions of reincarnation. Already then around 1961 the FDA and Federal
Bureau of Narcotics had begun an early crackdown – well before, it might be noted, the later
more publicized crackdowns related to Timothy Leary’s advocacy. In short, it is more accurate
to hold that the psychedelic movement began not in Harvard or later in San Francisco during
the 1960s, “but in Los Angeles in the late 1950s” thanks mainly to Huxley’s (and Heard’s)
This was the formidable personality19 who happened to be a visiting professor at next-‐
door MIT on the invitation of philosopher of religion Huston Smith when Timothy Leary, Richard
Alpert, and Ralph Metzner, among others, combined to launch the Harvard Psychedelic Project
in 1960.
2.
A committed “Californian” since arriving in the Golden State in 1947, Timothy Leary
received his Ph.D. at the University of California, Berkeley, in clinical psychology in 1950 and
worked academically on the campus, as well as professionally for the Kaiser Hospital system in
Oakland, until 1958.20 After his wife’s suicide in 1955, he slowly made his way into Bohemian
circles in San Francisco and Morocco, and managed to receive an offer from Harvard to
18
Following
Novak
[1997],
109.
19
Although
Huxley
enjoys
a
mixed
reputation
in
intellectual
circles
for
such
pursuits,
no
less
an
intellectual
authority
than
Oxford
philosopher
Isaiah
Berlin
has
seen
fit
to
declare:
“I
must
own
that
I
think
him
wholly
right
to
have
directed
his
excellent
mind
towards
the
problems
of
psychophysical
relationships
and
the
control
of
mental
–
or
what
he
would
have
preferred
to
call
spiritual
–
factors.”
Berlin
[1980],
140-‐141.
20
Leary
claimed
that
as
soon
as
he
first
saw
the
Golden
Gate
Bridge,
he
became
a
“Californian.”
Leary
[1990],
146.
8
undertake
clinical
experiments
linked
to
the
use
of
psychedelics
during
1960-‐1963
where
he
could be said to mark his first entry into psychedelic domains (he would describe it as “the
deepest religious experience of my life”), it was Leary’s later ingestion of LSD in December 1961
– “the most shattering experience of my life” -‐-‐ which markedly directed him away from the
more scientific-‐psychological concerns that had already earned him a professional reputation
into the “religious” implications of those domains.21 By then Leary had been introduced to
Huxley’s work The Doors of Perception through a graduate student, as well as to Huxley himself,
and in January 1962 he and Alpert were writing the introduction to Alan Watts’ book The
Joyous Cosmology which they, as well as its author, explicitly presented as an extension and
deepening of Huxley’s book on the psychedelic experience.22 By this stage Leary and Alpert
were found sponsoring “philosophers of the religious experience” and pointing out the
necessity for proper “set, and setting, expectation and atmosphere” as well as drawing on the
relevance of “the nondualistic conceptions of Eastern philosophy” in order to induce the kind of
The Harvard Psilocybin Project was eventually shut down and Leary and Alpert found
themselves out of jobs, but one of its most momentous experimental achievements took place
as the so-‐called Good Friday Experiment of 1962 which was held in a chapel in which seminary
students
were
tested
in
a
double-‐bind
experiment,
the
aim
being
to
test
whether
psilocybin
21
Greenfield
[
2006],
167;
Lattin
[2010],
57.
22
The
student
was
George
Litwin.
Greenfield
[2006],
116.
23
Leary
&
Alpert
“Foreword”
to
Watts
[1970],
x,
xii,
xiii.
9
could
produce
an
“authentic
religious
experience.”
Huston
Smith,
a
student
of
world
religions,
regarded his own experience on that occasion of “God’s personal nature” as the strongest of his
life.24
Inspired by these and similar encouragements, the group embarked on the ambitious
project of creating a community for the continuation of their psychedelic explorations. During
the summer of 1963 they unsuccessfully tried locations in Mexico, Antigua, and Dominica in
their efforts to realize Huxley’s more recent utopian vision in his 1962 book Island to create a
psychedelic utopia.25 Eventually, thanks to wealthy sympathizers they were provided the
estate of Millbrook in New York state and their venture adopted the name “Castalia” from
Hesse’s novel, thanks probably mainly to the influence of the German Ralph Metzner: “Those
who lived in the big house at Millbrook consciously modeled their lives after the book.”26 For
this venture key Eastern texts such as the I Ching and the Tao Te King – but especially the
Tibetan Book of the Dead which Huxley particularly espoused – gave these “psychedelic
explorers” important guidance for the cultivation of a psychedelic religious ritual.27
3.
In retrospect, 1963-‐65 may be regarded as the key period of Leary’s and Castalia’s
efforts at forming a religion of psychedelia with its distinctive rituals. Two relevant major works
24
Lattin
[2010],
78-‐84.
Leary
thought
at
the
time
that
such
experiences
of
multiple
realities
“leads
to
a
polytheistic
view
of
the
universe”
(cited
on
82).
25
Lattin
[2010],
108-‐109.
26
Greenfield
[2006],
208.
For
Leary
and
Metzner
“Hesse
is
the
master
guide
to
the
psychedelic
experience
and
its
application.”
“Poet
of
the
Interior
Journey”
(1964),
in
Leary
[1998],
192.
27
Leary’s
frequent
use
of
the
term
“psychedelic
explorers”
resembles
his
(and
Metzner’s)
translation
of
Hesse’s
Morgenlandfahrer
into
the
English
“League
of
Eastern
Wayfarers.”
Leary
[1997],
36;
Leary
[1998],
184.
Since
this
period
it
has
become
increasingly
common
in
psychedelic
literature
to
employ
the
term
“psychonaut.”
The
term
is
probably
derived
from
German
author
Ernst
Jünger’s
use
of
Psychonaut
in
his
writings
on
drug
experiences.
For
accounts
of
Jünger’s
friendship
and
LSD
journeys
with
Albert
Hofmann,
see
Hofmann
[2013],
110-‐126.
10
emerged
from
their
labors:
the
co-‐authored
The
Psychedelic
Experience
(1964)
and
Leary’s
Psychedelic Prayers (1966). Along with other relevant writings of the period including articles
published in their journal The Psychedelic Review, these works furnish the results of a
Huxley’s Island ceremonies utilizing incense, dance, and Sanskrit chants, as well as the
Harvard Project’s use of incense, favorite poems, recitals from sacred texts, and “spontaneous”
input,28 already suggested some intriguing possibilities for a ritual appropriate to a religion of
sacred text, W. Y. Evans-‐Wentz’s edition of The Tibetan Book of the Dead, with the different
stages of psychedelic experience. Dedicated to Huxley (who had died the previous November),
it also included significant tributes to Evans-‐Wentz, psychologist C.G. Jung, and Lama Anagarika
Govinda. The general introduction distinguished “set” – the individual’s preparation, including
his “personality structure” and his mood – and “setting” – the precise conditions of the time of
ingestion to justify the use of a manual of this order. Just as the Tibetan manual had delineated
three stages in the individual’s process of undergoing dying and rebirth, so the psychedelic
equivalent marked out three stages of (1) complete transcendence: Chikhai Bardo, (2) self or
external game reality: Chőnyid Bardo, and finally (3) return to “routine game reality”: Sidpa
Bardo.29 Such helpful tips along the voyage as “whenever in doubt, turn off your mind, relax,
float downstream” came to be staples in popular song such as the Beatles’ “Tomorrow Never
28
Huxley
[1962],
163-‐173,
drew
on
the
archetype
of
the
Hindu
god
Shiva
Nataraja
or
the
Cosmic
Dancer
for
his
ceremonies.
See
also
Smith
[2000],
15-‐32.
29
Although
the
text
utilizes
“games”
in
the
manner
of
behavioral
rules
and
strategies
(a
subject
dear
to
psychologist
Leary),
it
does
distinguish
between
such
games
and
“spontaneous
play.”
Leary,
Metzner
&
Alpert
[1964],
13
(note
*).
11
Knows”.
In
addition,
a
long
technical
section
concerned
with
matters
of
ingestion
control,
guidance, and supporting poetry reflected long familiarity in the multi-‐hour psychedelic
experience.
From this master manual several features can be extracted as central to the
expectations that Leary and Castalia associated with the religiosity of the psychedelic
experience.30 First, psychedelic entry into multicolored geometrical and rhythmic patterns
promised comparisons and affinities with previous knowledges contained in sacred geometries
as well as with some of the more advanced visions of the nature of reality as expressed by such
provide a direct access to succeeding levels of sensuous, molecular, atomic, and subatomic
layers of reality that constituted the scientific account of the universe beyond normal human
perception.31 Third, the psychedelic experience resembled the kind of “spirit-‐journeys” into
“other” worlds” anthropologically associated with shamans and other ecstatics of non-‐
industrial religious traditions. Fourth, the psychedelic experience gave the individual a visceral
experience of what dying was like, above all, the experience of the dispersion and dissolution of
the individual ego, as well as – of equal importance – the assurance of coming through such
death to the exhilarating psychological sensation of rebirth.32 And fifth, given the importance
30
Leary
defined
the
“religious
experience”
as
“the
ecstatic,
incontrovertibly
certain,
subjective
discovery
of
answers”
to
the
leading
questions
of
life
(Leary
himself
listed
seven
such
questions)
–
or,
as
“the
direct
awareness
of
the
energy
processes
of
the
universe.”
Leary
[1998],
19,
20.
31
See
Leary’s
more
detailed
Table
for
his
seven
levels
of
energy
consciousness
given
in
his
1963
lecture
and
published
in
1964
as
“The
Seven
Tongues
of
God.”
Leary
[1998],
50.
32
Of
all
the
arguments,
this
one
seems
to
be
most
pertinent
to
this
text,
Lama
Govinda’s
espousal
of
Tibetan
Buddhism,
and
also
the
central
experience
of
“Awakening”
(“Erwachen”)
by
which
the
main
character
Josef
Knecht
of
Hesse’s
novel
The
Glass
Bead
Game
both
justified
his
entry
into
Castalia
and
his
withdrawal
from
it.
Hesse
[1971],
439.
For
Knecht
the
only
way
in
which
Castalia
and
the
“world”
could
be
reconciled
would
be
if
Castalia
were
in
fact
“die
Welt”
rather
than
simply
a
“Weltchen
der
Welt”
(419).
12
of
group
setting
for
the
successful
achievement
of
any
or
all
of
these
goals,
the
psychedelic
Huxley’s tropic “Island” -‐-‐ initiating and sustaining the communal possibilities inherent in the
In the spirit of Hesse’s Journey to the East, the 1964 publication of The Psychedelic
Experience was followed by Metzner’s and Leary’s pilgrimage to India that fall. In the Himalayas
both encountered Lama Govinda in whose company Leary spent a relatively meditative period
engaged in his next project utilizing nine English translations of Lao Tze’s Tao te King to produce
what became the Psychedelic Prayers. Lama Govinda had already asked Metzner to initiate him
into the LSD experience and, according to Metzner’s account, after some confusion managed to
utilize his mudras and mantras gleaned from life-‐long study of Tibetan Buddhism to re-‐center
himself.33 According to Leary’s foreword, the poems were meant to highlight Taoism’s
emphasis on energy as the central reality of all being. In harmony with the stages of
psychedelic energy, the poems supported what Leary saw as the six stages of the psychedelic
experience, starting with preparatory prayers, followed by invocations of pure energy flow
before moving through cellular consciousness and sensory experience, until the adherent
According to Metzner, these were “perhaps Tim Leary’s most inspired writings”35 and
indeed there is a sparse dignity to Leary’s minimalist wordings since, as Leary himself pointed
33
See
the
account
in
Metzner,
Leary
[1997],
9-‐21.
According
to
Metzner’s
more
recent
recollection,
Govinda
ultimately
“had
a
profound
meditation”
(electronic
communication,
24
February
2014).
34
Leary
[1997],
39-‐40.
35
Metzner,
“Introduction,”
in
Leary
[1997],
19.
13
out,
in
the
psychedelic
state
excessive
verbiage
and
elocution
are
easily
exposed
for
their
degree of mere game-‐playing. Each poem sought instead to strike the reader directly with the
sharpness of primordial clarity within the different succeeding stages of the psychedelic
experience.
This period may have also signaled the climax of converging Castalian priorities with the
evolution of at least one example of older religious-‐mystical traditions. Lama Govinda’s book
Foundations of Tibetan Mysticism (1960), by which he was then mainly known, is really an
elaboration of what became in the West the most famous Tibetan mantra Om Mane Padme
Hum.36 While Leary was composing his prayers in Lama Govinda’s vicinity for the purposes of a
psychedelic religion, Lama Govinda for his part was completing his semi-‐autobiographical work
Way of the White Clouds (1964) in explicit service to the cause of Tibetan cultural survival so
soon after the flight of the Dalai Lama from Lhasa in 1959.37 The property Kasar Devi that Lama
Govinda and his wife Li Gotami occupied was directly owned by Evans-‐Wentz who hoped that
the Lama would eventually turn it into a religious center.38 Thus the extended work by Western
admirers of Tibet to help preserve and extend the rich Tibetan mystical-‐religious traditions and
36
The
familiarity
of
this
work
for
students
of
consciousness
at
the
time
is
reflected
in
Norman
O.
Brown’s
extensive
quotation
from
it
for
the
close
of
his
influential
work
Love’s
Body.
Brown
[1966],
266.
37
As
Govinda’s
biographer
writes,
the
“fall
of
Lhasa”
led
to
this
work.
Winkler
[1990],
172.
Meanwhile
the
Sino-‐
Indian
border
war
of
1962
brought
these
political
issues
physically
close
to
Govinda’s
residency.
See
Govinda
[1964],
xi-‐xiv.
The
Psychedelic
Experience
brings
up
in
passing
that
through
“their
recent
diaspora”
the
Tibetan
lamas
“wish
to
make
their
teachings
available
to
a
wider
public.”
Leary,
Metzner
&
Alpert
[1964],
13.
38
See
Winkler
[1990],
122,
124,
147-‐150.
39
The
effectiveness
of
Tibetologist
Donald
S.
Lopez,
Jr.’s
subsequent
efforts
to
minimize
the
relevance
of
these
early
admirers
of
Tibet
by
associating
them
more
with
conventional
Western
theosophical
aspirations
than
with
genuine
understanding
of
Tibet
in
no
way
undercuts
this
importance
since
it
was
Evans-‐Wentz
and
Govinda
among
others
who
helped
ensure
“Tibet”
as
a
future
spiritual
symbol
and
focus
for
Westerners.
See
Lopez
[1998].
At
least
14
Unfortunately,
after
this
“high”
came
the
Morbio
Inferiore.
Hesse’s
term
for
the
stage
at
which his Journeyers lost their sense of direction and mission, it was applied by Ralph Metzner
to the state of disarray that he and Leary found upon their return to Castalia, or Millbrook, in
1965.40 From that period on the Castalia project increasingly unraveled as undesirable elements
infiltrated and corrupted the original project and aims of Castalia, and it was finally formally
4.
At this stage the project then shifted back from the East Coast to California proper.
Already alternative proponents for a psychedelic culture with more populist visions had
cropped up on the California landscape, including the novelist Ken Kesey with his crew of Merry
Pranksters.42 Their Acid Trips and commitment to expanding LSD access to the widest possible
audience incentivized individual LSD production in such locales as Berkeley, Point Richmond,
and Windsor in Northern California before shifting soon enough to include Southern California
Abandoning the more cautious approaches of his mentors Huxley, Osmond, and Smith,
Leary embraced this new populism with alacrity. At a June 1966 conference held in Berkeley
and San Francisco, Leary made his appearance on the California psychedelic scene with his
announcement of a “politics of ecstacy” that meant to push his new McLuhanesque bite: “turn
Lopez
recognizes
the
historical
importance
of
California
as
the
center
of
a
new
civilization
for
many
such
theosophists
(55).
40
Metzner,
in
Leary
[1997],
20.
41
It
was
generally
recognized
that
Millbrook
was
finished
in
1965.
Greenfield
[2006],
238.
Formally
evicted
in
February
1968
from
Millbrook,
Leary
moved
back
to
the
home
he
already
owned
on
Queens
Road
in
Berkeley.
42
The
most
entertaining
account
remains
Wolfe
[1968a]
and
[1968b].
15
on,
tune
in,
drop
out.”
The
importance
of
the
language
of
religion
that
he
had
already
appropriated in the earlier Millbrook-‐Castalia period now segued into Leary’s launching of a
formally legal League of Spiritual Discovery on 19 September 1966 with which Leary hoped to
capitalize on an earlier 1964 California Supreme Court decision legally approving use of peyote
for its rituals by the indigenous Native American Church. This was followed by Leary’s 1967
pamphlet Start your own Religion offering specific instructions on how to legally form a church
based on the clan or cult principle: “you are forming not only your own religion, but your own
natural political unit. This is inevitable because the basic political unit is exactly the same as the
basic spiritual grouping – the clan.”43 Moreover, by late 1967 Leary had resolved to reside again
in California -‐-‐ the “Hollywood” of image-‐creation -‐-‐ where conditions were far more propitious
The California that Leary encountered was by this stage far along the path of
uncontrolled psychedelic experimentation, cults, and visions.45 Actually Leary’s version did not
much attract the attention of potential acolytes (now called “hippies” by the press) although
Leary did his best to show up as a kind of trickster “high priest” to the psychedelic movement, a
turn in character which probably help lose him the support, notwithstanding long-‐term
43
Leary
[1967],
4.
44
See
Leary’s
specific
formulation
of
his
goal
of
“Hollywood”
as
the
site
for
shaping
images
and
realities.
Leary
[1990],
262.
Later,
after
his
1973-‐76
incarceration,
Leary
did
move
to
the
physical
Hollywood
and
lived
there
for
the
rest
of
his
life
(1976-‐1996)
within
literal
proximity
to
the
house
where
Huxley
had
died
on
a
final
LSD
journey
in
1963.
45
Comparing
themselves
to
the
“West
Coast
scene
at
that
time,”
Alpert/Dass
later
stated:
“We
were
serious
and
they
weren’t.”
Dass
&
Metzner
[2010],
215.
See
also
Metzner
(221).
16
personal
affection
for
him,
of
such
earlier
allies
as
Ralph
Metzner
and
Richard
Alpert.46
Instead
Leary was embraced by an entirely indigenously Californian variant of psychedelic culture.
A native of Anaheim that included Disneyland, although from the low-‐income side, John
Griggs is probably the most intriguing actor in the burgeoning religion of psychedelia. Active in
low-‐level criminal activities with his motorcyclist peers, Griggs was transformed by an LSD
experience in 1966. Overwhelmed by his direct access to “God,” Griggs resolved with his peers
to “turn the whole world on” to universal Love through the free or cheap availability of
psychedelics, and he visited Leary in Millbrook in 1966 to seal his collaboration with Leary’s
League aims. Returning to Southern California with copies of Leary’s Psychedelic Prayers, Griggs
turned his recently named Brotherhood of Eternal Love “into a West Coast spiritual center” by
making it a legally tax-‐exempt religious organization on 26 October 1966 before embarking on
the construction of the Mystic Arts World store in Laguna Beach offering clothing, art, beads,
health food, juice, psychedelic reading room, and head shop, while the back of the store would
provide a meditation room containing a painting by the artist Dion Wright called Taxonomic
Mandala.47
The store was completed by 1967 and soon became the Southern Californian answer to
Haight-‐Ashbury after the latter’s deterioration through and after the 1967 Summer of Love. In
November of that year Leary was joined by Griggs at a lecture at California State University,
Long Beach, where Leary presented both as inspirers behind the creation of a “new breed” or
46
See
Leary
[1995].
Metzner
and
Alpert/Dass
later
expressed
strong
reservations
about
embarking
on
psychedelic
experiences
without
“spiritual
energy-‐work.”
Dass
&
Metzner
[2010],
214.
47
Details
in
Schou
[2010],
60.
Dion
Wright
informs
me
that
his
work
resulted
from
his
involvement
with
the
multi-‐
media
Art
group
USCO
(electronic
message,
21
April
2014).
17
“race”
whose
message
was
Love.48
Dion
Wright
would
later
describe
the
two
as
“like
the
Castor
and Pollux of the psychedelic revolution,” and it was never clear whether Griggs was a follower
of Leary or Leary was in fact an acolyte of Griggs whom Leary consistently described as deeply
In its larger goals the Brotherhood intended not only to spread the cult of psychedelia
throughout the world but also, under the inspiration of Huxley’s Island which Griggs had
carefully read, to eventually found a psychedelic utopia, preferably on a tropical island,50 since
many members were serious surfers and had enjoyed their own quasi-‐mystical experiences
riding the waves of the great Pacific Ocean.51 The task was, however, complicated by the fact
that on 6 October 1966 LSD became illegal in California (followed later in the United States as a
whole). Since in addition the Swiss company Sandoz had stopped making LSD available to the
public in early 1966, private illegal production took on new importance and highlighted the
surreptitious chemical labors of such figures as Augustus Owsley Stanley, III, Timothy Scully, and
eventually Nick Sand. Griggs connected with Leary’s son Jack Leary in the fall of 1967 in
Berkeley
as
he
established
a
pipeline
to
the
new
production
of
LSD
after
Owsley’s
arrest
in
48
Schou
[2010],
71.
49
Describing
Griggs
as
“deeply
religious,”
Leary
later
recalls
Griggs’
bedroom
cottage
as
“a
psychedelic
womb
of
oriental
rugs,
paisley
cottons,
religious
statues,
candles,
incense.”
Leary
[1990],
267.
Hearing
of
Griggs’
death
in
August
1969,
Leary’s
immediate
reaction
was
that
Griggs
“was
the
holiest
man
ever
to
live
in
this
country.”
Cited
in
Schou
[2010],
192.
This
statement
concurs
with
Leary’s
later
view
that
Griggs
was
“one
of
the
most
successful
radiant
holy
people
we
had
ever
known.”
Leary
[1990],
285.
Dion
Wright
kindly
informs
me
that
in
his
view
Griggs
“was
a
true
prophet
who
espoused
no
system
other
than
God,
and
continued
through
his
short
life
to
testify
that
‘It’s
all
God!’,”
a
declaration
that
resembles
many
utterances
attributed
to
Sufi
sages
(electronic
communication,
18
April
2014).
50
Schou
claims
that
Griggs
and
his
friend
would
use
the
area
near
Mount
Palomar
for
some
of
their
psychedelic
journeys,
adding
that
a
town
near
Palomar
called
“Pala”
may
have
been
the
inspiration
for
Huxley’s
use
of
the
name
for
his
utopia;
Mount
Palomar
is
the
site
for
the
cosmic
explorations
of
astronomer
Edwin
Hubble
who
happened
to
be
a
friend
of
Huxley.
Schou
[2010],
57.
51
The
connections
between
the
spirituality
of
a
Southern
Californian
surfer
community
and
later
involvement
in
psychedelics
are
suggested
by
Tom
Wolfe
and
require
further
study.
See
Wolfe
[1968b),
4-‐5.
Surfer
members
included
Mike
Hynson
who
starred
in
the
classic
surfer
film
Endless
Summer.
18
December
1967.
By
January
1969
Griggs
himself
branded
the
new
product
by
Nick
Sand
as
“Orange Sunshine,” and the Brotherhood became the major financier and distributor of LSD in
California.
As long as Griggs led the Brotherhood cause, a general structure seems to have taken
form. Among the Brotherhood Griggs continued to shape a psychedelic ritual often composed
of recitals from The Psychedelic Experience and Leary’s Psychedelic Prayers as well as other
sacred sources. Drawing on the funds from the Mystic Arts World sales, the Brotherhood
broadened to create a global network for the purchase and distribution of marijuana and
hashish, working out a remarkable system that extended from Afghanistan to San Pedro Harbor
in Los Angeles, while at the same time making Orange Sunshine available at the cost of five
Nonetheless, the further evolution of the alliance between Leary and the Brotherhood
grew strained and came to an end in 1969. Instead of following their tropical island dream,
Griggs consented to try the alternative of a ranch in the Sierra Mountains suggested by Leary.
Meanwhile, however, Leary’s ambitions had vaulted to seeking the governorship of California
for 1970, accompanied by his flirtations with more directly radical language.52 Leary was also
under serious pressure from criminal drug charges related to arrests in 1965 at the Mexican
border and in late 1968 as he was leaving the Brotherhood ranch. In addition, the Brotherhood
as a rule was unhappy with Griggs’ preference for the ranch over their earlier tropical island
52
Leary’s
comment
of
the
“white
light
of
the
Buddha
being
the
fire
from
the
gun
of
a
revolutionary”
disturbed
Metzner
who
was
visiting
Leary
at
the
Brotherhood
ranch
during
Christmas
1968.
Cited
in
Stevens
[1987],
354.
19
August
1969
Griggs
suddenly
died
from
ingesting
a
synthetic
psilocybin,
and
almost
immediately the Brotherhood – and Leary -‐-‐ abandoned the ranch.53 The following March 1970
Leary was convicted and imprisoned in a San Luis Obispo correctional facility until September
when, thanks to an arrangement between the Brotherhood and the radical group the Weather
Underground, he was enabled to escape, fleeing to Europe and Africa, only to be captured in
Nonetheless, that same March 1970 the Brotherhood picked up their earlier tropical-‐
island utopia motif and attempted one last grand venture to apparently realize Huxley’s and
Griggs’ (and at one time Leary’s) vision. Since 1967 they had contemplated the possibility of
Maui (Tonga and Hawai’I had served temporarily as possible alternatives). Upon purchasing the
yacht Aafje in Mexico, the Brotherhood set out to carry 6000 pounds of Mexican pot to Maui
where they would grow what would become known as “Maui Wowie” for the economic
sustenance of their future psychedelic utopia. Without even a competent oceanic skipper, the
Brotherhood ended up stranded in the middle of the Pacific Ocean without food, fuel, or proper
direction. Fortunately they were saved by a Norwegian freighter which provided for their
needs and helped them redirect their prow toward Maui where they landed in the obscure port
of Hana and embarked on the realization of their psychedelic dreams. Unfortunately within
two years the colony had collapsed as Brotherhood members sank into a life of beer and
cocaine, wild parties, and the increasing hostility of the local hoodlum population.54
53
My
thanks
to
Dion
Wright
for
clarifying
this
matter
(electronic
communication,
21
April
2014).
54
The
full
and
fascinating
account
of
the
Maui
Expedition
is
described
in
Schou
[2010],
195ff.
For
a
glimpse
of
Maui
communes
at
the
time,
see
Wein
[1972]
for
the
DVD
Rainbow
Bridge
which
recounts
Jimi
Hendrix’s
performance
on
Maui
on
30
July
1970.
20
1972
was
also
the
year
in
which
a
grand
warrant
by
the
state
of
California
went
out
to
apprehend the entire Brotherhood. Large-‐scale arrests brought the global operations of the
Brotherhood to a quick demise and by October 1973 a U.S. Senate Subcommittee on Internal
Security could celebrate the overall defeat of the now congressionally recognized “Brotherhood
of Eternal Love.”55
By this stage Leary himself was back in prison and had turned against the counter
culture in general, facilitating his early release in 1976.56 As his later preferences turned toward
space travel and the electronic worlds of cyberia, Leary by 1990 had come to mock those earlier
“scientifically trained psychologists” who “ended up chanting mantric nonsense syllables and
solemnly memorizing the names and totems and team colors of obscure Tibetan Buddhist sects
and Hindu cults,” thus presumably “distract[ing] us from cybernetic-‐scientific pursuits.”57
5.
psychedelia, the most economic strategy may be to restrict our considerations to critiques
55
Schou
[2010],
272.
56
Leary’s
last
connection
with
his
earlier
interests
may
have
been
his
claim
that
while
in
a
Swiss
prison
during
his
period
of
exile
he
reverted
to
the
assignment
Lama
Govinda
had
given
him
in
1964
to
work
out
common
numerical
patterns
among
the
I
Ching,
the
Tarot,
and
the
periodic
table
of
elements.
Leary
[1990],
213-‐216,
317.
Govinda
himself
went
on
to
provide
a
study
of
such
patterns
at
least
for
the
Ching
in
Govinda
[1981].
57
Leary
[1990],
381.
Regarding
the
general
future
Leary
had
predicted
in
1963-‐1964
that
“drugs
are
the
religion
of
the
twenty-‐first
century.”
Leary
[1998],
44.
21
“from
within.”58
Of
these,
the
analyses
by
Huston
Smith
and
Lama
Anagarika
Govinda
may
be
Smith’s critiques span the key periods of the evolution of a psychedelic culture that we
have traced. Later packaged into the book Cleansing the Doors of Perception (2000), two
articles carry a special resonance. The first, dated 1964, already shows serious misgivings about
the whole project of a “church” of psychedelia as it had so far unfolded.60 Reporting that from
the Harvard Project “an ad hoc ‘church’ emerged” -‐-‐ with, as already noted, a “sacramental in a
vaguely ritualistic context utilizing incense, favorite poems, passages from sacred texts, and
spontaneous input in the style of Quaker meetings” along with the organization of the
International Federation for Internal Freedom (IFIF) -‐-‐ Smith now distinguished between
“religious experience” and “religious life as a whole” in order to claim that while drugs did
appear to induce religious experiences, “it is less evident that they can produce religious lives.”
In fact, Smith wondered whether any religion that only highlighted substances “can be
become merely a “short circuit.” If there were to be something more substantial to the role of
chemicals, it would have to enhance the context of faith and discipline. For Smith, however,
58
Those
interested
in
some
more
benign
Seventies
currents
developing
out
of
this
Sixties
legacy
may
wish
to
follow
the
thread
through
Dass
[1971],
Rainbow
Book
[1975],
and
Capra
[1975].
59
I
do
not
include
Alan
Watts,
since
his
position
was
that
once
one
had
“a
glimpse
of
genuine
mystical
insight”
through
psychedelic
experience,
the
task
was
to
go
on
to
forms
of
meditation
“in
which
drugs
are
no
longer
necessary
or
useful.”
Watts
[1970],
25-‐26.
See
also
Watts
[1971].
This
position
resembles
that
of
Dion
Wright,
the
creator
of
Taxonomic
Mandala
and
close
friend
of
Griggs;
for
him
there
can
be
no
religion
of
psychedelia
as
such,
since
psychedelic
experience
is
simply
the
means
for
opening
out
the
spiritual
search
(my
thanks
for
his
electronic
communication
of
18
April
2014).
60
The
article
was
originally
published
as
“Do
Drugs
have
Religious
Import?,”
in
the
Journal
of
Philosophy
(1
October
1064).
Smith
[2000],
15-‐32.
22
the
counterculture
had
already
shown
itself
to
be
seriously
lacking
in
such
needed
discipline
for
Smith’s follow-‐up three years later in 1967, the very year of the Summer of Love, was
even more emphatic in its misgivings.62 Feeling a stronger need in this article to clarify his
earlier distinction between religious experience and the religious life, Smith recognized the
historical staying power of minority faiths, but only if they could create churches, whereas “to
date, the psychedelic movement shows no signs of having within it the makings of such a
church.” While acknowledging the presence of a charismatic figure in the movement, namely
Timothy Leary, Smith went out on a limb to predict that no genuine church would emerge,
since the movement lacked a serious social philosophy, remained antinomian, and did not
sufficiently maintain the line between exoteric and esoteric aspects of its faith. Smith
movement, only to conclude that its prime message of “dropping out” was “too negative to
command respect.”63
For his part, Lama Govinda appeared unwilling to grant the religion of psychedelia even
a modicum of hearing. In his 1970s essay “Drugs and Meditation,”64 Govinda alerted his
audience to the fact that he was “not speaking theoretically, but from my own experience” in
61
Smith
[2000],
30,
31.
62
“Psychedelic
Theophanies
and
the
Religious
Life,”
published
in
Christianity
and
Crisis
(1967).
Smith
[2000],
33-‐
43.
63
In
an
accompanying
note,
Smith
did,
however,
later
concede
the
importance
of
the
flow
of
contemporary
youth
toward
a
number
of
alternative
religions,
including
“pharmacological
mysticism.”
Smith
[2000],
34,
36,
37,
39,
43.
64
“Drugs
and
Meditation:
Consciousness
Expansion
and
Disintegration
versus
Concentration
and
Spiritual
Regeneration,”
in
Govinda
[2007],
69-‐76.
23
acknowledgment
of
his
own
unfortunate
LSD
experience
with
Ralph
Metzner
in
1964
–
before
psychedelic advocates would provide anything other than a “process of atomization” and
dissolution.65 In contrast, Govinda extolled and elaborated the benefits of meditation that
brought about the concentration that could lead to harmony and unity. Expansion in short was
valueless without the prior discovery of one’s “inner center” as the means to “partake of the
greater life of the universe.” In the chaotic experiences of the LSD trip, no such preliminary
control helped lead the user to the kind of higher psychic states that was available to the
Even the more serious advocates of a religion of psychedelia had to later grant the
charge that it had failed to sufficiently evolve the element of ritual. For Ralph Metzner, “the
large white culture was unable to develop a format, was unable to develop a religion,
psychotherapy, or medicine, recreationally or any other way” in its efforts to come up with “an
integrated experience”. For fellow author Ram Dass, the former Richard Alpert, looking into
the future, “the best thing we could do would be to ritualize this.” Finally, for Albert Hofmann,
the chemist who synthesized LSD, the task of such future ventures requires “a kind of
65
Perhaps
Lama
Govinda’s
strong
rhetoric
disassociating
himself
from
consciousness
expansion
was
that
in
their
1964
“tribute”
to
him,
Leary,
Metzner
&
Alpert
[1964]
had
explicitly
tried
to
connect
his
account
of
yogic
experience
with
“consciousness-‐expansion”
(28).
Metzner
suggests
that
Govinda
had
been
meanwhile
influenced
by
“all
the
negativity
in
the
media,
which
was
absent
in
the
early
1960s”
(electronic
communication,
24
February
2014).
66
Govinda
[2007],
69,
70,
73,
74.
This
was
also
my
understanding
of
Lama
Govinda’s
final
position
in
my
conversations
with
him
at
his
home
in
Mill
Valley,
California
during
1980-‐1984.
24
meditation
center
where
there
would
be
the
right
conditions,
the
right
dosages,
all
these
6.
Since the period under review, an additional touch to the formation of a psychedelic
religious viewpoint has been pursued by 1970s practitioners who, imitating an important
Culminating in the prophecy of the millennial significance of 2012 according to the workings of
the ancient Mayan calendar as well as the I Ching, these predictions go back to the importance
of psychedelics for such prominent authors as Terence McKenna and José Argüelles. Argüelles
had experimented with LSD in the 1960s while McKenna and his brother Dennis embarked on a
pivotal trip to the Amazon Basin in 1971 in search of psilocybin mushrooms, only to experience
the equally charged psychedelic worlds of ayahuasca and DMT. The brothers’ 1975 book The
Invisible Landscape provides the first suggestion of the importance of 2012 for apocalyptic
reckonings, although the date seems to have resulted solely from their psychedelized readings
of pattern waves derived from the I Ching.68 Meanwhile, in 1985 McKenna met Argüelles in
Berkeley and was apparently instructed by him on the importance of 2012 for the Mayan
calendar, at least according to Argüelles’ account in his 1987 book The Mayan Factor which
helped create excitement for an event called the Harmonic Convergence in 1987 to presumably
mark the 25 years prior to the epochal transformation promised by the forthcoming date of
67
Comments
on
the
DVD
by
Littlefield
[2002].
68
Using
the
1975
edition.
McKenna
and
McKenna
[1975].
25
2012.69
According
to
the
researches
of
Sacha
Defesche,
psychedelics
played
a
major
role
among these and other “neo-‐psychedelic” theorists on behalf of 2012.70
Since McKenna died in 2000 and Argüelles in 2011, neither is on hand to offer us their
take on the implications of the subsequent actual passing of the crucial date of 21 December
2012 for their apocalyptic prophetics. What then remains for further developments to our
theme? Hofmann’s prediction, after all, that in the future psychedelics such as LSD “will find
the place it needs in human culture” remains optimistic. Putting aside the substantial body of
pseudo-‐religious proclamations derived from psychedelic experiences, one can safely assume
that serious “psychonautic” work and experimentation has continued to advance under the
juridical radar: one might reference, for example, the important research and production of
anthropological studies into religious traditions that seem necessary to move the subject to a
more sophisticated level. Having previously collaborated with Hofmann, the synthesizer of LSD,
and the prominent Harvard ethnobotanist Richard Evans Schultes, Rätsch has succeeded in
producing a canonical encyclopedia and a rich body of texts for an understanding of the role of
Along with his wife Claudia Müller-‐Ebeling, Rätsch is well positioned to find new and
dramatic dimensions for a religion of psychedelia. Of course, such results would belong more to
academics and scholarship than to the direct practitioners of a religion and its rituals. But
69
Argüelles
[1987].
70
Defesche
[2007],
17,
43,
44.
Defesche
refers
to
the
importance
of
2012
for
“contemporary
neo-‐psychedelic
circles.”
71
See
e.g.
Schultes,
Hofmann
&
Rätsch
[2001]
and
Rätsch
[2005].
26
insofar
as
research
has
helped
galvanize
previous
surges
for
the
evolution
of
our
theme,
it
may
carry its own unique impact on the future for a religion of psychedelia that the Harvard
Psychedelic Club and Castalia, no less than their less well-‐scrubbed acolytes the Brotherhood of
Eternal Love Sailing to Maui, pursued, once upon a time, in the California of the Sixties.
27
I Ching
Timothy Leary, Ralph Metzner, and Richard Alpert, The Psychedelic Experience (1964)
28
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