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Graphology Full Dictionary PDF
Graphology Full Dictionary PDF
Analysis
Dictionary
1
Lower
Loops
LINE VALUES,
TANGIBLE,
HARMONIOUS sense of
PROPORTIONAL
proportion, can see
LOWER LOOP WITH
balance and symmetry in
AN UP AND DOWN
personal relationships
STROKE BALANCE
and in physical
surroundings,
coordinates facts
VARIETY, DESIRE FOR
continuously wants to
change scenery and/ or INFLATED LOWER
associations, like LOOP
interesting and diversified
activities
CLANNISH meticulously
distinguishes and
separates a friend or close SMALL DANGLING
companion, suggestible to LOWER LOOP
object attachment or
fetish
FANTASY, CONCRETE
the exaggerated
expansion and INFLATED DANGLING
elaboration of an idea LOWER LOOP
producing possibilities for
an unreal situation
REGIMENTAL regulates
personal relationships,
TRIANGULAR LOWER
carefully controls physical
LOOP
surroundings, good
strategist
2
SELECTIVITY
meticulously distinguishes
and separates friends
NARROW LOWER
from acquaintances,
LOOP
maintains rigid criteria
for choosing possessions
and avocations
ISOLATION wants to be
detached from human SINGLE DOWN
relationships and STROKE FOR LOWER
activities which directly LOOP
influences others
DETERMINATION
STRAIGHT LOWER
completes a delegated job,
DOWN STROKE
finishes tasks and projects
PUSHING
DETERMINATION
STRAIGHT LOWER
carelessly forges ahead in
FORWARD STROKE
completing a delegated
job
RESTRAINING
DETERMINATION
STRAIGHT LOWER
overly careful in
BACKWARD DOWN
completing a delegated
STROKE
job, places extra burdens
before completing a job
FORESIGHT projects
LOWER
into the future a sense of
PROPORTIONAL
proportion regarding
CIRCLE WITH AN UP
worldly matters, capable
AND DOWN STROKE
of resourceful and
BALANCE
perspective
CLANNISH,
EXCLUSIVE
meticulously distinguishes
and separates a friend or
close companion, SMALL DANGLING
excludes and rejects LOWER CIRCLE
others from the
relationship, suggestible
to a particular object
attachment or fetish
CYNICAL,
BELLIGERENT looks for
INVERTED LOWER
injustice and exploitation
CIRCLE
in human relationships
and activities
1
Upper
Loops
LINE VALUE,
INTANGIBLE,
HARMONIOUS sense of PROPORTIONAL
proportion, can see UPPER LOOP WITH
balance and symmetry in AN UP AND DOWN
philosophical matters, STROKE BALANCE
coordinates thoughts and
plans
DIVERSIFIED
BELIEFS liberal
INFLATED UPPER
philosophical values,
LOOPS
susceptible to various
religious concepts
FANTASY, ABSTRACT
the exaggerated
expansion and INFLATED DANGLING
elaboration of an idea UPPER LOOP
producing an unreal
philosophical value
HENOTHEISM
meticulously
distinguishes one faith SMALL DANGLING
and excludes other UPPER LOOP
beliefs, suggestible to
religious obsession -
DISTORTED IDEAS,
ABSTRACT expands
and elaborates on a DEFORMED UPPER
philosophical idea in a LOOP
contorted or perverse
manner
BELIEVER maintains
strict adherence and
TRIANGULAR UPPER
intolerant devotion to a
LOOP
creed or philosophical
value
2
IDEALISM maintains
rigid criteria for TALL NARROW
choosing ethical UPPER LOOP
standards
RESPONSIBILITY,
DESIRE FOR wants to INITIAL INFLATED
gain importance and to INVERTED UPPER
be a "big shot", alpha LOOP
male, or top dog
REBELLIOUS open
INFLATED
hostility towards
TRIANGULAR
authority and for any
FORWARD INVERTED
form of discipline,
MIDDLE/UPPER
belligerent, skeptical
CIRCLE
predisposition
PERSISTENCE
A TIED AMPERSAND,
perseverance, repeatedly
UPPER BACKWARD
keeps on trying to return
LOOP ATTACHED TO
equal value, does not
A DOWN STROKE
know when to stop, to
MOVING FORWARD
retreat and to give up
1
Upper &
Lower
Stems
PRIDE justified respect AVERAGE T, D-STEM
and esteem for one's HEIGHT
conduct
PHYSICALMINDED, PROPORTIONAL P-
SKILLFUL wants STEM
skillful action
Baseline
Direction
STEADY desires regular
HORIZONTAL
predicable settled
STRAIGHT LINE
existence without
BASELINE
variation
ROUTINE desires
regular predictable STRAIGHT LINE
settled existence without BASELINE
variation
OPTIMISM consistently
takes a hopeful outlook UPWARD WORD
on life, expects the best to BASELINE
happen
EUPHORIA displays
lighthearted cheerfulness
and exaggerated elation, CURVING UPWARD
convinced that the best LINE BASELINE
conditions are inevitable,
expects improvement
PESSIMISM gloomy
attitude attracts failure, CURVING
convinced that the worst DOWNWARD LINE
conditions are inevitable, BASELINE
expects failure
DEPRESSION
consistently takes a dim DOWNWARD WORD
outlook on life, expects BASELINE
the worse to happen
2
INSOUCIANT
ATTITUDE
DOWNWARD THEN
unconcerned, carefree,
UPWARD LINE
believes circumstances
BASELINE
happen by chance or is
accidental
SUICIDAL TENDENCY
a sudden change in UPWARD THEN
attitude from hopefully DOWNWARD LINE
expecting miracles to BASELINE
anticipating doom
KALEIDOSCOPIC
NATURE unpredictably CHOPPY MULTIPLE
and sporadically changes DIRECTIONAL
attitudes, interests, and BASELINE
activities
VERSATILITY smooth
SMOOTH WAVY LINE
and flexible adaptation to
BASELINE
changing situations
1
Line
Spacing
CLARITY OF
THOUGHT surveys life
activities and avoids
LARGE DISTANCE
confusing or entangling
BETWEEN LINES
them, appreciates
freedom for mental
and/or physical activities
CONFUSION OF
INTERESTS
INTERMINGLING
simultaneously pursues
BETWEEN LINE
too many mental and/or
EXTENSIONS
physical activities, cannot
handle abstractions
1
Line Or
Stroke
Quality
EMOTIONAL
INTENSITY, MUCH
AVAILABLE possesses
HEAVY AVERAGE
strong libido and
STROKE PRESSURE
passions, abundance of
available energy and
vitality, proactive
EMOTIONAL
INTENSITY, LITTLE
AVAILABLE possesses
LIGHT AVERAGE
weak libido and passions,
STROKE PRESSURE
scarcity of available
energy and vitality,
reactive
EMOTIONAL
MUCH PRESSURE
INTENSITY, VERY
VARIATION ABOUT
ACTIVE expends all
AVERAGE PRESSURE
available energy
EMOTION
INTENSITY, LITTLE PRESSURE
SLIGHTLY ACTIVE VARIATION ABOUT
expends little available AVERAGE PRESSURE
energy
DEGENERATIVE
EXHAUSTION a
STROKE PRESSURE
physiological disturbance
SKIPS
interfering with one's
mental process
INITIAL
MOMENTARY
HESITATION mentally
INCREASE OF
pauses before moving on
PRESSURE PRIOR TO
STROKE MOVEMENT
Difference
Beween
Available
Energy and
Active Energy
SENSUOUS large
capacity for indulging BROAD LINE WIDTH
appetites
ABSTEMIOUS limited
NARROW LINE
capacity for indulging
WIDTH
appetites, temperance
PRINTED LETTER S-
GRACEFUL an easy
SHADING UPSTROKE
natural elegance capable
ABOVE THE
of evoking delight
BASELINE
SENSORY
DISCRIMINATION, DARK WRITING
STRONG an acute CONTRAST BETWEEN
awareness of perceptual "INK" AND PAPER
differences
SENSORY
LIGHT WRITING
DISCRIMINATION,
CONTRAST BETWEEN
WEAK a mild awareness
"INK" AND PAPER
of perceptual differences
SENSUAL vulgarity,
uncontrolled over- SMEARED BLOTCHES
indulgence of appetites
1
Slant Of
Baseline
Upstrokes
IMPULSIVE readily
reacts to immediate
circumstances and/or MIDDLE/UPPER
inner feelings, excitable, BASELINE
actions based more on UPSTROKES
emotions than reason - SLANTED FORWARD
influenced by the (20 TO 55 DEGREES)
emotional content of
situations and of feelings
OBJECTIVE
DETACHMENT does
not readily react to
MIDDLE/UPPER
immediate circumstances
BASELINE
or is not influenced by
UPSTROKES
inner feelings, impartial,
SLANTED
action based more on
VERTICALLY (55-90
reason than emotion,
DEGREES)
indifferent to the
emotional content of
situations and of feelings
HYSTERIA overly STROKE-
reacts to immediate MIDDLE/UPPER AREA
circumstances and loses BASELINE
touch of inner feelings, UPSTROKES
loses control, influenced SLANTED
by the emotional content EXTREMELY
of situations, indifferent FORWARD (0-20
to feelings DEGREES)
WITHDRAWAL
outwardly appears to be
indifferent to immediate
MIDDLE/UPPER
circumstances and
STROKES SLANTED
retreats into inner
BACKWARDS (90-125
feelings, indifferent to
DEGREES)
the emotional content of
situations, influenced by
feelings
SPLIT PERSONALITY
changes emotional DISTINCT
reactions to immediate MIDDLE/UPPER
circumstances and to BASELINE UPSTROKE
inner feelings in different SLANT PATTERNS
time periods
SUPPRESSION MIDDLE/UPPER
frequently restrains DOWN STROKE
unacceptable emotional RETRACED BY
impulses UPSTROKE
MANY
REPRESSION
MIDDLE/UPPER
habitually restrains
DOWN STROKES
unacceptable emotional
RETRACED BY
impulses
UPSTROKES
STRAIGHT
INHIBITED restrains
BACKWARD
action with unnecessary
DOWNWARD UPPER
burdens
STROKE
BACKWARD
RESTRICTIVE stifles DISHSHAPE STROKE
activities based on RESTING ON
previous unfortunate BASELINE RETRACED
events WITH FORWARD
STROKE
1
Middle
Loops
SINCERE honest, free
from falseness in PLAIN MIDDLE O-
approach to life, lacks CIRCLE
deceit
SECRETIVE
FINAL TOP LOOP
deliberately conceals by
WITHIN MIDDLE O-
omitting information
CIRCLE
from others
SECRETIVE,
EXTREME deliberately FINAL LOOP
conceals by omitting RETRACES MIDDLE
information from oneself O-CIRCLE
as well as from other
OPEN-MINDED willing
to receive and tolerate BROAD MIDDLE O-
other opinions or learned CIRCLE
viewpoints -
EXTRA STROKES
WITHIN AND
EVASIVE uses trickery
ENTERING THROUGH
to escape an issue
TOP MIDDLE O-
CIRCLE
FINAL STROKE OF
HEDGES, ILLUSIVE CIRCLE PASSES
allows an escape from BACKWARD AND
any issue taken OVER MIDDLE O-
CIRCLE
INITIAL STROKE
SECRETIVE,
PASSES FORWARD
PLANNED intends to
AND OVER MIDDLE
withhold information
O-CIRCLE
COMMUNICATIVE
readily conveys OPEN TOP MIDDLE O-
information or feelings, CIRCLE
talkative
UNCOMMUNICATIVE
does not readily convey CLOSED TOP OF
information or feelings, MIDDLE O-CIRCLE
reticent
3
CLOSE-MINDED not
willing to listen or NARROW MIDDLE O-
tolerate other opinions or CIRCLE
learned viewpoints
NARROWMINDED
NARROW MIDDLE E-
fixed, limited self
LOOP
viewpoints, bigoted
BROADMINDED liberal
WIDE MIDDLE E-
self-viewpoints, free of
LOOP
bigotry
MUNDANE,
UNSOPHISTICATED LARGE MIDDLE
overly concerned with HEIGHT RELATIVE
the personal daily basic TO TOTAL HEIGHT
needs of living
WORRIER mental
INVERTED MIDDLE
disturbance produced by
LOOP ABOVE
exaggerating a minor
BASELINE
problem or concern
YIELDING amenable to
persuasions, easily A SOFTLY BENDING
influenced, chameleon- MIDDLE STROKE
like opinions
Middle
Patterns
4
THINKING PROCESS
MIDDLE M, N-
manner of
VERTICAL
understanding, learning,
DEVELOPMENT
and reasoning
INVESTIGATIVE
INVERTED V-
THINKING searches for
WEDGES MIDDLE M,
originals sources, wants
N-TOP
to learn and to explore
ANALYTICAL
THINKING sorts and V-WEDGES FOR
separates information in MIDDLE M, N-
assessing their value, BOTTOM BASELINE
evaluates information INTERSECTIONS
and supporting patterns
COMPREHENSIVE
THINKING keenly alert NEEDLE-LIKE
to and the rapid grasp of POINTED MIDDLE M,
situations or information, N-TOPS
understands information
CUMULATIVE
THINKING slowly
accumulates information, ROUNDED OR FLAT
arranges information MIDDLE M, N-TOPS
into logical step-by-step
sequences
STRAIGHT FLAT
MIDDLE M, N-TOPS
CONSTRUCTIVE builds
PARALLEL TO
with repetitive small
BASELINE WITH
parts, goal to make
SHARP ANGLES TO
VERTICAL STROKES
EQUAL SPACING OF
TEMPO the ability to BASELINE DOWN
keep a repetitive beat STROKE
INTERSECTIONS
FLEXIBLE
SMOOTH MIDDLE-
MENTALITY easily
UPPER AREA
follows the subject at
CONTOUR
hand
SUPERFICIAL
THINKING lack of in
MIDDLE SHORT
depth reasoning,
FORMLESS SCRIBBLE
learning, and
understanding
THINKING
SHORTCOMING a
learning defect where
one cannot distinguish an CENTER PART OF
object, sound, or symbol MIDDLE M, N
in a background, cannot SECTION DOESNOT
read aloud, cannot carry REACH BASELINE
a musical note, cannot
pronounce a sound, or is
inarticulate
SELF-CONSCIOUS
unduly concerned about
INCREASING HEIGHT
being ridiculed or
OF M, m-SECTIONS
embarrassed, shy,
ABOVE BASELINE
difficulty in accepting
praise
TAPERING OR
DIPLOMACY
DECREASING
unobtrusive in
HEIGHT OF M, m-
influencing others,
SECTIONS ABOVE
tactful
BASELINE
6
BREAK IN
INTUITIVE sudden
CONNECTION
insight without apparent
BETWEEN LETTERS,
evidence or verification,
STROKE LIFTS AND
aware of harmony or
RETURNS IN
lack of, cognizance of
DIFFERENT
fundamental truths
DIRECTION
Size
CONCENTRATION
focuses attention on one
SMALL WRITING
activity ignoring all other
influences
EMOTIONAL
NARROW LETTER
CONFINEMENT severely
SPACING
limits or shows feelings
EMOTIONAL DISPLAY
WIDE LETTER
readily and excessively shows
SPACING
feelings
NARROW
ULTRA-CONSERVATISM
HORIZONTAL
opposes taking any chances
SPACING
for fear of consequences,
BETWEEN
hoards possessions
LETTERS
WIDE
EXTRAVAGANCE ignores
HORIZONTAL
the danger of taking chances,
SPACING
spends lavishly, unrestrained
BETWEEN
spending of possessions
LETTERS
ELBOWROOM wants
separation from another's
WIDE SPACING
possessions and no
BETWEEN WORDS
infringement on personal
space
Space
SELF-AWARE observes and
WIDE SPACE
reflects on self importance,
BETWEEN INITIAL
compares inner values to
CAPITAL
surroundings
A SINGLE SUDDEN
AND EXCESSIVELY
LOST OF SPONTANEITY WIDE SPACE
stops and compares present BETWEEN WORDS,
action or content of written A CONSCIOUS
statement BREAK IN THE
WRITTEN
MESSAGE
REPEATED
SELF-INVOLVEMENT
PATTERNED
confusion of ideas causing
ENCLOSURES IN
chaotic thought patterns
THE SAME SPACE
ERRATIC AND
FRENZY dissipation of energy BIZARRE STROKE
through chaotic actions DIRECTION AND
SPACING
1
Stroke
Finals
DECISIVE brings
matters to a conclusion, ABRUPT ENDING
does not vacillates
INDECISIVE vacillates,
does not bring matters FADING FINAL
to a conclusion
POSITIVE brings
matters to a precise
HEAVY STRAIGHT
conclusion with
MIDDLE AREA
certitude, sure of facts
DOWNWARD FINAL
or evidence, does not
vacillate
EMPHATIC brings
INCREASINGLY HEAVY
matters to a strongly
STRAIGHT DOWNWARD
marked conclusion with
FINAL ABOVE
certitude, does not
BASELINE
vacillate
GENEROSITY
LONG CURVED
readiness to share with
ATTACHED
others (time, money,
UP/FORWARD BASELINE
sympathy, energy,
FINAL
things)
2
LONG FORWARD
CAUTIOUS alertness to HORIZONTAL LINE
potential trouble FINAL ABOVE OR ON
BASELINE
STINGY unwilling to
share with another SHORT OR NO
(time, money, sympathy, BASELINE FINAL
energy, things)
SHOWMANSHIP
invites attention and STRAIGHT UPWARD
interest by dramatizing BASELINE FINAL
existing features
SELF-REPROACH
scolds self over previous BASELINE FINAL
disappointments or MOVING BACKWARD
previous conduct
PETTY excessive
EXTRA DOTS ON OR
alertness of details to
ABOVE BASELINE
potential problems
3
LONG LOWER
AGGRESSIVE quickly BREAKAWAY
grasps opportunities for UPSTROKE CROSSING
advancement OR REACHING THE
BASELINE
Initial
strokes
ACQUISITIVE likes to
INITIAL HOOKS ON A
own and have
HORIZONTAL STROKE
possessions
RESENTMENT
indignant from a sense INITIAL MIDDLE
of being offended, of STRAIGHT FORWARD
being intruded upon, of UPSTROKE FROM
being required to do BASELINE
something, of losing
ANTAGONISTIC
alertness of being taken
LONG INITIAL
advantage of or of
STRAIGHT FORWARD
losing, inability to
UPSTROKE FROM OR
forgive and forget,
THROUGH BASELINE
hostile, ready to
retaliate and win
INITIAL MIDDLE/UPPER
SIMPLICITY operate
AREA DOWN STROKE
only with fundamentals
TO BASELINE
4
INITIAL STRAIGHT
DIRECT operates
MIDDLE/ UPPER AREA
efficiently and only with
DOWN STROKE TO
fundamentals
BASELINE
HUMOR provokes
amusement from the INITIAL WAVY UPPER
contrast between reality AREA DOWN STROKE
and assumed values
EXAGGERATE INITIAL
FACETIOUS
WAVY UPPER AREA
inappropriate humor
DOWN STROKE
IMPATIENCE eager to
act with no delay, wants I-DOT TO RIGHT OF I-
speed up activity or STEM
thoughts
PROCRASTINATION
I-DOT TO THE LEFT
delays, postpones
OF I-STEM
activities and thoughts
IDIOSYNCRASY
contrasts self from others
CIRCLED I-DOT
by having eccentric, odd,
and different qualities
IRRITABILITY easily
annoyed by minor or JAB LIKE I-DOT
momentary disturbances
FORGETFUL inability
to recall information, MISSING I-DOTS
absentminded
T – Bar
Vertical
Placement
T – Bar
Horizontal
Placement
PROCRASTINATION delays,
postpones activities and T-BAR TO THE LEFT OF
thoughts, plans to finish things T-STEM
later
TEMPER, EXPLOSIVE an
outburst of rage at another or T-BAR TO THE FAR
existing condition, short-fused RIGHT OF THE T-STEM
over unplanned delays
T – Bar
Direction
SERIOUSNESS OF
STRAIGHT
PURPOSE a sober concern for
HORIZONTAL T-BAR
self objectives
SELF-CONTROL purposely
imposes disciplined action for UMBRELLA-LIKE T-BAR
self-objectives
SHALLOWNESS OF
PURPOSE casual interest in DISH SHAPED T-BAR
self objectives
LACKADAISICAL
PURPOSE makes light of self WAVY T-BAR
objectives
INCREASINGLY HEAVY
DICTATORIAL controls
DOWNWARD/FORWARD
others and imposes obedience
T-BAR
LIGHTHEARTED expects
UPWARD FORWARD T-
plans to just happen, fall into
BAR
place, and should be doing
FORGETFUL inability to
recall information or planned MISSING T-BARS
action, absentminded
T - Bars
WILL POWER, IN
RESERVE increasing desire INCREASING FORWARD
to maintain objectives HEAVY T-BAR
regardless of difficulties
1
F , 8 ,
Capital
I , M ,
Printed
Block
Capitals
FIGURE 8
STRUCTURE PASSING
FLUIDITY the smooth
THROUGH BASELINE
transition from one
UPPER
word, thought, or action
PROPORTIONAL
to another, expresses
CIRCLE COMPLETED
abstract concepts and
BY AND ATTACHED
thoughts utilizing
TO A LOWER
concrete descriptions
PROPORTIONAL
LOOP
BALANCED F-
ORGANIZATIONAL
ENCLOSURES, AN
ABILITY desire to
UPPER
coordinate and to
PROPORTIONAL
arrange thoughts and
LOOP FLOWING INTO
actions into orderly
LOWER
structural systems,
PROPORTIONAL
desires balanced outlook,
CIRCLE TRANSITION
keeps to plans -
AT BASELINE
PRINTED SIMPLE
BLOCK CAPITAL I
WITH SERIFS,
VERTICAL STRAIGHT
UPPER
AUTONOMOUS follows
DOWNSTROKE WITH
own convictions,
EQUALLY BALANCED
balances self-directed
STRAIGHT
values with moral
HORIZONTAL
actions, cannot be led
STROKES
CONNECTED AT TOP
AND BOTTOM
SITTING ON
BASELINE
PRINTED SIMPLE
BLOCK CAPITAL M,
THREE VERTICAL
ARTISTIC STRAIGHT UPPER
INDEPENDENCE DOWNSTROKES
judges self-importance EQUALLY SPACED
by creative surroundings ON TOP OF
STRAIGHT
HORIZONTAL
STROKE
1
Unique
Patterns
Capitals
EGOISM justified
confidence in one's AVERAGE CAPITAL
importance in relation to HEIGHT
others
EGOTISM excessively
high regard of one's
importance in relation to TALL CAPITAL
others demonstrated
through arrogance
HUMILITY excessively
low regard of one's
SHORT CAPITAL
importance in relation to
others
AESTHETIC TASTES
appreciates creative PLAIN PRINTED
artistry and structural CAPITALS
systems
CULTURAL
REFINEMENT
integration and
MIDDLE LETTER
discrimination of
PRINTED AS CAPITAL
creative artistry and
structural systems into
one's mode of living
PICAYUNE cannot
discriminate or separate
creative artistry from
BLOCK PRINTING
surroundings, attaches
FOR SCRIPT
importance to
insignificant situations
and structures
FIGUREHEAD,
DESIRE FOR attaches
self importance relative LARGE CAPITAL IN
to surroundings, wants to MIDDLE OF WORD
be considered a leader
and the authority
2